I Want To Be Loved

~ Release by Nancy Wilson (see all versions of this release, 1 available)

Annotation

Countries excluded (Spotify + Deezer)

(As of 2022-08-06).

  • Northern America: 🇺🇸 United States (us)
Annotation last modified on 2022-08-06 22:29 UTC.

Tracklist

1Digital Media
#TitleRatingLength
1I Want To Be Loved
cover recording of:
I Want to Be Loved (but Only by You)
lyricist and composer:
William “Pat” Best
2:19
2Happy Talk
recorded in:
New York, New York, United States (from 1961-06-27 until 1961-06-29)
producer:
Tom Morgan (producer) and Andy Wiswell
alto saxophone:
Cannonball Adderley (from 1961-06-27 until 1961-06-29)
cornet:
Nat Adderley (from 1961-06-27 until 1961-06-29)
double bass:
Sam Jones (US jazz bassist) (from 1961-06-27 until 1961-06-29)
drums (drum set):
Louis Hayes (from 1961-06-27 until 1961-06-29)
piano:
Joe Zawinul (jazz and fusion keyboard player) (from 1961-06-27 until 1961-06-29)
vocals:
Nancy Wilson (jazz/blues/soul singer) (from 1961-06-27 until 1961-06-29)
remixer:
Larry Walsh
phonographic copyright (℗) by:
Dobre Records (in 2010)
remixed at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States
cover recording of:
Happy Talk (South Pacific)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein)
composer:
Richard Rodgers (composer)
publisher:
Rodgers & Hammerstein Theatrical Europe Ltd.
part of:
South Pacific (Rodgers & Hammerstein musical)
2:26
3I Can’t Get Started
cover recording of:
I Can’t Get Started
lyricist:
Ira Gershwin
composer:
Vernon Duke
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell’s • Sydney, Music Sales Corporation (American copyright holder in both popular and classical music) and Universal Music Corp. (USA, affiliated with ASCAP)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
4:58
4The Masquerade Is Over
recorded in:
New York, New York, United States (from 1961-06-27 until 1961-06-29)
producer:
Tom Morgan (producer) and Andy Wiswell
alto saxophone:
Cannonball Adderley (from 1961-06-27 until 1961-06-29)
cornet:
Nat Adderley (from 1961-06-27 until 1961-06-29)
double bass:
Sam Jones (US jazz bassist) (from 1961-06-27 until 1961-06-29)
drums (drum set):
Louis Hayes (from 1961-06-27 until 1961-06-29)
piano:
Joe Zawinul (jazz and fusion keyboard player) (from 1961-06-27 until 1961-06-29)
vocals:
Nancy Wilson (jazz/blues/soul singer) (from 1961-06-27 until 1961-06-29)
remixer:
Larry Walsh
phonographic copyright (℗) by:
Dobre Records (in 2010)
remixed at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States
cover recording of:
I’m Afraid the Masquerade Is Over
lyricist:
Herb Magidson
composer:
Allie Wrubel (US composer and songwriter)
publisher:
Chappell Morris Ltd. and Crawford Music Corp.
4:18
5One Man’s Dream
recorded in:
New York, New York, United States (on 1961-09-01)
producer:
Tom Morgan (producer) and Andy Wiswell
alto saxophone:
Cannonball Adderley (on 1961-09-01)
cornet:
Nat Adderley (on 1961-09-01)
double bass:
Sam Jones (US jazz bassist) (on 1961-09-01)
drums (drum set):
Louis Hayes (on 1961-09-01)
piano:
Joe Zawinul (jazz and fusion keyboard player) (on 1961-09-01)
remixer:
Larry Walsh
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 2004) and Dobre Records (in 2010)
remixed at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States
recording of:
One Man’s Dream
composer:
Charles Wright and Joe Zawinul (jazz and fusion keyboard player)
5:12
6Never Say Yes
recorded in:
New York, New York, United States (on 1961-09-01)
producer:
Tom Morgan (producer) and Andy Wiswell
alto saxophone:
Cannonball Adderley (on 1961-09-01)
cornet:
Nat Adderley (on 1961-09-01)
double bass:
Sam Jones (US jazz bassist) (on 1961-09-01)
drums (drum set):
Louis Hayes (on 1961-09-01)
piano:
Joe Zawinul (jazz and fusion keyboard player) (on 1961-09-01)
remixer:
Larry Walsh
remixed at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States
recording of:
Never Say Yes
composer:
Nat Adderley
4:00
7Save Your Love for Me2:45
8Never Will I Marry
recorded in:
New York, New York, United States (from 1961-06-27 until 1961-06-29)
producer:
Tom Morgan (producer) and Andy Wiswell
alto saxophone:
Cannonball Adderley (from 1961-06-27 until 1961-06-29)
cornet:
Nat Adderley (from 1961-06-27 until 1961-06-29)
double bass:
Sam Jones (US jazz bassist) (from 1961-06-27 until 1961-06-29)
drums (drum set):
Louis Hayes (from 1961-06-27 until 1961-06-29)
piano:
Joe Zawinul (jazz and fusion keyboard player) (from 1961-06-27 until 1961-06-29)
vocals:
Nancy Wilson (jazz/blues/soul singer) (from 1961-06-27 until 1961-06-29)
remixer:
Larry Walsh
phonographic copyright (℗) by:
Dobre Records (in 2010)
remixed at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States
cover recording of:
Never Will I Marry (from “Green Willow”)
orchestrator:
Don Walker (orchestrator)
lyricist and composer:
Frank Loesser
publisher:
Frank Music Corp.
2:19
9The Old Country
recorded in:
New York, New York, United States (from 1961-06-27 until 1961-06-29)
producer:
Tom Morgan (producer) and Andy Wiswell
alto saxophone:
Cannonball Adderley (from 1961-06-27 until 1961-06-29)
cornet:
Nat Adderley (from 1961-06-27 until 1961-06-29)
double bass:
Sam Jones (US jazz bassist) (from 1961-06-27 until 1961-06-29)
drums (drum set):
Louis Hayes (from 1961-06-27 until 1961-06-29)
piano:
Joe Zawinul (jazz and fusion keyboard player) (from 1961-06-27 until 1961-06-29)
vocals:
Nancy Wilson (jazz/blues/soul singer) (from 1961-06-27 until 1961-06-29)
remixer:
Larry Walsh
remixed at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States
cover recording of:
The Old Country
writer:
Nat Adderley and Curtis Lewis (US songwriter)
recording of:
The Old Country
writer:
Nat Adderley and Curtis Lewis (US songwriter)
3:01
10Passion Flower
cover recording of:
Passion Flower
composer:
Billy Strayhorn
publisher:
Tempo Music, Inc. (Duke Ellington’s music publishing company)
2:23
11A Sleepin’ Bee
recorded in:
New York, New York, United States (from 1961-06-27 until 1961-06-29)
producer:
Tom Morgan (producer) and Andy Wiswell
alto saxophone:
Cannonball Adderley (from 1961-06-27 until 1961-06-29)
cornet:
Nat Adderley (from 1961-06-27 until 1961-06-29)
double bass:
Sam Jones (US jazz bassist) (from 1961-06-27 until 1961-06-29)
drums (drum set):
Louis Hayes (from 1961-06-27 until 1961-06-29)
piano:
Joe Zawinul (jazz and fusion keyboard player) (from 1961-06-27 until 1961-06-29)
vocals:
Nancy Wilson (jazz/blues/soul singer) (from 1961-06-27 until 1961-06-29)
remixer:
Larry Walsh
phonographic copyright (℗) by:
Dobre Records (in 2010)
remixed at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States
cover recording of:
A Sleepin’ Bee (House of Flowers)
lyricist:
Harold Arlen and Truman Capote
composer:
Harold Arlen
publisher:
Harwin Music and S.A. Music Co.
part of:
House of Flowers
2:35
12Call It Stormy Monday
cover recording of:
Call It Stormy Monday (but Tuesday Is Just as Bad)
lyricist and composer:
T‐Bone Walker (US blues musician & songwriter, 1910–1975)
publisher:
Wixen Music Publishing, Inc. (ended), Burlington Music Co., Ltd., Songs Of The Knoll, 日音 Synch事業部 (NICHION, INC. Synch Division), Peermusic III, Ltd. (BMI) (until 2018-11-01), Gregmark Music Inc (Gregmark) (from 1959 to present), Lord and Walker Publishing (from 1959 to present) and Raleigh Music Group (RALEIGH MUSIC PUBLISHING LLC) (from 2018-11-01 to present)
sub-publisher:
EMI Music Scandinavia AB (in 1994)
2:26
13If It’s the Last Thing I Do2:08
14Guess Who I Saw Today
cover recording of:
Guess Who I Saw Today
lyricist:
Elisse Boyd (in 1952)
composer:
Murray Grand (in 1952)
publisher:
Sony/ATV Tunes LLC (ASCAP)
3:22
15Teaneck
recorded in:
New York, New York, United States (on 1961-09-01)
producer:
Tom Morgan (producer) and Andy Wiswell
alto saxophone:
Cannonball Adderley (on 1961-09-01)
cornet:
Nat Adderley (on 1961-09-01)
double bass:
Sam Jones (US jazz bassist) (on 1961-09-01)
drums (drum set):
Louis Hayes (on 1961-09-01)
piano:
Joe Zawinul (jazz and fusion keyboard player) (on 1961-09-01)
remixer:
Larry Walsh
phonographic copyright (℗) by:
Dobre Records (in 2010)
remixed at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States
recording of:
Teaneck
composer:
Nat Adderley
4:32
16Little Unhappy Boy
recorded in:
New York, New York, United States (from 1961-06-27 until 1961-06-29)
producer:
Tom Morgan (producer) and Andy Wiswell
vocals:
Nancy Wilson (jazz/blues/soul singer)
remixer:
Larry Walsh
phonographic copyright (℗) by:
Dobre Records (in 2010)
remixed at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States
recording of:
Little Unhappy Boy
lyricist and composer:
Curtis Lewis (US songwriter)
2:16
17Sometimes I’m Happy
cover recording of:
Sometimes I’m Happy
lyricist:
Vincent Youmans
composer:
Irving Caesar
publisher:
Harms, Inc.
part of:
Hit the Deck (1927 musical)
part of:
Hit the Deck (1955 movie)
1:47
18In Other Words2:52
19All of You
producer:
Brad Benedict
conductor:
Billy May
remixer:
Bob Norberg
cover recording of:
All of You (Silk Stockings musical)
lyricist and composer:
Cole Porter (composer) (in 1954)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA) and Chappell Music (UK)
part of:
Silk Stockings (1957 musical film)
1:50
20Almost Like Being in Love
cover recording of:
Almost Like Being in Love (from “Brigadoon”)
lyricist:
Alan Jay Lerner
composer:
Frederick Loewe
publisher:
EMI Music (do not use as release label! this is a music publisher), EMI U Catalog Inc. (publisher; do NOT use as release label), EMI United Partnership Ltd., Sam Fox Publishing Co. (London) Ltd., Sam Fox Publishing Company (publisher; do NOT use as release label), WC Music Corp., フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
part of:
Brigadoon (complete musical)
1:46
21On the Street Where You Live
cover recording of:
On the Street Where You Live (My Fair Lady)
lyricist:
Alan Jay Lerner
composer:
Frederick Loewe
publisher:
Chappell & Co Ltd., Chappell Music Ltd. and Warner Chappell Music Ltd. (no slash; used 1988–1996)
part of:
My Fair Lady (full musical)
1:43
22Night Mist
cover recording of:
Night Mist
writer:
Vic Abrams and Dave Cavanaugh
2:35
23You Leave Me Breathless
cover recording of:
You Leave Me Breathless (from the film “Cocoanut Grove”)
lyricist:
Ralph Freed
composer:
Friedrich Hollaender
2:27
24The More I See You
cover recording of:
The More I See You
lyricist:
Mack Gordon
composer:
Harry Warren (US composer and lyricist)
publisher:
Bregman, Vocco & Conn, Inc., Four Jays Music Co., Peermusic (UK) Limited, Warner Bros., Inc. (not for release label use!) and Warner/Chappell Music International Ltd.
translated version of:
The More I See You (Valli’s version with french lyrics)
2:12
25Unit 7
recorded in:
New York, New York, United States (on 1961-09-01)
producer:
Tom Morgan (producer) and Andy Wiswell
alto saxophone:
Cannonball Adderley (on 1961-09-01)
cornet:
Nat Adderley (on 1961-09-01)
double bass:
Sam Jones (US jazz bassist) (on 1961-09-01)
drums (drum set):
Louis Hayes (on 1961-09-01)
piano:
Joe Zawinul (jazz and fusion keyboard player) (on 1961-09-01)
remixer:
Larry Walsh
remixed at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States
recording of:
Unit 7 (instrumental)
composer:
Sam Jones (US jazz bassist)
publisher:
Upam Music Co. and シンコーミュージック・パブリッシャーズ (Shinko Music Publishing Co., Ltd.)
6:05