Mastermix Jock in a Box, Volume 2

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1▶CD
2▶CD
3▼CD
Nr.TitelKünstlerBewertungLänge
1Rose Garden
cover recording of:
Rose Garden (in 1970)
Texter und Komponist(in):
Joe South
publisher:
BMG Music Publishing Ltd. und Sony/ATV Songs LLC
Lynn Anderson4.152:54
2Let Your Love Flow
Produzent(in):
Phil Gernhard (songwriter and producer) (in 1975-10) und Tony Scotti (in 1975-10)
Bassgitarre:
Emory Gordy (in 1975-10)
Gitarre:
David Bellamy (Bellamy Brothers) (in 1975-10), Howard Bellamy (Bellamy Brothers) (in 1975-10), Richard Bennett (American guitarist) (in 1975-10) und Doug Rhone (American guitarist, songwriter, touring and studio musician) (in 1975-10)
Perkussion:
King Errison (conguero) (in 1975-10)
Schlagzeug:
Dennis St. John (in 1975-10)
Synthesizer:
Alan Lindgren (American keyboardist, arranger, producer, studio & session musician) (in 1975-10)
Sologesang:
David Bellamy (Bellamy Brothers) (in 1975-10) und Howard Bellamy (Bellamy Brothers) (in 1975-10)
phonographisches Urheberrecht (℗) von:
Curb Records (in 1975) und MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1976)
engineered at:
Wally Heider Recording Studio (@ 1604 North Cahuenga, Hollywood) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1975-10)
recording of:
Let Your Love Flow (in 1975-10)
Texter und Komponist(in):
Lawrence Eugene Williams (songwriter, "Let Your Love Flow") (in 1975)
The Bellamy Brothers3.653:17
3Hero
Sologesang:
Enrique Iglesias (Spanish pop singer)
phonographisches Urheberrecht (℗) von:
Interscope Records (part of UMG Recordings, Inc.) (in 2001)
Musikvideos:
Hero von Enrique Iglesias (Spanish pop singer)
Teil von:
Billboard Year-End Hot 100 singles of 2002 (Nummer: 23)
recording of:
Hero
Verfasser(in):
Paul Barry (songwriter/musician), Enrique Iglesias (Spanish pop singer) und Mark Taylor (UK producer & songwriter aka Q & Groove Brothers member)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated) und Metrophonic Music Ltd
Enrique Iglesias4.354:26
4I Don’t Want to Miss a Thing
assistierende(r) Techniker(in):
Alex Dejonge (engineer) und Rob Murphy (Engineer)
Techniker(in) und Mix:
Dave Thoener
Produzent(in):
Matt Serletic
Saiteninstrumente arranger:
Suzie Katayama
arranger:
Matt Serletic
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1998)
aufgenommen bei und mixed at:
The Hit Factory in Manhattan, New York, New York, Vereinigte Staaten
Teil von:
BILLIONS CLUB und The Downloader’s Music Source Book (Nummer: 228)
recording of:
I Don’t Want to Miss a Thing
Texter und Komponist(in):
Diane Warren (US songwriter)
publisher:
Realsongs (beendet), Manatt, Phelps & Phillips, LLP, ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Teil von:
The 71st Academy Award for Best Original Song (Nummer: 2)
Aerosmith4.14:58
5You’re Still the One
assistierende Programmierung:
Jay Alvarez und James Somberg
Programmierung und Editing:
Olle Romo (Swedish music producer, songwriter, and drummer)
zusätzliche Programmierung:
Bjorn Thornsrud
Produzent(in):
Robert John “Mutt” Lange (Robert John Lange)
Mix:
Mike Shipley (audio engineer, mixer, producer)
phonographisches Urheberrecht (℗) von:
Mercury Records (or just “Mercury”; a UMG imprint, do not use it for ©/℗ credits) und Mercury Records (the holding company; for use as ℗&© credits only!) (in 2022)
recording of:
You’re Still the One
Verfasser(in):
Eilleen Shania Lange und Robert John Lange
publisher:
Loon Echo, Inc., Out-of-Pocket Productions Ltd. und PolyGram International, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998)
Shania Twain3.653:34
6We Will Rock You
Techniker(in):
Mike Stone (producer and engineer, 1960s–80s)
assistierende(r) Produzent(in) und Koproduzent(in):
Mike Stone (producer and engineer, 1960s–80s)
Produzent(in):
Queen (UK rock group)
E-Gitarre und Gitarre:
Brian May (Queen guitarist) (von 1977-08 bis 1977-09)
foot stomps [footstomps] und Händeklatschen:
John Deacon (von 1977-08 bis 1977-09), Brian May (Queen guitarist) (von 1977-08 bis 1977-09), Freddie Mercury (von 1977-08 bis 1977-09) und Roger Taylor (Queen drummer) (von 1977-08 bis 1977-09)
Hintergrundgesang:
Brian May (Queen guitarist) (von 1977-08 bis 1977-09), Freddie Mercury (von 1977-08 bis 1977-09) und Roger Taylor (Queen drummer) (von 1977-08 bis 1977-09)
Sologesang:
Freddie Mercury (von 1977-08 bis 1977-09)
phonographisches Urheberrecht (℗) von:
Elektra Records (not for release label use! please use its imprint “Elektra” instead) (in 1977), Hollywood Records, Inc. (holding company, not a release label; Disney subsidiary) (in 1977) und Queen Productions Ltd. (company and copyright holder, do not use as an imprint or release label) (in 1977, in 2001, in 2011)
aufgenommen bei:
Wessex Sound Studios in Highbury, Islington, London (Greater London), England, Vereinigtes Königreich (von 1977-08 bis 1977-09)
Teil von:
Billboard Year-End Hot 100 singles of 1978 (Nummer: 25), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 338)
recording of:
We Will Rock You (von 1977-08 bis 1977-09)
Texter und Komponist(in):
Brian May (Queen guitarist)
publisher:
Beechwood Music Corporation, EMI Music Publishing Ltd. (PRS‐affiliated), Queen Music Ltd. und Sony/ATV
enthalten in:
We Will Rock You (Queen musical)
enthalten in:
We Will Rock You (German version of the Queen musical)
Queen3.852:05
7Sweet Child o’ Mine
Techniker(in) und Produzent(in):
Mike Clink
Mix:
Michael Barbiero (producer, mixer, engineer, songwriter, collaborator with Steve Thompson) und Steve Thompson (producer)
E-Bass:
Duff McKagan
E-Gitarre:
Slash (Guns N’ Roses guitarist) und Izzy Stradlin (US guitarist, singer & songwriter)
Schlagzeug:
Steven Adler
Hintergrundgesang:
Duff McKagan und Izzy Stradlin (US guitarist, singer & songwriter)
Sologesang:
Axl Rose
phonographisches Urheberrecht (℗) von:
Geffen Records (in 1987) und The David Geffen Company (legal rights relating to Geffen Records) (in 1987)
Teil von:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (Nummer: 7), Rolling Stone: The 100 Greatest Guitar Solos of All Time (2026-05-04) (Nummer: 25), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 88), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 196) und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 212)
recording of:
Sweet Child o’ Mine
Verfasser(in):
Steven Adler, Izzy Stradlin (US guitarist, singer & songwriter), Duff McKagan, Axl Rose und Slash (Guns N’ Roses guitarist)
publisher:
Black Frog Music und Guns N’ Roses Music
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division), コンソーシアム音楽出版 C・F事業部 (Consortium Music Publishing, CF Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング CMP外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (vom 2021-07-01 bis heute)
Guns N’ Roses4.455:57
8Common People
Programmierung:
Olle Romo (Swedish music producer, songwriter, and drummer) (von 1995-01-18 bis 1995-01-24)
assistierende(r) Techniker(in):
Pete Lewis (engineer)
Techniker(in):
David Nicholas (Australian recording engineer and producer)
Produzent(in):
Chris Thomas (UK record producer / remixer)
phonographisches Urheberrecht (℗) von:
Island Records Ltd. (not for release label use! company known by this name from 1962‐05‐08 to 1999‐03‐29, and since 2014‐06‐25) (in 1995)
aufgenommen bei:
The Town House in Shepherd's Bush, Hammersmith and Fulham, London (Greater London), England, Vereinigtes Königreich (von 1995-01-18 bis 1995-01-24)
mixed at:
The Town House in Shepherd's Bush, Hammersmith and Fulham, London (Greater London), England, Vereinigtes Königreich
Musikvideos:
Common People von Pulp
Teil von:
NME: Greatest “Indie” Anthems Ever: 2007 (Nummer: 3), Indie 88: Top 500 Indie Rock Songs (Nummer: 63) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 75)
recording of:
Common People (von 1995-01-18 bis 1995-01-24)
Texter:
Jarvis Cocker
Komponist(in):
Nick Banks, Jarvis Cocker, Candida Doyle, Steve Mackey (producer; Pulp bassist) und Russell Senior
Premiere bei:
Reading Festival (1994-08-27) (1994)
publisher:
BMG Rights Management (UK) Ltd. (not for release label use! see annotation), Kobalt Music Publishing Ltd. (UK), Sony Music Publishing (Japan) Inc. (song publisher, never a release label), Universal/Island Music Ltd. (for music publishing use only, formerly Island Music Ltd.), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division), フジパシフィック音楽出版 BMG事業部 (bis 2018-03-31) und フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division) (vom 2015-01-01 bis heute)
Pulp4.75:53
9Have a Nice Day
Produzent(in):
Marshall Bird und Steve Bush (engineer/mixer)
recording of:
Have a Nice Day
Texter und Komponist(in):
Kelly Jones (Welsh guitarist vocalist for the Stereophonics)
Stereophonics3.853:27
10Can’t Take My Eyes Off You
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1967)
cover recording of:
Can’t Take My Eyes Off You (1967 song)
Verfasser(in):
Bob Crewe und Bob Gaudio
publisher:
EMI Longitude Music, EMI Music Publishing (do not use as a release label!), EMI Music Publishing (WP) Ltd., Saturday Music, Inc., Windswept Pacific Music Ltd. und Seasons Four Music Corp. (in 1967)
sub-publisher:
EMI Music Publishing France, EMI Music Publishing Ltd. (PRS‐affiliated), イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (vom 2021-07-01 bis heute)
Andy Williams43:13
11Mack the Knife
recording engineer und Mix:
Al Schmitt
assistierende(r) Techniker(in):
Steve Genewick und Christina Paakkari
Techniker(in):
Richard Flack (producer/engineer)
Produzent(in):
Guy Chambers (English songwriter and record producer)
assistierende(r) Mix:
Rupert Coulson (sound engineer) und Ricky Graham (engineer)
alto saxophone [alto saxophones]:
Gary Foster (woodwind instrumentalist) und Dan Higgins (saxophonist and woodwind recording artist)
baritone saxophone:
Greg Huckins
Bass:
Chuck Berghofer (Jazz bassist)
Bassposaune:
Craig Ware (trombonist)
Gitarre:
George Doering
Klavier:
Jim Cox (US keyboard player, composer)
Perkussion:
Brian Kilgore
Schlagzeug [drums]:
Harold Jones (jazz drummer)
Tenorposaune [tenor trombones]:
Alex Iles, Andy Martin (jazz trombonist) und Bruce Otto
Tenorsaxophon [tenor saxophones]:
Pete Christlieb und Sal Lozano (saxophonist)
Trompete [trumpets]:
Wayne Bergeron, Jeff Bunnell, Chuck Findley (trumpet, trombone, horn player) und Gary Grant (brass)
vocals:
Robbie Williams
conductor:
Steve Sidwell (English composer & wind instrumentalist)
arranger:
Steve Sidwell (English composer & wind instrumentalist)
cover recording of:
Mack the Knife (1954 Blitzstein translation)
Texter:
Bertolt Brecht
Komponist(in):
Kurt Weill (composer)
Übersetzer:
Marc Blitzstein (American composer) (in 1954)
publisher:
Universal Edition (publisher; do NOT use as release label)
übersetzte Version von:
Die Dreigroschenoper: Vorspiel. Die Moritat von Mackie Messer
Robbie Williams3.93:20
12Relight My Fire
Techniker(in):
Dixoid
Produzent(in):
Andrew Livingstone und Joey Negro (English DJ/producer)
zusätzliche(r) Produzent(in):
Mark Beswick (Aufgabe: vocal)
Bass:
John Noyce (Bass guitarist)
Gast vocals:
Lulu (Scottish singer and actress, best known for “To Sir With Love”)
Sologesang:
Gary Barlow
vocals:
Howard Donald, Jason Orange, Mark Owen (singer–songwriter) und Robbie Williams
phonographisches Urheberrecht (℗) von:
BMG Records (UK) Limited (1987–1996) (in 1993)
produced for:
Z Productions
cover recording of:
Relight My Fire
Texter und Komponist(in):
Dan Hartman
publisher:
EMI Blackwood Music Inc., EMI Music Publishing Ltd. (PRS‐affiliated), EMI Songs Ltd., イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (vom 2021-07-01 bis heute)
Take That feat. Lulu2.54:12
13When the Going Gets Tough
phonographisches Urheberrecht (℗) von:
Polygram Ireland Ltd. (in 1999) und Universal Music Ireland Ltd. (not for release label use) (in 1999)
Musikvideos:
When the Going Gets Tough von Boyzone
cover recording of:
When the Going Gets Tough, the Tough Get Going (in 1999)
Verfasser(in):
Wayne Brathwaite, Barry Eastmond, Robert John “Mutt” Lange (Robert John Lange) und Billy Ocean
publisher:
Aqua Music (Billy Ocean's recording & publishing label), Aqua Music Ltd., BMG Music Publishing Ltd., Imagem London Ltd., Universal Music Publishers MGB Australia Pty Ltd, Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Zomba Enterprises, Inc. und Zomba Music Publishers Ltd. (UK subsidiary of Zomba Music Publishing)
Boyzone2.53:41
14Sweat (A La La La La Long)
Produzent(in):
Bernard “Touter” Harvey (Jamaican keyboard player and engineer), Ian Lewis (Inner Circle) und Roger Lewis (founder and member of Inner Circle)
zusätzliche(r) Produzent(in):
Per Adebratt und Tommy Ekman
remixer:
Per Adebratt und Tommy Ekman
arranger:
Bernard “Touter” Harvey (Jamaican keyboard player and engineer), Ian Lewis (Inner Circle) und Roger Lewis (founder and member of Inner Circle)
recording of:
Sweat (A La La La La Long)
Texter und Komponist(in):
Ian Lewis (Inner Circle) und Roger Lewis (founder and member of Inner Circle)
Inner Circle3.353:50
15Boom Shack‐A‐Lak
recording of:
Boom Shack-A-Lak
Verfasser(in):
Steven Kapur und Ervin Barrington Woolley
Apache Indian3:52
16Hot Hot Hot
recording of:
Hot, Hot, Hot
Texter und Komponist(in):
Arrow (Montserrat calypso/soca singer Alphonsus Celestine Edmund Cassell)
publisher:
AIR Music (London) Ltd., Chrysalis Music Ltd. (music publisher, affiliated with PRS), Rare Blue Music Inc und フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division)
Arrow3:39
17Miami
recording engineer:
Ken "DURO" Ifill (engineer and producer Ken Ifill)
drum machine [drum]-Programmierung:
L.E.S. (QB hip hop producer)
Produzent(in):
L.E.S. (QB hip hop producer) und Poke and Tone
assistierende(r) Mix:
Robert Burnette
Mix:
Rich Travali (Engineer)
Keyboard [keyboards]:
Keith Winfield
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1997)
aufgenommen bei und mixed at:
The Hit Factory in Manhattan, New York, New York, Vereinigte Staaten
Samples:
And the Beat Goes On von The Whispers (US R&B/dance vocal group)
recording of:
Miami
Texter:
Will Smith (US actor aka The Fresh Prince)
Komponist(in):
Leon Sylvers III, Samuel J. Barnes (US rapper & hip‐hop producer, aka Tone), William Shelby, Stephen Shockley und Ryan Toby
publisher:
DP JJ Publishing Co., Jelly’s Jams LLC, Pladid Music, Portrait (publisher), Slamuwell Productions, Solar Songs Inc. und Treyball Music
Will Smith4.453:20
18Out on the Floor
Dobie Gray2:01
19Be Young, Be Foolish, Be Happy
cover recording of:
Be Young, Be Foolish, Be Happy
Verfasser(in):
J. R. Cobb und Ray Whitley (60s/70s songwriter)
publisher:
Low Twi Music Inc (publisher) und Low‐Sal Music, Inc.
recording of:
Be Young, Be Foolish, Be Happy
Verfasser(in):
J. R. Cobb und Ray Whitley (60s/70s songwriter)
publisher:
Low Twi Music Inc (publisher) und Low‐Sal Music, Inc.
The Tams2:07
20Freedom
assistierende(r) Techniker(in):
Paul Gomersau
Techniker(in):
Chris Porter (engineer and producer)
Produzent(in):
George Michael
Keyboard:
Tommy Eyre
Saxophon:
David Baptiste (U.K. Saxophonist, flutist, percussionist, vocalist, & backing vocalist)
arranger:
George Michael
phonographisches Urheberrecht (℗) von:
CBS Records (manufacturer/distributor, not for release label use!) (in 1984) und Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (in 1984)
recording of:
Freedom (Wham!)
Texter und Komponist(in):
George Michael
publisher:
Chappell Music (UK) und Morrison Leahy Music Ltd. (in 1984)
Wham!3.755:06
21Walk of Life
Assistent recording engineer:
Steve Jackson (recording engineer)
Techniker(in):
Neil Dorfsman
Produzent(in):
Neil Dorfsman und Mark Knopfler
assistierende(r) Mix:
David Greenberg (Rockin’ Reel Studios engineer) und Bruce Lampcov
Bassgitarre:
John Illsley
Gitarre:
Mark Knopfler
Keyboard:
Alan Clark (keyboardist) und Guy Fletcher (keyboardist)
Schlagzeug:
Omar Hakim
Hintergrundgesang:
Guy Fletcher (keyboardist) und John Illsley
vocals:
Mark Knopfler
phonographisches Urheberrecht (℗) von:
Mercury Records Ltd. (not for release label use!) (in 1985), Phonogram Ltd. (London) (company name, NOT a label!) (in 1985, in 1988), Warner Records Inc. (not for release label use; fka Warner Bros. Records Inc. until 2019) (in 1988, in 2022) und Mercury Records Ltd. (London) (for copyrights use only) (in 1996)
aufgenommen bei:
AIR Studios Montserrat in Saint Peter, Montserrat (von 1984-10 bis 1985-02)
mixed at:
Power Station Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, Vereinigte Staaten
recording of:
Walk of Life
Texter und Komponist(in):
Mark Knopfler
publisher:
Chariscourt Ltd. und Rondor Music (London) Ltd.
Dire Straits4.154:10
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5▶CD