The Peggy Lee Story

~ Veröffentlichung von Peggy Lee (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Anmerkung

CD1: 805520012775
CD2: 805520012782
CD3: 805520012799
CD4: 805520012805

Anmerkung zuletzt geändert am 2025-01-09 09:57 UTC.

Titelliste

1▼CD: Why Don't You Do Right
Nr.TitelBewertungLänge
1Elmer's Tune
recorded in:
Chicago, Illinois, Vereinigte Staaten (am 1941-08-15)
Produzent(in):
John Hammond (producer)
Klarinette:
Benny Goodman (clarinetist and bandleader)
vocals:
Peggy Lee (jazz vocalist)
phonographisches Urheberrecht (℗) von:
Columbia (owned by Sony Music Entertainment, worldwide except JP; formerly owned by CBS between 1938–1990 within US/CA/MX)
recording of:
Elmer’s Tune
Texter:
Sammy Gallop
Komponist(in):
Elmer Albrecht und Dick Jurgens
2:50
2I Can See a Million People (But All I Can See Is You)
recorded in:
Chicago, Illinois, Vereinigte Staaten (am 1941-08-20)
vocals:
Peggy Lee (jazz vocalist)
Orchester:
Benny Goodman and His Orchestra
arranger:
Eddie Sauter
phonographisches Urheberrecht (℗) von:
Columbia (owned by Sony Music Entertainment, worldwide except JP; formerly owned by CBS between 1938–1990 within US/CA/MX)
recording of:
I See a Million People
Komponist(in):
Una Mae Carlisle und Robert Sour
publisher:
Screen Gems-EMI und Unichappell Music, Inc.
2:41
3I Got It Bad (and That Ain't Good)
Produzent(in):
John Hammond (producer)
vocals:
Peggy Lee (jazz vocalist)
Orchester:
Benny Goodman and His Orchestra
phonographisches Urheberrecht (℗) von:
Columbia (owned by Sony Music Entertainment, worldwide except JP; formerly owned by CBS between 1938–1990 within US/CA/MX)
aufgenommen bei:
Liederkranz Hall in New York, New York, Vereinigte Staaten (am 1941-10-02)
recording of:
I Got It Bad (and That Ain’t Good)
Texter:
Paul Francis Webster (in 1941)
Komponist(in):
Duke Ellington (US composer, pianist & jazz bandleader) (in 1941)
publisher:
EMI Robbins Catalog Inc. (ASCAP), Robbins Music Corp., Sony/ATV Harmony und Webster Music Co.
Teil von:
The Real Book (compilation of jazz standards, volume I)
3:14
4My Old Flame
Produzent(in):
John Hammond (producer)
vocals:
Peggy Lee (jazz vocalist)
Orchester:
Benny Goodman and His Orchestra
phonographisches Urheberrecht (℗) von:
Columbia (owned by Sony Music Entertainment, worldwide except JP; formerly owned by CBS between 1938–1990 within US/CA/MX)
aufgenommen bei:
Liederkranz Hall in New York, New York, Vereinigte Staaten (am 1941-10-02)
recording of:
My Old Flame
Texter:
Sam Coslow
Komponist(in):
Arthur Johnston (American composer and songwriter)
publisher:
Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
3:06
5How Deep Is the Ocean
vocals:
Peggy Lee (jazz vocalist)
Orchester:
Benny Goodman and His Orchestra
arranger:
Eddie Sauter
phonographisches Urheberrecht (℗) von:
Columbia Records (EMI‐owned 1931–1990, worldwide except US, CA, MX, ES, & JP; largely defunct since Jan 1973)
aufgenommen bei:
Liederkranz Hall in New York, New York, Vereinigte Staaten (am 1941-10-08)
recording of:
How Deep Is the Ocean?
Texter und Komponist(in):
Irving Berlin (in 1932)
publisher:
Francis, Day & Hunter Ltd. und Irving Berlin Music Corp.
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
3:04
6Let's Do It (Let's Fall in Love)
vocals:
Peggy Lee (jazz vocalist)
Orchester:
Benny Goodman and His Orchestra
arranger:
Mel Powell (American composer and jazz pianist)
phonographisches Urheberrecht (℗) von:
Columbia (owned by Sony Music Entertainment, worldwide except JP; formerly owned by CBS between 1938–1990 within US/CA/MX)
aufgenommen bei:
Liederkranz Hall in New York, New York, Vereinigte Staaten (am 1941-10-21)
recording of:
Let’s Do It (Let’s Fall in Love) (Paris musical)
Texter und Komponist(in):
Cole Porter (composer) (in 1928)
Teil von:
Can‐Can (1960 musical film)
Teil von:
Paris (1928 musical)
2:00
7Somebody Else Is Taking My Place
vocals:
Peggy Lee (jazz vocalist)
Orchester:
Benny Goodman and His Orchestra
arranger:
Mel Powell (American composer and jazz pianist)
phonographisches Urheberrecht (℗) von:
Columbia (owned by Sony Music Entertainment, worldwide except JP; formerly owned by CBS between 1938–1990 within US/CA/MX)
aufgenommen bei:
Liederkranz Hall in New York, New York, Vereinigte Staaten (am 1941-11-13)
recording of:
Somebody Else Is Taking My Place
Verfasser(in):
Bob Ellsworth, Richard Howard (US songwriter) und Russ Morgan (Big Band orchestra leader)
3:07
8Somebody Nobody Loves
alto saxophone:
Julie Schwartz (am 1941-11-13) und Clint Neagley (am 1941-11-13)
baritone saxophone:
Chuck Gentry (am 1941-11-13)
Gitarre:
Tom Morgan (Big band era guitarist) (am 1941-11-13)
Klarinette:
Benny Goodman (clarinetist and bandleader) (am 1941-11-13)
Klavier:
Mel Powell (American composer and jazz pianist) (am 1941-11-13)
Kontrabass:
Sid Weiss (am 1941-11-13)
Posaune:
Cutty Cutshall (am 1941-11-13) und Lou McGarity (am 1941-11-13)
Schlagzeug:
Ralph Collier (drums, percussion) (am 1941-11-13)
Tenorsaxophon:
George Berg (am 1941-11-13) und Vido Musso (am 1941-11-13)
Trompete:
Billy Butterfield (am 1941-11-13), Al Davis (am 1941-11-13) und Jimmy Maxwell (Trumpet) (am 1941-11-13)
vocals:
Peggy Lee (jazz vocalist) (am 1941-11-13)
arranger:
Eddie Sauter
phonographisches Urheberrecht (℗) von:
Columbia (owned by Sony Music Entertainment, worldwide except JP; formerly owned by CBS between 1938–1990 within US/CA/MX)
aufgenommen bei:
Liederkranz Hall in New York, New York, Vereinigte Staaten (am 1941-11-13)
recording of:
Somebody Nobody Loves (am 1941-11-13)
Texter und Komponist(in):
Sy Miller
3:19
9Winter Weather
vocals:
Peggy Lee (jazz vocalist)
zusätzlich vocals:
Art London
Orchester:
Benny Goodman and His Orchestra
arranger:
Mel Powell (American composer and jazz pianist)
phonographisches Urheberrecht (℗) von:
Columbia (owned by Sony Music Entertainment, worldwide except JP; formerly owned by CBS between 1938–1990 within US/CA/MX)
aufgenommen bei:
Liederkranz Hall in New York, New York, Vereinigte Staaten (am 1941-11-27)
recording of:
Winter Weather
Texter und Komponist(in):
Ted Shapiro
3:00
10Ev'rything I Love
vocals:
Peggy Lee (jazz vocalist)
Orchester:
Benny Goodman and His Orchestra
arranger:
Eddie Sauter
phonographisches Urheberrecht (℗) von:
Columbia (owned by Sony Music Entertainment, worldwide except JP; formerly owned by CBS between 1938–1990 within US/CA/MX)
aufgenommen bei:
Liederkranz Hall in New York, New York, Vereinigte Staaten (am 1941-11-27)
recording of:
Everything I Love (Let’s Face It! musical)
Texter und Komponist(in):
Cole Porter (composer) (in 1941)
publisher:
Chappell & Co. und Chappell & Co., Inc. (USA)
3:03
11Not Mine
vocals:
Peggy Lee (jazz vocalist)
Orchester:
Benny Goodman and His Orchestra
arranger:
Eddie Sauter
phonographisches Urheberrecht (℗) von:
Columbia (owned by Sony Music Entertainment, worldwide except JP; formerly owned by CBS between 1938–1990 within US/CA/MX)
aufgenommen bei:
Liederkranz Hall in New York, New York, Vereinigte Staaten (am 1941-12-10)
recording of:
Not Mine
Verfasser(in):
Johnny Mercer und Victor Schertzinger
3:15
12Where or When
vocals:
Peggy Lee (jazz vocalist)
Orchester:
The Benny Goodman Sextet
arranger:
Mel Powell (American composer and jazz pianist)
phonographisches Urheberrecht (℗) von:
Columbia (owned by Sony Music Entertainment, worldwide except JP; formerly owned by CBS between 1938–1990 within US/CA/MX)
aufgenommen bei:
Liederkranz Hall in New York, New York, Vereinigte Staaten (am 1941-12-24)
recording of:
Where or When (from “Babes in Arms”)
Texter:
Lorenz Hart (in 1937)
Komponist(in):
Richard Rodgers (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Warner/Chappell (Warner/Chappell Music, Inc.), Williamson Music Company und Chappell & Co. (in 1937)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Teil von:
Babes in Arms (full musical)
3:20
13On the Sunny Side of the Street
vocals:
Peggy Lee (jazz vocalist)
Orchester:
The Benny Goodman Sextet
phonographisches Urheberrecht (℗) von:
Columbia (owned by Sony Music Entertainment, worldwide except JP; formerly owned by CBS between 1938–1990 within US/CA/MX)
aufgenommen bei:
Liederkranz Hall in New York, New York, Vereinigte Staaten (am 1941-12-24)
recording of:
On the Sunny Side of the Street
Texter:
Dorothy Fields (American librettist and lyricist)
Komponist(in):
Jimmy McHugh (songwriter)
publisher:
Ancar Enterprises Inc., Cotton Club Publishing, Shapiro, Bernstein & Co., Inc. und Vydia Music Publishing
sub-publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), Lawrence Wright Music Co., Ltd., Memory Lane Music Ltd., Shapiro Bernstein & Co. Ltd. und シンコーミュージック・エンタテイメント A事業部 (Shinko Music Entertainment, A Division)
Teil von:
American Splendor
3:10
14Why Don't You Do Right
vocals:
Peggy Lee (jazz vocalist)
Orchester:
Benny Goodman and His Orchestra
arranger:
Mel Powell (American composer and jazz pianist)
phonographisches Urheberrecht (℗) von:
Columbia (owned by Sony Music Entertainment, worldwide except JP; formerly owned by CBS between 1938–1990 within US/CA/MX)
aufgenommen bei:
Liederkranz Hall in New York, New York, Vereinigte Staaten (am 1942-07-27)
recording of:
Why Don’t You Do Right?
Texter und Komponist(in):
Kansas Joe McCoy
publisher:
Edwin Morris Music und Morley Music Co
Version von:
Weed Smoker’s Dream
3:11
15Ain't Goin' No Place
vocals:
Peggy Lee (jazz vocalist) (am 1944-01-07)
Interpret(in):
The Capitol Jazzmen (am 1944-01-07)
phonographisches Urheberrecht (℗) von:
Capitol Records (imprint of Capitol Records, Inc.)
aufgenommen bei:
C. P. MacGregor Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1944-01-07)
recording of:
Ain’t Goin’ No Place (am 1944-01-07)
Verfasser(in):
Richard "Dick" Larkin
3:02
16That Old Feeling
vocals:
Peggy Lee (jazz vocalist)
concertmaster:
The Capitol Jazzmen
phonographisches Urheberrecht (℗) von:
Capitol Records (imprint of Capitol Records, Inc.)
aufgenommen bei:
C. P. MacGregor Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1944-01-07)
recording of:
That Old Feeling
Texter:
Lew Brown
Komponist(in):
Sammy Fain
publisher:
Leo Feist, Inc. und Warner Bros. Music Corp.
Teil von:
The 10th Academy Award for Best Original Song (Nummer: 2) und Academy Award for Best Original Song (Nummer: 1937 nominee)
2:43
17Baby (Is What He Calls Me)
vocals:
Peggy Lee (jazz vocalist)
Orchester:
Dave Barbour and His Orchestra
phonographisches Urheberrecht (℗) von:
Capitol Records (imprint of Capitol Records, Inc.)
aufgenommen bei:
C. P. MacGregor Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1944-12-27)
recording of:
Baby (Is What He Called Me)
Verfasser(in):
Kay Butler
2:56
18Waitin' for the Train to Come in
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1945-07-30)
Produzent(in):
Lee Gillette
vocals:
Peggy Lee (jazz vocalist)
Orchester:
Dave Barbour and His Orchestra
arranger:
Heinie Beau
phonographisches Urheberrecht (℗) von:
Capitol Records (imprint of Capitol Records, Inc.)
recording of:
Waiting for the Train to Come In
Verfasser(in):
Martin Block (composer) und Sunny Skylar
3:04
19I'm Glad I Waited for You
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1945-07-30)
Produzent(in):
Lee Gillette
vocals:
Peggy Lee (jazz vocalist)
Orchester:
Dave Barbour and His Orchestra
arranger:
Heinie Beau
phonographisches Urheberrecht (℗) von:
Capitol Records (imprint of Capitol Records, Inc.)
recording of:
I’m Glad I Waited for You
Verfasser(in):
Sammy Cahn und Jule Styne
2:37
20I Don't Know Enough About You
Produzent(in):
Lee Gillette
vocals:
Peggy Lee (jazz vocalist)
arranger:
Heinie Beau und Billy May
phonographisches Urheberrecht (℗) von:
Capitol Records (imprint of Capitol Records, Inc.)
aufgenommen bei:
Radio Recorders Studios (932 N Western Ave location till 1949) in Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1945-12-26)
recording of:
I Don’t Know Enough About You
Verfasser(in):
Dave Barbour und Peggy Lee (jazz vocalist)
3:19
21Linger in My Arms a Little Longer Baby
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1946-04-11)
Produzent(in):
Lee Gillette
vocals:
Peggy Lee (jazz vocalist)
Orchester:
Dave Barbour and His Orchestra
arranger:
Heinie Beau
phonographisches Urheberrecht (℗) von:
Capitol Records (imprint of Capitol Records, Inc.)
recording of:
Linger in My Arms a Little Longer, Baby
Texter und Komponist(in):
Herb Magidson
3:02
22It's a Good Day
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1946-07-12)
vocals:
Peggy Lee (jazz vocalist) (am 1946-07-12)
conductor:
Dave Barbour (am 1946-07-12)
arranger:
Heinie Beau und Billy May
phonographisches Urheberrecht (℗) von:
Capitol Records (imprint of Capitol Records, Inc.)
recording of:
It’s a Good Day
Verfasser(in):
Dave Barbour und Peggy Lee (jazz vocalist)
publisher:
Denslow Music, Inc. und Michael H. Goldsen Inc.
cover recording of:
It’s a Good Day
Verfasser(in):
Dave Barbour und Peggy Lee (jazz vocalist)
publisher:
Denslow Music, Inc. und Michael H. Goldsen Inc.
52:50
23A Nightingale Can Sing the Blues
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1946-07-15)
Techniker(in):
John Palladino
vocals:
Peggy Lee (jazz vocalist) (am 1946-07-15)
conductor:
Frank De Vol (am 1946-07-15)
arranger:
Frank De Vol
Orchestrator(in):
Frank De Vol and His Orchestra
phonographisches Urheberrecht (℗) von:
Capitol Records (imprint of Capitol Records, Inc.)
recording of:
A Nightingale Can Sing the Blues (am 1946-07-15)
Verfasser(in):
Dick Charles (US songwriter) und Larry Markes
3:10
2▶CD: Sugar
3▶CD: Mañana
4▶CD: The Radio Days