Music: An Appreciation, Fifth Edition, Second Brief Edition

~ Parution par Roger Kamien (afficher toutes les versions de cette parution, 1 proposée)

Annotation

CD 1: P/N 033952-X
CD 2: P/N 033953-8
CD 3: P/N 033954-6

Annotation modifiée en dernier le 2021-11-28 01:23 UTC.

Liste de pistes

1▶CD
2▶CD
3▼CD
noTitreArtisteÉvaluationDurée
1La bohème: Act I. (Excerpt: Mimi's entrance through conclusion of her aria): Openings of scene
voix de soprano :
Mirella Freni (soprano)
voix de ténor :
Luciano Pavarotti (tenor)
orchestre :
Berlin Philharmonic Orchestra (Orchestre philharmonique de Berlin)
conductor :
Herbert von Karajan (conductor)
droits phonographiques (℗) par :
The Decca Record Company Limited, London (The Decca Record Company Limited, not a release label; for copyrights use only) (le 1973)
Giacomo Puccini4:11
2La bohème: Act I. (Excerpt: Mimi's entrance through conclusion of her aria): Rodolfo's Aria: "Che gelida manina"
voix de soprano :
Mirella Freni (soprano)
voix de ténor :
Luciano Pavarotti (tenor)
orchestre :
Berlin Philharmonic Orchestra (Orchestre philharmonique de Berlin)
conductor :
Herbert von Karajan (conductor)
droits phonographiques (℗) par :
The Decca Record Company Limited, London (The Decca Record Company Limited, not a release label; for copyrights use only) (le 1973)
Giacomo Puccini4:39
3La bohème: Act I. (Excerpt: Mimi's entrance through conclusion of her aria): Mimi's Aria: "Mi chiamano Mimi"
voix de soprano [Mimì] :
Mirella Freni (soprano) (le 1972-10)
voix de ténor [Rodolfo] :
Luciano Pavarotti (tenor) (le 1972-10)
orchestre :
Berliner Philharmoniker (Orchestre philharmonique de Berlin) (le 1972-10)
conductor :
Herbert von Karajan (conductor) (le 1972-10)
droits phonographiques (℗) par :
The Decca Record Company Limited (not a release label; for copyrights use only) (le 1973)
recording of :
La bohème: Atto I, no. 7. “Sì. Mi chiamano Mimì” (Mimì) (le 1972-10)
compositeur :
Giacomo Puccini (Italian composer)
librettiste :
Giuseppe Giacosa et Luigi Illica
partie de :
La bohème: Atto I. In soffitta (La bohème: Act I, Puccini)
Giacomo Puccini5:18
4"Die Walküre", Act I, scene 3 (Conclusion of love duet): Sieglinde, Wie die Stirn so offen steht
voix de soprano :
Leonie Rysanek (soprano)
voix de ténor :
James King (tenor)
orchestre :
Orchestra of the Bayreuth Festival (Bayreuth Festival Orchestra)
conductor :
Karl Böhm (Austrian conductor)
droits phonographiques (℗) par :
Phonogram International BV (responsible for worldwide A&R/rights management/manufacturing/distribution of Philips and affiliated companies) (le 1973)
Richard Wagner0:20
5"Die Walküre", Act I, scene 3 (Conclusion of love duet): "Valhalla" leitmotif
voix de soprano :
Leonie Rysanek (soprano)
voix de ténor :
James King (tenor)
orchestre :
Orchestra of the Bayreuth Festival (Bayreuth Festival Orchestra)
conductor :
Karl Böhm (Austrian conductor)
droits phonographiques (℗) par :
Phonogram International BV (responsible for worldwide A&R/rights management/manufacturing/distribution of Philips and affiliated companies) (le 1973)
Richard Wagner1:07
6"Die Walküre", Act I, scene 3 (Conclusion of love duet): "Love" leitmotif
voix de soprano :
Leonie Rysanek (soprano)
voix de ténor :
James King (tenor)
orchestre :
Orchestra of the Bayreuth Festival (Bayreuth Festival Orchestra)
conductor :
Karl Böhm (Austrian conductor)
droits phonographiques (℗) par :
Phonogram International BV (responsible for worldwide A&R/rights management/manufacturing/distribution of Philips and affiliated companies) (le 1973)
Richard Wagner0:53
7"Die Walküre", Act I, scene 3 (Conclusion of love duet): "Volsung" leitmotif together with "Sword" leitmotif
voix de soprano :
Leonie Rysanek (soprano)
voix de ténor :
James King (tenor)
orchestre :
Orchestra of the Bayreuth Festival (Bayreuth Festival Orchestra)
conductor :
Karl Böhm (Austrian conductor)
droits phonographiques (℗) par :
Phonogram International BV (responsible for worldwide A&R/rights management/manufacturing/distribution of Philips and affiliated companies) (le 1973)
Richard Wagner2:54
8"Die Walküre", Act I, scene 3 (Conclusion of love duet): Voice, downward octave leaps, "Notung"
voix de soprano :
Leonie Rysanek (soprano)
voix de ténor :
James King (tenor)
orchestre :
Orchestra of the Bayreuth Festival (Bayreuth Festival Orchestra)
conductor :
Karl Böhm (Austrian conductor)
droits phonographiques (℗) par :
Phonogram International BV (responsible for worldwide A&R/rights management/manufacturing/distribution of Philips and affiliated companies) (le 1973)
Richard Wagner0:28
9"Die Walküre", Act I, scene 3 (Conclusion of love duet): "Sword" leitmotif
voix de soprano :
Leonie Rysanek (soprano)
voix de ténor :
James King (tenor)
orchestre :
Orchestra of the Bayreuth Festival (Bayreuth Festival Orchestra)
conductor :
Karl Böhm (Austrian conductor)
droits phonographiques (℗) par :
Phonogram International BV (responsible for worldwide A&R/rights management/manufacturing/distribution of Philips and affiliated companies) (le 1973)
Richard Wagner0:48
10"Die Walküre", Act I, scene 3 (Conclusion of love duet): "Spring" leitmotif
voix de soprano :
Leonie Rysanek (soprano)
voix de ténor :
James King (tenor)
orchestre :
Orchestra of the Bayreuth Festival (Bayreuth Festival Orchestra)
conductor :
Karl Böhm (Austrian conductor)
droits phonographiques (℗) par :
Phonogram International BV (responsible for worldwide A&R/rights management/manufacturing/distribution of Philips and affiliated companies) (le 1973)
Richard Wagner1:00
11"Die Walküre", Act I, scene 3 (Conclusion of love duet): "Sword" leitmotif
voix de soprano :
Leonie Rysanek (soprano)
voix de ténor :
James King (tenor)
orchestre :
Orchestra of the Bayreuth Festival (Bayreuth Festival Orchestra)
conductor :
Karl Böhm (Austrian conductor)
droits phonographiques (℗) par :
Phonogram International BV (responsible for worldwide A&R/rights management/manufacturing/distribution of Philips and affiliated companies) (le 1973)
Richard Wagner0:31
12Prélude à "L'Après-midi d' un Faune": A: 1a. Main melody, unaccompanied flute (A)
orchestre :
Los Angeles Philharmonic
conductor :
André Previn (pianist, conductor, composer, arranger)
droits phonographiques (℗) par :
Philips Classics Productions (not for release label use!—classical music division of Polygram, reorganized as Philips Music Group in 1997) (le 1990)
Claude Debussy0:54
13Prélude à "L'Après-midi d' un Faune": A: 1b. Flute melody, strings accompany
orchestre :
Los Angeles Philharmonic
conductor :
André Previn (pianist, conductor, composer, arranger)
droits phonographiques (℗) par :
Philips Classics Productions (not for release label use!—classical music division of Polygram, reorganized as Philips Music Group in 1997) (le 1990)
Claude Debussy1:03
14Prélude à "L'Après-midi d' un Faune": A: 1c. Flute melody, strings accompany
orchestre :
Los Angeles Philharmonic
conductor :
André Previn (pianist, conductor, composer, arranger)
droits phonographiques (℗) par :
Philips Classics Productions (not for release label use!—classical music division of Polygram, reorganized as Philips Music Group in 1997) (le 1990)
Claude Debussy1:44
15Prélude à "L'Après-midi d' un Faune": A: 2b. New oboe melody
orchestre :
Los Angeles Philharmonic
conductor :
André Previn (pianist, conductor, composer, arranger)
droits phonographiques (℗) par :
Philips Classics Productions (not for release label use!—classical music division of Polygram, reorganized as Philips Music Group in 1997) (le 1990)
Claude Debussy1:16
16Prélude à "L'Après-midi d' un Faune": B: 3a. New legato melody in woodwinds (B)
orchestre :
Los Angeles Philharmonic
conductor :
André Previn (pianist, conductor, composer, arranger)
droits phonographiques (℗) par :
Philips Classics Productions (not for release label use!—classical music division of Polygram, reorganized as Philips Music Group in 1997) (le 1990)
Claude Debussy1:50
17Prélude à "L'Après-midi d' un Faune": A': 4a. Harp accompanies flute melody (A')
orchestre :
Los Angeles Philharmonic
conductor :
André Previn (pianist, conductor, composer, arranger)
droits phonographiques (℗) par :
Philips Classics Productions (not for release label use!—classical music division of Polygram, reorganized as Philips Music Group in 1997) (le 1990)
Claude Debussy1:16
18Prélude à "L'Après-midi d' un Faune": A': 5a. Antique cymbals, flute melody
orchestre :
Los Angeles Philharmonic
conductor :
André Previn (pianist, conductor, composer, arranger)
droits phonographiques (℗) par :
Philips Classics Productions (not for release label use!—classical music division of Polygram, reorganized as Philips Music Group in 1997) (le 1990)
Claude Debussy2:24
19"Introduction, Omens of Spring-Dances of the Youths and Maidens, Ritual of Abduction", from "Le Sacre du Printemps", Part I: "Introduction", solo bassoonn
orchestre :
Chicago Symphony Orchestra
conductor :
Sir Georg Solti (conductor)
droits phonographiques (℗) par :
The Decca Record Company Limited, London (The Decca Record Company Limited, not a release label; for copyrights use only) (le 1974)
Stravinsky2:40
20"Introduction, Omens of Spring-Dances of the Youths and Maidens, Ritual of Abduction", from "Le Sacre du Printemps", Part I: Repeated four-note figure
orchestre :
Chicago Symphony Orchestra
conductor :
Sir Georg Solti (conductor)
droits phonographiques (℗) par :
The Decca Record Company Limited, London (The Decca Record Company Limited, not a release label; for copyrights use only) (le 1974)
Stravinsky0:20
21"Introduction, Omens of Spring-Dances of the Youths and Maidens, Ritual of Abduction", from "Le Sacre du Printemps", Part I: "Omens of Spring-Dances of the Youths and Maidens"
orchestre :
Chicago Symphony Orchestra
conductor :
Sir Georg Solti (conductor)
droits phonographiques (℗) par :
The Decca Record Company Limited, London (The Decca Record Company Limited, not a release label; for copyrights use only) (le 1974)
Stravinsky0:47
22"Introduction, Omens of Spring-Dances of the Youths and Maidens, Ritual of Abduction", from "Le Sacre du Printemps", Part I: "Omens of Spring-Dances of the Youths and Maidens", bassoons, melodic fragment a
orchestre :
Chicago Symphony Orchestra
conductor :
Sir Georg Solti (conductor)
droits phonographiques (℗) par :
The Decca Record Company Limited, London (The Decca Record Company Limited, not a release label; for copyrights use only) (le 1974)
Stravinsky0:57
23"Introduction, Omens of Spring-Dances of the Youths and Maidens, Ritual of Abduction", from "Le Sacre du Printemps", Part I: "Omens of Spring-Dances of the Youths and Maidens", French horn, melodic fragment b
orchestre :
Chicago Symphony Orchestra
conductor :
Sir Georg Solti (conductor)
droits phonographiques (℗) par :
The Decca Record Company Limited, London (The Decca Record Company Limited, not a release label; for copyrights use only) (le 1974)
Stravinsky0:36
24"Introduction, Omens of Spring-Dances of the Youths and Maidens, Ritual of Abduction", from "Le Sacre du Printemps", Part I: "Omens of Spring-Dances of the Youths and Maidens", trumpets, melodic fragment c
orchestre :
Chicago Symphony Orchestra
conductor :
Sir Georg Solti (conductor)
droits phonographiques (℗) par :
The Decca Record Company Limited, London (The Decca Record Company Limited, not a release label; for copyrights use only) (le 1974)
Stravinsky1:00
25"Introduction, Omens of Spring-Dances of the Youths and Maidens, Ritual of Abduction", from "Le Sacre du Printemps", Part I: "Ritual of Abduction"
orchestre :
Chicago Symphony Orchestra
conductor :
Sir Georg Solti (conductor)
droits phonographiques (℗) par :
The Decca Record Company Limited, London (The Decca Record Company Limited, not a release label; for copyrights use only) (le 1974)
Stravinsky0:52
26"Introduction, Omens of Spring-Dances of the Youths and Maidens, Ritual of Abduction", from "Le Sacre du Printemps", Part I: "Ritual of Abduction", powerful accents and rapid changes of meter
orchestre :
Chicago Symphony Orchestra
conductor :
Sir Georg Solti (conductor)
droits phonographiques (℗) par :
The Decca Record Company Limited, London (The Decca Record Company Limited, not a release label; for copyrights use only) (le 1974)
Stravinsky0:28
27A Survivor from Warsaw, Op. 46: Orchestral introduction
soutien divers :
Elmer Iseler (choir master) (tâche : director)
chœurs :
Festival Singers of Toronto
voix parlées [narrator] :
John Horton (actor)
orchestre :
CBC Symphony Orchestra
conductor :
Robert Craft (conductor)
Arnold Schoenberg3:45
28A Survivor from Warsaw, Op. 46: "They started slowly, and irregularly"
soutien divers :
Elmer Iseler (choir master) (tâche : director)
chœurs :
Festival Singers of Toronto
voix parlées [narrator] :
John Horton (actor)
orchestre :
CBC Symphony Orchestra
conductor :
Robert Craft (conductor)
Arnold Schoenberg2:18
29Five Pieces for Orchestra. Op. 10, No. 3 (Very slow and extremely calm)
producteur :
Roy Emerson (producer, engineer, classical)
orchestre :
London Symphony Orchestra (le 1969-02)
conductor :
Pierre Boulez (composer and conductor) (le 1969-02)
enregistré à :
Barking Town Hall dans London (Londres, Greater London), England, Royaume-Uni (le 1969-02-01)
montage de :
Fünf Stücke für Orchester, op. 10 par London Symphony Orchestra, Pierre Boulez (composer and conductor)
recording of :
5 Pieces for Orchestra, op. 10: III. Sehr langsam und äußerst ruhig (le 1969-02)
compositeur :
Anton Webern (composer) (du 1911 au 1913)
partie de :
5 Pieces for Orchestra, op. 10 (Five Pieces for Orchestra, op. 10)
Anton Webern1:33
30Concerto for Orchestra, second movement: A: 1. Solo side drum
orchestre :
Chicago Symphony Orchestra
conductor :
Sir Georg Solti (conductor)
droits phonographiques (℗) par :
The Decca Record Company Limited, London (The Decca Record Company Limited, not a release label; for copyrights use only) (le 1981)
Béla Bartók0:33
31Concerto for Orchestra, second movement: A: 3a. Two oboes
orchestre :
Chicago Symphony Orchestra
conductor :
Sir Georg Solti (conductor)
droits phonographiques (℗) par :
The Decca Record Company Limited, London (The Decca Record Company Limited, not a release label; for copyrights use only) (le 1981)
Béla Bartók0:27
32Concerto for Orchestra, second movement: A: 4a. Two clarinets
orchestre :
Chicago Symphony Orchestra
conductor :
Sir Georg Solti (conductor)
droits phonographiques (℗) par :
The Decca Record Company Limited, London (The Decca Record Company Limited, not a release label; for copyrights use only) (le 1981)
Béla Bartók0:21
33Concerto for Orchestra, second movement: A: 5a. Two flutes
orchestre :
Chicago Symphony Orchestra
conductor :
Sir Georg Solti (conductor)
droits phonographiques (℗) par :
The Decca Record Company Limited, London (The Decca Record Company Limited, not a release label; for copyrights use only) (le 1981)
Béla Bartók0:42
34Concerto for Orchestra, second movement: A: 6. Two muted trumpets
orchestre :
Chicago Symphony Orchestra
conductor :
Sir Georg Solti (conductor)
droits phonographiques (℗) par :
The Decca Record Company Limited, London (The Decca Record Company Limited, not a release label; for copyrights use only) (le 1981)
Béla Bartók0:47
35Concerto for Orchestra, second movement: B: 1a. Brasses, hymnlike melody
orchestre :
Chicago Symphony Orchestra
conductor :
Sir Georg Solti (conductor)
droits phonographiques (℗) par :
The Decca Record Company Limited, London (The Decca Record Company Limited, not a release label; for copyrights use only) (le 1981)
Béla Bartók1:00
36Concerto for Orchestra, second movement: A': 1. Two bassoons, opening melody, third bassoon in background
orchestre :
Chicago Symphony Orchestra
conductor :
Sir Georg Solti (conductor)
droits phonographiques (℗) par :
The Decca Record Company Limited, London (The Decca Record Company Limited, not a release label; for copyrights use only) (le 1981)
Béla Bartók2:20
37"Appalachian Spring", Section 7: Theme and Variations on "Simple Gifts": Theme
orchestre :
Detroit Symphony Orchestra
conductor :
Antal Doráti (conductor)
droits phonographiques (℗) par :
The Decca Record Company Limited, London (The Decca Record Company Limited, not a release label; for copyrights use only) (le 1986)
Aaron Copland0:37
38"Appalachian Spring", Section 7: Theme and Variations on "Simple Gifts": Variation 1
orchestre :
Detroit Symphony Orchestra
conductor :
Antal Doráti (conductor)
droits phonographiques (℗) par :
The Decca Record Company Limited, London (The Decca Record Company Limited, not a release label; for copyrights use only) (le 1986)
Aaron Copland0:27
39"Appalachian Spring", Section 7: Theme and Variations on "Simple Gifts": Variation 2
orchestre :
Detroit Symphony Orchestra
conductor :
Antal Doráti (conductor)
droits phonographiques (℗) par :
The Decca Record Company Limited, London (The Decca Record Company Limited, not a release label; for copyrights use only) (le 1986)
Aaron Copland0:48
40"Appalachian Spring", Section 7: Theme and Variations on "Simple Gifts": Variation 3
orchestre :
Detroit Symphony Orchestra
conductor :
Antal Doráti (conductor)
droits phonographiques (℗) par :
The Decca Record Company Limited, London (The Decca Record Company Limited, not a release label; for copyrights use only) (le 1986)
Aaron Copland0:24
41"Appalachian Spring", Section 7: Theme and Variations on "Simple Gifts": Variation 4
orchestre :
Detroit Symphony Orchestra
conductor :
Antal Doráti (conductor)
droits phonographiques (℗) par :
The Decca Record Company Limited, London (The Decca Record Company Limited, not a release label; for copyrights use only) (le 1986)
Aaron Copland0:16
42"Appalachian Spring", Section 7: Theme and Variations on "Simple Gifts": Variation 5
orchestre :
Detroit Symphony Orchestra
conductor :
Antal Doráti (conductor)
droits phonographiques (℗) par :
The Decca Record Company Limited, London (The Decca Record Company Limited, not a release label; for copyrights use only) (le 1986)
Aaron Copland0:31
43Poème électronique (excerpt)
Edgard Varèse2:46
44"Concerto Grosso 1985", first movement: Maestoso: 1a. Orchestra in unison
orchestre :
New York Philharmonic
conductor :
Zubin Mehta (conductor)
droits phonographiques (℗) par :
Recorded Anthology of American Music, Inc. Under license from New World Records, Inc. (le 1989)
Ellen Taaffe Zwilich0:34
45"Concerto Grosso 1985", first movement: Maestoso: 1c. Handel quotation
orchestre :
New York Philharmonic
conductor :
Zubin Mehta (conductor)
droits phonographiques (℗) par :
Recorded Anthology of American Music, Inc. Under license from New World Records, Inc. (le 1989)
Ellen Taaffe Zwilich2:12
46"Nixon in China", Act I, scene 2, opening
voix de baryton :
James Maddalena (baritone) et Sanford Sylvan (baritone)
voix de basse :
Thomas Hammons
voix de mezzo-soprano :
Marion Dry (contralto), Stephanie Friedman (mezzo-soprano) et Mari Opatz (mezzo-soprano)
voix de ténor :
John Duykers (tenor)
orchestre :
Orchestra of St. Luke’s
conductor :
Edo de Waart (conductor)
droits phonographiques (℗) par :
Elektra/Asylum/Nonesuch Records (not for release label use! a division of Warner Communications Inc.) (le 1988)
soutien divers :
Elektra Entertainment (company, DO NOT USE as release label, for releases use “Elektra”) (tâche : Produced under license from)
John Adams4:16
47"Tonight" Ensemble from "West Side Story": 1a. Orchestra
voix de baryton :
Kurt Ollmann (baritone)
voix de mezzo-soprano :
Tatiana Troyanos (mezzo-soprano)
voix de soprano :
Kiri Te Kanawa (soprano)
voix de ténor :
José Carreras (Spanish tenor)
conductor :
Leonard Bernstein (American conductor, composer, pianist)
droits phonographiques (℗) par :
Polydor International GmbH, Hamburg (not for release label use!) (le 1985)
Leonard Bernstein1:25
48"Tonight" Ensemble from "West Side Story": 1d. Tony, lyrical "Tonight" melody
voix de baryton :
Kurt Ollmann (baritone)
voix de mezzo-soprano :
Tatiana Troyanos (mezzo-soprano)
voix de soprano :
Kiri Te Kanawa (soprano)
voix de ténor :
José Carreras (Spanish tenor)
conductor :
Leonard Bernstein (American conductor, composer, pianist)
droits phonographiques (℗) par :
Polydor International GmbH, Hamburg (not for release label use!) (le 1985)
Leonard Bernstein2:18
49Song from Angola (Gangele song)
[unknown]1:29
50Mitamba Yalagala Kumchuzi
[unknown]1:34
51Godan Ginuta (excerpt)
interprète :
Izumi Kai Koto Ensemble
Mitsuzaki Kengyō2:50

Crédits

Parution

fabriqué par :PolyGram Special Markets (US only)
protégé par les droits d'auteur (©) de :McGraw-Hill, Inc (le 1992)
droits phonographiques (℗) par :PolyGram Records, Inc. (not for release label use! US division of PolyGram) (le 1992)