Le Messie: Arias et Chœurs

~ Release by Handel; London Philharmonic Orchestra, The John Alldis Choir, Karl Richter (see all versions of this release, 5 available)

Tracklist

1▼CD
#TitleArtistRatingLength
1Symphonie
producer:
Dr. Gerd Ploebsch (engineer)
harpsichord:
Hedwig Bilgram (harpsichordist and organist) (in 1972-11)
organ:
Edgar Krapp (organist) (in 1972-11)
solo trumpet:
Gordon Webb (trumpet player) (in 1972-11)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (in 1972-11)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1972-11)
balance engineer:
Hans‐Peter Schweigmann (engineer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1973)
recorded at:
Brent Town Hall (Wembley Town Hall) in Brent (London Borough of Brent), London (Greater London), England, United Kingdom (in 1972-11)
recording of:
Messiah, HWV 56: Part I, no. 1. Symphony (in 1972-11)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part I
Georg Friedrich Händel3:25
21. Accompagnato (ténor) : Consolez mon Peuple
producer:
Dr. Gerd Ploebsch (engineer)
harpsichord:
Hedwig Bilgram (harpsichordist and organist) (in 1972-11)
organ:
Edgar Krapp (organist) (in 1972-11)
solo trumpet:
Gordon Webb (trumpet player) (in 1972-11)
tenor vocals:
Stuart Burrows (tenor) (in 1972-11)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (in 1972-11)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1972-11)
balance engineer:
Hans‐Peter Schweigmann (engineer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1973)
recorded at:
Brent Town Hall (Wembley Town Hall) in Brent (London Borough of Brent), London (Greater London), England, United Kingdom (in 1972-11)
recording of:
Messiah, HWV 56: Part I, no. 2. Recitative “Comfort ye” (Tenor) (in 1972-11)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part I
Georg Friedrich Händel2:30
32. Aria (ténor) : Que toute vallée soit relevée
producer:
Dr. Gerd Ploebsch (engineer)
harpsichord:
Hedwig Bilgram (harpsichordist and organist) (in 1972-11)
organ:
Edgar Krapp (organist) (in 1972-11)
solo trumpet:
Gordon Webb (trumpet player) (in 1972-11)
tenor vocals:
Stuart Burrows (tenor) (in 1972-11)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (in 1972-11)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1972-11)
balance engineer:
Hans‐Peter Schweigmann (engineer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1973)
recorded at:
Brent Town Hall (Wembley Town Hall) in Brent (London Borough of Brent), London (Greater London), England, United Kingdom (in 1972-11)
recording of:
Messiah, HWV 56: Part I, no. 3. Air “Ev’ry valley shall be exalted” (Tenor) (in 1972-11)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part I
Georg Friedrich Händel3:49
46.(Chœur) : Et Il Purifiera
producer:
Dr. Gerd Ploebsch (engineer)
harpsichord:
Hedwig Bilgram (harpsichordist and organist) (in 1972-11)
organ:
Edgar Krapp (organist) (in 1972-11)
solo trumpet:
Gordon Webb (trumpet player) (in 1972-11)
choir vocals:
John Alldis Choir (The John Alldis Choir) (in 1972-11)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (in 1972-11)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1972-11)
chorus master:
John Alldis (chorusmaster and conductor) (in 1972-11)
balance engineer:
Hans‐Peter Schweigmann (engineer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1973)
recorded at:
Brent Town Hall (Wembley Town Hall) in Brent (London Borough of Brent), London (Greater London), England, United Kingdom (in 1972-11)
recording of:
Messiah, HWV 56: Part I, no. 7. Chorus “And He shall purify” (in 1972-11)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part I
Georg Friedrich Händel2:39
57. Récitatif (contralto) : Voici : La Vierge est Enceinte
contralto vocals:
Anna Reynolds (alto) (in 1972-11)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (in 1972-11)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1972-11)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1973)
recorded at:
Brent Town Hall (Wembley Town Hall) in Brent (London Borough of Brent), London (Greater London), England, United Kingdom (in 1972-11)
partial recording of:
Messiah, HWV 56: Part I, no. 8. Recitative “Behold, a virgin shall conceive” (Alto) (in 1972-11)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part I
Georg Friedrich Händel0:36
68. (Aria) - contralto : Ô Toi qui apportes à Sion la bonne Nouvelle
contralto vocals:
Anna Reynolds (alto) (in 1972-11)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (in 1972-11)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1972-11)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1973)
recorded at:
Brent Town Hall (Wembley Town Hall) in Brent (London Borough of Brent), London (Greater London), England, United Kingdom (in 1972-11)
partial recording of:
Messiah, HWV 56: Part I, no. 8. Recitative “Behold, a virgin shall conceive” (Alto) (in 1972-11)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part I
Georg Friedrich Händel4:53
79. (Chœur) : Ô Toi qui apportes à Sion la bonne Nouvelle
producer:
Dr. Gerd Ploebsch (engineer)
harpsichord:
Hedwig Bilgram (harpsichordist and organist) (in 1972-11)
organ:
Edgar Krapp (organist) (in 1972-11)
solo trumpet:
Gordon Webb (trumpet player) (in 1972-11)
choir vocals:
John Alldis Choir (The John Alldis Choir) (in 1972-11)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (in 1972-11)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1972-11)
chorus master:
John Alldis (chorusmaster and conductor) (in 1972-11)
balance engineer:
Hans‐Peter Schweigmann (engineer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1973)
recorded at:
Brent Town Hall (Wembley Town Hall) in Brent (London Borough of Brent), London (Greater London), England, United Kingdom (in 1972-11)
recording of:
Messiah, HWV 56: Part I, no. 9. Air “O thou that tellest good tidings to Zion” (Alto, Chorus) (in 1972-11)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part I
Georg Friedrich Händel2:11
812. (Chœur) : Car un enfant nous est né
producer:
Dr. Gerd Ploebsch (engineer)
harpsichord:
Hedwig Bilgram (harpsichordist and organist) (in 1972-11)
organ:
Edgar Krapp (organist) (in 1972-11)
solo trumpet:
Gordon Webb (trumpet player) (in 1972-11)
choir vocals:
John Alldis Choir (The John Alldis Choir) (in 1972-11)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (in 1972-11)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1972-11)
chorus master:
John Alldis (chorusmaster and conductor) (in 1972-11)
balance engineer:
Hans‐Peter Schweigmann (engineer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1973)
recorded at:
Brent Town Hall (Wembley Town Hall) in Brent (London Borough of Brent), London (Greater London), England, United Kingdom (in 1972-11)
recording of:
Messiah, HWV 56: Part I, no. 12. Chorus “For unto us a Child is born” (in 1972-11)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part I
Georg Friedrich Händel4:10
913. Pifa (Symphonie Pastorale)
producer:
Dr. Gerd Ploebsch (engineer)
harpsichord:
Hedwig Bilgram (harpsichordist and organist) (in 1972-11)
organ:
Edgar Krapp (organist) (in 1972-11)
solo trumpet:
Gordon Webb (trumpet player) (in 1972-11)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (in 1972-11)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1972-11)
balance engineer:
Hans‐Peter Schweigmann (engineer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1973)
recorded at:
Brent Town Hall (Wembley Town Hall) in Brent (London Borough of Brent), London (Greater London), England, United Kingdom (in 1972-11)
recording of:
Messiah, HWV 56: Part I, no. 13. Pastoral Symphony (Pifa) (in 1972-11)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part I
Georg Friedrich Händel3:03
1014. Récitatif (soprano) : Il y avait des bergers dans les champs
producer:
Dr. Gerd Ploebsch (engineer)
harpsichord:
Hedwig Bilgram (harpsichordist and organist) (in 1972-11)
organ:
Edgar Krapp (organist) (in 1972-11)
solo trumpet:
Gordon Webb (trumpet player) (in 1972-11)
soprano vocals:
Helen Donath (soprano) (in 1972-11)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (in 1972-11)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1972-11)
balance engineer:
Hans‐Peter Schweigmann (engineer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1973)
recorded at:
Brent Town Hall (Wembley Town Hall) in Brent (London Borough of Brent), London (Greater London), England, United Kingdom (in 1972-11)
recording of:
Messiah, HWV 56: Part I, no. 14. Recitative “There were shepherds, abiding in the field… And lo! the angel of the Lord come upon them” (Soprano) (in 1972-11)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part I
recording of:
Messiah, HWV 56: Part I, no. 15. Recitative “And the angel said unto them” (Soprano) (in 1972-11)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Messiah, HWV 56: Part I
recording of:
Messiah, HWV 56: Part I, no. 16. Recitative “And suddenly there was with the angel” (Soprano) (in 1972-11)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Messiah, HWV 56: Part I
Georg Friedrich Händel2:07
1115. (Chœur) : Gloire à Dieu
producer:
Dr. Gerd Ploebsch (engineer)
harpsichord:
Hedwig Bilgram (harpsichordist and organist) (in 1972-11)
organ:
Edgar Krapp (organist) (in 1972-11)
solo trumpet:
Gordon Webb (trumpet player) (in 1972-11)
choir vocals:
John Alldis Choir (The John Alldis Choir) (in 1972-11)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (in 1972-11)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1972-11)
chorus master:
John Alldis (chorusmaster and conductor) (in 1972-11)
balance engineer:
Hans‐Peter Schweigmann (engineer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1973)
recorded at:
Brent Town Hall (Wembley Town Hall) in Brent (London Borough of Brent), London (Greater London), England, United Kingdom (in 1972-11)
recording of:
Messiah, HWV 56: Part I, no. 17. Chorus “Glory to God in the highest” (in 1972-11)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part I
Georg Friedrich Händel1:57
1218.Duo (contralto, soprano) : Il fera paître Son Troupeau
contralto vocals:
Anna Reynolds (alto) (in 1972-11)
soprano vocals:
Helen Donath (soprano) (in 1972-11)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (in 1972-11)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1972-11)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1973)
recorded at:
Brent Town Hall (Wembley Town Hall) in Brent (London Borough of Brent), London (Greater London), England, United Kingdom (in 1972-11)
recording of:
Messiah, HWV 56: Part I, no. 20. Air “He Shall Feed His Flock” (Soprano, Contralto) (in 1972-11)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Messiah, HWV 56: Part I
Georg Friedrich Händel6:26
1324. Chœur : Nous étions tous errants comme des brebis loin du berger
producer:
Dr. Gerd Ploebsch (engineer)
harpsichord:
Hedwig Bilgram (harpsichordist and organist) (in 1972-11)
organ:
Edgar Krapp (organist) (in 1972-11)
solo trumpet:
Gordon Webb (trumpet player) (in 1972-11)
choir vocals:
John Alldis Choir (The John Alldis Choir) (in 1972-11)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (in 1972-11)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1972-11)
chorus master:
John Alldis (chorusmaster and conductor) (in 1972-11)
balance engineer:
Hans‐Peter Schweigmann (engineer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1973)
recorded at:
Brent Town Hall (Wembley Town Hall) in Brent (London Borough of Brent), London (Greater London), England, United Kingdom (in 1972-11)
recording of:
Messiah, HWV 56: Part II, no. 26. Chorus “All we like sheep” (in 1972-11)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
Georg Friedrich Händel3:59
1427. Accompagnato (ténor) : Cet opprobe a brisé Son Cœur
producer:
Dr. Gerd Ploebsch (engineer)
harpsichord:
Hedwig Bilgram (harpsichordist and organist) (in 1972-11)
organ:
Edgar Krapp (organist) (in 1972-11)
solo trumpet:
Gordon Webb (trumpet player) (in 1972-11)
tenor vocals:
Stuart Burrows (tenor) (in 1972-11)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (in 1972-11)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1972-11)
balance engineer:
Hans‐Peter Schweigmann (engineer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1973)
recorded at:
Brent Town Hall (Wembley Town Hall) in Brent (London Borough of Brent), London (Greater London), England, United Kingdom (in 1972-11)
recording of:
Messiah, HWV 56: Part II, no. 29. Recitative “Thy rebuke hath broken His heart” (Tenor) (in 1972-11)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
Georg Friedrich Händel1:38
1528. Arioso (ténor) : Voyez et regardez s'il est une douleur
producer:
Dr. Gerd Ploebsch (engineer)
harpsichord:
Hedwig Bilgram (harpsichordist and organist) (in 1972-11)
organ:
Edgar Krapp (organist) (in 1972-11)
solo trumpet:
Gordon Webb (trumpet player) (in 1972-11)
tenor vocals:
Stuart Burrows (tenor) (in 1972-11)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (in 1972-11)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1972-11)
balance engineer:
Hans‐Peter Schweigmann (engineer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1973)
recorded at:
Brent Town Hall (Wembley Town Hall) in Brent (London Borough of Brent), London (Greater London), England, United Kingdom (in 1972-11)
recording of:
Messiah, HWV 56: Part II, no. 30. Arioso “Behold and see” (Tenor) (in 1972-11)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Messiah, HWV 56: Part II
Georg Friedrich Händel1:34
1635. Chœur : Le Seigneur donna la parole
producer:
Dr. Gerd Ploebsch (engineer)
harpsichord:
Hedwig Bilgram (harpsichordist and organist) (in 1972-11)
organ:
Edgar Krapp (organist) (in 1972-11)
solo trumpet:
Gordon Webb (trumpet player) (in 1972-11)
choir vocals:
John Alldis Choir (The John Alldis Choir) (in 1972-11)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (in 1972-11)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1972-11)
chorus master:
John Alldis (chorusmaster and conductor) (in 1972-11)
balance engineer:
Hans‐Peter Schweigmann (engineer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1973)
recorded at:
Brent Town Hall (Wembley Town Hall) in Brent (London Borough of Brent), London (Greater London), England, United Kingdom (in 1972-11)
recording of:
Messiah, HWV 56: Part II, no. 37. Chorus “The Lord gave the Word” (in 1972-11)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
Georg Friedrich Händel1:05
1738. Aria (basse) : Pourquoi les nations frémissent-elles ?
producer:
Dr. Gerd Ploebsch (engineer)
harpsichord:
Hedwig Bilgram (harpsichordist and organist) (in 1972-11)
organ:
Edgar Krapp (organist) (in 1972-11)
solo trumpet:
Gordon Webb (trumpet player) (in 1972-11)
bass vocals:
Donald McIntyre (bass-baritone) (in 1972-11)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (in 1972-11)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1972-11)
balance engineer:
Hans‐Peter Schweigmann (engineer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1973)
recorded at:
Brent Town Hall (Wembley Town Hall) in Brent (London Borough of Brent), London (Greater London), England, United Kingdom (in 1972-11)
recording of:
Messiah, HWV 56: Part II, no. 40. Air “Why do the nations” (Bass) (in 1972-11)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
Georg Friedrich Händel3:00
1842. Chœur : Alléluia
producer:
Dr. Gerd Ploebsch (engineer)
harpsichord:
Hedwig Bilgram (harpsichordist and organist) (in 1972-11)
organ:
Edgar Krapp (organist) (in 1972-11)
solo trumpet:
Gordon Webb (trumpet player) (in 1972-11)
choir vocals:
John Alldis Choir (The John Alldis Choir) (in 1972-11)
vocals:
The John Alldis Choir
orchestra:
London Philharmonia Orchestra (Alfred Scholz related, not the London Philharmonic, the Philharmonia or the New Philharmonia) and London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (in 1972-11)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1972-11)
chorus master:
John Alldis (chorusmaster and conductor) (in 1972-11)
balance engineer:
Hans‐Peter Schweigmann (engineer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1973)
recorded at:
Brent Town Hall (Wembley Town Hall) in Brent (London Borough of Brent), London (Greater London), England, United Kingdom (in 1972-11)
recording of:
Messiah, HWV 56: Part II, no. 44. Chorus “Hallelujah” (in 1972-11)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
librettist:
Charles Jennens
part of:
Messiah, HWV 56: Part II
Georg Friedrich Händel4:02
1943. Aria (soprano) : je sais que mon Rédempteur vit
producer:
Dr. Gerd Ploebsch (engineer)
harpsichord:
Hedwig Bilgram (harpsichordist and organist) (in 1972-11)
organ:
Edgar Krapp (organist) (in 1972-11)
solo trumpet:
Gordon Webb (trumpet player) (in 1972-11)
soprano vocals:
Helen Donath (soprano) (in 1972-11)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (in 1972-11)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1972-11)
balance engineer:
Hans‐Peter Schweigmann (engineer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1973)
recorded at:
Brent Town Hall (Wembley Town Hall) in Brent (London Borough of Brent), London (Greater London), England, United Kingdom (in 1972-11)
recording of:
Messiah, HWV 56: Part III, no. 45. Air “I know that my Redeemer liveth” (Soprano) (in 1972-11)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part III
Georg Friedrich Händel7:18
2051. Chœur : Gloire à l'agneau qui est mort
producer:
Dr. Gerd Ploebsch (engineer)
harpsichord:
Hedwig Bilgram (harpsichordist and organist) (in 1972-11)
organ:
Edgar Krapp (organist) (in 1972-11)
solo trumpet:
Gordon Webb (trumpet player) (in 1972-11)
choir vocals:
John Alldis Choir (The John Alldis Choir) (in 1972-11)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (in 1972-11)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1972-11)
chorus master:
John Alldis (chorusmaster and conductor) (in 1972-11)
balance engineer:
Hans‐Peter Schweigmann (engineer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1973)
recorded at:
Brent Town Hall (Wembley Town Hall) in Brent (London Borough of Brent), London (Greater London), England, United Kingdom (in 1972-11)
partial recording of:
Messiah, HWV 56: Part III, no. 53. Chorus “Worthy is the Lamb… Amen” (in 1972-11)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part III
Georg Friedrich Händel3:56
2152. Chœur : Amen
producer:
Dr. Gerd Ploebsch (engineer)
harpsichord:
Hedwig Bilgram (harpsichordist and organist) (in 1972-11)
organ:
Edgar Krapp (organist) (in 1972-11)
solo trumpet:
Gordon Webb (trumpet player) (in 1972-11)
choir vocals:
John Alldis Choir (The John Alldis Choir) (in 1972-11)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (in 1972-11)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1972-11)
chorus master:
John Alldis (chorusmaster and conductor) (in 1972-11)
balance engineer:
Hans‐Peter Schweigmann (engineer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1973)
recorded at:
Brent Town Hall (Wembley Town Hall) in Brent (London Borough of Brent), London (Greater London), England, United Kingdom (in 1972-11)
partial recording of:
Messiah, HWV 56: Part III, no. 53. Chorus “Worthy is the Lamb… Amen” (in 1972-11)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part III
Georg Friedrich Händel3:26