Complete Cantatas, Volume 5

~ Release by Bach; The Amsterdam Baroque Orchestra & Choir, Ton Koopman (see all versions of this release, 2 available)

Tracklist

1CD: Drama zum Namenstage BWV 207a; Hochzeitskantate BWV 202
2CD: Drama auf das Geburstfest BMV 206; Hochzeitskantate BWV 210
3CD: Bauernkantate BWV 212; Dramma per musica BMV 205
#TitleArtistRatingLength
1Bauernkantate BWV 212, "Mer hahn en neuer Oberkeet" - Sinfonia
orchestra:
Amsterdam Baroque Orchestra
conductor:
Ton Koopman (conductor, organist and harpsichordist)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1996-09 until 1996-11)
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": I. Ouvertüre (from 1996-09 until 1996-11)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
Johann Sebastian Bach2:14
2Bauernkantate BWV 212, "Mer hahn en neuer Oberkeet": I. Duett: "Mer hahn en neuer Oberkeet"
bass vocals:
Klaus Mertens (classical singer, bass‐baritone)
soprano vocals:
Lisa Larsson (soprano)
orchestra:
Amsterdam Baroque Orchestra
conductor:
Ton Koopman (conductor, organist and harpsichordist)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1996-09 until 1996-11)
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": II. Aria (Duetto Sopran, Bass) "Mer hahn en neue Oberkeet" (from 1996-09 until 1996-11)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
Johann Sebastian Bach0:30
3Bauernkantate BWV 212, "Mer hahn en neuer Oberkeet": II. Rezitativ: "Nu, Mieke, gib dein Guschel immer her"
bass vocals:
Klaus Mertens (classical singer, bass‐baritone)
soprano vocals:
Lisa Larsson (soprano)
orchestra:
Amsterdam Baroque Orchestra
conductor:
Ton Koopman (conductor, organist and harpsichordist)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1996-09 until 1996-11)
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": III. Recitativo (Sopran, Bass) "Nu, Mieke, gib dein Guschel immer her" (from 1996-09 until 1996-11)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
Johann Sebastian Bach0:51
4Bauernkantate BWV 212, "Mer hahn en neuer Oberkeet": III. Mer hahn en neuer Oberkeet" / Arie: "Ach, es schmekt doch gar zu gut"
soprano vocals:
Lisa Larsson (soprano)
orchestra:
Amsterdam Baroque Orchestra
conductor:
Ton Koopman (conductor, organist and harpsichordist)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1996-09 until 1996-11)
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": IV. Aria (Sopran) "Ach, es schmeckt doch gar zu gut" (from 1996-09 until 1996-11)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
Johann Sebastian Bach0:49
5Bauernkantate BWV 212, "Mer hahn en neuer Oberkeet": IV. Rezitativ: "Der Herr ist gut: Allein der Schösser"
bass vocals:
Klaus Mertens (classical singer, bass‐baritone)
orchestra:
Amsterdam Baroque Orchestra
conductor:
Ton Koopman (conductor, organist and harpsichordist)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1996-09 until 1996-11)
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": V. Recitativo (Bass) "Der Herr ist gut" (from 1996-09 until 1996-11)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
Johann Sebastian Bach0:22
6Bauernkantate BWV 212, "Mer hahn en neuer Oberkeet": V. Arie: "Ach, Herr Schösser, geht nicht gar zu schlimm"
bass vocals:
Klaus Mertens (classical singer, bass‐baritone)
orchestra:
Amsterdam Baroque Orchestra
conductor:
Ton Koopman (conductor, organist and harpsichordist)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1996-09 until 1996-11)
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": VI. Aria (Bass) "Ach, Herr Schösser, geht nicht gar zu schlimm" (from 1996-09 until 1996-11)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
Johann Sebastian Bach1:21
7Bauernkantate BWV 212, "Mer hahn en neuer Oberkeet": VI. Rezitativ: "Es bleibt dabei, da unser Herr der beste sei"
soprano vocals:
Lisa Larsson (soprano)
orchestra:
Amsterdam Baroque Orchestra
conductor:
Ton Koopman (conductor, organist and harpsichordist)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1996-09 until 1996-11)
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": VII. Recitativo (Sopran) "Es bleibt dabei" (from 1996-09 until 1996-11)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
Johann Sebastian Bach0:22
8Bauernkantate BWV 212, "Mer hahn en neuer Oberkeet": VII. Arie: "Unser trefflicher lieber Kammerherr"
soprano vocals:
Lisa Larsson (soprano)
orchestra:
Amsterdam Baroque Orchestra
conductor:
Ton Koopman (conductor, organist and harpsichordist)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1996-09 until 1996-11)
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": VIII. Aria (Sopran) "Unser trefflicher, lieber Kammerherr" (from 1996-09 until 1996-11)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
is based on:
Folia
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
Johann Sebastian Bach1:41
9Bauernkantate BWV 212, "Mer hahn en neuer Oberkeet": VIII. Rezitativ: "Er hilft uns allen, alt und jung"
bass vocals:
Klaus Mertens (classical singer, bass‐baritone)
soprano vocals:
Lisa Larsson (soprano)
orchestra:
Amsterdam Baroque Orchestra
conductor:
Ton Koopman (conductor, organist and harpsichordist)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1996-09 until 1996-11)
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": IX. Recitativo (Sopran, Bass) "Er hilft uns allen, alt und jung" (from 1996-09 until 1996-11)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
Johann Sebastian Bach0:34
10Bauernkantate BWV 212, "Mer hahn en neuer Oberkeet": IX. Arie: "Das ist galant"
soprano vocals:
Lisa Larsson (soprano)
orchestra:
Amsterdam Baroque Orchestra
conductor:
Ton Koopman (conductor, organist and harpsichordist)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1996-09 until 1996-11)
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": X. Aria (Sopran) "Das ist galant" (from 1996-09 until 1996-11)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
Johann Sebastian Bach0:59
11Bauernkantate BWV 212, "Mer hahn en neuer Oberkeet": X. Rezitativ: "Und unsre gnäd'ge Frau"
bass vocals:
Klaus Mertens (classical singer, bass‐baritone)
orchestra:
Amsterdam Baroque Orchestra
conductor:
Ton Koopman (conductor, organist and harpsichordist)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1996-09 until 1996-11)
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": XI. Recitativo (Bass) "Und unsre gnädge Frau" (from 1996-09 until 1996-11)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
Johann Sebastian Bach0:43
12Bauernkantate BWV 212, "Mer hahn en neuer Oberkeet": XI. Arie: "Fünfzig Taler bares Geld"
bass vocals:
Klaus Mertens (classical singer, bass‐baritone)
orchestra:
Amsterdam Baroque Orchestra
conductor:
Ton Koopman (conductor, organist and harpsichordist)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1996-09 until 1996-11)
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": XII. Aria (Bass) "Fünfzig Taler bares Geld" (from 1996-09 until 1996-11)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
Johann Sebastian Bach0:54
13Bauernkantate BWV 212, "Mer hahn en neuer Oberkeet": XII. Rezitativ: "Im Ernst ein Wort"
soprano vocals:
Lisa Larsson (soprano)
orchestra:
Amsterdam Baroque Orchestra
conductor:
Ton Koopman (conductor, organist and harpsichordist)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1996-09 until 1996-11)
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": XIII. Recitativo (Sopran) "Im Ernst ein Wort" (from 1996-09 until 1996-11)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
Johann Sebastian Bach0:27
14Bauernkantate BWV 212, "Mer hahn en neuer Oberkeet": XIII. Arie: "Klein-Zschocher müsse so zart und süße"
soprano vocals:
Lisa Larsson (soprano)
orchestra:
Amsterdam Baroque Orchestra
conductor:
Ton Koopman (conductor, organist and harpsichordist)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1996-09 until 1996-11)
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": XIV. Aria (Sopran) "Klein-Zschocher müsse" (from 1996-09 until 1996-11)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
Johann Sebastian Bach5:49
15Bauernkantate BWV 212, "Mer hahn en neuer Oberkeet": XIV. Rezitativ: "Das ist zu klug vor dich"
bass vocals:
Klaus Mertens (classical singer, bass‐baritone)
orchestra:
Amsterdam Baroque Orchestra
conductor:
Ton Koopman (conductor, organist and harpsichordist)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1996-09 until 1996-11)
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": XV. Recitativo (Bass) "Das ist zu klug vor dich" (from 1996-09 until 1996-11)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
Johann Sebastian Bach0:20
16Bauernkantate BWV 212, "Mer hahn en neuer Oberkeet": XV. Arie: "Es nehme zehntausend Dukaten"
bass vocals:
Klaus Mertens (classical singer, bass‐baritone)
orchestra:
Amsterdam Baroque Orchestra
conductor:
Ton Koopman (conductor, organist and harpsichordist)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1996-09 until 1996-11)
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": XVI. Aria (Bass) "Es nehme zehntausend Dukaten" (from 1996-09 until 1996-11)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
Johann Sebastian Bach0:41
17Bauernkantate BWV 212, "Mer hahn en neuer Oberkeet": XVI. Rezitativ: "Das klingt zu liederlich"
soprano vocals:
Lisa Larsson (soprano)
orchestra:
Amsterdam Baroque Orchestra
conductor:
Ton Koopman (conductor, organist and harpsichordist)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1996-09 until 1996-11)
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": XVII. Recitativo (Sopran) "Das klingt zu liederlich" (from 1996-09 until 1996-11)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
Johann Sebastian Bach0:20
18Bauernkantate BWV 212, "Mer hahn en neuer Oberkeet": XVII. Arie: "Gib, Schöne, viel Söhne"
soprano vocals:
Lisa Larsson (soprano)
orchestra:
Amsterdam Baroque Orchestra
conductor:
Ton Koopman (conductor, organist and harpsichordist)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1996-09 until 1996-11)
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": XVIII. Aria (Sopran) "Gib, Schöne, viel Söhne" (from 1996-09 until 1996-11)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
Johann Sebastian Bach0:36
19Bauernkantate BWV 212, "Mer hahn en neuer Oberkeet": XVIII. Rezitativ: "Du hast wohl recht"
bass vocals:
Klaus Mertens (classical singer, bass‐baritone)
orchestra:
Amsterdam Baroque Orchestra
conductor:
Ton Koopman (conductor, organist and harpsichordist)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1996-09 until 1996-11)
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": XIX. Recitativo (Bass) "Du hast wohl recht" (from 1996-09 until 1996-11)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
Johann Sebastian Bach0:16
20Bauernkantate BWV 212, "Mer hahn en neuer Oberkeet": XIX. Arie: "Dein Wachstum sei feste"
bass vocals:
Klaus Mertens (classical singer, bass‐baritone)
orchestra:
Amsterdam Baroque Orchestra
conductor:
Ton Koopman (conductor, organist and harpsichordist)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1996-09 until 1996-11)
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": XX. Aria (Bass) "Dein Wachstum sei feste und lache vor Lust" (from 1996-09 until 1996-11)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
Johann Sebastian Bach5:11
21Bauernkantate BWV 212, "Mer hahn en neuer Oberkeet": XX. Rezitativ: "Und damit sei es auch genung"
bass vocals:
Klaus Mertens (classical singer, bass‐baritone)
soprano vocals:
Lisa Larsson (soprano)
orchestra:
Amsterdam Baroque Orchestra
conductor:
Ton Koopman (conductor, organist and harpsichordist)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1996-09 until 1996-11)
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": XXI. Recitativo (Sopran, Bass) "Und damit sei es auch genug" (from 1996-09 until 1996-11)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
Johann Sebastian Bach0:22
22Bauernkantate BWV 212, "Mer hahn en neuer Oberkeet": XXI. Arie: "Und daß ihr's alle wißt"
soprano vocals:
Lisa Larsson (soprano)
orchestra:
Amsterdam Baroque Orchestra
conductor:
Ton Koopman (conductor, organist and harpsichordist)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1996-09 until 1996-11)
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": XXII. Aria (Sopran) "Und daß ihrs alle wißt" (from 1996-09 until 1996-11)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
Johann Sebastian Bach0:38
23Bauernkantate BWV 212, "Mer hahn en neuer Oberkeet": XXII. Rezitativ: "Mein Schatz! erraten"
bass vocals:
Klaus Mertens (classical singer, bass‐baritone)
soprano vocals:
Lisa Larsson (soprano)
orchestra:
Amsterdam Baroque Orchestra
conductor:
Ton Koopman (conductor, organist and harpsichordist)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1996-09 until 1996-11)
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": XXIII. Recitativo (Sopran, Bass) "Mein Schatz! erraten" (from 1996-09 until 1996-11)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
Johann Sebastian Bach0:29
24Bauernkantate BWV 212, "Mer hahn en neuer Oberkeet": XXIII. Chor: "Wir gehn nun, wo der Tudelsack"
bass vocals:
Klaus Mertens (classical singer, bass‐baritone)
soprano vocals:
Lisa Larsson (soprano)
orchestra:
Amsterdam Baroque Orchestra
conductor:
Ton Koopman (conductor, organist and harpsichordist)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1996-09 until 1996-11)
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": XXIV. Chor (Sopran, Bass) "Wir gehn nun, wo der Tudelsack" (from 1996-09 until 1996-11)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
Johann Sebastian Bach1:03
25Kantate BWV 205, "Zerreißet, zersprenget, zertrümmert die Gruft": I. Chorus / Chor: "Zerreißet, zersprenget, zertrümmert die Gruft"
choir vocals:
Amsterdam Baroque Choir
orchestra:
Amsterdam Baroque Orchestra
conductor:
Ton Koopman (conductor, organist and harpsichordist)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1996-09 until 1996-11)
recording of:
Kantate, BWV 205 "Zerreißet, zersprenget, zertrümmert die Gruft": I. Chor der Winde "Zerreißet, zersprenget, zertrümmert die Gruft" (from 1996-09 until 1996-11)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1725-08-03)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1725)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
Picander
part of:
Kantate, BWV 205 "Zerreißet, zersprenget, zertrümmert die Gruft"
Johann Sebastian Bach6:23
26Kantate BWV 205, "Zerreißet, zersprenget, zertrümmert die Gruft": II. Rezitativ: "Ja! Die Stunden sind nunmehro nah"
bass vocals:
Klaus Mertens (classical singer, bass‐baritone)
orchestra:
Amsterdam Baroque Orchestra
conductor:
Ton Koopman (conductor, organist and harpsichordist)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1996-09 until 1996-11)
recording of:
Kantate, BWV 205 "Zerreißet, zersprenget, zertrümmert die Gruft": II. Recitativo (Bass) "Ja, ja! Die Stunden sind nunmehro nah" (from 1996-09 until 1996-11)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1725-08-03)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1725)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
Picander
part of:
Kantate, BWV 205 "Zerreißet, zersprenget, zertrümmert die Gruft"
Johann Sebastian Bach1:36
27Kantate BWV 205, "Zerreißet, zersprenget, zertrümmert die Gruft": III. Arie: "Wie will ich lustig lachen"
bass vocals:
Klaus Mertens (classical singer, bass‐baritone)
orchestra:
Amsterdam Baroque Orchestra
conductor:
Ton Koopman (conductor, organist and harpsichordist)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1996-09 until 1996-11)
recording of:
Kantate, BWV 205 "Zerreißet, zersprenget, zertrümmert die Gruft": III. Aria (Bass) "Wie will ich lustiglachen" (from 1996-09 until 1996-11)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1725-08-03)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1725)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
Picander
part of:
Kantate, BWV 205 "Zerreißet, zersprenget, zertrümmert die Gruft"
Johann Sebastian Bach4:07
28Kantate BWV 205, "Zerreißet, zersprenget, zertrümmert die Gruft": IV. Rezitativ: "Gefürcht'ter Aeolus"
tenor vocals:
Christoph Prégardien (tenor)
orchestra:
Amsterdam Baroque Orchestra
conductor:
Ton Koopman (conductor, organist and harpsichordist)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1996-09 until 1996-11)
recording of:
Kantate, BWV 205 "Zerreißet, zersprenget, zertrümmert die Gruft": IV. Recitativo (Tenor) "Gefürcht'ter Äolus" (from 1996-09 until 1996-11)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1725-08-03)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1725)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
Picander
part of:
Kantate, BWV 205 "Zerreißet, zersprenget, zertrümmert die Gruft"
Johann Sebastian Bach0:45
29Kantate BWV 205, "Zerreißet, zersprenget, zertrümmert die Gruft": V. Arie: "Frische Schatten, meine Freude"
tenor vocals:
Christoph Prégardien (tenor)
orchestra:
Amsterdam Baroque Orchestra
conductor:
Ton Koopman (conductor, organist and harpsichordist)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1996-09 until 1996-11)
recording of:
Kantate, BWV 205 "Zerreißet, zersprenget, zertrümmert die Gruft": V. Aria (Tenor) "Frische Schatten, meine Freude" (from 1996-09 until 1996-11)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1725-08-03)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1725)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
Picander
part of:
Kantate, BWV 205 "Zerreißet, zersprenget, zertrümmert die Gruft"
Johann Sebastian Bach4:52
30Kantate BWV 205, "Zerreißet, zersprenget, zertrümmert die Gruft": VI. Rezitativ: "Beinahe wirst du mich bewegen"
bass vocals:
Klaus Mertens (classical singer, bass‐baritone)
orchestra:
Amsterdam Baroque Orchestra
conductor:
Ton Koopman (conductor, organist and harpsichordist)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1996-09 until 1996-11)
recording of:
Kantate, BWV 205 "Zerreißet, zersprenget, zertrümmert die Gruft": VI. Recitativo (Bass) "Beinahe wirst du mich bewegen" (from 1996-09 until 1996-11)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1725-08-03)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1725)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
Picander
part of:
Kantate, BWV 205 "Zerreißet, zersprenget, zertrümmert die Gruft"
Johann Sebastian Bach0:36
31Kantate BWV 205, "Zerreißet, zersprenget, zertrümmert die Gruft": VII. Arie: "Können nicht die roten Wangen"
alto vocals:
Elisabeth von Magnus (mezzo‐soprano / alto)
orchestra:
Amsterdam Baroque Orchestra
conductor:
Ton Koopman (conductor, organist and harpsichordist)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1996-09 until 1996-11)
recording of:
Kantate, BWV 205 "Zerreißet, zersprenget, zertrümmert die Gruft": VII. Aria (Alt) "Können nicht die roten Wangen" (from 1996-09 until 1996-11)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1725-08-03)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1725)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
Picander
part of:
Kantate, BWV 205 "Zerreißet, zersprenget, zertrümmert die Gruft"
Johann Sebastian Bach3:12
32Kantate BWV 205, "Zerreißet, zersprenget, zertrümmert die Gruft": VIII. Rezitativ: "So willst du, grimm'ger Aeolus"
alto vocals:
Elisabeth von Magnus (mezzo‐soprano / alto)
soprano vocals:
Lisa Larsson (soprano)
orchestra:
Amsterdam Baroque Orchestra
conductor:
Ton Koopman (conductor, organist and harpsichordist)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1996-09 until 1996-11)
recording of:
Kantate, BWV 205 "Zerreißet, zersprenget, zertrümmert die Gruft": VIII. Recitativo (Alt, Sopran) "So willst du, grimmger Äolus" (from 1996-09 until 1996-11)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1725-08-03)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1725)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
Picander
part of:
Kantate, BWV 205 "Zerreißet, zersprenget, zertrümmert die Gruft"
Johann Sebastian Bach0:52
33Kantate BWV 205, "Zerreißet, zersprenget, zertrümmert die Gruft": IX. Arie: "Angenehmer Zephyrus"
soprano vocals:
Lisa Larsson (soprano)
orchestra:
Amsterdam Baroque Orchestra
conductor:
Ton Koopman (conductor, organist and harpsichordist)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1996-09 until 1996-11)
recording of:
Kantate, BWV 205 "Zerreißet, zersprenget, zertrümmert die Gruft": IX. Aria (Sopran) "Angenehmer Zephyrus" (from 1996-09 until 1996-11)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1725-08-03)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1725)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
Picander
part of:
Kantate, BWV 205 "Zerreißet, zersprenget, zertrümmert die Gruft"
Johann Sebastian Bach3:53
34Kantate BWV 205, "Zerreißet, zersprenget, zertrümmert die Gruft": X. Rezitativ: "Mein Aeolus"
bass vocals:
Klaus Mertens (classical singer, bass‐baritone)
soprano vocals:
Lisa Larsson (soprano)
orchestra:
Amsterdam Baroque Orchestra
conductor:
Ton Koopman (conductor, organist and harpsichordist)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1996-09 until 1996-11)
recording of:
Kantate, BWV 205 "Zerreißet, zersprenget, zertrümmert die Gruft": X. Recitativo (Sopran, Bass) "Mein Äolus, Ach!" (from 1996-09 until 1996-11)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1725-08-03)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1725)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
Picander
part of:
Kantate, BWV 205 "Zerreißet, zersprenget, zertrümmert die Gruft"
Johann Sebastian Bach2:13
35Kantate BWV 205, "Zerreißet, zersprenget, zertrümmert die Gruft": XI. Arie: "Zurücke, zurücke, geflügelten Winde"
bass vocals:
Klaus Mertens (classical singer, bass‐baritone)
orchestra:
Amsterdam Baroque Orchestra
conductor:
Ton Koopman (conductor, organist and harpsichordist)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1996-09 until 1996-11)
recording of:
Kantate, BWV 205 "Zerreißet, zersprenget, zertrümmert die Gruft": XI. Aria (Bass) "Zurücke, zurücke, geflügelten Winde" (from 1996-09 until 1996-11)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1725-08-03)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1725)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
Picander
part of:
Kantate, BWV 205 "Zerreißet, zersprenget, zertrümmert die Gruft"
Johann Sebastian Bach3:33
36Kantate BWV 205, "Zerreißet, zersprenget, zertrümmert die Gruft": XII. Rezitativ: "Was Lust!"
alto vocals:
Elisabeth von Magnus (mezzo‐soprano / alto)
soprano vocals:
Lisa Larsson (soprano)
tenor vocals:
Christoph Prégardien (tenor)
orchestra:
Amsterdam Baroque Orchestra
conductor:
Ton Koopman (conductor, organist and harpsichordist)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1996-09 until 1996-11)
recording of:
Kantate, BWV 205 "Zerreißet, zersprenget, zertrümmert die Gruft": XII. Recitativo (Sopran, Alt, Tenor) "Was Lust! Was Freude! Welch Vergnügen!" (from 1996-09 until 1996-11)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1725-08-03)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1725)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
Picander
part of:
Kantate, BWV 205 "Zerreißet, zersprenget, zertrümmert die Gruft"
Johann Sebastian Bach1:27
37Kantate BWV 205, "Zerreißet, zersprenget, zertrümmert die Gruft": XIII. Duett: "Zweig und Äste"
alto vocals:
Elisabeth von Magnus (mezzo‐soprano / alto)
tenor vocals:
Christoph Prégardien (tenor)
orchestra:
Amsterdam Baroque Orchestra
conductor:
Ton Koopman (conductor, organist and harpsichordist)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1996-09 until 1996-11)
recording of:
Kantate, BWV 205 "Zerreißet, zersprenget, zertrümmert die Gruft": XIII. Aria (Alt, Tenor) "Zweig und Äste" (from 1996-09 until 1996-11)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1725-08-03)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1725)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
Picander
part of:
Kantate, BWV 205 "Zerreißet, zersprenget, zertrümmert die Gruft"
Johann Sebastian Bach2:53
38Kantate BWV 205, "Zerreißet, zersprenget, zertrümmert die Gruft": XIV. Rezitativ: "Ja, ja!"
soprano vocals:
Lisa Larsson (soprano)
orchestra:
Amsterdam Baroque Orchestra
conductor:
Ton Koopman (conductor, organist and harpsichordist)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1996-09 until 1996-11)
recording of:
Kantate, BWV 205 "Zerreißet, zersprenget, zertrümmert die Gruft": XIV. Recitativo (Sopran) "Ja, ja! Ich lad euch selbst zu dieser Feier ein" (from 1996-09 until 1996-11)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1725-08-03)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1725)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
Picander
part of:
Kantate, BWV 205 "Zerreißet, zersprenget, zertrümmert die Gruft"
Johann Sebastian Bach0:42
39Kantate BWV 205, "Zerreißet, zersprenget, zertrümmert die Gruft": XV. Chorus / Chor: "Vivat August, August vivat!"
choir vocals:
Amsterdam Baroque Choir
orchestra:
Amsterdam Baroque Orchestra
conductor:
Ton Koopman (conductor, organist and harpsichordist)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1996-09 until 1996-11)
recording of:
Kantate, BWV 205 "Zerreißet, zersprenget, zertrümmert die Gruft": XV. Chor der Winde "Vivat! August, August vivat!" (from 1996-09 until 1996-11)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1725-08-03)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1725)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
Picander
part of:
Kantate, BWV 205 "Zerreißet, zersprenget, zertrümmert die Gruft"
Johann Sebastian Bach3:08
4CD: Dramma per musica zum Geburtstag BWV 213

Credits

Release group

part of:Complete Cantatas (Ton Koopmans complete Bach Cantatas for Erato) (number: 5) (order: 3)