Kim Carnes (Master Series, white)

~ Release by Kim Carnes (see all versions of this release, 1 available)

Tracklist

1▼CD
#TitleRatingLength
1You’re a Part of Me
engineer:
Rick Porter (Recording Engineer) and Chuck Trammel (recording engineer) (task: second engineer)
producer:
Mentor Williams (songwriter & producer)
lead vocals:
Kim Carnes
recorded at:
A&M Studios in Hollywood, Los Angeles, California, United States
recording of:
You’re a Part of Me
lyricist and composer:
Kim Carnes
publisher:
Chappell & Co., Inc. (USA) and Chappell Musikverlag GmbH
3:38
2Warm Love
assistant engineer:
Steve Gursky and Jim Skiathigis (task: set-up man)
engineer:
Jack Adams (American engineer)
producer:
Barry Beckett (in 1976) and Jerry Wexler (in 1976)
acoustic guitar:
Pete Carr (US guitarist) and Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section)
bass:
David Hood (Muscle Shoals, AL guitarist and trombonist)
drums (drum set):
Roger Hawkins (drummer and producer)
electric guitar [rhythm electric guitar]:
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section)
guitar [lead guitar] and resonator guitar [dobro]:
Pete Carr (US guitarist)
horn:
Harrison Calloway (American trumpeter, songwriter, producer and arranger.), Ronald Eades (American saxophonist), Charles Rose (American trombone player) and Harvey Thompson (saxophonist)
keyboard:
Barry Beckett
percussion:
Roger Hawkins (drummer and producer) and Tom Roady
background vocals:
Kim Carnes, Julia Tillman and Maxine Willard
lead vocals:
Kim Carnes
arranger:
Barry Beckett and Harrison Calloway (American trumpeter, songwriter, producer and arranger.)
cover recording of:
Warm Love (in 1976)
lyricist and composer:
Van Morrison
publisher:
Caledonia Soul Music, Chappell Music (UK), Warner Bros. Music (publisher; do NOT use as release label), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) and Warner/Chappell North America
3:33
3Bad Seed
engineer:
Rick Porter (Recording Engineer) and Chuck Trammel (recording engineer) (task: second engineer)
producer:
Mentor Williams (songwriter & producer)
lead vocals:
Kim Carnes
recorded at:
A&M Studios in Hollywood, Los Angeles, California, United States
recording of:
Bad Seed
writer:
Kim Carnes, Dave Ellingson, Eddie Reeves (Singer, songwriter) and Mentor Williams (songwriter & producer)
publisher:
Almo Music Corp. (USA, affiliated with ASCAP), Appian Music Co., Chappell & Co., Inc. (USA) and Unichappell Music, Inc.
4:31
4Love Comes From Unexpected Places
assistant engineer:
Steve Gursky and Jim Skiathigis (task: set-up man)
engineer:
Jack Adams (American engineer)
producer:
Barry Beckett (in 1976) and Jerry Wexler (in 1976)
acoustic guitar:
Pete Carr (US guitarist) and Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section)
bass:
David Hood (Muscle Shoals, AL guitarist and trombonist)
drums (drum set):
Roger Hawkins (drummer and producer)
electric guitar [rhythm electric guitar]:
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section)
guitar [lead guitar] and resonator guitar [dobro]:
Pete Carr (US guitarist)
keyboard:
Barry Beckett
percussion:
Roger Hawkins (drummer and producer) and Tom Roady
piano:
Bill Cuomo
background vocals:
Kim Carnes, Julia Tillman and Maxine Willard
lead vocals:
Kim Carnes
co-arranger:
Bill Cuomo
recording of:
Love Comes From Unexpected Places (in 1976)
writer:
Kim Carnes and Dave Ellingson
publisher:
Chappell & Co., Inc. (USA)
3:34
5Let Your Love Come Easy
assistant engineer:
Steve Gursky and Jim Skiathigis (task: set-up man)
engineer:
Jack Adams (American engineer)
producer:
Barry Beckett (in 1976) and Jerry Wexler (in 1976)
acoustic guitar:
Pete Carr (US guitarist) and Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section)
bass:
David Hood (Muscle Shoals, AL guitarist and trombonist)
drums (drum set):
Roger Hawkins (drummer and producer)
electric guitar [rhythm electric guitar]:
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section)
guitar [lead guitar] and resonator guitar [dobro]:
Pete Carr (US guitarist)
keyboard:
Barry Beckett
percussion:
Roger Hawkins (drummer and producer) and Tom Roady
solo flute:
Chris Colclesser
background vocals:
Kim Carnes, Julia Tillman and Maxine Willard
lead vocals:
Kim Carnes
recording of:
Let Your Love Come Easy (in 1976)
writer:
Kim Carnes and Dave Ellingson
3:34
6Somewhere in the Night
engineer:
Rick Porter (Recording Engineer) and Chuck Trammel (recording engineer) (task: second engineer)
producer:
Mentor Williams (songwriter & producer)
lead vocals:
Kim Carnes
recorded at:
A&M Studios in Hollywood, Los Angeles, California, United States
cover recording of:
Somewhere in the Night
lyricist:
Will Jennings (in 1975)
writer:
Will Jennings
composer:
Richard Kerr (in 1975)
publisher:
Imagem Songs Ltd. and Irving Music (BMI)
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
3:46
7The Best of You (Has Got the Best of Me)
assistant engineer:
Steve Gursky and Jim Skiathigis (task: set-up man)
engineer:
Jack Adams (American engineer)
producer:
Barry Beckett (in 1976) and Jerry Wexler (in 1976)
acoustic guitar:
Pete Carr (US guitarist) and Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section)
bass:
David Hood (Muscle Shoals, AL guitarist and trombonist)
drums (drum set):
Roger Hawkins (drummer and producer)
electric guitar [rhythm electric guitar]:
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section)
guitar [lead guitar] and resonator guitar [dobro]:
Pete Carr (US guitarist)
keyboard:
Barry Beckett
percussion:
Roger Hawkins (drummer and producer) and Tom Roady
background vocals:
Kim Carnes, Julia Tillman and Maxine Willard
lead vocals:
Kim Carnes
arranger:
Mike Lewis (US composer, arranger and producer)
recording of:
The Best of You (Has Got the Best of Me) (in 1976)
writer:
Kim Carnes and Eddie Reeves (Singer, songwriter)
publisher:
Appian Music Co., Unichappell Music, Inc. and Chappell & Co., Inc. (USA) (in 1976)
3:11
8Nothing Makes Me Feel as Good as a Love Song
engineer:
Rick Porter (Recording Engineer) and Chuck Trammel (recording engineer) (task: second engineer)
producer:
Mentor Williams (songwriter & producer)
lead vocals:
Kim Carnes
recorded at:
A&M Studios in Hollywood, Los Angeles, California, United States
recording of:
Nothing Makes Me Feel as Good as a Love Song
lyricist and composer:
Kim Carnes
3:02
9Sailin’
assistant engineer:
Steve Gursky and Jim Skiathigis (task: set-up man)
engineer:
Jack Adams (American engineer)
producer:
Barry Beckett (in 1976) and Jerry Wexler (in 1976)
acoustic guitar:
Pete Carr (US guitarist) and Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section)
bass:
David Hood (Muscle Shoals, AL guitarist and trombonist)
drums (drum set):
Roger Hawkins (drummer and producer)
electric guitar [rhythm electric guitar]:
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section)
guitar [lead guitar] and resonator guitar [dobro]:
Pete Carr (US guitarist)
keyboard:
Barry Beckett
mandolin:
David Grisman
percussion:
Roger Hawkins (drummer and producer) and Tom Roady
background vocals:
Kim Carnes, Julia Tillman and Maxine Willard
lead vocals:
Kim Carnes
recording of:
Sailin' (in 1976)
writer:
Kim Carnes and Dave Ellingson
4:22
10All He Did Was Tell Me Lies (to Try to Woo Me)
assistant engineer:
Steve Gursky and Jim Skiathigis (task: set-up man)
engineer:
Jack Adams (American engineer)
producer:
Barry Beckett (in 1976) and Jerry Wexler (in 1976)
acoustic guitar:
Pete Carr (US guitarist) and Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section)
bass:
David Hood (Muscle Shoals, AL guitarist and trombonist)
drums (drum set):
Roger Hawkins (drummer and producer)
electric guitar [rhythm electric guitar]:
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section)
guitar [lead guitar] and resonator guitar [dobro]:
Pete Carr (US guitarist)
keyboard:
Barry Beckett
mandolin:
David Grisman
percussion:
Roger Hawkins (drummer and producer) and Tom Roady
background vocals:
Dave Grisman and Dave Ellingson
lead vocals:
Kim Carnes
recording of:
All He Did Was Tell Me Lies (to Try to Woo Me) (in 1976)
lyricist and composer:
Kim Carnes
publisher:
Lorimar Music A Corp. and Chappell & Co., Inc. (USA) (in 1976)
4:01
11Waiting for the Pain to Go Away
engineer:
Rick Porter (Recording Engineer) and Chuck Trammel (recording engineer) (task: second engineer)
producer:
Mentor Williams (songwriter & producer)
lead vocals:
Kim Carnes
recorded at:
A&M Studios in Hollywood, Los Angeles, California, United States
recording of:
Waiting for the Pain to Go Away
writer:
Milton Brown (songwriter) and Stephen Dorff (composer)
3:12
12Tubin’
assistant engineer:
Steve Gursky and Jim Skiathigis (task: set-up man)
engineer:
Jack Adams (American engineer)
producer:
Barry Beckett (in 1976) and Jerry Wexler (in 1976)
acoustic guitar:
Pete Carr (US guitarist) and Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section)
bass:
David Hood (Muscle Shoals, AL guitarist and trombonist)
drums (drum set):
Roger Hawkins (drummer and producer)
electric guitar [rhythm electric guitar]:
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section)
guitar [lead guitar] and resonator guitar [dobro]:
Pete Carr (US guitarist)
harmonica:
Blackie Schackner
keyboard:
Barry Beckett
percussion:
Roger Hawkins (drummer and producer) and Tom Roady
piano and lead vocals:
Kim Carnes
solo soprano saxophone:
Bob Wilber
background vocals:
Kim Carnes, Julia Tillman and Maxine Willard
arranger:
Bob Wilber
recording of:
Tubin' (in 1976)
writer:
Kim Carnes and Dave Ellingson
4:03
13Do You Love Her
engineer:
Rick Porter (Recording Engineer) and Chuck Trammel (recording engineer) (task: second engineer)
producer:
Mentor Williams (songwriter & producer)
lead vocals:
Kim Carnes
recorded at:
A&M Studios in Hollywood, Los Angeles, California, United States
recording of:
Do You Love Her
lyricist and composer:
Kim Carnes
publisher:
Lorimar Music A Corp. and Warner Olive Music LLC
3:49
14It’s Not the Spot Light
assistant engineer:
Steve Gursky and Jim Skiathigis (task: set-up man)
engineer:
Jack Adams (American engineer)
producer:
Barry Beckett (in 1976) and Jerry Wexler (in 1976)
acoustic guitar:
Pete Carr (US guitarist) and Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section)
bass:
David Hood (Muscle Shoals, AL guitarist and trombonist)
drums (drum set):
Roger Hawkins (drummer and producer)
electric guitar [rhythm electric guitar]:
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section)
guitar [lead guitar] and resonator guitar [dobro]:
Pete Carr (US guitarist)
keyboard:
Barry Beckett
percussion:
Roger Hawkins (drummer and producer) and Tom Roady
background vocals:
Kim Carnes and Maxine Willard
lead vocals:
Kim Carnes
vocals:
Julia Tillman
cover recording of:
It’s Not the Spotlight (in 1976)
writer:
Gerry Goffin and Barry Goldberg (blues rock keyboardist and producer)
publisher:
Screen Gems–Columbia Music, Inc.
4:11
15And Still Be Loving You
engineer:
Rick Porter (Recording Engineer) and Chuck Trammel (recording engineer) (task: second engineer)
producer:
Mentor Williams (songwriter & producer)
lead vocals:
Kim Carnes
recorded at:
A&M Studios in Hollywood, Los Angeles, California, United States
recording of:
And Still Be Loving You
writer:
Kim Carnes and Dave Ellingson
publisher:
Lorimar Music A Corp. and Warner Olive Music LLC
4:46
16He’ll Come Home
assistant engineer:
Steve Gursky and Jim Skiathigis (task: set-up man)
engineer:
Jack Adams (American engineer)
producer:
Barry Beckett (in 1976) and Jerry Wexler (in 1976)
acoustic guitar:
Pete Carr (US guitarist) and Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section)
bass:
David Hood (Muscle Shoals, AL guitarist and trombonist)
drums (drum set):
Roger Hawkins (drummer and producer)
electric guitar [rhythm electric guitar]:
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section)
guitar [lead guitar] and resonator guitar [dobro]:
Pete Carr (US guitarist)
keyboard:
Barry Beckett
percussion:
Roger Hawkins (drummer and producer) and Tom Roady
piano and lead vocals:
Kim Carnes
background vocals:
Kim Carnes, Julia Tillman and Maxine Willard
arranger:
Mike Lewis (US composer, arranger and producer)
recording of:
He'll Come Home (in 1976)
writer:
Kim Carnes
3:05
17It Could Have Been Better
engineer:
Rick Porter (Recording Engineer) and Chuck Trammel (recording engineer) (task: second engineer)
producer:
Mentor Williams (songwriter & producer)
lead vocals:
Kim Carnes
recorded at:
A&M Studios in Hollywood, Los Angeles, California, United States
recording of:
It Could Have Been Better
writer:
Kim Carnes and Dave Ellingson
2:29
18Last Thing You Wanted to Do
assistant engineer:
Steve Gursky and Jim Skiathigis (task: set-up man)
engineer:
Jack Adams (American engineer)
producer:
Barry Beckett (in 1976) and Jerry Wexler (in 1976)
acoustic guitar:
Pete Carr (US guitarist) and Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section)
bass:
David Hood (Muscle Shoals, AL guitarist and trombonist)
drums (drum set):
Roger Hawkins (drummer and producer)
electric guitar [rhythm electric guitar]:
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section)
guitar [lead guitar] and resonator guitar [dobro]:
Pete Carr (US guitarist)
keyboard:
Barry Beckett
percussion:
Roger Hawkins (drummer and producer) and Tom Roady
background vocals:
Kim Carnes, Julia Tillman and Maxine Willard
lead vocals:
Kim Carnes
arranger:
Mike Lewis (US composer, arranger and producer)
recording of:
Last Thing You Ever Wanted to Do (in 1976)
writer:
Kim Carnes and Dave Ellingson
4:06

Credits

Release

part of:Master Series (international) (1998–, white background, "Master Series" in red cursive font) (order: 12)
Discogs:https://www.discogs.com/release/2775871 [info]