The Rock ’n’ Roll Era: 1964

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 2 disponibili)

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#TitoloArtistaValutazioneDurata
1Oh, Pretty Woman
registrata a:
Nashville, Tennessee, Stati Uniti (il 1964-08-01)
produttore:
Fred Foster
armonica (a bocca) :
Charlie McCoy (white blues harmonica player, 1960s-present) (il 1964-08-01)
batteria :
Buddy Harman (Session drummer and songwriter) (il 1964-08-01)
chitarra :
Jerry Kennedy (il 1964-08-01), Wayne Moss (il 1964-08-01) e Billy Sanford (guitar) (il 1964-08-01)
chitarra a 12 corde [12 string guitar Epiphone] e voce principale:
Roy Orbison (il 1964-08-01)
contrabbasso [upright bass] :
Bob Moore (U.S. bassist and bandleader) (il 1964-08-01)
percussione :
Paul Garrison (il 1964-08-01)
pianoforte :
Floyd Cramer (il 1964-08-01)
sassofono :
Boots Randolph (il 1964-08-01)
voce:
Roy Orbison
diritti fonografici (℗) detenuti da:
Orbison Records, Orbison Records, Inc. e Monument Record Corp. (not for release label use!) (nel 1964)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1964 (recordings) (numero: 20), Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 59), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 222)
registrazione di:
Oh, Pretty Woman (Roy Orbison song) (il 1964-08-01)
paroliere e compositore:
Bill Dees (songwriter, singer, guitarist) e Roy Orbison
editore:
Acuff-Rose Music Limited (UK), Barbara Orbison Music Company, Roy Orbison Music Company, Universal/MCA Music Ltd. (not for release label use!), Acuff-Rose Publications, Inc. (BMI) (il 1964-08-26) e Acuff-Rose (BMI) (nel 1972)
Roy Orbison4.32:59
2The Rise and Fall of Flingel Blunt
The Shadows42:47
3No Particular Place to Go
registrazione di:
No Particular Place to Go
paroliere e compositore:
Chuck Berry
editore:
Arc Music Corp. (U.S. rock & blues publisher) e Jewel Music Publishing Co. Ltd. (publisher; do NOT use as release label)
Chuck Berry2:45
4Under the Boardwalk
registrata a:
New York, New York, Stati Uniti (il 1964-05-21)
produttore:
Bert Berns e Mike Leander
archi [nine strings] :
[unknown] ([sconosciuto], Special Purpose Artist – Do not add releases here, if possible.) (il 1964-05-21)
batteria [drums] :
Gary Chester (studio drummer and educator) (il 1964-05-21)
chitarra :
Everett Barksdale (il 1964-05-21), Bill Suyker (il 1964-05-21), Billy Davis (US guitarist & songwriter; member/manager of The Drifters) (il 1964-05-21) e Bob Bushnell (il 1964-05-21)
contrabbasso [bass] :
Milt Hinton (il 1964-05-21)
pianoforte :
Ernie Hayes (American pianist, organist and arranger) (il 1964-05-21)
vibrafono [vibes] :
George Devens (il 1964-05-21)
voce di baritono:
Gene Pearson (il 1964-05-21)
voce di basso:
Winifred Terry (il 1964-05-21)
voce di tenore:
Charlie Thomas (The Drifters) (il 1964-05-21)
voce principale:
Johnny Moore (soul/rnb vocalist for The Drifters) (il 1964-05-21)
direttore d'orchestra:
Gary Sherman (mid-20th century composer, arranger & conductor) (il 1964-05-21)
arrangiatore:
Gary Sherman (mid-20th century composer, arranger & conductor) e Teacho Wiltshire
diritti fonografici (℗) detenuti da:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1988) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1998)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1964 (recordings) (numero: 6), Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 304) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 487)
registrazione di:
Under the Boardwalk (il 1964-05-21)
autore:
Arthur Resnick (songwriter, producer) e Kenny Young
editore:
Alley Music Corp., Intersong (publisher), The Hudson Bay Music Co. (publisher), TM Music Ltd. e Trio Music Company
The Drifters4.352:42
5Chapel of Love
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1964 (recordings) (numero: 18) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 279)
registrazione di:
Chapel of Love
autore:
Jeff Barry, Ellie Greenwich e Phil Spector
editore:
ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”), Mother Bertha Music Inc., Trio Music Company, Universal–Songs of PolyGram International, Inc., シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division), 日本アブコ音楽出版 (ABKCO Japan Publishing), イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (fino al 2021-06-30) e ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (dal 2021-07-01 a oggi)
The Dixie Cups42:49
6It Hurts to Be in Love
diritti fonografici (℗) detenuti da:
Nestshare Ltd. (nel 1964)
registrazione di:
It Hurts to Be in Love
paroliere:
Howard Greenfield
compositore:
Helen Miller (US songwriter)
editore:
EMI Music Publishing Australia Pty. Limited (not for release label use!)
Gene Pitney4.52:34
7Remember (Walkin’ in the Sand)
edit di:
Remember (Walkin’ in the Sand) di The Shangri‐Las
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1964 (recordings) (numero: 30) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 395)
registrazione di:
Remember (Walkin’ in the Sand) (nel 1964-07)
paroliere e compositore:
George “Shadow” Morton
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
The Shangri‐Las4.42:18
8It’s in His Kiss (The Shoop Shoop Song)
registrazione cover di:
It’s in His Kiss (The Shoop Shoop Song) (nel 1964)
paroliere e compositore:
Rudy Clark (US songwriter)
editore:
By the Bay Music, Pathe Publications (F.E.) Ltd., TM Music Ltd. e Trio Music Company
Betty Everett42:17
9Hi‐Heel Sneakers
registrata a:
Chicago, Illinois, Stati Uniti (nel 1963)
produttore:
Herb Abramson
chitarra :
Dean "Cousin Sugar" Young (nel 1963)
chitarra basso [bass] :
Brenda Lee Jones (nel 1963)
organo e pianoforte :
Tommy Tucker (blues) (nel 1963)
voce:
Tommy Tucker (blues) (nel 1963)
registrazione di:
Hi‐Heel Sneakers (nel 1963)
paroliere e compositore:
Robert Higginbotham (blues)
editore:
Lily Pond Music e Robert Higginbotham Publisher
Tommy Tucker42:52
10Louie Louie
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1963 (numero: 3), New York Post: 100 Greatest Covers (2007) (numero: 26), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 55), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 156) e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 169)
registrazione cover di:
Louie Louie (nel 1963)
paroliere e compositore:
Richard Berry (US singer/songwriter, composed “Louie Louie”)
editore:
EMI Music Ltd., EMI Music Publishing Australia Pty Ltd (not for release label use!), EMI Music Publishing Ltd. (PRS‐affiliated), Windswept Pacific Music Ltd. e World Wide Music
parte di:
Baby It’s You! (jukebox musical, book by Floyd Mutrux and Colin Escott)
The Kingsmen3.82:42
11If He Tells You
Adam Faith42:13
12It’s Only Make Believe
Billy Fury42:30
13Nadine (Is It You?)
produttore:
Chuck Berry, Leonard & Phil Chess (legendary US production duo) e Willie Dixon
basso elettrico :
Louis Satterfield (dal 1964-01-07 al 1964-01-09)
batteria :
Odie Payne (American Chicago blues drummer) (dal 1964-01-07 al 1964-01-09)
chitarra e voce principale:
Chuck Berry (dal 1964-01-07 al 1964-01-09)
pianoforte :
Johnnie Johnson (US jazz/blues/rock’n’roll pianist) (dal 1964-01-07 al 1964-01-09)
sassofono tenore :
Rubin Cooper (dal 1964-01-07 al 1964-01-09) e George Patterson (dal 1964-01-07 al 1964-01-09)
registrata presso:
Ter-Mar Recording Studios (1950s–1970s recording & mastering studio) in Chicago, Illinois, Stati Uniti (dal 1964-01-07 al 1964-01-09)
registrazione di:
Nadine (Is It You?) (dal 1964-01-07 al 1964-01-09)
paroliere e compositore:
Chuck Berry
editore:
Arc Music Corp. (U.S. rock & blues publisher) e Tristan Music Limited
registrazione di:
Nadine
paroliere e compositore:
Chuck Berry
editore:
Tristan Music Ltd.
Chuck Berry42:37
14That Girl Belongs to Yesterday
Gene Pitney32:48
15I Will
Billy Fury2:30
16Handy Man
registrazione cover di:
Handy Man
autore:
Otis Blackwell (American pianist, singer and songwriter) e Jimmy Jones (writer of “Good Timin’” and “Handy Man”)
editore:
Bess Music Company, EMI Unart Catalog Inc., Metric Music Company (publisher), Shalimar Music Corp., フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) e ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
Del Shannon3.52:14
17I’m Leaving It Up to You
Dale & Grace32:10
18(They Call Her) La Bamba
The Crickets42:58
19Theme for Young Lovers
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1964)
registrazione di:
Theme for Young Lovers (Song from “Wonderful Life”)
compositore:
Bruce Welch (English guitarist, singer, songwriter and producer)
editore:
Carlin Music Corporation, Elstree Music Ltd. e Shadows Music Ltd.
The Shadows32:39
20The Crying Game
registrazione di:
The Crying Game
paroliere e compositore:
Geoff Stephens
editore:
Peermusic (UK) Limited e Southern Music Publishing Co., Inc. ((ASCAP) tradename Peermusic)
Dave Berry2:43
21Bama Lama Bama Loo
voce principale:
Little Richard
registrazione di:
Bama Lama Bama Loo
paroliere e compositore:
Richard Wayne Penniman (nel 1964)
editore:
Venice Music e ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
Little Richard42:18
22Maria Elena
Los Índios Tabajaras43:12
23Leader of the Pack
diritti fonografici (℗) detenuti da:
Red Bird (nel 1964)
parte di:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 316) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 447)
registrazione di:
Leader of the Pack (nel 1964)
autore:
Jeff Barry, Ellie Greenwich e George “Shadow” Morton
editore:
Robert Mellin Music Publishing Corp., Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), Tender Tunes Inc., Trio Music Company, Universal–Songs of PolyGram International, Inc. e Warner/Chappell Music Ltd. (1996–2019)
sub-editore:
ミュージカル・ライツ・東京 (Musical Lights Tokyo)
The Shangri‐Las4.52:52
24Borne on the Wind
registrazione di:
Borne on the Wind
autore:
Bill Dees (songwriter, singer, guitarist) e Roy Orbison
Roy Orbison32:51

Accreditamenti

Gruppo di pubblicazioni

parte di:The Rock 'n' Roll Era (Time-Life Music) (numero: TL516/12) (ordine: 69)
Discogs:https://www.discogs.com/master/404004 [info]