Contemporary Records Vol.2

~ Release by Sonny Rollins, Barney Kessel, Shelly Manne, Art Pepper & Victor Feldman (see all versions of this release, 1 available)

Annotation

This is a box set of five albums, each on a hybrid SACD. Each disc has it's own jewel case and individual catalog number.

Annotation last modified on 2024-10-16 18:46 UTC.

Tracklist

1▶Hybrid SACD (SACD layer): Way Out West
2▶Hybrid SACD (SACD layer): Barney Kessel Plays "Carmen"
3▶Hybrid SACD (SACD layer): My Fair Lady
4▶Hybrid SACD (SACD layer): Art Pepper + Eleven
5▶Hybrid SACD (SACD layer): The Arrival Of Victor Feldman
6▶Hybrid SACD (CD layer): Way Out West
7▶Hybrid SACD (CD layer): Barney Kessel Plays "Carmen"
8▶Hybrid SACD (CD layer): My Fair Lady
9▶Hybrid SACD (CD layer): Art Pepper + Eleven
10▼Hybrid SACD (CD layer): The Arrival Of Victor Feldman
#TitleArtistRatingLength
1Serpent's Tooth
engineer:
Roy DuNann and Howard Holzer
producer:
Lester Koenig
bass:
Scott LaFaro (from 1958-01-21 until 1958-01-22)
drums (drum set):
Stan Levey (from 1958-01-21 until 1958-01-22)
phonographic copyright (℗) by:
Contemporary Records, Inc.
recorded at:
Contemporary Records in Los Angeles, California, United States (from 1958-01-21 until 1958-01-22)
Victor Feldman3:29
2Waltz
engineer:
Roy DuNann and Howard Holzer
producer:
Lester Koenig
bass:
Scott LaFaro (from 1958-01-21 until 1958-01-22)
drums (drum set):
Stan Levey (from 1958-01-21 until 1958-01-22)
phonographic copyright (℗) by:
Contemporary Records, Inc.
recorded at:
Contemporary Records in Los Angeles, California, United States (from 1958-01-21 until 1958-01-22)
Victor Feldman5:31
3Chasing Shadows
engineer:
Roy DuNann and Howard Holzer
producer:
Lester Koenig
bass:
Scott LaFaro (from 1958-01-21 until 1958-01-22)
drums (drum set):
Stan Levey (from 1958-01-21 until 1958-01-22)
phonographic copyright (℗) by:
Contemporary Records, Inc.
recorded at:
Contemporary Records in Los Angeles, California, United States (from 1958-01-21 until 1958-01-22)
Victor Feldman3:59
4Flamingo
engineer:
Roy DuNann and Howard Holzer
producer:
Lester Koenig
bass:
Scott LaFaro (from 1958-01-21 until 1958-01-22)
drums (drum set):
Stan Levey (from 1958-01-21 until 1958-01-22)
phonographic copyright (℗) by:
Contemporary Records, Inc.
recorded at:
Contemporary Records in Los Angeles, California, United States (from 1958-01-21 until 1958-01-22)
cover recording of:
Flamingo (from 1958-01-21 until 1958-01-22)
lyricist:
Edmund Anderson
composer:
Ted Grouya
publisher:
Edwin H. Morris & Company (a division of MPL Communications Inc.) and Grouya Publishing Int.
Victor Feldman3:19
5S'Posin'
engineer:
Roy DuNann and Howard Holzer
producer:
Lester Koenig
bass:
Scott LaFaro (from 1958-01-21 until 1958-01-22)
drums (drum set):
Stan Levey (from 1958-01-21 until 1958-01-22)
phonographic copyright (℗) by:
Contemporary Records, Inc.
recorded at:
Contemporary Records in Los Angeles, California, United States (from 1958-01-21 until 1958-01-22)
instrumental recording of:
S’posin’ (in 1958-01)
lyricist:
Andy Razaf
composer:
Paul Denniker
publisher:
Mayfair Music Corp.
Victor Feldman4:29
6Bebop
engineer:
Roy DuNann and Howard Holzer
producer:
Lester Koenig
bass:
Scott LaFaro (from 1958-01-21 until 1958-01-22)
drums (drum set):
Stan Levey (from 1958-01-21 until 1958-01-22)
phonographic copyright (℗) by:
Contemporary Records, Inc.
recorded at:
Contemporary Records in Los Angeles, California, United States (from 1958-01-21 until 1958-01-22)
recording of:
Be-Bop (in 1958-01)
composer:
Dizzy Gillespie
publisher:
MCA Inc./ASCAP (this was the US media company that became Universal Studios, Inc. in Dec 1996)
Victor Feldman2:47
7There Is No Greater Love
engineer:
Roy DuNann and Howard Holzer
producer:
Lester Koenig
bass:
Scott LaFaro (from 1958-01-21 until 1958-01-22)
drums (drum set):
Stan Levey (from 1958-01-21 until 1958-01-22)
phonographic copyright (℗) by:
Contemporary Records, Inc.
recorded at:
Contemporary Records in Los Angeles, California, United States (from 1958-01-21 until 1958-01-22)
instrumental recording of:
There Is No Greater Love (in 1958-01)
lyricist:
Marty Symes (lyricist)
composer:
Isham Jones
publisher:
Banta Music, Music Sales Corporation (American copyright holder in both popular and classical music) and World Music, Inc.
Victor Feldman4:25
8Too Blue
engineer:
Roy DuNann and Howard Holzer
producer:
Lester Koenig
bass:
Scott LaFaro (from 1958-01-21 until 1958-01-22)
drums (drum set):
Stan Levey (from 1958-01-21 until 1958-01-22)
phonographic copyright (℗) by:
Contemporary Records, Inc.
recorded at:
Contemporary Records in Los Angeles, California, United States (from 1958-01-21 until 1958-01-22)
Victor Feldman4:13
9Minor Lament
engineer:
Roy DuNann and Howard Holzer
producer:
Lester Koenig
bass:
Scott LaFaro (from 1958-01-21 until 1958-01-22)
drums (drum set):
Stan Levey (from 1958-01-21 until 1958-01-22)
phonographic copyright (℗) by:
Contemporary Records, Inc.
recorded at:
Contemporary Records in Los Angeles, California, United States (from 1958-01-21 until 1958-01-22)
Victor Feldman4:01
10Satin Doll
engineer:
Roy DuNann and Howard Holzer
producer:
Lester Koenig
bass:
Scott LaFaro (from 1958-01-21 until 1958-01-22)
drums (drum set):
Stan Levey (from 1958-01-21 until 1958-01-22)
phonographic copyright (℗) by:
Contemporary Records, Inc.
recorded at:
Contemporary Records in Los Angeles, California, United States (from 1958-01-21 until 1958-01-22)
instrumental recording of:
Satin Doll (in 1958-01)
lyricist:
Johnny Mercer (in 1953)
additional composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1953)
composer:
Billy Strayhorn (in 1953)
publisher:
Campbell Connelly & Co. Ltd., Duke Ellington Music, Tempo Music, Inc. (Duke Ellington’s music publishing company) and WB Music Corp. (1929–2019)
Victor Feldman6:02

Credits

Release

mastering:Steve Hoffman (mastering engineer) (ended)
Discogs:https://www.discogs.com/release/9271801 [info]
purchase for mail-order:https://www.cdjapan.co.jp/product/NEODAI-70897 [info]