Camille Saint-Saëns Edition 2

~ Release by Camille Saint‐Saëns (see all versions of this release, 3 available)

Tracklist

22▼CD: Vocal and Choral Music: Messe à quatre voix / Opera: Operas Arias from Samson et Delila & Henry VIII
#TitleRatingLength
1Messa à quatre voix, op. 4: I. Kyrie
producer:
Michel Garcin (French producer)
organ:
Marie‐Claire Alain (organist) (in 1988-04) and André Luy (organist) (in 1988-04)
alto vocals:
Annelise Théodoloz (alto) (in 1988-04)
baritone vocals:
Alain Clement (treble, then baritone) (in 1988-04)
choir vocals:
Ensemble Vocal de Lausanne (in 1988-04)
soprano vocals:
Isabel Balmori-Padesca (soprano) (in 1988-04)
tenor vocals:
Laurent Dami (in 1988-04)
conductor:
Michel Corboz (conductor and composer) (in 1988-04)
chorus master:
Laurent Gay (conductor) (in 1988-04)
assistant balance engineer:
Jacques Doll
balance engineer:
Yolanta Skura
recorded at:
Cathédrale de Lausanne in Lausanne, Vaud (Canton of Vaud), Switzerland (in 1988-04)
recording of:
Messe, op. 4: Kyrie (in 1988-04)
composer:
Camille Saint‐Saëns (composer) (in 1856)
part of:
Messe, op. 4
14:57
2Messa à quatre voix, op. 4: II. Gloria
producer:
Michel Garcin (French producer)
organ:
Marie‐Claire Alain (organist) (in 1988-04) and André Luy (organist) (in 1988-04)
choir vocals:
Ensemble Vocal de Lausanne (in 1988-04)
conductor:
Michel Corboz (conductor and composer) (in 1988-04)
chorus master:
Laurent Gay (conductor) (in 1988-04)
assistant balance engineer:
Jacques Doll
balance engineer:
Yolanta Skura
recorded at:
Cathédrale de Lausanne in Lausanne, Vaud (Canton of Vaud), Switzerland (in 1988-04)
recording of:
Messe, op. 4: Gloria (in 1988-04)
composer:
Camille Saint‐Saëns (composer) (in 1856)
part of:
Messe, op. 4
8:02
3Messa à quatre voix, op. 4: III. Credo
producer:
Michel Garcin (French producer)
organ:
Marie‐Claire Alain (organist) (in 1988-04) and André Luy (organist) (in 1988-04)
alto vocals:
Annelise Théodoloz (alto) (in 1988-04)
baritone vocals:
Alain Clement (treble, then baritone) (in 1988-04)
bass vocals:
Stephan Imboden (bass) (in 1988-04)
choir vocals:
Ensemble Vocal de Lausanne (in 1988-04)
soprano vocals:
Isabel Balmori-Padesca (soprano) (in 1988-04)
tenor vocals:
Laurent Dami (in 1988-04)
conductor:
Michel Corboz (conductor and composer) (in 1988-04)
chorus master:
Laurent Gay (conductor) (in 1988-04)
assistant balance engineer:
Jacques Doll
balance engineer:
Yolanta Skura
recorded at:
Cathédrale de Lausanne in Lausanne, Vaud (Canton of Vaud), Switzerland (in 1988-04)
recording of:
Messe, op. 4: Credo (in 1988-04)
composer:
Camille Saint‐Saëns (composer) (in 1856)
part of:
Messe, op. 4
5:06
4Messa à quatre voix, op. 4: IV. Sanctus
producer:
Michel Garcin (French producer)
organ:
Marie‐Claire Alain (organist) (in 1988-04) and André Luy (organist) (in 1988-04)
baritone vocals:
Alain Clement (treble, then baritone) (in 1988-04)
choir vocals:
Ensemble Vocal de Lausanne (in 1988-04)
conductor:
Michel Corboz (conductor and composer) (in 1988-04)
chorus master:
Laurent Gay (conductor) (in 1988-04)
assistant balance engineer:
Jacques Doll
balance engineer:
Yolanta Skura
recorded at:
Cathédrale de Lausanne in Lausanne, Vaud (Canton of Vaud), Switzerland (in 1988-04)
recording of:
Messe, op. 4: Sanctus (in 1988-04)
composer:
Camille Saint‐Saëns (composer) (in 1856)
part of:
Messe, op. 4
4:36
5Messa à quatre voix, op. 4: V. O salutaris
producer:
Michel Garcin (French producer)
organ:
Marie‐Claire Alain (organist) (in 1988-04) and André Luy (organist) (in 1988-04)
choir vocals:
Ensemble Vocal de Lausanne (in 1988-04)
conductor:
Michel Corboz (conductor and composer) (in 1988-04)
chorus master:
Laurent Gay (conductor) (in 1988-04)
assistant balance engineer:
Jacques Doll
balance engineer:
Yolanta Skura
recorded at:
Cathédrale de Lausanne in Lausanne, Vaud (Canton of Vaud), Switzerland (in 1988-04)
recording of:
Messe, op. 4: O Salutaris (in 1988-04)
composer:
Camille Saint‐Saëns (composer) (in 1856)
part of:
Messe, op. 4
2:47
6Messa à quatre voix, op. 4: VI. Agnus Dei
producer:
Michel Garcin (French producer)
organ:
Marie‐Claire Alain (organist) (in 1988-04) and André Luy (organist) (in 1988-04)
alto vocals:
Annelise Théodoloz (alto) (in 1988-04)
choir vocals:
Ensemble Vocal de Lausanne (in 1988-04)
conductor:
Michel Corboz (conductor and composer) (in 1988-04)
chorus master:
Laurent Gay (conductor) (in 1988-04)
assistant balance engineer:
Jacques Doll
balance engineer:
Yolanta Skura
recorded at:
Cathédrale de Lausanne in Lausanne, Vaud (Canton of Vaud), Switzerland (in 1988-04)
recording of:
Messe, op. 4: Agnus Dei (in 1988-04)
composer:
Camille Saint‐Saëns (composer) (in 1856)
part of:
Messe, op. 4
5:02
7Samson et Dalila, opera in three acts, op. 47: Act 1. « Printemps qui commence »
producer:
Walter Legge (British classical producer)
soprano vocals:
Maria Callas (soprano) (from 1961-03-28 until 1961-03-31, from 1961-04-04 until 1961-04-05)
orchestra:
Orchestre national de la Radiodiffusion Française (National Orchestra of France, RTF / ORTF / Radio France) (from 1961-03-28 until 1961-03-31, from 1961-04-04 until 1961-04-05)
conductor:
Georges Prêtre (French conductor) (from 1961-03-28 until 1961-03-31, from 1961-04-04 until 1961-04-05)
balance engineer:
Francis Dillnutt (engineer)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1961-03-28 until 1961-03-31, from 1961-04-04 until 1961-04-05)
recording of:
Samson et Dalila : Acte I, scène 6. « Printemps qui commence » (Dalila, un vieillard hébreu) (from 1961-03-28 until 1961-03-31)
composer:
Camille Saint‐Saëns (composer)
part of:
Samson et Dalila : Acte I
recording of:
Samson et Dalila : Acte I, scène 6. « Printemps qui commence » (Dalila, un vieillard hébreu) (from 1961-04-04 until 1961-04-05)
composer:
Camille Saint‐Saëns (composer)
part of:
Samson et Dalila : Acte I
5:18
8Samson et Dalila, opera in three acts, op. 47: Act 2. « Samson, recherchant ma présence… Amour ! viens aider ma faiblesse ! »
producer:
Walter Legge (British classical producer)
soprano vocals:
Maria Callas (soprano) (from 1961-03-28 until 1961-03-31, from 1961-04-04 until 1961-04-05)
orchestra:
Orchestre national de la Radiodiffusion Française (National Orchestra of France, RTF / ORTF / Radio France) (from 1961-03-28 until 1961-03-31, from 1961-04-04 until 1961-04-05)
conductor:
Georges Prêtre (French conductor) (from 1961-03-28 until 1961-03-31, from 1961-04-04 until 1961-04-05)
balance engineer:
Francis Dillnutt (engineer)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1961-03-28 until 1961-03-31, from 1961-04-04 until 1961-04-05)
recording of:
Samson et Dalila : Acte II, scène 1. « Samson, recherchant ma présence … Amour, viens aider ma faiblesse ! » (Dalila) (from 1961-03-28 until 1961-03-31)
composer:
Camille Saint‐Saëns (composer)
part of:
Samson et Dalila : Acte II
recording of:
Samson et Dalila : Acte II, scène 1. « Samson, recherchant ma présence … Amour, viens aider ma faiblesse ! » (Dalila) (from 1961-04-04 until 1961-04-05)
composer:
Camille Saint‐Saëns (composer)
part of:
Samson et Dalila : Acte II
4:13
9Samson et Dalila, opera in three acts, op. 47: Act 2. « Mon coœur s'ouvre à ta voix »
producer:
Michel Garcin (French producer) and Walter Legge (British classical producer)
soprano vocals:
Maria Callas (soprano) (from 1961-03-28 until 1961-03-31, from 1961-04-04 until 1961-04-05)
soprano vocals [Dalila]:
Maria Callas (soprano) (from 1961-03-28 until 1961-04-05)
orchestra:
Orchestre national de la Radiodiffusion Française (National Orchestra of France, RTF / ORTF / Radio France) (from 1961-03-28 until 1961-03-31, from 1961-04-04 until 1961-04-05) and Orchestre national de la Radiodiffusion française (National Orchestra of France, RTF / ORTF / Radio France) (from 1961-03-28 until 1961-04-05)
conductor:
Georges Prêtre (French conductor) (from 1961-03-28 until 1961-03-31, from 1961-03-28 until 1961-04-05, from 1961-04-04 until 1961-04-05)
assistant balance engineer:
Jacques Doll
balance engineer:
Francis Dillnutt (engineer) and Yolanta Skura
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1982)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1961-03-28 until 1961-03-31, from 1961-03-28 until 1961-04-05, from 1961-04-04 until 1961-04-05)
recording of:
Samson et Dalila : Acte II, scène 3. « Mon cœur s’ouvre à ta voix » (Dalila) (from 1961-03-28 until 1961-03-31)
composer:
Camille Saint‐Saëns (composer)
part of:
Samson et Dalila : Acte II
recording of:
Samson et Dalila : Acte II, scène 3. « Mon cœur s’ouvre à ta voix » (Dalila) (from 1961-03-28 until 1961-04-05)
composer:
Camille Saint‐Saëns (composer)
part of:
Samson et Dalila : Acte II
recording of:
Samson et Dalila : Acte II, scène 3. « Mon cœur s’ouvre à ta voix » (Dalila) (from 1961-04-04 until 1961-04-05)
composer:
Camille Saint‐Saëns (composer)
part of:
Samson et Dalila : Acte II
5:23
10Henry VIII, opera in 4 acts, R 291: Act IV. Air de Catherine d'Aragon: « Ô cruel souvenir ! »
producer:
Olivier Rosset (classical producer and engineer)
soprano vocals [Catherine d'Aragon]:
Véronique Gens (soprano) (on 2011-06-30, on 2011-07-05)
orchestra:
Les Talens Lyriques (French classical musical ensemble) (on 2011-06-30, on 2011-07-05)
conductor:
Christophe Rousset (French harpsichordist & conductor) (on 2011-06-30, on 2011-07-05)
balance engineer:
Hugues Deschaux
recorded at:
IRCAM in Paris, Île-de-France, France (on 2011-06-30, on 2011-07-05)
recording of:
Henry VIII : « Ô cruel souvenir ! … Je ne te reverrai jamais » (Catherine d'Aragon) (from 2011-06-30 until 2011-07-05)
composer:
Camille Saint‐Saëns (composer)
part of:
Henry VIII, Acte IV, Deuxième tableau, Scène I: “Fêtons le jour où naquit notre Roi”
8:33
23▶CD: Opera: Samson et Dalila (beginning)
24▶CD: Opera: Samson et Dalila (end)
25▶CD: Transcriptions & Arrangements 1
26▶CD: Transcriptions & Arrangements 2
27▶CD: Historical Recordings: Camille Saint-Saëns plays Camille Saint-Saëns: Piano Rolls / Gramophone Acoustic Recordings 1904 & 1919
28▶CD: Historical Recordings: Tecum principium / Le Rouet d'Omphale / La Princesse jaune Overture / Havanaise / Prélude pour “Le Déluge” / Toccata / Étude en forme de valse / Violin Concerto no. 3
29▶CD: Historical Recordings: Piano Concerto no. 4 / Celle Concerto no. 1 / Introduction and Rondo capriccioso / Havanaise
30▶CD: Historical Recordings: Piano Concertos nos. 1-3
31▶CD: Historical Recordings: Piano Concertos nos. 4 & 5 / Septet
32▶CD: Historical Recordings: Symphony no. 3 “Organ Symphony” / Suite algérienne / Danse macabre / Phaéton
33▶CD: Historical Recordings: 6 Arias / Samson et Dalila (beginning)
34▶CD: Historical Recordings: Samson et Dalila (end)