Titelliste

1CD
Nr.TitelKünstlerBewertungLänge
1We Don't Need Another Hero (Thunderdome)
assistierende(r) Techniker(in):
Mike Ging
Techniker(in) und Mix:
John Hudson (producer, recording and mixing engineer)
Produzent(in):
Terry Britten
Saxophon:
Tim Cappello
Sologesang:
Tina Turner
phonographisches Urheberrecht (℗) von:
Parlophone Records Ltd. (not for release label use! a Warner Music Group company) (in 1985), Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1986) und EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 2004)
Musikvideos:
We Don’t Need Another Hero von Tina Turner
recording of:
We Don’t Need Another Hero
Texter und Komponist(in):
Terry Britten und Graham Lyle
publisher:
Goodsingle Ltd. (publisher), Hornall Brothers Music Ltd. (limited company), Myaxe Music Ltd., Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–) und Warner/Chappell Music Ltd. (1996–2019)
Tina Turner3.554:17
2Absolute Beginners
Techniker(in):
Mark Saunders (engineer)
Produzent(in):
David Bowie (English singer‐songwriter), Clive Langer und Alan Winstanley (English record producer)
baritone saxophone:
Andy Mackintosh (British-born saxophonist) (von 1985-06 bis 1985-08) und Gordon Murphy (von 1985-06 bis 1985-08)
Bass:
Matthew Seligman (von 1985-06 bis 1985-08)
Gitarre:
Kevin Armstrong (UK guitarist, producer & songwriter) (von 1985-06 bis 1985-08)
Keyboard und Klavier:
Steve Nieve (von 1985-06 bis 1985)
Klavier:
Rick Wakeman (von 1985-06 bis 1985)
Perkussion:
Luís Jardim (von 1985-06 bis 1985-08)
Schlagzeug:
Neil Conti (von 1985-06 bis 1985-08)
Solo-baritone saxophone:
Don Weller (von 1985-06 bis 1985-08)
Tenorsaxophon:
Gary Barnacle (von 1985-06 bis 1985-08), Willie Garnett (von 1985-06 bis 1985-08) und Paul Weimer (von 1985-06 bis 1985-08)
Hintergrundgesang:
Janet Armstrong (UK singer) (von 1985-06 bis 1985-08)
Hintergrundgesang und Sologesang:
David Bowie (English singer‐songwriter) (in 1985-08)
phonographisches Urheberrecht (℗) von:
David Bowie (English singer‐songwriter) (in 1986)
phonographisches Urheberrecht (℗) von:
Virgin Records Ltd. (not for release label use! for company relationships only) (in 1986)
aufgenommen bei:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (in 1985-06) und Westside Studios in London (Greater London), England, Vereinigtes Königreich (in 1985-08)
Teil von:
TV Cream: Real 100 Best Singles Ever (Nummer: 12)
recording of:
Absolute Beginners (von 1985-06 bis 1985)
Texter und Komponist(in):
David Bowie (English singer‐songwriter)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), Jones Music America, RZO Music Ltd und Jones Music (publishers associated with David Bowie) (in 1986)
David Bowie3.658:03
3I Wanna Sex You UpColor Me Badd4.64:08
4Slave to Love
assistierende(r) Techniker(in):
Benji Armbrister, Steve Churchyard, Randy Ezratty (engineer), Dave Greenberg (US engineer Sonopod/Boomtown), Julian Wheatley (Engineer), Carb Kanelle, Kevin Killen, Mike Krowiak, Bruce Lampcov, John Levell, Heff Moraes, Peter Revill, Kendal Stubbs und Nigel Walker (UK producer/engineer/guitarist)
Techniker(in):
Rhett Davies
zusätzliche(r) Techniker(in):
Bob Clearmountain, Neil Dorfsman, Femi Jiya, Andy Lyden, Dominick Maita und Bryan McGee (sound engineer)
Produzent(in):
Rhett Davies und Bryan Ferry
Mix:
Bob Clearmountain
Sologesang:
Bryan Ferry
phonographisches Urheberrecht (℗) von:
E.G. Records Ltd. (company credits only; do NOT use as release label) (in 1985) und Virgin Records Ltd. (not for release label use! for company relationships only) (in 1985, in 1999, in 2004)
aufgenommen bei:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, Vereinigtes Königreich, Compass Point Studios in Nassau, Bahamas, Effanel Music in New York, Vereinigte Staaten, RPM Studios in New York, New York, Vereinigte Staaten, Sarm West Studios in Notting Hill, Kensington and Chelsea, London (Greater London), England, Vereinigtes Königreich und The White House in Nashville, Tennessee, Vereinigte Staaten
mixed at:
Power Station Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, Vereinigte Staaten
Musikvideos:
Slave to Love von Bryan Ferry
recording of:
Slave to Love
Texter und Komponist(in):
Bryan Ferry
publisher:
BMG Rights Management (UK) Ltd. (not for release label use! see annotation), EMI Virgin Music Ltd. (do not use this as a release label!), EMI Virgin Songs, Inc., Mushroom Music Pty. Ltd., Virgin Songs, Inc., E.G. Music Inc. (in 1985), E.G. Music Ltd. (publisher) (in 1985), E.G. Records Ltd. (company credits only; do NOT use as release label) (in 1985) und Virgin EG Records Ltd. (in 1985)
Bryan Ferry3.654:27
5The Last Unicorn
phonographisches Urheberrecht (℗) von:
ATV Music (in 1982)
recording of:
The Last Unicorn (from the film “The Last Unicorn”)
Texter und Komponist(in):
Jimmy Webb (US songwriter, composer, producer, pianist & singer)
publisher:
Sony/ATV Tunes LLC (ASCAP) und ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
Teil von:
The Last Unicorn (1982 animated film soundtrack)
America53:10
6I Will Always Love You
Techniker(in):
Tom Pick
Produzent(in):
Bob Ferguson
Banjo:
Bobby Thompson (guitar & banjo player) (am 1973-06-13) und Buck Trent (am 1973-06-13)
Bass:
Bobby Dyson (am 1973-06-13)
Fiddle:
Johnny Gimble (am 1973-06-13) und Mack Magaha (Bluegrass Fiddler) (am 1973-06-13)
Gitarre:
Jimmy Colvard (American session guitarist) (am 1973-06-13), Dave Kirby (US country singer/songwriter) (am 1973-06-13) und Dolly Parton (am 1973-06-13)
Klavier:
Hargus "Pig" Robbins (am 1973-06-13)
Schlagzeug:
Ralph Gallant (am 1973-06-13)
Steel-Gitarre:
Stu Basore (am 1973-06-13)
Hintergrundgesang:
Joe Babcock (am 1973-06-13), Dolores Edgin (am 1973-06-13), June Page (am 1973-06-13) und Hurshel Wiginton (am 1973-06-13)
vocals:
Dolly Parton (am 1973-06-13)
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1974)
aufgenommen bei:
RCA Studio B (Nashville, TN) in Nashville, Tennessee, Vereinigte Staaten (am 1973-06-13)
Teil von:
Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (Nummer: 34)
recording of:
I Will Always Love You (am 1973-06-13)
Texter und Komponist(in):
Dolly Parton
publisher:
Carlin Music Corporation, EMI Music Publishing Australia Pty Ltd (not for release label use!), Owepar Publishing Inc. und Velvet Apple Music
Dolly Parton3.553:07
7Spiel mir das Lied vom Tod
Ennio Morricone3:42
8Sex Crime (1984)
Techniker(in):
Eric Thorngren
zusätzliche(r) Techniker(in):
Steven Stanley (audio engineer, record producer and keyboardist from Jamaica)
Produzent(in):
Dave Stewart (UK guitarist/singer for Eurythmics)
Mix:
Dave Stewart (UK guitarist/singer for Eurythmics) und Eric Thorngren
Interpret(in):
Annie Lennox (Scottish singer-songwriter, member of Eurythmics and The Tourists) und Dave Stewart (UK guitarist/singer for Eurythmics)
phonographisches Urheberrecht (℗) von:
Virgin Records Ltd. (not for release label use! for company relationships only) (in 1984)
recording of:
Sexcrime (Nineteen Eighty-Four)
Verfasser(in):
Annie Lennox (Scottish singer-songwriter, member of Eurythmics and The Tourists) und Dave Stewart (UK guitarist/singer for Eurythmics)
publisher:
RCA Music Ltd. (publisher) und Universal Music Careers
Eurythmics2.43:55
9Livin' on the Edge of the Night
recording engineer und Mix:
Ed Cherney
Produzent(in):
Don Was
Sologesang:
Iggy Pop
cover recording of:
Livin’ on the Edge of the Night
Verfasser(in):
Eric Rackin (Production music composer) und Jay Rifkin
publisher:
Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
recording of:
Livin’ on the Edge of the Night
Verfasser(in):
Eric Rackin (Production music composer) und Jay Rifkin
publisher:
Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
Iggy Pop53:40
10Out of the Window
recording engineer:
Sean Chenery und Carmen Rizzo, Jr.
Produzent(in):
Trevor Horn
Mix:
Carmen Rizzo, Jr.
recording of:
Out Of The Window
Verfasser(in):
Seal (English‐born singer and songwriter)
Seal5:35
11Slowly Ends the Day
Ian Cussick3:59
12Book of Days
Techniker(in) und Produzent(in):
Nicky Ryan
Instrumente und vocals:
Enya (Irish singer-songwriter)
arranger:
Enya (Irish singer-songwriter) und Nicky Ryan
phonographisches Urheberrecht (℗) von:
Warner Music UK Ltd. (not for release label use!) (in 1991, vom 1992 bis heute)
aufgenommen bei und mixed at:
Sarm Studios (1973–2013, fka Sarm Studios from 1973–1982) in Aldgate, Tower Hamlets, London (Greater London), England, Vereinigtes Königreich
recording of:
Book of Days (English/Gaelic version)
Texter:
Roma Ryan
Komponist(in):
Enya (Irish singer-songwriter) und Nicky Ryan
publisher:
EMI Blackwood Music Inc. und EMI Songs Ltd.
Version von:
Book of Days (Gaelic only version)
Enya3.752:56
13Everything I Do (I Do It for You)
Henry Mancini and The Mancini Pops Orchestra4:26
14Theme From Harry's GameClannad2:30
15You Don't Own Me
Techniker(in):
Ben Kape
Produzent(in):
Peter Wilson (UK Producer)
Bassgitarre:
Mick Anker
Saxophon:
Neville Henry
Schlagzeug [drums]:
Tony Kiley (Blow Monkeys Drummer)
Sologesang:
Dr. Robert
phonographisches Urheberrecht (℗) von:
Vestron Music Inc. (Connecticut (CT) registered music publishing company, now dissolved.) (in 1987)
aufgenommen bei:
Town House III Studio in Battersea, Wandsworth, London (Greater London), England, Vereinigtes Königreich
cover recording of:
You Don’t Own Me
Verfasser(in):
John Madara (in 1963) und David White (rock ’n’ roll pianist & songwriter, member of Danny & the Juniors) (in 1963)
publisher:
Merjoda Music Inc. und Unichappell Music, Inc. (in 1963)
The Blow Monkeys43:02
16The Blues Comes Over Me
leitende(r) Produzent(in):
Sidney A. Seidenberg
Produzent(in):
Stewart Levine (record producer and saxophonist)
phonographisches Urheberrecht (℗) von:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1991)
recording of:
The Blues Come Over Me
Verfasser(in):
Will Jennings und Joe Sample
publisher:
Blue Ballet Music und Blue Sky Rider Songs
B.B. King5:14
17I Got You Babe
vocals:
Sonny Bono (in 1965) und Cher (in 1965)
phonographisches Urheberrecht (℗) von:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1965)
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 331) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 444)
recording of:
I Got You Babe (in 1965)
Texter und Komponist(in):
Sonny Bono
publisher:
Carlin Music, Chris Marc Music, Cotillion Music (BMI) und Warner/Chappell Music Ltd. (1996–2019)
Sonny & Cher43:08

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Veröffentlichungsgruppe

Teil von:Slow Motion: Die schönsten Pop-Balladen der Filmgeschichte (Nummer: 3) (Reihenfolge: 1)