First Issue: The Great American Songbook

~ Veröffentlichung von Billie Holiday (alle Versionen dieser Veröffentlichung ansehen, 3 vorhanden)

Titelliste

1▶CD
2▼CD
Nr.TitelBewertungLänge
1Do Nothin' Till You Hear From Me
E-Gitarre:
Billy Bauer (US cool jazz guitarist) (am 1955-02-14)
Klarinette:
Tony Scott (bop/jazz clarinetist, arranger & conductor) (am 1955-02-14)
Klavier:
Billy Taylor (jazz/bop pianist) (am 1955-02-14)
Kontrabass:
Leonard Gaskin (am 1955-02-14)
Schlagzeug:
Cozy Cole (am 1955-02-14)
Tenorsaxophon:
Budd Johnson (am 1955-02-14)
Trompete:
Charlie Shavers (am 1955-02-14)
vocals:
Billie Holiday (am 1955-02-14)
recording of:
Do Nothin’ Till You Hear From Me (am 1955-02-14)
Texter:
Bob Russell (US songwriter/lyricist Sidney Keith “Bob” Russell) (in 1943)
Komponist(in):
Duke Ellington (US composer, pianist & jazz bandleader) (in 1943)
publisher:
Music Sales Corporation (American copyright holder in both popular and classical music) und Sony/ATV Harmony
Version von:
Concerto for Cootie
55:03
2I Get a Kick Out of You
vocals:
Billie Holiday (am 1955-08-25)
recording of:
I Get a Kick Out of You (am 1955-08-25)
Texter und Komponist(in):
Cole Porter (composer) (in 1934)
publisher:
Chappell Music (UK), Chappell Music Ltd., Harms, Inc., Warner Bros., Inc. (not for release label use!), Warner Chappell und Chappell (in 1974)
Teil von:
Anything Goes
3.655:43
3Say It Isn't So
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (von 1957-01-03 bis 1957-01-07)
Techniker(in):
Val Valentin
Produzent(in):
Norman Granz
Bass:
Red Mitchell (jazz double-bassist, composer and lyricist) (von 1957-01-03 bis 1957-01-07)
Gitarre:
Barney Kessel (von 1957-01-03 bis 1957-01-07, am 1957-01-08)
Klavier:
Jimmy Rowles (von 1957-01-03 bis 1957-01-07, am 1957-01-08)
Kontrabass:
Red Mitchell (jazz double-bassist, composer and lyricist) (am 1957-01-08) und Joe Mondragon (am 1957-01-08)
Schlagzeug:
Alvin Stoller (von 1957-01-03 bis 1957-01-07, am 1957-01-08) und Larry Bunker (am 1957-01-08)
Tenorsaxophon:
Ben Webster (von 1957-01-03 bis 1957-01-07, am 1957-01-08)
Trompete:
Harry “Sweets” Edison (von 1957-01-03 bis 1957-01-07, am 1957-01-08)
vocals:
Billie Holiday (von 1957-01-03 bis 1957-01-07, am 1957-01-08)
aufgenommen bei:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1957-01-08)
recording of:
Say It Isn’t So (von 1957-01-03 bis 1957-01-07)
Texter und Komponist(in):
Irving Berlin
publisher:
Irving Berlin Music Corp.
recording of:
Say It Isn’t So (am 1957-01-08)
Texter und Komponist(in):
Irving Berlin
publisher:
Irving Berlin Music Corp.
2.53:19
4How Deep Is the Ocean?
vocals:
Billie Holiday (am 1954-04-14)
recording of:
How Deep Is the Ocean? (am 1954-04-14)
Texter und Komponist(in):
Irving Berlin (in 1932)
publisher:
Francis, Day & Hunter Ltd. und Irving Berlin Music Corp.
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
53:01
5Trav'lin' Light
vocals:
Billie Holiday
recording of:
Trav’lin’ Light
Texter:
Johnny Mercer (in 1942)
Komponist(in):
Jimmy Mundy (in 1942) und Trummy Young (in 1942)
publisher:
Bregman, Vocco & Conn, Inc., Commander Publishing, Music Sales Corporation (American copyright holder in both popular and classical music), Rytvoc, Inc. (ASCAP) und WB Music Corp. (1929–2019)
3:11
6Remember
vocals:
Billie Holiday (in 1952-04)
recording of:
Remember (in 1952-04)
Texter und Komponist(in):
Irving Berlin (in 1925)
publisher:
Irving Berlin Music Corp. und Williamson Music Company
42:38
7Stormy Weather
Gitarre:
Freddie Green (am 1952-07-27)
Klavier:
Oscar Peterson (Canadian jazz pianist and composer) (am 1952-07-27)
Kontrabass:
Ray Brown (jazz bassist) (am 1952-07-27)
Schlagzeug:
Gus Johnson (drums) (am 1952-07-27)
Tenorsaxophon:
Paul Quinichette (am 1952-07-27)
Trompete:
Joe Newman (US jazz trumpeter) (am 1952-07-27)
vocals:
Billie Holiday (am 1952-07-27)
recording of:
Stormy Weather (am 1952-07-27)
Texter:
Ted Koehler (in 1933)
Komponist(in):
Harold Arlen (in 1933)
publisher:
Arko Music Corp., EMI Music Publishing (do not use as a release label!), Fred Ahlert Mus. Corp., Mills Music, Inc., S.A. Music Co., Ted Koehler Music Co. und The Songwriters Guild
53:45
8One for My Baby (And One More for the Road)
Produzent(in):
Norman Granz
Gitarre:
Barney Kessel (am 1957-01-08)
Klavier:
Jimmy Rowles (am 1957-01-08)
Kontrabass:
Joe Mondragon (am 1957-01-08)
Schlagzeug:
Larry Bunker (am 1957-01-08) und Alvin Stoller (am 1957-01-08)
Tenorsaxophon:
Ben Webster (am 1957-01-08)
Trompete:
Harry “Sweets” Edison (am 1957-01-08)
vocals:
Billie Holiday (am 1957-01-08)
aufgenommen bei:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1957-01-08)
recording of:
One for My Baby (and One More for the Road) (am 1957-01-08)
Texter:
Johnny Mercer (in 1943)
Komponist(in):
Harold Arlen (in 1943)
publisher:
Chappell/Morris Ltd. und Harwin Music
Teil von:
The Sky’s the Limit (1943 film)
45:42
9But Not for Me
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1957-01-07)
Techniker(in):
Val Valentin (am 1957-01-07)
Produzent(in):
Norman Granz
Gitarre:
Barney Kessel (am 1957-01-07)
Klavier:
Jimmy Rowles (am 1957-01-07)
Kontrabass [bass]:
Red Mitchell (jazz double-bassist, composer and lyricist) (am 1957-01-07)
Schlagzeug:
Alvin Stoller (am 1957-01-07)
Tenorsaxophon:
Ben Webster (am 1957-01-07)
Trompete:
Harry “Sweets” Edison (am 1957-01-07)
vocals:
Billie Holiday (am 1957-01-07)
aufgenommen bei:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1957-01-07)
recording of:
But Not for Me (am 1957-01-07)
Texter:
Ira Gershwin (in 1930)
Komponist(in):
George Gershwin (composer) (in 1930)
publisher:
WB Music Corp. (1929–2019) (bis 2019-05-28), New World Music Co. (in 1930) und WC Music Corp. (vom 2019-05-28 bis heute)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
enthalten in:
An American in Paris (2015 Broadway musical)
Teil von:
Crazy for You (1992 musical)
Teil von:
Girl Crazy (1930 Musical)
Teil von:
When the Boys Meet the Girls (1965 film)
43:52
10Solitude
Gitarre:
Barney Kessel (am 1952-03-26)
Klavier:
Oscar Peterson (Canadian jazz pianist and composer) (am 1952-03-26)
Kontrabass:
Ray Brown (jazz bassist) (am 1952-03-26)
Schlagzeug:
Alvin Stoller (am 1952-03-26)
Tenorsaxophon:
Flip Phillips (am 1952-03-26)
Trompete:
Charlie Shavers (am 1952-03-26)
vocals:
Billie Holiday (am 1952-03-26)
recording of:
(In My) Solitude (am 1952-03-26)
Texter:
Eddie DeLange (in 1934) und Irving Mills (in 1934)
Komponist(in):
Duke Ellington (US composer, pianist & jazz bandleader) (in 1934)
publisher:
American Academy of Music, Inc., De Lange Music Co., EMI Mills Music Inc. (ASCAP-affiliated) und J. R. Lafleur & Son Ltd.
53:32
11I Got a Right to Sing the Blues
vocals:
Billie Holiday (am 1955-08-25)
recording of:
I Gotta Right to Sing the Blues (am 1955-08-25)
Texter:
Ted Koehler (in 1932)
Komponist(in):
Harold Arlen (in 1932)
publisher:
Warner Bros., Inc. (not for release label use!)
45:54
12Just One of Those Things
Produzent(in):
Norman Granz
Gitarre:
Barney Kessel (am 1957-01-04)
Klavier:
Jimmy Rowles (am 1957-01-04)
Kontrabass:
Red Mitchell (jazz double-bassist, composer and lyricist) (am 1957-01-04)
Schlagzeug:
Alvin Stoller (am 1957-01-04)
Tenorsaxophon:
Ben Webster (am 1957-01-04)
Trompete:
Harry “Sweets” Edison (am 1957-01-04)
vocals:
Billie Holiday (am 1957-01-04)
aufgenommen bei:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1957-01-04)
recording of:
Just One of Those Things (am 1957-01-04)
Texter und Komponist(in):
Cole Porter (composer) (in 1935)
publisher:
Chappell Music Ltd., Warner/Chappell (Warner/Chappell Music, Inc.) und Warner Bros., Inc. (not for release label use!) (in 1929)
Teil von:
Can‐Can (1960 musical film)
Teil von:
High Society (stage musical)
Teil von:
Jubilee
Teil von:
Panama Hattie (1942 film)
45:34
13Love for Sale
vocals:
Billie Holiday (in 1952-04)
recording of:
Love for Sale (in 1952-04)
Texter und Komponist(in):
Cole Porter (composer) (in 1930)
publisher:
Chappell & Co., Chappell Music Ltd., Harms, Inc. und Warner Bros., Inc. (not for release label use!)
43:00
14A Foggy Day
Produzent(in):
Norman Granz
E-Gitarre:
Barney Kessel (am 1957-01-03)
Klavier:
Jimmy Rowles (am 1957-01-03)
Kontrabass [bass]:
Red Mitchell (jazz double-bassist, composer and lyricist) (am 1957-01-03)
Schlagzeug:
Alvin Stoller (am 1957-01-03)
Tenorsaxophon:
Ben Webster (am 1957-01-03)
Trompete:
Harry “Sweets” Edison (am 1957-01-03)
vocals:
Billie Holiday (am 1957-01-03)
aufgenommen bei:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1957-01-03)
cover recording of:
A Foggy Day (in London Town) (am 1957-01-03)
Texter:
Ira Gershwin (in 1937)
Komponist(in):
George Gershwin (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Gershwin Publishing Corp, Warner Chappell North America Ltd. und WB Music Corp. (1929–2019) (bis 2019-05-28)
Teil von:
A Damsel in Distress (1937 film score)
3.654:44
15All of You
baritone saxophone:
Danny Bank (reeds) (am 1959-03-11)
Gitarre:
Barry Galbraith (am 1959-03-11)
Klavier:
Hank Jones (piano) (am 1959-03-11)
Kontrabass:
Milt Hinton (am 1959-03-11)
Posaune:
Billy Byers (am 1959-03-11)
Schlagzeug:
Osie Johnson (am 1959-03-11)
Tenorsaxophon:
Al Cohn (am 1959-03-11)
Trompete:
Harry “Sweets” Edison (am 1959-03-11) und Joe Wilder (am 1959-03-11)
vocals:
Ray Ellis (US producer, arranger and conductor) (am 1959-03-11) und Billie Holiday (am 1959-03-11)
recording of:
All of You (Silk Stockings musical) (am 1959-03-11)
Texter und Komponist(in):
Cole Porter (composer) (in 1954)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA) und Chappell Music (UK)
Teil von:
Silk Stockings (1957 musical film)
42:35
16Sophisticated Lady
Produzent(in):
Norman Granz
Gitarre:
Barney Kessel (am 1956-08-18)
Klavier:
Jimmy Rowles (am 1956-08-18)
Kontrabass:
Red Mitchell (jazz double-bassist, composer and lyricist) (am 1956-08-18)
Schlagzeug:
Alvin Stoller (am 1956-08-18)
Tenorsaxophon:
Ben Webster (am 1956-08-18)
Trompete:
Harry “Sweets” Edison (am 1956-08-18)
vocals:
Billie Holiday (am 1956-08-18)
aufgenommen bei:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California (Kalifornien), Vereinigte Staaten (am 1956-08-18)
recording of:
Sophisticated Lady (am 1956-08-18)
Texter:
Mitchell Parish und Irving Mills (in 1932)
Komponist(in):
Duke Ellington (US composer, pianist & jazz bandleader) (in 1932)
publisher:
Duke Ellington Music (beendet), Mills Music, Inc. (beendet), EMI Mills Music Inc. (ASCAP-affiliated), Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody) (bis 2007-05) und Sony/ATV Harmony (vom 2007-05 bis heute)
Teil von:
Sophisticated Ladies (1981 musical)
Teil von:
The Real Book (compilation of jazz standards, volume I)
44:52
17They Can't Take That Away From Me
Produzent(in):
Norman Granz (am 1957-01-09)
E-Gitarre und Gitarre:
Barney Kessel (am 1957-01-09)
Klavier:
Jimmy Rowles (am 1957-01-09)
Kontrabass:
Red Mitchell (jazz double-bassist, composer and lyricist) (am 1957-01-09) und Joe Mondragon (am 1957-01-09)
Schlagzeug:
Larry Bunker (am 1957-01-09)
Tenorsaxophon:
Ben Webster (am 1957-01-09)
Trompete:
Harry “Sweets” Edison (am 1957-01-09)
vocals:
Billie Holiday (in 1957-01, am 1957-01-09)
aufgenommen bei:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1957-01-09)
recording of:
They Can’t Take That Away From Me (from “Shall We Dance”) (am 1957-01-09)
Texter:
Ira Gershwin (in 1937)
Komponist(in):
George Gershwin (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA), Chappell Music (UK), Chappell Music Ltd., Ira Gershwin Music, Warner/Chappell Music Holland BV, Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), WB Music Corp. (1929–2019) (bis 2019-05-28) und Gershwin Publishing Corp (in 1937)
Teil von:
The 10th Academy Award for Best Original Song (Nummer: 2) und Academy Award for Best Original Song (Nummer: 1937 nominee)
enthalten in:
An American in Paris (2015 Broadway musical)
Teil von:
Crazy for You (1992 musical)
Teil von:
Shall We Dance (1937 film soundtrack)
3.654:10

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Veröffentlichungsgruppe

Discogs:https://www.discogs.com/master/390958 [Info]