Things Are Getting Better

~ Veröffentlichung von Cannonball Adderley feat. Milt Jackson (alle Versionen dieser Veröffentlichung ansehen, 18 vorhanden)

Anmerkung

Notes

This is the commonly available (in US and Europe) modern edition with 2 additional cuts (#4 & 7), initially by OJC and nowadays available as a SACD (and recently pushed on the Japanese market as well).

Anmerkung zuletzt geändert am 2008-04-30 13:47 UTC.

Titelliste

1▼SACD
Nr.TitelBewertungLänge
1Blues Oriental
recorded in:
New York, New York, Vereinigte Staaten (am 1958-10-28)
Techniker(in):
Jack Higgins (recording engineer)
Produzent(in):
Orrin Keepnews
alto saxophone:
Cannonball Adderley (am 1958-10-28)
Klavier:
Wynton Kelly (am 1958-10-28)
Kontrabass:
Percy Heath (am 1958-10-28)
Schlagzeug:
Art Blakey (am 1958-10-28)
Vibraphon:
Milt Jackson (am 1958-10-28)
phonographisches Urheberrecht (℗) von:
Milestone Records (holding company for jazz label Milestone; do NOT use as label) (in 1973), Concord Music Group, Inc. (part of Concord Bicycle Music since 2015/04/01, not for release label use!) (in 2013) und Kendal (in 2014)
recording of:
Blues Oriental (am 1958-10-28)
Komponist(in):
Milt Jackson
5:03
2Things Are Getting Better
recorded in:
New York, New York, Vereinigte Staaten (am 1958-10-28)
Techniker(in):
Jack Higgins (recording engineer)
Produzent(in):
Orrin Keepnews
alto saxophone:
Cannonball Adderley (am 1958-10-28)
Klavier:
Wynton Kelly (am 1958-10-28)
Kontrabass:
Percy Heath (am 1958-10-28)
Schlagzeug:
Art Blakey (am 1958-10-28)
Vibraphon:
Milt Jackson (am 1958-10-28)
phonographisches Urheberrecht (℗) von:
Milestone Records (holding company for jazz label Milestone; do NOT use as label) (in 1973), Concord Music Group, Inc. (part of Concord Bicycle Music since 2015/04/01, not for release label use!) (in 2012, in 2013) und Kendal (in 2014)
recording of:
Things Are Getting Better (am 1958-10-28)
Verfasser(in):
Dory Langdon (Folk singer, songwriter, lyricist and poet) und Julian Adderley
7:15
3Serves Me Right (take 5)
recorded in:
New York, New York, Vereinigte Staaten (am 1958-10-28)
Techniker(in):
Jack Higgins (recording engineer)
Produzent(in):
Orrin Keepnews
alto saxophone:
Cannonball Adderley (am 1958-10-28)
Klavier:
Wynton Kelly (am 1958-10-28)
Kontrabass:
Percy Heath (am 1958-10-28)
Schlagzeug:
Art Blakey (am 1958-10-28)
Vibraphon:
Milt Jackson (am 1958-10-28)
phonographisches Urheberrecht (℗) von:
Milestone Records (holding company for jazz label Milestone; do NOT use as label) (in 1973) und Concord Music Group, Inc. (part of Concord Bicycle Music since 2015/04/01, not for release label use!) (in 2013)
recording of:
Serves Me Right
Komponist(in):
Buddy Johnson
4:49
4Serves Me Right (take 4)
recorded in:
New York, New York, Vereinigte Staaten (am 1958-10-28)
alto saxophone:
Cannonball Adderley (am 1958-10-28)
Klavier:
Wynton Kelly (am 1958-10-28)
Kontrabass:
Percy Heath (am 1958-10-28)
Schlagzeug:
Art Blakey (am 1958-10-28)
Vibraphon:
Milt Jackson (am 1958-10-28)
phonographisches Urheberrecht (℗) von:
Concord Music Group, Inc. (part of Concord Bicycle Music since 2015/04/01, not for release label use!) (in 2013) und Kendal (in 2014)
recording of:
Serves Me Right
Komponist(in):
Buddy Johnson
4:36
5Groovin' High
recorded in:
New York, New York, Vereinigte Staaten (am 1958-10-28)
Techniker(in):
Jack Higgins (recording engineer)
Produzent(in):
Orrin Keepnews
alto saxophone:
Cannonball Adderley (am 1958-10-28)
Klavier:
Wynton Kelly (am 1958-10-28)
Kontrabass:
Percy Heath (am 1958-10-28)
Schlagzeug:
Art Blakey (am 1958-10-28)
Vibraphon:
Milt Jackson (am 1958-10-28)
phonographisches Urheberrecht (℗) von:
Milestone Records (holding company for jazz label Milestone; do NOT use as label) (in 1973), Concord Music Group, Inc. (part of Concord Bicycle Music since 2015/04/01, not for release label use!) (in 2009, in 2013) und Kendal (in 2014)
recording of:
Groovin’ High (am 1958-10-28)
Komponist(in):
Dizzy Gillespie, Frank Paparelli und Charlie Parker (aka “Bird”, jazz alto saxophonist)
5:23
6The Sidewalks of New York (take 5)
recorded in:
New York, New York, Vereinigte Staaten (am 1958-10-28)
Techniker(in):
Jack Higgins (recording engineer)
Produzent(in):
Orrin Keepnews
alto saxophone:
Cannonball Adderley (am 1958-10-28)
Klavier:
Wynton Kelly (am 1958-10-28)
Kontrabass:
Percy Heath (am 1958-10-28)
Schlagzeug:
Art Blakey (am 1958-10-28)
Vibraphon:
Milt Jackson (am 1958-10-28)
phonographisches Urheberrecht (℗) von:
Milestone Records (holding company for jazz label Milestone; do NOT use as label) (in 1973) und Concord Music Group, Inc. (part of Concord Bicycle Music since 2015/04/01, not for release label use!) (in 2013)
instrumental recording of:
The Sidewalks of New York (am 1958-10-28)
Texter:
James W. Blake
Komponist(in):
Charles B. Lawlor
7:00
7The Sidewalks of New York (take 4)
recorded in:
New York, New York, Vereinigte Staaten (am 1958-10-28)
alto saxophone:
Cannonball Adderley (am 1958-10-28)
Klavier:
Wynton Kelly (am 1958-10-28)
Kontrabass:
Percy Heath (am 1958-10-28)
Schlagzeug:
Art Blakey (am 1958-10-28)
Vibraphon:
Milt Jackson (am 1958-10-28)
phonographisches Urheberrecht (℗) von:
Concord Music Group, Inc. (part of Concord Bicycle Music since 2015/04/01, not for release label use!) (in 2013) und Kendal (in 2014)
instrumental recording of:
The Sidewalks of New York (am 1958-10-28)
Texter:
James W. Blake
Komponist(in):
Charles B. Lawlor
5:14
8Sounds for Sid
recorded in:
New York, New York, Vereinigte Staaten (am 1958-10-28)
Techniker(in):
Jack Higgins (recording engineer)
Produzent(in):
Orrin Keepnews
alto saxophone:
Cannonball Adderley (am 1958-10-28)
Klavier:
Wynton Kelly (am 1958-10-28)
Kontrabass:
Percy Heath (am 1958-10-28)
Schlagzeug:
Art Blakey (am 1958-10-28)
Vibraphon:
Milt Jackson (am 1958-10-28)
phonographisches Urheberrecht (℗) von:
Milestone Records (holding company for jazz label Milestone; do NOT use as label) (in 1973), Concord Music Group, Inc. (part of Concord Bicycle Music since 2015/04/01, not for release label use!) (in 2013) und Kendal (in 2014)
recording of:
Sounds for Sid (am 1958-10-28)
Komponist(in):
Julian Adderley
6:28
9Just One of Those Things
recorded in:
New York, New York, Vereinigte Staaten (am 1958-10-28)
Techniker(in):
Jack Higgins (recording engineer)
Produzent(in):
Orrin Keepnews
alto saxophone:
Cannonball Adderley (am 1958-10-28)
Klavier:
Wynton Kelly (am 1958-10-28)
Kontrabass:
Percy Heath (am 1958-10-28)
Schlagzeug:
Art Blakey (am 1958-10-28)
Vibraphon:
Milt Jackson (am 1958-10-28)
phonographisches Urheberrecht (℗) von:
Milestone Records (holding company for jazz label Milestone; do NOT use as label) (in 1973), Concord Music Group, Inc. (part of Concord Bicycle Music since 2015/04/01, not for release label use!) (in 2013) und Kendal (in 2014)
instrumental recording of:
Just One of Those Things (am 1958-10-28)
Texter und Komponist(in):
Cole Porter (composer) (in 1935)
publisher:
Chappell Music Ltd., Warner/Chappell (Warner/Chappell Music, Inc.) und Warner Bros., Inc. (not for release label use!) (in 1929)
Teil von:
Can‐Can (1960 musical film)
Teil von:
High Society (stage musical)
Teil von:
Jubilee
Teil von:
Panama Hattie (1942 film)
6:45