Jazz for Dinner – Create the Perfect Dinner Mood

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

1▶CD
2▼CD
#TitleArtistRatingLength
1What a Difference a Day Made
bass:
Geoff Gascoyne
guitar:
John Parricelli
membranophone:
Sebastiaan de Krom (Dutch jazz drummer)
percussion:
Francis Fuster
vocals:
Jamie Cullum (pianist, jazz‐pop artist)
horn and strings arranger:
Geoff Gascoyne
arranger:
Jamie Cullum (pianist, jazz‐pop artist)
cover recording of:
What a Diff’rence a Day Made
lyricist:
Stanley Adams (US lyricist & songwriter)
composer:
María Grever
publisher:
EMI Music Publishing (do not use as a release label!), Estate of Stanley Adams, Maurice Music, Peter Maurice Music Co. Ltd., Stanley Adams Music, Universal Music–Z Tunes LLC and Zomba Golden Sands Enterprises, Inc.
is based on:
Cuando vuelva a tu lado
Jamie Cullum45:09
2The Look of Love
assistant recording engineer:
Aya Takemura (from 2001-01-22 until 2001-01-27), Chris Clark (engineer) (from 2001-03-09 until 2001-03-11) and Richard Lancaster (from 2001-03-09 until 2001-03-11)
recording engineer and mixer:
Al Schmitt
producer:
Tommy LiPuma
assistant mixer:
John Hendrickson (Music engineer, mixer)
bass:
Christian McBride (American jazz bassist)
drums (drum set):
Peter Erskine (US jazz drummer) (in 2001)
guitar:
Romero Lubambo (in 2001)
percussion:
Luis Conte (percussionist) (in 2001)
piano:
Diana Krall (in 2001)
vocals:
Diana Krall (in 2001)
orchestra:
London Symphony Orchestra (from 2001-03-09 until 2001-03-11)
conductor:
Claus Ogerman (in 2001)
arranger:
Claus Ogerman
recorded at:
Avatar Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, United States (from 2001-01-22 until 2001-01-27) and Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 2001-03-09 until 2001-03-11)
mixed at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States (from 2001-03-19 until 2001-03-23)
cover recording of:
The Look of Love (in 2001)
lyricist:
Hal David
composer:
Burt Bacharach
publisher:
Colgems Music Corp., Colgems-EMI Music Inc. and Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
sub-publisher:
Screen Gems–EMI Music Ltd., イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (from 2021-07-01 to present)
part of:
The 40th Academy Award for Best Original Song (number: 2)
Diana Krall4:40
3The Girl From Ipanema
Astrud Gilberto5:11
4Desafinado
bass guitar:
Gene Byrd (jazz lyrical bassist) (on 1962-02-13)
double bass:
Keter Betts (on 1962-02-13)
guitar:
Charlie Byrd (on 1962-02-13) and Gene Byrd (jazz lyrical bassist) (on 1962-02-13)
percussion:
Buddy Deppenschmidt (American jazz drummer) (on 1962-02-13) and Bill Reichenbach (jazz drummer) (on 1962-02-13)
tenor saxophone:
Stan Getz (on 1962-02-13)
trumpet:
Charlie Byrd (on 1962-02-13)
arranger:
Antônio Carlos Jobim and Newton Mendonça
recorded at:
All Souls Church, Unitarian (Washington, D.C.) in Washington, D.C., United States (on 1962-02-13)
instrumental cover recording of:
Desafinado (on 1962-02-13)
lyricist:
Newton Mendonça
composer:
Antônio Carlos Jobim
publisher:
Bendig Music Corp., Corcovado Music Corp., Fermata do Brasil and 渡辺音楽出版 CM事業部 (Watanabe Music Publishing CM division)
Stan Getz & Charlie Byrd5:47
5Song for My Father
Horace Silver5:11
6Tequila
Wes Montgomery3:18
7Rose Rouge
recording of:
Rose rouge (in 2000)
composer:
Ludovic Navarre
publisher:
Primary Society Publishing
St Germain4:00
8Black Is the Color of My True Love’s Hair (Jaffa remix)
additional producer:
David Kakon
bass and keyboard [keys]:
David Kakon
electronic instruments [beats]:
Chip Matte
guitar [guitars]:
Jason Kent
remixer:
Jaffa
cover recording of:
Black Is the Color of My True Love’s Hair (Arranged by Nina Simone)
lyricist and composer:
[traditional] (special purpose artist)
arranger:
Nina Simone
publisher:
Sam Fox Publishing Company (publisher; do NOT use as release label)
arrangement of:
Black Is the Colour (of My True Love’s Hair)
Nina Simone4.54:54
9Speak Low (Bent remix)
Billie Holiday4:18
10Please Please Me
cover recording of:
Please Please Me
writer:
John Lennon (The Beatles) (from 1962-06-07 until 1962-06-08) and Paul McCartney (The Beatles) (from 1962-06-07 until 1962-06-08)
publisher:
Concertone Songs, Inc., Criterion Music Corp., Dick James Music Ltd. (renamed Universal/Dick James Music Ltd. since 1999‐07‐30), Dick James Music, Inc. (USA, affiliated with BMI), Northern Songs Ltd., Polygram Music, Songs of PolyGram International, Inc. and Universal/Dick James Music Ltd. (fka Dick James Music Ltd.)
Matt Dusk3:20
11Only Love Can Break Your Heart
cover recording of:
Only Love Can Break Your Heart
lyricist and composer:
Neil Young (Canadian singer, songwriter & musician)
publisher:
Broken Arrow Music, Broken Arrow Music Pub, Co., Warner Chappell Music Ltd. (no slash; used 1988–1996) and Warner Chappell Music, Inc.
Gwyneth Herbert3:14
12Misty Blue
cover recording of:
Misty Blue
lyricist and composer:
Bob Montgomery (USA)
publisher:
Reservoir One America and Talmont Music (publisher) (from 1966 to present)
Ella Fitzgerald3:32
13It Don’t Mean a Thing (If It Ain’t Got That Swing)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1999)
cover recording of:
It Don’t Mean a Thing (If It Ain’t Got That Swing)
lyricist:
Irving Mills (in 1931)
composer:
Edward Kennedy “Duke” Ellington (Duke Ellington, US composer, pianist & jazz bandleader) (in 1931-08)
publisher:
Duke Ellington Music and EMI Mills Music (ASCAP-affiliated)
part of:
The Real Book (compilation of jazz standards, volume I)
Dr. John5:09
14Giblet Gravy
recorded in:
New York, New York, United States (in 1968-02)
producer:
Esmond Edwards
baritone saxophone:
Pepper Adams (baritone saxophonist) (in 1968-02)
bass:
Bob Cranshaw (in 1968-02)
bass trombone:
Alan Raph (in 1968-02)
congas and tambourine:
Johnny Pacheco (in 1968-02)
drums (drum set):
Billy Cobham (in 1968-02)
flugelhorn and trumpet:
Jimmy Owens (jazz trumpeter) (in 1968-02)
guitar:
George Benson (jazz guitarist/singer) (in 1968-02) and Eric Gale (in 1968-02)
trumpet:
Ernie Royal (in 1968-02) and Snooky Young (in 1968-02)
conductor:
Tom McIntosh (in 1968-02)
arranger:
Tom McIntosh
phonographic copyright (℗) by:
UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1997)
recording of:
Giblet Gravy (in 1968-02)
composer:
George Benson (jazz guitarist/singer)
George Benson4:44
15Night Train
recorded in:
Los Angeles, California, United States (from 1962-12-15 until 1962-12-16)
engineer:
Val Valentin
producer:
Norman Granz
double bass:
Ray Brown (jazz bassist) (from 1962-12-15 until 1962-12-16)
drums (drum set):
Ed Thigpen (from 1962-12-15 until 1962-12-16)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (from 1962-12-15 until 1962-12-16)
phonographic copyright (℗) by:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1963)
recording of:
Night Train (Jimmy Forrest’s original instrumental version) (from 1962-12-15 until 1962-12-16)
composer:
Jimmy Forrest
is based on:
Happy Go Lucky Local
The Oscar Peterson Trio4:49
16April in Paris
recording of:
April in Paris
lyricist:
Yip Harburg (in 1932)
composer:
Vernon Duke (in 1932)
publisher:
Chappell Music Ltd.
part of:
The Real Book (compilation of jazz standards, volume I)
Charlie Parker3:06
17Ev’ry Time We Say Goodbye
engineer:
Val Valentin
producer:
Norman Granz
celesta and piano:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader) (on 1956-02-07)
cello:
Robert La Marchina (US cellist and conductor) (on 1956-02-07) and Edgar Lustgarten (on 1956-02-07)
double bass:
Joe Mondragon (on 1956-02-07)
drums (drum set):
Alvin Stoller (on 1956-02-07)
flute:
Ted Nash (40s-80s US swing reedman, uncle of the other) (on 1956-02-07)
guitar:
Barney Kessel (on 1956-02-07)
harp:
Corky Hale (on 1956-02-07)
oboe:
Bob Cooper (US jazz saxophonist) (on 1956-02-07)
lead vocals:
Ella Fitzgerald (American jazz singer) (on 1956-02-07)
orchestra:
Buddy Bregman Orchestra (on 1956-02-07)
conductor:
Buddy Bregman (on 1956-02-07)
arranger:
Buddy Bregman
phonographic copyright (℗) by:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1956)
recorded at:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California, United States (on 1956-02-07)
cover recording of:
Ev’ry Time We Say Goodbye (Seven Lively Arts musical revue) (on 1956-02-07)
lyricist and composer:
Cole Porter (composer) (in 1944)
publisher:
Chappell & Co Ltd., Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music Co. Inc. and Warner Chappell Music Ltd. (no slash; used 1988–1996)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Ella Fitzgerald3.653:32
18That Ole Devil Called Love
alto saxophone:
Jack Cressey (on 1944-11-08) and Hymie Shertzer (on 1944-11-08)
double bass:
Haig Stephens (on 1944-11-08)
drums (drum set):
George Wettling (on 1944-11-08)
guitar:
Carl Kress (on 1944-11-08)
piano:
Dave Bowman (jazz pianist) (on 1944-11-08)
tenor saxophone:
Larry Binyon (on 1944-11-08) and Dave Harris (tenor saxo) (on 1944-11-08)
trumpet:
Russ Case (US trumpeter & bandleader) (on 1944-11-08)
vocals:
Billie Holiday (on 1944-11-08)
recording of:
That Ole Devil Called Love (on 1944-11-08)
lyricist:
Doris Fisher (in 1944)
composer:
Allan Roberts (songwriter) (in 1944)
publisher:
MCA Records Ltd. (do not use as an imprint; UK subsidiary of MCA Records), Universal Music Ltd. (UK sound recording / publishing company) and Universal/MCA Music Ltd. (not for release label use!)
Billie Holiday42:52
19Panic
assistant engineer:
Simon Hayes (engineer)
engineer:
Andrew Rugg
producer:
Benoît Charest
mixer:
Rafe McKenna
double bass:
Nick Pini (bassist)
drums (drum set) [drums]:
Henry Tyler
guitar:
Martin Kolarides
vocals:
Kate Mullins, Stephanie O'Brien and Marcella Puppini
arranger:
Marcella Puppini
additionally recorded at:
Studios Piccolo in Bellerive (Belleriver), Montréal (Montreal, city), Québec (Quebec), Canada
recorded at and mixed at:
Mayfair Studios (England) in London (Greater London), England, United Kingdom
cover recording of:
Panic
lyricist:
Morrissey (English singer‐songwriter)
composer:
Johnny Marr
publisher:
Morrissey Marr Songs Ltd. and Warner Chappell Music Ltd. (no slash; used 1988–1996)
The Puppini Sisters2:16

Credits

Release

manufactured in:E.U. (Europe)
printed in:E.U. (Europe)
copyrighted (©) by and phonographic copyright (℗) by:EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 2006)
Universal Music Operations Ltd. (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (in 2006)
Virgin Records Ltd. (not for release label use! for company relationships only) (in 2006)
Discogs:https://www.discogs.com/release/9656345 [info]
ASIN:UK: B000FVGMFQ [info]