Bach 2000: The Complete Bach Edition

~ Release by Johann Sebastian Bach (see all versions of this release, 3 available)

Annotation

Individual barcode: 639842571128

Annotation last modified on 2025-06-01 12:00 UTC.

Tracklist

1▶CD: Sacred Cantatas: BWV 1-3

2▶CD: Sacred Cantatas: BWV 4-6

3▶CD: Sacred Cantatas: BWV 7-9

4▶CD: Sacred Cantatas: BWV 10-12

5▶CD: Sacred Cantatas: BWV 13, 14, 16

6▶CD: Sacred Cantatas: BWV 17-19

7▶CD: Sacred Cantatas: BWV 20-21

8▶CD: Sacred Cantatas: BWV 22-25

9▶CD: Sacred Cantatas: BWV 26-29

10▶CD: Sacred Cantatas: BWV 30-31

11▶CD: Sacred Cantatas: BWV 32-34

12▶CD: Sacred Cantatas: BWV 35-36

13▶CD: Sacred Cantatas: BWV 37-40

14▶CD: Sacred Cantatas: BWV 41-43

15▶CD: Sacred Cantatas: BWV 44-47

16▶CD: Sacred Cantatas: BWV 48-51

17▶CD: Sacred Cantatas: BWV 52, 54-56

18▶CD: Sacred Cantatas: BWV 57-60

19▶CD: Sacred Cantatas: BWV 61-63

20▶CD: Sacred Cantatas: BWV 64-66

21▶CD: Sacred Cantatas: BWV 67-69a

22▶CD: Sacred Cantatas: BWV 70-73

23▶CD: Sacred Cantatas: BWV 74-75

24▶CD: Sacred Cantatas: BWV 76-78

25▶CD: Sacred Cantatas: BWV 79-82

26▶CD: Sacred Cantatas: BWV 83-86

27▶CD: Sacred Cantats BWV 87-90

28▶CD: Sacred Cantatas BWV 91-93

29▶CD: Sacred Cantatas BWV 94-96

30▶CD: Sacred Cantatas BWV 97-99

31▶CD

32▶CD

33▶CD

34▶CD

35▶CD

36▶CD

37▶CD

38▶CD

39▶CD

40▶CD

41▶CD

42▶CD

43▶CD

44▶CD

45▶CD

46▶CD

47▶CD

48▶CD

49▶CD

50▶CD

51▶CD

52▶CD

53▶CD

54▶CD

55▶CD

56▶CD

57▶CD

58▶CD

59▶CD

60▶CD

61▶CD

62▶CD

63▶CD

64▶CD

65▶CD

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67▶CD

68▶CD

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70▶CD

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74▶CD

75▼CD
#	Title	Rating	Length
1	Mass in G major, BWV 236: I. Kyrie producer: Michel Garcin (French producer) cello: Pablo Loerkens (from 1972-12-02 until 1972-12-03, on 1972-12-05, from 1973-04-29 until 1973-05-02) flute: Marianne Clement (classical flautist) (from 1972-12-02 until 1972-12-03, on 1972-12-05, from 1973-04-29 until 1973-05-02) and Pierre Wavre (from 1972-12-02 until 1972-12-03, on 1972-12-05, from 1973-04-29 until 1973-05-02) harpsichord: Jörg Ewald Dähler (harpsichordist, conductor and composer) (from 1972-12-02 until 1972-12-03, on 1972-12-05, from 1973-04-29 until 1973-05-02) lute: Matthias Spaeter (from 1972-12-02 until 1972-12-03, on 1972-12-05, from 1973-04-29 until 1973-05-02) and Jean-Paul Visard (lutenist) (from 1972-12-02 until 1972-12-03, on 1972-12-05, from 1973-04-29 until 1973-05-02) oboe d'amore: Jean-Paul Goy (oboist) (from 1972-12-02 until 1972-12-03, on 1972-12-05, from 1973-04-29 until 1973-05-02) viola da gamba: Françoise Winzap (viola da gamba player) (from 1972-12-02 until 1972-12-03, on 1972-12-05, from 1973-04-29 until 1973-05-02) violin: Jean Piguet (from 1972-12-02 until 1972-12-03, on 1972-12-05, from 1973-04-29 until 1973-05-02) choir vocals: Ensemble Vocal de Lausanne (from 1972-12-02 until 1972-12-03, on 1972-12-05, from 1973-04-29 until 1973-05-02) orchestra: Orchestre de Chambre de Lausanne (Lausanne Chamber Orchestra) (from 1972-12-02 until 1972-12-03, on 1972-12-05, from 1973-04-29 until 1973-05-02) conductor: Michel Corboz (conductor and composer) (from 1972-12-02 until 1972-12-03, on 1972-12-05, from 1973-04-29 until 1973-05-02) balance engineer: Peter Willemoës recording of: Messe G-Dur, BWV 236: I. Coro "Kyrie eleison" (from 1972-12-02 until 1972-12-03) premiered in: Leipzig, Sachsen (Saxony), Germany composed in: Leipzig, Sachsen (Saxony), Germany composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: Messe G-Dur, BWV 236 recording of: Messe G-Dur, BWV 236: I. Coro "Kyrie eleison" (on 1972-12-05) premiered in: Leipzig, Sachsen (Saxony), Germany composed in: Leipzig, Sachsen (Saxony), Germany composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: Messe G-Dur, BWV 236 recording of: Messe G-Dur, BWV 236: I. Coro "Kyrie eleison" (from 1973-04-29 until 1973-05-02) premiered in: Leipzig, Sachsen (Saxony), Germany composed in: Leipzig, Sachsen (Saxony), Germany composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: Messe G-Dur, BWV 236		4:26
2	Mass in G major, BWV 236: II. Gloria producer: Michel Garcin (French producer) cello: Pablo Loerkens (from 1972-12-02 until 1972-12-03, on 1972-12-05, from 1973-04-29 until 1973-05-02) flute: Marianne Clement (classical flautist) (from 1972-12-02 until 1972-12-03, on 1972-12-05, from 1973-04-29 until 1973-05-02) and Pierre Wavre (from 1972-12-02 until 1972-12-03, on 1972-12-05, from 1973-04-29 until 1973-05-02) harpsichord: Jörg Ewald Dähler (harpsichordist, conductor and composer) (from 1972-12-02 until 1972-12-03, on 1972-12-05, from 1973-04-29 until 1973-05-02) lute: Matthias Spaeter (from 1972-12-02 until 1972-12-03, on 1972-12-05, from 1973-04-29 until 1973-05-02) and Jean-Paul Visard (lutenist) (from 1972-12-02 until 1972-12-03, on 1972-12-05, from 1973-04-29 until 1973-05-02) oboe d'amore: Jean-Paul Goy (oboist) (from 1972-12-02 until 1972-12-03, on 1972-12-05, from 1973-04-29 until 1973-05-02) viola da gamba: Françoise Winzap (viola da gamba player) (from 1972-12-02 until 1972-12-03, on 1972-12-05, from 1973-04-29 until 1973-05-02) violin: Jean Piguet (from 1972-12-02 until 1972-12-03, on 1972-12-05, from 1973-04-29 until 1973-05-02) choir vocals: Ensemble Vocal de Lausanne (from 1972-12-02 until 1972-12-03, on 1972-12-05, from 1973-04-29 until 1973-05-02) orchestra: Orchestre de Chambre de Lausanne (Lausanne Chamber Orchestra) (from 1972-12-02 until 1972-12-03, on 1972-12-05, from 1973-04-29 until 1973-05-02) conductor: Michel Corboz (conductor and composer) (from 1972-12-02 until 1972-12-03, on 1972-12-05, from 1973-04-29 until 1973-05-02) balance engineer: Peter Willemoës recording of: Messe G-Dur, BWV 236: II. Coro "Gloria in excelsis Deo" (from 1972-12-02 until 1972-12-03) premiered in: Leipzig, Sachsen (Saxony), Germany composed in: Leipzig, Sachsen (Saxony), Germany composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: Messe G-Dur, BWV 236 recording of: Messe G-Dur, BWV 236: II. Coro "Gloria in excelsis Deo" (on 1972-12-05) premiered in: Leipzig, Sachsen (Saxony), Germany composed in: Leipzig, Sachsen (Saxony), Germany composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: Messe G-Dur, BWV 236 recording of: Messe G-Dur, BWV 236: II. Coro "Gloria in excelsis Deo" (from 1973-04-29 until 1973-05-02) premiered in: Leipzig, Sachsen (Saxony), Germany composed in: Leipzig, Sachsen (Saxony), Germany composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: Messe G-Dur, BWV 236		5:02
3	Mass in G major, BWV 236: III. Gratias agimus tibi producer: Michel Garcin (French producer) cello: Pablo Loerkens (from 1972-12-02 until 1972-12-03, on 1972-12-05, from 1973-04-29 until 1973-05-02) flute: Marianne Clement (classical flautist) (from 1972-12-02 until 1972-12-03, on 1972-12-05, from 1973-04-29 until 1973-05-02) and Pierre Wavre (from 1972-12-02 until 1972-12-03, on 1972-12-05, from 1973-04-29 until 1973-05-02) harpsichord: Jörg Ewald Dähler (harpsichordist, conductor and composer) (from 1972-12-02 until 1972-12-03, on 1972-12-05, from 1973-04-29 until 1973-05-02) lute: Matthias Spaeter (from 1972-12-02 until 1972-12-03, on 1972-12-05, from 1973-04-29 until 1973-05-02) and Jean-Paul Visard (lutenist) (from 1972-12-02 until 1972-12-03, on 1972-12-05, from 1973-04-29 until 1973-05-02) oboe d'amore: Jean-Paul Goy (oboist) (from 1972-12-02 until 1972-12-03, on 1972-12-05, from 1973-04-29 until 1973-05-02) viola da gamba: Françoise Winzap (viola da gamba player) (from 1972-12-02 until 1972-12-03, on 1972-12-05, from 1973-04-29 until 1973-05-02) violin: Jean Piguet (from 1972-12-02 until 1972-12-03, on 1972-12-05, from 1973-04-29 until 1973-05-02) bass vocals: Philippe Huttenlocher (baritone) (from 1972-12-02 until 1972-12-03, on 1972-12-05, from 1973-04-29 until 1973-05-02) orchestra: Orchestre de Chambre de Lausanne (Lausanne Chamber Orchestra) (from 1972-12-02 until 1972-12-03, on 1972-12-05, from 1973-04-29 until 1973-05-02) conductor: Michel Corboz (conductor and composer) (from 1972-12-02 until 1972-12-03, on 1972-12-05, from 1973-04-29 until 1973-05-02) balance engineer: Peter Willemoës recording of: Messe G-Dur, BWV 236: III. Aria (Bass) "Gratias agimus tibi" (from 1972-12-02 until 1972-12-03) premiered in: Leipzig, Sachsen (Saxony), Germany composed in: Leipzig, Sachsen (Saxony), Germany composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: Messe G-Dur, BWV 236 recording of: Messe G-Dur, BWV 236: III. Aria (Bass) "Gratias agimus tibi" (on 1972-12-05) premiered in: Leipzig, Sachsen (Saxony), Germany composed in: Leipzig, Sachsen (Saxony), Germany composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: Messe G-Dur, BWV 236 recording of: Messe G-Dur, BWV 236: III. Aria (Bass) "Gratias agimus tibi" (from 1973-04-29 until 1973-05-02) premiered in: Leipzig, Sachsen (Saxony), Germany composed in: Leipzig, Sachsen (Saxony), Germany composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: Messe G-Dur, BWV 236		5:39
4	Mass in G major, BWV 236: IV. Domine Deus producer: Michel Garcin (French producer) cello: Pablo Loerkens (from 1972-12-02 until 1972-12-03, on 1972-12-05, from 1973-04-29 until 1973-05-02) flute: Marianne Clement (classical flautist) (from 1972-12-02 until 1972-12-03, on 1972-12-05, from 1973-04-29 until 1973-05-02) and Pierre Wavre (from 1972-12-02 until 1972-12-03, on 1972-12-05, from 1973-04-29 until 1973-05-02) harpsichord: Jörg Ewald Dähler (harpsichordist, conductor and composer) (from 1972-12-02 until 1972-12-03, on 1972-12-05, from 1973-04-29 until 1973-05-02) lute: Matthias Spaeter (from 1972-12-02 until 1972-12-03, on 1972-12-05, from 1973-04-29 until 1973-05-02) and Jean-Paul Visard (lutenist) (from 1972-12-02 until 1972-12-03, on 1972-12-05, from 1973-04-29 until 1973-05-02) oboe d'amore: Jean-Paul Goy (oboist) (from 1972-12-02 until 1972-12-03, on 1972-12-05, from 1973-04-29 until 1973-05-02) viola da gamba: Françoise Winzap (viola da gamba player) (from 1972-12-02 until 1972-12-03, on 1972-12-05, from 1973-04-29 until 1973-05-02) violin: Jean Piguet (from 1972-12-02 until 1972-12-03, on 1972-12-05, from 1973-04-29 until 1973-05-02) alto vocals: Nicole Rossier (from 1972-12-02 until 1972-12-03, on 1972-12-05, from 1973-04-29 until 1973-05-02) soprano vocals: Wally Staempfli (from 1972-12-02 until 1972-12-03, on 1972-12-05) and Wally Stämpfli (from 1973-04-29 until 1973-05-02) orchestra: Orchestre de Chambre de Lausanne (Lausanne Chamber Orchestra) (from 1972-12-02 until 1972-12-03, on 1972-12-05, from 1973-04-29 until 1973-05-02) conductor: Michel Corboz (conductor and composer) (from 1972-12-02 until 1972-12-03, on 1972-12-05, from 1973-04-29 until 1973-05-02) balance engineer: Peter Willemoës recording of: Messe G-Dur, BWV 236: IV. Duet (Soprano, Alto) "Domine Deus" (from 1972-12-02 until 1972-12-03) premiered in: Leipzig, Sachsen (Saxony), Germany composed in: Leipzig, Sachsen (Saxony), Germany composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: Messe G-Dur, BWV 236 recording of: Messe G-Dur, BWV 236: IV. Duet (Soprano, Alto) "Domine Deus" (on 1972-12-05) premiered in: Leipzig, Sachsen (Saxony), Germany composed in: Leipzig, Sachsen (Saxony), Germany composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: Messe G-Dur, BWV 236 recording of: Messe G-Dur, BWV 236: IV. Duet (Soprano, Alto) "Domine Deus" (from 1973-04-29 until 1973-05-02) premiered in: Leipzig, Sachsen (Saxony), Germany composed in: Leipzig, Sachsen (Saxony), Germany composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: Messe G-Dur, BWV 236		4:49
5	Mass in G major, BWV 236: V. Quoniam producer: Michel Garcin (French producer) cello: Pablo Loerkens (from 1972-12-02 until 1972-12-03, on 1972-12-05, from 1973-04-29 until 1973-05-02) flute: Marianne Clement (classical flautist) (from 1972-12-02 until 1972-12-03, on 1972-12-05, from 1973-04-29 until 1973-05-02) and Pierre Wavre (from 1972-12-02 until 1972-12-03, on 1972-12-05, from 1973-04-29 until 1973-05-02) harpsichord: Jörg Ewald Dähler (harpsichordist, conductor and composer) (from 1972-12-02 until 1972-12-03, on 1972-12-05, from 1973-04-29 until 1973-05-02) lute: Matthias Spaeter (from 1972-12-02 until 1972-12-03, on 1972-12-05, from 1973-04-29 until 1973-05-02) and Jean-Paul Visard (lutenist) (from 1972-12-02 until 1972-12-03, on 1972-12-05, from 1973-04-29 until 1973-05-02) oboe d'amore: Jean-Paul Goy (oboist) (from 1972-12-02 until 1972-12-03, on 1972-12-05, from 1973-04-29 until 1973-05-02) viola da gamba: Françoise Winzap (viola da gamba player) (from 1972-12-02 until 1972-12-03, on 1972-12-05, from 1973-04-29 until 1973-05-02) violin: Jean Piguet (from 1972-12-02 until 1972-12-03, on 1972-12-05, from 1973-04-29 until 1973-05-02) tenor vocals: John Elwes (tenor) (from 1972-12-02 until 1972-12-03, on 1972-12-05, from 1973-04-29 until 1973-05-02) orchestra: Orchestre de Chambre de Lausanne (Lausanne Chamber Orchestra) (from 1972-12-02 until 1972-12-03, on 1972-12-05, from 1973-04-29 until 1973-05-02) conductor: Michel Corboz (conductor and composer) (from 1972-12-02 until 1972-12-03, on 1972-12-05, from 1973-04-29 until 1973-05-02) performer: Olivier Dufour balance engineer: Peter Willemoës recording of: Messe G-Dur, BWV 236: V. Aria (Tenor) "Quoniam tu solus sanctus" (from 1972-12-02 until 1972-12-03) premiered in: Leipzig, Sachsen (Saxony), Germany composed in: Leipzig, Sachsen (Saxony), Germany composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: Messe G-Dur, BWV 236 recording of: Messe G-Dur, BWV 236: V. Aria (Tenor) "Quoniam tu solus sanctus" (on 1972-12-05) premiered in: Leipzig, Sachsen (Saxony), Germany composed in: Leipzig, Sachsen (Saxony), Germany composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: Messe G-Dur, BWV 236 recording of: Messe G-Dur, BWV 236: V. Aria (Tenor) "Quoniam tu solus sanctus" (from 1973-04-29 until 1973-05-02) premiered in: Leipzig, Sachsen (Saxony), Germany composed in: Leipzig, Sachsen (Saxony), Germany composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: Messe G-Dur, BWV 236		6:07
6	Mass in G major, BWV 236: VI. Cum Sancto Spiritu producer: Michel Garcin (French producer) cello: Pablo Loerkens (from 1972-12-02 until 1972-12-03, on 1972-12-05, from 1973-04-29 until 1973-05-02) flute: Marianne Clement (classical flautist) (from 1972-12-02 until 1972-12-03, on 1972-12-05, from 1973-04-29 until 1973-05-02) and Pierre Wavre (from 1972-12-02 until 1972-12-03, on 1972-12-05, from 1973-04-29 until 1973-05-02) harpsichord: Jörg Ewald Dähler (harpsichordist, conductor and composer) (from 1972-12-02 until 1972-12-03, on 1972-12-05, from 1973-04-29 until 1973-05-02) lute: Matthias Spaeter (from 1972-12-02 until 1972-12-03, on 1972-12-05, from 1973-04-29 until 1973-05-02) and Jean-Paul Visard (lutenist) (from 1972-12-02 until 1972-12-03, on 1972-12-05, from 1973-04-29 until 1973-05-02) oboe d'amore: Jean-Paul Goy (oboist) (from 1972-12-02 until 1972-12-03, on 1972-12-05, from 1973-04-29 until 1973-05-02) viola da gamba: Françoise Winzap (viola da gamba player) (from 1972-12-02 until 1972-12-03, on 1972-12-05, from 1973-04-29 until 1973-05-02) violin: Jean Piguet (from 1972-12-02 until 1972-12-03, on 1972-12-05, from 1973-04-29 until 1973-05-02) choir vocals: Ensemble Vocal de Lausanne (from 1972-12-02 until 1972-12-03, on 1972-12-05, from 1973-04-29 until 1973-05-02) orchestra: Orchestre de Chambre de Lausanne (Lausanne Chamber Orchestra) (from 1972-12-02 until 1972-12-03, on 1972-12-05, from 1973-04-29 until 1973-05-02) conductor: Michel Corboz (conductor and composer) (from 1972-12-02 until 1972-12-03, on 1972-12-05, from 1973-04-29 until 1973-05-02) balance engineer: Peter Willemoës recording of: Messe G-Dur, BWV 236: VI. Coro "Cum sancto spiritu" (from 1972-12-02 until 1972-12-03) premiered in: Leipzig, Sachsen (Saxony), Germany composed in: Leipzig, Sachsen (Saxony), Germany composer: Johann Sebastian Bach (German Baroque period composer & musician) is based on: Kantate, BWV 17 "Wer Dank opfert, der preiset mich": Teil I, I. Coro "Wer Dank opfert, der preiset mich" part of: Messe G-Dur, BWV 236 recording of: Messe G-Dur, BWV 236: VI. Coro "Cum sancto spiritu" (on 1972-12-05) premiered in: Leipzig, Sachsen (Saxony), Germany composed in: Leipzig, Sachsen (Saxony), Germany composer: Johann Sebastian Bach (German Baroque period composer & musician) is based on: Kantate, BWV 17 "Wer Dank opfert, der preiset mich": Teil I, I. Coro "Wer Dank opfert, der preiset mich" part of: Messe G-Dur, BWV 236 recording of: Messe G-Dur, BWV 236: VI. Coro "Cum sancto spiritu" (from 1973-04-29 until 1973-05-02) premiered in: Leipzig, Sachsen (Saxony), Germany composed in: Leipzig, Sachsen (Saxony), Germany composer: Johann Sebastian Bach (German Baroque period composer & musician) is based on: Kantate, BWV 17 "Wer Dank opfert, der preiset mich": Teil I, I. Coro "Wer Dank opfert, der preiset mich" part of: Messe G-Dur, BWV 236		3:48
7	Mass in G minor, BWV 235: I. Kyrie producer: Michel Garcin (French producer) cello: Pablo Loerkens (from 1972-12-02 until 1972-12-03, on 1972-12-05, from 1973-04-29 until 1973-05-02) flute: Marianne Clement (classical flautist) (from 1972-12-02 until 1972-12-03, on 1972-12-05, from 1973-04-29 until 1973-05-02) and Pierre Wavre (from 1972-12-02 until 1972-12-03, on 1972-12-05, from 1973-04-29 until 1973-05-02) harpsichord: Jörg Ewald Dähler (harpsichordist, conductor and composer) (from 1972-12-02 until 1972-12-03, on 1972-12-05, from 1973-04-29 until 1973-05-02) lute: Matthias Spaeter (from 1972-12-02 until 1972-12-03, on 1972-12-05, from 1973-04-29 until 1973-05-02) and Jean-Paul Visard (lutenist) (from 1972-12-02 until 1972-12-03, on 1972-12-05, from 1973-04-29 until 1973-05-02) oboe d'amore: Jean-Paul Goy (oboist) (from 1972-12-02 until 1972-12-03, on 1972-12-05, from 1973-04-29 until 1973-05-02) viola da gamba: Françoise Winzap (viola da gamba player) (from 1972-12-02 until 1972-12-03, on 1972-12-05, from 1973-04-29 until 1973-05-02) violin: Jean Piguet (from 1972-12-02 until 1972-12-03, on 1972-12-05, from 1973-04-29 until 1973-05-02) choir vocals: Ensemble Vocal de Lausanne (from 1972-12-02 until 1972-12-03, on 1972-12-05, from 1973-04-29 until 1973-05-02) vocals: Ensemble Vocal de Lausanne (from 1972-12-02 until 1972-12-03) orchestra: Orchestre de Chambre de Lausanne (Lausanne Chamber Orchestra) (from 1972-12-02 until 1972-12-03, on 1972-12-05, from 1973-04-29 until 1973-05-02) conductor: Michel Corboz (conductor and composer) (from 1972-12-02 until 1972-12-03, on 1972-12-05, from 1973-04-29 until 1973-05-02) balance engineer: Peter Willemoës recording of: Messe g-Moll, BWV 235: I. Coro "Kyrie eleison" (from 1972-12-02 until 1972-12-03) premiered in: Leipzig, Sachsen (Saxony), Germany composed in: Leipzig, Sachsen (Saxony), Germany composer: Johann Sebastian Bach (German Baroque period composer & musician) is based on: Kantate, BWV 102 "Herr, deine Augen sehen nach dem Glauben" part of: Messe g-Moll, BWV 235 recording of: Messe g-Moll, BWV 235: I. Coro "Kyrie eleison" (on 1972-12-05) premiered in: Leipzig, Sachsen (Saxony), Germany composed in: Leipzig, Sachsen (Saxony), Germany composer: Johann Sebastian Bach (German Baroque period composer & musician) is based on: Kantate, BWV 102 "Herr, deine Augen sehen nach dem Glauben" part of: Messe g-Moll, BWV 235 recording of: Messe g-Moll, BWV 235: I. Coro "Kyrie eleison" (from 1973-04-29 until 1973-05-02) premiered in: Leipzig, Sachsen (Saxony), Germany composed in: Leipzig, Sachsen (Saxony), Germany composer: Johann Sebastian Bach (German Baroque period composer & musician) is based on: Kantate, BWV 102 "Herr, deine Augen sehen nach dem Glauben" part of: Messe g-Moll, BWV 235		7:42
8	Mass in G minor, BWV 235: II. Gloria producer: Michel Garcin (French producer) cello: Pablo Loerkens (from 1972-12-02 until 1972-12-03, on 1972-12-05, from 1973-04-29 until 1973-05-02) flute: Marianne Clement (classical flautist) (from 1972-12-02 until 1972-12-03, on 1972-12-05, from 1973-04-29 until 1973-05-02) and Pierre Wavre (from 1972-12-02 until 1972-12-03, on 1972-12-05, from 1973-04-29 until 1973-05-02) harpsichord: Jörg Ewald Dähler (harpsichordist, conductor and composer) (from 1972-12-02 until 1972-12-03, on 1972-12-05, from 1973-04-29 until 1973-05-02) lute: Matthias Spaeter (from 1972-12-02 until 1972-12-03, on 1972-12-05, from 1973-04-29 until 1973-05-02) and Jean-Paul Visard (lutenist) (from 1972-12-02 until 1972-12-03, on 1972-12-05, from 1973-04-29 until 1973-05-02) oboe d'amore: Jean-Paul Goy (oboist) (from 1972-12-02 until 1972-12-03, on 1972-12-05, from 1973-04-29 until 1973-05-02) viola da gamba: Françoise Winzap (viola da gamba player) (from 1972-12-02 until 1972-12-03, on 1972-12-05, from 1973-04-29 until 1973-05-02) violin: Jean Piguet (from 1972-12-02 until 1972-12-03, on 1972-12-05, from 1973-04-29 until 1973-05-02) choir vocals: Ensemble Vocal de Lausanne (from 1972-12-02 until 1972-12-03, on 1972-12-05, from 1973-04-29 until 1973-05-02) orchestra: Orchestre de Chambre de Lausanne (Lausanne Chamber Orchestra) (from 1972-12-02 until 1972-12-03, on 1972-12-05, from 1973-04-29 until 1973-05-02) conductor: Michel Corboz (conductor and composer) (from 1972-12-02 until 1972-12-03, on 1972-12-05, from 1973-04-29 until 1973-05-02) balance engineer: Peter Willemoës recording of: Messe g-Moll, BWV 235: II. Coro "Gloria in excelsis Deo" (from 1972-12-02 until 1972-12-03) premiered in: Leipzig, Sachsen (Saxony), Germany composed in: Leipzig, Sachsen (Saxony), Germany composer: Johann Sebastian Bach (German Baroque period composer & musician) is based on: Kantate, BWV 72 "Alles nur nach Gottes Willen" part of: Messe g-Moll, BWV 235 recording of: Messe g-Moll, BWV 235: II. Coro "Gloria in excelsis Deo" (on 1972-12-05) premiered in: Leipzig, Sachsen (Saxony), Germany composed in: Leipzig, Sachsen (Saxony), Germany composer: Johann Sebastian Bach (German Baroque period composer & musician) is based on: Kantate, BWV 72 "Alles nur nach Gottes Willen" part of: Messe g-Moll, BWV 235 recording of: Messe g-Moll, BWV 235: II. Coro "Gloria in excelsis Deo" (from 1973-04-29 until 1973-05-02) premiered in: Leipzig, Sachsen (Saxony), Germany composed in: Leipzig, Sachsen (Saxony), Germany composer: Johann Sebastian Bach (German Baroque period composer & musician) is based on: Kantate, BWV 72 "Alles nur nach Gottes Willen" part of: Messe g-Moll, BWV 235		4:03
9	Mass in G minor, BWV 235: III. Gratias agimus tib producer: Michel Garcin (French producer) cello: Pablo Loerkens (from 1972-12-02 until 1972-12-03, on 1972-12-05, from 1973-04-29 until 1973-05-02) flute: Marianne Clement (classical flautist) (from 1972-12-02 until 1972-12-03, on 1972-12-05, from 1973-04-29 until 1973-05-02) and Pierre Wavre (from 1972-12-02 until 1972-12-03, on 1972-12-05, from 1973-04-29 until 1973-05-02) harpsichord: Jörg Ewald Dähler (harpsichordist, conductor and composer) (from 1972-12-02 until 1972-12-03, on 1972-12-05, from 1973-04-29 until 1973-05-02) lute: Matthias Spaeter (from 1972-12-02 until 1972-12-03, on 1972-12-05, from 1973-04-29 until 1973-05-02) and Jean-Paul Visard (lutenist) (from 1972-12-02 until 1972-12-03, on 1972-12-05, from 1973-04-29 until 1973-05-02) oboe d'amore: Jean-Paul Goy (oboist) (from 1972-12-02 until 1972-12-03, on 1972-12-05, from 1973-04-29 until 1973-05-02) viola da gamba: Françoise Winzap (viola da gamba player) (from 1972-12-02 until 1972-12-03, on 1972-12-05, from 1973-04-29 until 1973-05-02) violin: Jean Piguet (from 1972-12-02 until 1972-12-03, on 1972-12-05, from 1973-04-29 until 1973-05-02) bass vocals: Philippe Huttenlocher (baritone) (from 1972-12-02 until 1972-12-03, on 1972-12-05, from 1973-04-29 until 1973-05-02) orchestra: Orchestre de Chambre de Lausanne (Lausanne Chamber Orchestra) (from 1972-12-02 until 1972-12-03, on 1972-12-05, from 1973-04-29 until 1973-05-02) conductor: Michel Corboz (conductor and composer) (from 1972-12-02 until 1972-12-03, on 1972-12-05, from 1973-04-29 until 1973-05-02) balance engineer: Peter Willemoës recording of: Messe g-Moll, BWV 235: III. Aria (Bass) "Gratias agimus tibi" (from 1972-12-02 until 1972-12-03) premiered in: Leipzig, Sachsen (Saxony), Germany composed in: Leipzig, Sachsen (Saxony), Germany composer: Johann Sebastian Bach (German Baroque period composer & musician) is based on: Kantate, BWV 187 "Es wartet alles auf dich": IV. Aria (Bass) "Darum sollt ihr nicht sorgen" part of: Messe g-Moll, BWV 235 recording of: Messe g-Moll, BWV 235: III. Aria (Bass) "Gratias agimus tibi" (on 1972-12-05) premiered in: Leipzig, Sachsen (Saxony), Germany composed in: Leipzig, Sachsen (Saxony), Germany composer: Johann Sebastian Bach (German Baroque period composer & musician) is based on: Kantate, BWV 187 "Es wartet alles auf dich": IV. Aria (Bass) "Darum sollt ihr nicht sorgen" part of: Messe g-Moll, BWV 235 recording of: Messe g-Moll, BWV 235: III. Aria (Bass) "Gratias agimus tibi" (from 1973-04-29 until 1973-05-02) premiered in: Leipzig, Sachsen (Saxony), Germany composed in: Leipzig, Sachsen (Saxony), Germany composer: Johann Sebastian Bach (German Baroque period composer & musician) is based on: Kantate, BWV 187 "Es wartet alles auf dich": IV. Aria (Bass) "Darum sollt ihr nicht sorgen" part of: Messe g-Moll, BWV 235		4:55
10	Mass in G minor, BWV 235: IV. Domine Fili producer: Michel Garcin (French producer) cello: Pablo Loerkens (from 1972-12-02 until 1972-12-03, on 1972-12-05, from 1973-04-29 until 1973-05-02) flute: Marianne Clement (classical flautist) (from 1972-12-02 until 1972-12-03, on 1972-12-05, from 1973-04-29 until 1973-05-02) and Pierre Wavre (from 1972-12-02 until 1972-12-03, on 1972-12-05, from 1973-04-29 until 1973-05-02) harpsichord: Jörg Ewald Dähler (harpsichordist, conductor and composer) (from 1972-12-02 until 1972-12-03, on 1972-12-05, from 1973-04-29 until 1973-05-02) lute: Matthias Spaeter (from 1972-12-02 until 1972-12-03, on 1972-12-05, from 1973-04-29 until 1973-05-02) and Jean-Paul Visard (lutenist) (from 1972-12-02 until 1972-12-03, on 1972-12-05, from 1973-04-29 until 1973-05-02) oboe d'amore: Jean-Paul Goy (oboist) (from 1972-12-02 until 1972-12-03, on 1972-12-05, from 1973-04-29 until 1973-05-02) viola da gamba: Françoise Winzap (viola da gamba player) (from 1972-12-02 until 1972-12-03, on 1972-12-05, from 1973-04-29 until 1973-05-02) violin: Jean Piguet (from 1972-12-02 until 1972-12-03, on 1972-12-05, from 1973-04-29 until 1973-05-02) alto vocals: Hanna Schaer (from 1972-12-02 until 1972-12-03, on 1972-12-05, from 1973-04-29 until 1973-05-02) orchestra: Orchestre de Chambre de Lausanne (Lausanne Chamber Orchestra) (from 1972-12-02 until 1972-12-03, on 1972-12-05, from 1973-04-29 until 1973-05-02) conductor: Michel Corboz (conductor and composer) (from 1972-12-02 until 1972-12-03, on 1972-12-05, from 1973-04-29 until 1973-05-02) balance engineer: Peter Willemoës recording of: Messe g-Moll, BWV 235: IV. Aria (Alto) "Domine Fili unigenite" (from 1972-12-02 until 1972-12-03) premiered in: Leipzig, Sachsen (Saxony), Germany composed in: Leipzig, Sachsen (Saxony), Germany composer: Johann Sebastian Bach (German Baroque period composer & musician) is based on: Kantate, BWV 187 "Es wartet alles auf dich": III. Aria (Alt) "Du Herr, du krönst allein" part of: Messe g-Moll, BWV 235 recording of: Messe g-Moll, BWV 235: IV. Aria (Alto) "Domine Fili unigenite" (on 1972-12-05) premiered in: Leipzig, Sachsen (Saxony), Germany composed in: Leipzig, Sachsen (Saxony), Germany composer: Johann Sebastian Bach (German Baroque period composer & musician) is based on: Kantate, BWV 187 "Es wartet alles auf dich": III. Aria (Alt) "Du Herr, du krönst allein" part of: Messe g-Moll, BWV 235 recording of: Messe g-Moll, BWV 235: IV. Aria (Alto) "Domine Fili unigenite" (from 1973-04-29 until 1973-05-02) premiered in: Leipzig, Sachsen (Saxony), Germany composed in: Leipzig, Sachsen (Saxony), Germany composer: Johann Sebastian Bach (German Baroque period composer & musician) is based on: Kantate, BWV 187 "Es wartet alles auf dich": III. Aria (Alt) "Du Herr, du krönst allein" part of: Messe g-Moll, BWV 235		5:59
11	Mass in G minor, BWV 235: V. Qui tollis producer: Michel Garcin (French producer) cello: Pablo Loerkens (from 1972-12-02 until 1972-12-03, on 1972-12-05, from 1973-04-29 until 1973-05-02) flute: Marianne Clement (classical flautist) (from 1972-12-02 until 1972-12-03, on 1972-12-05, from 1973-04-29 until 1973-05-02) and Pierre Wavre (from 1972-12-02 until 1972-12-03, on 1972-12-05, from 1973-04-29 until 1973-05-02) harpsichord: Jörg Ewald Dähler (harpsichordist, conductor and composer) (from 1972-12-02 until 1972-12-03, on 1972-12-05, from 1973-04-29 until 1973-05-02) lute: Matthias Spaeter (from 1972-12-02 until 1972-12-03, on 1972-12-05, from 1973-04-29 until 1973-05-02) and Jean-Paul Visard (lutenist) (from 1972-12-02 until 1972-12-03, on 1972-12-05, from 1973-04-29 until 1973-05-02) oboe d'amore: Jean-Paul Goy (oboist) (from 1972-12-02 until 1972-12-03, on 1972-12-05, from 1973-04-29 until 1973-05-02) viola da gamba: Françoise Winzap (viola da gamba player) (from 1972-12-02 until 1972-12-03, on 1972-12-05, from 1973-04-29 until 1973-05-02) violin: Jean Piguet (from 1972-12-02 until 1972-12-03, on 1972-12-05, from 1973-04-29 until 1973-05-02) tenor vocals: Olivier Dufour (from 1972-12-02 until 1972-12-03, on 1972-12-05, from 1973-04-29 until 1973-05-02) orchestra: Orchestre de Chambre de Lausanne (Lausanne Chamber Orchestra) (from 1972-12-02 until 1972-12-03, on 1972-12-05, from 1973-04-29 until 1973-05-02) conductor: Michel Corboz (conductor and composer) (from 1972-12-02 until 1972-12-03, on 1972-12-05, from 1973-04-29 until 1973-05-02) balance engineer: Peter Willemoës recording of: Messe g-Moll, BWV 235: V. Aria (Tenor) "Qui tollis peccata mundi" (from 1972-12-02 until 1972-12-03) premiered in: Leipzig, Sachsen (Saxony), Germany composed in: Leipzig, Sachsen (Saxony), Germany composer: Johann Sebastian Bach (German Baroque period composer & musician) is based on: Kantate, BWV 187 "Es wartet alles auf dich": V. Aria (Sopran) "Gott versorget alles Leben" part of: Messe g-Moll, BWV 235 recording of: Messe g-Moll, BWV 235: V. Aria (Tenor) "Qui tollis peccata mundi" (on 1972-12-05) premiered in: Leipzig, Sachsen (Saxony), Germany composed in: Leipzig, Sachsen (Saxony), Germany composer: Johann Sebastian Bach (German Baroque period composer & musician) is based on: Kantate, BWV 187 "Es wartet alles auf dich": V. Aria (Sopran) "Gott versorget alles Leben" part of: Messe g-Moll, BWV 235 recording of: Messe g-Moll, BWV 235: V. Aria (Tenor) "Qui tollis peccata mundi" (from 1973-04-29 until 1973-05-02) premiered in: Leipzig, Sachsen (Saxony), Germany composed in: Leipzig, Sachsen (Saxony), Germany composer: Johann Sebastian Bach (German Baroque period composer & musician) is based on: Kantate, BWV 187 "Es wartet alles auf dich": V. Aria (Sopran) "Gott versorget alles Leben" part of: Messe g-Moll, BWV 235		4:59
12	Mass in G minor, BWV 235: VI. Cum Sancto Spiritu producer: Michel Garcin (French producer) cello: Pablo Loerkens (from 1972-12-02 until 1972-12-03, on 1972-12-05, from 1973-04-29 until 1973-05-02) flute: Marianne Clement (classical flautist) (from 1972-12-02 until 1972-12-03, on 1972-12-05, from 1973-04-29 until 1973-05-02) and Pierre Wavre (from 1972-12-02 until 1972-12-03, on 1972-12-05, from 1973-04-29 until 1973-05-02) harpsichord: Jörg Ewald Dähler (harpsichordist, conductor and composer) (from 1972-12-02 until 1972-12-03, on 1972-12-05, from 1973-04-29 until 1973-05-02) lute: Matthias Spaeter (from 1972-12-02 until 1972-12-03, on 1972-12-05, from 1973-04-29 until 1973-05-02) and Jean-Paul Visard (lutenist) (from 1972-12-02 until 1972-12-03, on 1972-12-05, from 1973-04-29 until 1973-05-02) oboe d'amore: Jean-Paul Goy (oboist) (from 1972-12-02 until 1972-12-03, on 1972-12-05, from 1973-04-29 until 1973-05-02) viola da gamba: Françoise Winzap (viola da gamba player) (from 1972-12-02 until 1972-12-03, on 1972-12-05, from 1973-04-29 until 1973-05-02) violin: Jean Piguet (from 1972-12-02 until 1972-12-03, on 1972-12-05, from 1973-04-29 until 1973-05-02) choir vocals: Ensemble Vocal de Lausanne (from 1972-12-02 until 1972-12-03, on 1972-12-05, from 1973-04-29 until 1973-05-02) vocals: Ensemble Vocal de Lausanne (from 1972-12-02 until 1972-12-03) orchestra: Orchestre de Chambre de Lausanne (Lausanne Chamber Orchestra) (from 1972-12-02 until 1972-12-03, on 1972-12-05, from 1973-04-29 until 1973-05-02) conductor: Michel Corboz (conductor and composer) (from 1972-12-02 until 1972-12-03, on 1972-12-05, from 1973-04-29 until 1973-05-02) balance engineer: Peter Willemoës recording of: Messe g-Moll, BWV 235: VI. Coro "Cum sancto spiritu" (from 1972-12-02 until 1972-12-03) premiered in: Leipzig, Sachsen (Saxony), Germany composed in: Leipzig, Sachsen (Saxony), Germany composer: Johann Sebastian Bach (German Baroque period composer & musician) is based on: Kantate, BWV 187 "Es wartet alles auf dich" part of: Messe g-Moll, BWV 235 recording of: Messe g-Moll, BWV 235: VI. Coro "Cum sancto spiritu" (on 1972-12-05) premiered in: Leipzig, Sachsen (Saxony), Germany composed in: Leipzig, Sachsen (Saxony), Germany composer: Johann Sebastian Bach (German Baroque period composer & musician) is based on: Kantate, BWV 187 "Es wartet alles auf dich" part of: Messe g-Moll, BWV 235 recording of: Messe g-Moll, BWV 235: VI. Coro "Cum sancto spiritu" (from 1973-04-29 until 1973-05-02) premiered in: Leipzig, Sachsen (Saxony), Germany composed in: Leipzig, Sachsen (Saxony), Germany composer: Johann Sebastian Bach (German Baroque period composer & musician) is based on: Kantate, BWV 187 "Es wartet alles auf dich" part of: Messe g-Moll, BWV 235		4:59
13	Sanctus in D major (after an unknown work), BWV 238 producer: Michel Garcin (French producer) cello: Pablo Loerkens (from 1972-12-02 until 1972-12-03, on 1972-12-05, from 1973-04-29 until 1973-05-02) flute: Marianne Clement (classical flautist) (from 1972-12-02 until 1972-12-03, on 1972-12-05, from 1973-04-29 until 1973-05-02) and Pierre Wavre (from 1972-12-02 until 1972-12-03, on 1972-12-05, from 1973-04-29 until 1973-05-02) harpsichord: Jörg Ewald Dähler (harpsichordist, conductor and composer) (from 1972-12-02 until 1972-12-03, on 1972-12-05, from 1973-04-29 until 1973-05-02) lute: Matthias Spaeter (from 1972-12-02 until 1972-12-03, on 1972-12-05, from 1973-04-29 until 1973-05-02) and Jean-Paul Visard (lutenist) (from 1972-12-02 until 1972-12-03, on 1972-12-05, from 1973-04-29 until 1973-05-02) oboe d'amore: Jean-Paul Goy (oboist) (from 1972-12-02 until 1972-12-03, on 1972-12-05, from 1973-04-29 until 1973-05-02) viola da gamba: Françoise Winzap (viola da gamba player) (from 1972-12-02 until 1972-12-03, on 1972-12-05, from 1973-04-29 until 1973-05-02) violin: Jean Piguet (from 1972-12-02 until 1972-12-03, on 1972-12-05, from 1973-04-29 until 1973-05-02) choir vocals: Ensemble Vocal de Lausanne (from 1972-12-02 until 1972-12-03, on 1972-12-05, from 1973-04-29 until 1973-05-02) orchestra: Orchestre de Chambre de Lausanne (Lausanne Chamber Orchestra) (from 1972-12-02 until 1972-12-03, on 1972-12-05, from 1973-04-29 until 1973-05-02) conductor: Michel Corboz (conductor and composer) (from 1972-12-02 until 1972-12-03, on 1972-12-05, from 1973-04-29 until 1973-05-02) balance engineer: Peter Willemoës recording of: Sanctus D-Dur, BWV 238 (from 1972-12-02 until 1972-12-03) premiered in: Leipzig, Sachsen (Saxony), Germany composed in: Leipzig, Sachsen (Saxony), Germany composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: Bach-Werke-Verzeichnis (number: BWV 238) recording of: Sanctus D-Dur, BWV 238 (on 1972-12-05) premiered in: Leipzig, Sachsen (Saxony), Germany composed in: Leipzig, Sachsen (Saxony), Germany composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: Bach-Werke-Verzeichnis (number: BWV 238) recording of: Sanctus D-Dur, BWV 238 (from 1973-04-29 until 1973-05-02) premiered in: Leipzig, Sachsen (Saxony), Germany composed in: Leipzig, Sachsen (Saxony), Germany composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: Bach-Werke-Verzeichnis (number: BWV 238)		3:25
14	Christe eleison in G minor, BWV 242 producer: Michel Garcin (French producer) cello: Pablo Loerkens (from 1972-12-02 until 1972-12-03, on 1972-12-05, from 1973-04-29 until 1973-05-02) flute: Marianne Clement (classical flautist) (from 1972-12-02 until 1972-12-03, on 1972-12-05, from 1973-04-29 until 1973-05-02) and Pierre Wavre (from 1972-12-02 until 1972-12-03, on 1972-12-05, from 1973-04-29 until 1973-05-02) harpsichord: Jörg Ewald Dähler (harpsichordist, conductor and composer) (from 1972-12-02 until 1972-12-03, on 1972-12-05, from 1973-04-29 until 1973-05-02) lute: Matthias Spaeter (from 1972-12-02 until 1972-12-03, on 1972-12-05, from 1973-04-29 until 1973-05-02) and Jean-Paul Visard (lutenist) (from 1972-12-02 until 1972-12-03, on 1972-12-05, from 1973-04-29 until 1973-05-02) oboe d'amore: Jean-Paul Goy (oboist) (from 1972-12-02 until 1972-12-03, on 1972-12-05, from 1973-04-29 until 1973-05-02) viola da gamba: Françoise Winzap (viola da gamba player) (from 1972-12-02 until 1972-12-03, on 1972-12-05, from 1973-04-29 until 1973-05-02) violin: Jean Piguet (from 1972-12-02 until 1972-12-03, on 1972-12-05, from 1973-04-29 until 1973-05-02) alto vocals: Nicole Rossier (from 1972-12-02 until 1972-12-03, on 1972-12-05, from 1973-04-29 until 1973-05-02) soprano vocals: Wally Staempfli (from 1972-12-02 until 1972-12-03, on 1972-12-05) and Wally Stämpfli (from 1973-04-29 until 1973-05-02) orchestra: Orchestre de Chambre de Lausanne (Lausanne Chamber Orchestra) (from 1972-12-02 until 1972-12-03, on 1972-12-05, from 1973-04-29 until 1973-05-02) conductor: Michel Corboz (conductor and composer) (from 1972-12-02 until 1972-12-03, on 1972-12-05, from 1973-04-29 until 1973-05-02) balance engineer: Peter Willemoës recording of: Christe eleison g-Moll, BWV 242 (from 1972-12-02 until 1972-12-03) premiered in: Leipzig, Sachsen (Saxony), Germany composed in: Leipzig, Sachsen (Saxony), Germany composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: Bach-Werke-Verzeichnis (number: BWV 242) and Bach Compendium (number: BC E 8) recording of: Christe eleison g-Moll, BWV 242 (on 1972-12-05) premiered in: Leipzig, Sachsen (Saxony), Germany composed in: Leipzig, Sachsen (Saxony), Germany composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: Bach-Werke-Verzeichnis (number: BWV 242) and Bach Compendium (number: BC E 8) recording of: Christe eleison g-Moll, BWV 242 (from 1973-04-29 until 1973-05-02) premiered in: Leipzig, Sachsen (Saxony), Germany composed in: Leipzig, Sachsen (Saxony), Germany composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: Bach-Werke-Verzeichnis (number: BWV 242) and Bach Compendium (number: BC E 8)		2:15
15	Sanctus in C major, BWV 237 producer: Michel Garcin (French producer) cello: Pablo Loerkens (from 1972-12-02 until 1972-12-03, on 1972-12-05, from 1973-04-29 until 1973-05-02) flute: Marianne Clement (classical flautist) (from 1972-12-02 until 1972-12-03, on 1972-12-05, from 1973-04-29 until 1973-05-02) and Pierre Wavre (from 1972-12-02 until 1972-12-03, on 1972-12-05, from 1973-04-29 until 1973-05-02) harpsichord: Jörg Ewald Dähler (harpsichordist, conductor and composer) (from 1972-12-02 until 1972-12-03, on 1972-12-05, from 1973-04-29 until 1973-05-02) lute: Matthias Spaeter (from 1972-12-02 until 1972-12-03, on 1972-12-05, from 1973-04-29 until 1973-05-02) and Jean-Paul Visard (lutenist) (from 1972-12-02 until 1972-12-03, on 1972-12-05, from 1973-04-29 until 1973-05-02) oboe d'amore: Jean-Paul Goy (oboist) (from 1972-12-02 until 1972-12-03, on 1972-12-05, from 1973-04-29 until 1973-05-02) viola da gamba: Françoise Winzap (viola da gamba player) (from 1972-12-02 until 1972-12-03, on 1972-12-05, from 1973-04-29 until 1973-05-02) violin: Jean Piguet (from 1972-12-02 until 1972-12-03, on 1972-12-05, from 1973-04-29 until 1973-05-02) choir vocals: Ensemble Vocal de Lausanne (from 1972-12-02 until 1972-12-03, on 1972-12-05, from 1973-04-29 until 1973-05-02) orchestra: Orchestre de Chambre de Lausanne (Lausanne Chamber Orchestra) (from 1972-12-02 until 1972-12-03, on 1972-12-05, from 1973-04-29 until 1973-05-02) conductor: Michel Corboz (conductor and composer) (from 1972-12-02 until 1972-12-03, on 1972-12-05, from 1973-04-29 until 1973-05-02) balance engineer: Peter Willemoës recording of: Sanctus C-Dur, BWV 237 (from 1972-12-02 until 1972-12-03) premiered in: Leipzig, Sachsen (Saxony), Germany composed in: Leipzig, Sachsen (Saxony), Germany composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: Bach-Werke-Verzeichnis (number: BWV 237) recording of: Sanctus C-Dur, BWV 237 (on 1972-12-05) premiered in: Leipzig, Sachsen (Saxony), Germany composed in: Leipzig, Sachsen (Saxony), Germany composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: Bach-Werke-Verzeichnis (number: BWV 237) recording of: Sanctus C-Dur, BWV 237 (from 1973-04-29 until 1973-05-02) premiered in: Leipzig, Sachsen (Saxony), Germany composed in: Leipzig, Sachsen (Saxony), Germany composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: Bach-Werke-Verzeichnis (number: BWV 237)		1:43

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Credits

Release

part of:

Bach 2000 (multi-volume box set) (number: 1) (order: 1)
Bach 2000 (multi-volume box set) (number: 2) (order: 2)
Bach 2000 (multi-volume box set) (number: 3) (order: 3)
Bach 2000 (multi-volume box set) (number: 4) (order: 4)
Bach 2000 (multi-volume box set) (number: 5) (order: 5)
Bach 2000 (multi-volume box set) (number: 6) (order: 6)
Bach 2000 (multi-volume box set) (number: 7) (order: 7)
Bach 2000 (multi-volume box set) (number: 8) (order: 8)
Bach 2000 (multi-volume box set) (number: 9) (order: 9)
Bach 2000 (multi-volume box set) (number: 10) (order: 10)
Bach 2000 (multi-volume box set) (number: 11) (order: 11)
Bach 2000 (multi-volume box set) (number: 12) (order: 12)

Discogs:	https://www.discogs.com/release/23209139 [info]
ASIN:	US: B00001IV8B [info]
discography entry:	http://www.bach-cantatas.com/Performers/H&L-Rec5.htm#D2 [info]

Release group

excerpts:	Bach 2000 Bach 2000: An Introduction to The Complete Bach Edition

Discogs:	https://www.discogs.com/master/2280259 [info]
other databases:	https://rateyourmusic.com/release/comp/johann_sebastian_bach/bach_2000__the_complete_bach_edition__153_cd_/ [info]

Bach 2000: The Complete Bach Edition

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