Futurpiano

~ Release by Arthur Vincent Lourie, Leo Ornstein, George Antheil; Daniele Lombardi (see all versions of this release, 2 available)

Annotation

Tracks 14 to 16 are mentioned on the tracklist as being a recording of Sonatina "The Death of Machines" (Sonata III), but it is actually a recording of Mechanisms. This was corrected on the LTM issue.

Annotation last modified on 2024-05-09 21:24 UTC.

Tracklist

1▼CD
#TitleArtistRatingLength
1Synthèses, op. 16: 1. Lent
piano:
Daniele Lombardi
phonographic copyright (℗) by:
Daniele Lombardi (in 1995)
recorded at:
Auditorio della RSI in Lugano, Ticino, Switzerland (in 1995)
recording of:
Synthèses, op. 16: No. 1. Lent (in 1995)
composer:
Артур Сергеевич Лурье
part of:
Synthèses, op. 16
Arthur Vincent Lourie2:55
2Synthèses, op. 16: 2. Modérément animé
piano:
Daniele Lombardi
phonographic copyright (℗) by:
Daniele Lombardi (in 1995)
recorded at:
Auditorio della RSI in Lugano, Ticino, Switzerland (in 1995)
recording of:
Synthèses, op. 16: No. 2. Modérément animé (in 1995)
composer:
Артур Сергеевич Лурье
part of:
Synthèses, op. 16
Arthur Vincent Lourie2:12
3Synthèses, op. 16: 3. Vite (Aigu)
piano:
Daniele Lombardi
phonographic copyright (℗) by:
Daniele Lombardi (in 1995)
recorded at:
Auditorio della RSI in Lugano, Ticino, Switzerland (in 1995)
recording of:
Synthèses, op. 16: No. 3. Vite (Aigu) (in 1995)
composer:
Артур Сергеевич Лурье
part of:
Synthèses, op. 16
Arthur Vincent Lourie2:34
4Synthèses, op. 16: 4. Assez vite, mais toujours mesuré
piano:
Daniele Lombardi
phonographic copyright (℗) by:
Daniele Lombardi (in 1995)
recorded at:
Auditorio della RSI in Lugano, Ticino, Switzerland (in 1995)
recording of:
Synthèses, op. 16: No. 4. Assez vite, mais toujours mesuré (in 1995)
composer:
Артур Сергеевич Лурье
part of:
Synthèses, op. 16
Arthur Vincent Lourie1:23
5Synthèses, op. 16: 5. Mesuré
piano:
Daniele Lombardi
phonographic copyright (℗) by:
Daniele Lombardi (in 1995)
recorded at:
Auditorio della RSI in Lugano, Ticino, Switzerland (in 1995)
recording of:
Synthèses, op. 16: No. 5. Mesuré (in 1995)
composer:
Артур Сергеевич Лурье
part of:
Synthèses, op. 16
Arthur Vincent Lourie1:56
6Formes en l'air (À Pablo Picasso): 1.
piano:
Daniele Lombardi
phonographic copyright (℗) by:
Daniele Lombardi (in 1995)
recorded at:
Auditorio della RSI in Lugano, Ticino, Switzerland (in 1995)
recording of:
Formes en l'air: No. 1 (in 1995)
composer:
Артур Сергеевич Лурье
dedicated to:
Pablo Picasso (famous painter)
part of:
Formes en l'air
Arthur Vincent Lourie2:54
7Formes en l'air (À Pablo Picasso): 2.
piano:
Daniele Lombardi
phonographic copyright (℗) by:
Daniele Lombardi (in 1995)
recorded at:
Auditorio della RSI in Lugano, Ticino, Switzerland (in 1995)
recording of:
Formes en l'air: No. 2 (in 1995)
composer:
Артур Сергеевич Лурье
dedicated to:
Pablo Picasso (famous painter)
part of:
Formes en l'air
Arthur Vincent Lourie3:03
8Formes en l'air (À Pablo Picasso): 3.
piano:
Daniele Lombardi
phonographic copyright (℗) by:
Daniele Lombardi (in 1995)
recorded at:
Auditorio della RSI in Lugano, Ticino, Switzerland (in 1995)
recording of:
Formes en l'air: No. 3 (in 1995)
composer:
Артур Сергеевич Лурье
dedicated to:
Pablo Picasso (famous painter)
part of:
Formes en l'air
Arthur Vincent Lourie3:49
9Suicide in an Airplane
piano:
Daniele Lombardi
phonographic copyright (℗) by:
Daniele Lombardi (in 1995)
recorded at:
Auditorio della RSI in Lugano, Ticino, Switzerland (in 1995)
recording of:
Suicide in an Airplane, S006 (in 1995)
composer:
Leo Ornstein (Russian-born American avant-garde composer) (from 1913 to ????)
Leo Ornstein3:41
10Three Moods: 1. Anger
piano:
Daniele Lombardi
phonographic copyright (℗) by:
Daniele Lombardi (in 1995)
recorded at:
Auditorio della RSI in Lugano, Ticino, Switzerland (in 1995)
recording of:
Three Moods, S005: No. 1. Anger (in 1995)
composer:
Leo Ornstein (Russian-born American avant-garde composer) (in 1913)
part of:
Three Moods, S005
Leo Ornstein2:20
11Three Moods: 2. Grief
piano:
Daniele Lombardi
phonographic copyright (℗) by:
Daniele Lombardi (in 1995)
recorded at:
Auditorio della RSI in Lugano, Ticino, Switzerland (in 1995)
recording of:
Three Moods, S005: No. 2. Grief (in 1995)
composer:
Leo Ornstein (Russian-born American avant-garde composer) (in 1913)
part of:
Three Moods, S005
Leo Ornstein3:29
12Three Moods: 3. Joy
piano:
Daniele Lombardi
phonographic copyright (℗) by:
Daniele Lombardi (in 1995)
recorded at:
Auditorio della RSI in Lugano, Ticino, Switzerland (in 1995)
recording of:
Three Moods, S005: No. 3. Joy (in 1995)
composer:
Leo Ornstein (Russian-born American avant-garde composer) (in 1913)
part of:
Three Moods, S005
Leo Ornstein2:59
13À la chinoise
piano:
Daniele Lombardi
phonographic copyright (℗) by:
Daniele Lombardi (in 1995)
recorded at:
Auditorio della RSI in Lugano, Ticino, Switzerland (in 1995)
recording of:
À la Chinoise, op. 39, S060 (in 1995)
composer:
Leo Ornstein (Russian-born American avant-garde composer)
part of:
Works of Leo Ornstein by opus number (number: op. 39)
Leo Ornstein4:00
14Mechanisms: 1.
piano:
Daniele Lombardi
phonographic copyright (℗) by:
Daniele Lombardi (in 1995)
recorded at:
Studi Edipan in Roma (Rome), Roma, Lazio, Italy (in 1995)
edit of:
Mechanisms by Daniele Lombardi
recording of:
Mechanisms, W. 50: 1. (in 1995)
composer:
George Antheil (composer and pianist) (in 1923)
part of:
Mechanisms, W. 50 (for piano)
George Antheil5:59
15Mechanisms: 2.
piano:
Daniele Lombardi
phonographic copyright (℗) by:
Daniele Lombardi (in 1995)
recorded at:
Studi Edipan in Roma (Rome), Roma, Lazio, Italy (in 1995)
edit of:
Mechanisms by Daniele Lombardi
recording of:
Mechanisms, W. 50: 2. (in 1995)
composer:
George Antheil (composer and pianist) (in 1923)
part of:
Mechanisms, W. 50 (for piano)
George Antheil3:45
16Mechanisms: 3.
piano:
Daniele Lombardi
phonographic copyright (℗) by:
Daniele Lombardi (in 1995)
recorded at:
Studi Edipan in Roma (Rome), Roma, Lazio, Italy (in 1995)
edit of:
Mechanisms by Daniele Lombardi
recording of:
Mechanisms, W. 50: 3. (in 1995)
composer:
George Antheil (composer and pianist) (in 1923)
part of:
Mechanisms, W. 50 (for piano)
George Antheil2:52
17La Femme 100 têtes (after Max Ernst): 1. Thoughtfully, Not Too Slow
piano:
Daniele Lombardi
phonographic copyright (℗) by:
Daniele Lombardi (in 1995)
recorded at:
Studi Edipan in Roma (Rome), Roma, Lazio, Italy (in 1995)
recording of:
La Femme 100 têtes, W. 60: I. Thoughtfully. Not too slow (in 1995)
composer:
George Antheil (composer and pianist) (from 1932 until 1933)
dedicated to:
Max Ernst (German artist)
part of:
La Femme 100 têtes, W. 60
George Antheil1:23
18La Femme 100 têtes (after Max Ernst): 2. Thoughtfully, Not Too Slow
piano:
Daniele Lombardi
phonographic copyright (℗) by:
Daniele Lombardi (in 1995)
recorded at:
Studi Edipan in Roma (Rome), Roma, Lazio, Italy (in 1995)
recording of:
La Femme 100 têtes, W. 60: II. Thoughtfully. Not too slow (in 1995)
composer:
George Antheil (composer and pianist) (from 1932 until 1933)
dedicated to:
Max Ernst (German artist)
part of:
La Femme 100 têtes, W. 60
George Antheil1:12
19La Femme 100 têtes (after Max Ernst): 3. Faintly Energetic
piano:
Daniele Lombardi
phonographic copyright (℗) by:
Daniele Lombardi (in 1995)
recorded at:
Studi Edipan in Roma (Rome), Roma, Lazio, Italy (in 1995)
recording of:
La Femme 100 têtes, W. 60: III. Faintly Energetic (in 1995)
composer:
George Antheil (composer and pianist) (from 1932 until 1933)
dedicated to:
Max Ernst (German artist)
part of:
La Femme 100 têtes, W. 60
George Antheil1:11
20La Femme 100 têtes (after Max Ernst): 5. Furioso
piano:
Daniele Lombardi
phonographic copyright (℗) by:
Daniele Lombardi (in 1995)
recorded at:
Studi Edipan in Roma (Rome), Roma, Lazio, Italy (in 1995)
recording of:
La Femme 100 têtes, W. 60: V. Furioso (in 1995)
composer:
George Antheil (composer and pianist) (from 1932 until 1933)
dedicated to:
Max Ernst (German artist)
part of:
La Femme 100 têtes, W. 60
George Antheil0:18
21La Femme 100 têtes (after Max Ernst): 6. Floating
piano:
Daniele Lombardi
phonographic copyright (℗) by:
Daniele Lombardi (in 1995)
recorded at:
Studi Edipan in Roma (Rome), Roma, Lazio, Italy (in 1995)
recording of:
La Femme 100 têtes, W. 60: VI. Floating (in 1995)
composer:
George Antheil (composer and pianist) (from 1932 until 1933)
dedicated to:
Max Ernst (German artist)
part of:
La Femme 100 têtes, W. 60
George Antheil0:57
22La Femme 100 têtes (after Max Ernst): 7. Sad
piano:
Daniele Lombardi
phonographic copyright (℗) by:
Daniele Lombardi (in 1995)
recorded at:
Studi Edipan in Roma (Rome), Roma, Lazio, Italy (in 1995)
recording of:
La Femme 100 têtes, W. 60: VII. Sad (in 1995)
composer:
George Antheil (composer and pianist) (from 1932 until 1933)
dedicated to:
Max Ernst (German artist)
part of:
La Femme 100 têtes, W. 60
George Antheil0:58
23La Femme 100 têtes (after Max Ernst): 8. Electrical, Spiccato
piano:
Daniele Lombardi
phonographic copyright (℗) by:
Daniele Lombardi (in 1995)
recorded at:
Studi Edipan in Roma (Rome), Roma, Lazio, Italy (in 1995)
recording of:
La Femme 100 têtes, W. 60: VIII. Electrical. Spiccato (in 1995)
composer:
George Antheil (composer and pianist) (from 1932 until 1933)
dedicated to:
Max Ernst (German artist)
part of:
La Femme 100 têtes, W. 60
George Antheil0:48
24La Femme 100 têtes (after Max Ernst): 9. Sad
piano:
Daniele Lombardi
phonographic copyright (℗) by:
Daniele Lombardi (in 1995)
recorded at:
Studi Edipan in Roma (Rome), Roma, Lazio, Italy (in 1995)
recording of:
La Femme 100 têtes, W. 60: IX. Sad (in 1995)
composer:
George Antheil (composer and pianist) (from 1932 until 1933)
dedicated to:
Max Ernst (German artist)
part of:
La Femme 100 têtes, W. 60
George Antheil1:38
25La Femme 100 têtes (after Max Ernst): 10. Slightly, Brutal Tempo
piano:
Daniele Lombardi
phonographic copyright (℗) by:
Daniele Lombardi (in 1995)
recorded at:
Studi Edipan in Roma (Rome), Roma, Lazio, Italy (in 1995)
recording of:
La Femme 100 têtes, W. 60: X. Slightly brutal tempo (in 1995)
composer:
George Antheil (composer and pianist) (from 1932 until 1933)
dedicated to:
Max Ernst (German artist)
part of:
La Femme 100 têtes, W. 60
George Antheil0:35
26La Femme 100 têtes (after Max Ernst): 13. Nostalgic, Twisted, Slowly
piano:
Daniele Lombardi
phonographic copyright (℗) by:
Daniele Lombardi (in 1995)
recorded at:
Studi Edipan in Roma (Rome), Roma, Lazio, Italy (in 1995)
recording of:
La Femme 100 têtes, W. 60: XIII. Nostalgic. Twisted slowly (in 1995)
composer:
George Antheil (composer and pianist) (from 1932 until 1933)
dedicated to:
Max Ernst (German artist)
part of:
La Femme 100 têtes, W. 60
George Antheil1:54
27La Femme 100 têtes (after Max Ernst): 15. Slowly
piano:
Daniele Lombardi
phonographic copyright (℗) by:
Daniele Lombardi (in 1995)
recorded at:
Studi Edipan in Roma (Rome), Roma, Lazio, Italy (in 1995)
recording of:
La Femme 100 têtes, W. 60: XV. Slowly (in 1995)
composer:
George Antheil (composer and pianist) (from 1932 until 1933)
dedicated to:
Max Ernst (German artist)
part of:
La Femme 100 têtes, W. 60
George Antheil1:54
28La Femme 100 têtes (after Max Ernst): 16. Lights Flashing
piano:
Daniele Lombardi
phonographic copyright (℗) by:
Daniele Lombardi (in 1995)
recorded at:
Studi Edipan in Roma (Rome), Roma, Lazio, Italy (in 1995)
recording of:
La Femme 100 têtes, W. 60: XVI. Lights Flashing (in 1995)
composer:
George Antheil (composer and pianist) (from 1932 until 1933)
dedicated to:
Max Ernst (German artist)
part of:
La Femme 100 têtes, W. 60
George Antheil1:05
29La Femme 100 têtes (after Max Ernst): 25. Minuet?
piano:
Daniele Lombardi
phonographic copyright (℗) by:
Daniele Lombardi (in 1995)
recorded at:
Studi Edipan in Roma (Rome), Roma, Lazio, Italy (in 1995)
recording of:
La Femme 100 têtes, W. 60: XXV. Minuet? (in 1995)
composer:
George Antheil (composer and pianist) (from 1932 until 1933)
dedicated to:
Max Ernst (German artist)
part of:
La Femme 100 têtes, W. 60
George Antheil0:45
30La Femme 100 têtes (after Max Ernst): 26. Onward Christian Soldiers
piano:
Daniele Lombardi
phonographic copyright (℗) by:
Daniele Lombardi (in 1995)
recorded at:
Studi Edipan in Roma (Rome), Roma, Lazio, Italy (in 1995)
recording of:
La Femme 100 têtes, W. 60: XXVI. Onward Christian Soldiers (in 1995)
composer:
George Antheil (composer and pianist) (from 1932 until 1933)
dedicated to:
Max Ernst (German artist)
part of:
La Femme 100 têtes, W. 60
George Antheil1:29
31La Femme 100 têtes (after Max Ernst): 32. Sad
piano:
Daniele Lombardi
phonographic copyright (℗) by:
Daniele Lombardi (in 1995)
recorded at:
Studi Edipan in Roma (Rome), Roma, Lazio, Italy (in 1995)
recording of:
La Femme 100 têtes, W. 60: XXXII. Sad (in 1995)
composer:
George Antheil (composer and pianist) (from 1932 until 1933)
dedicated to:
Max Ernst (German artist)
part of:
La Femme 100 têtes, W. 60
George Antheil1:18
32La Femme 100 têtes (after Max Ernst): 33. Mystic Tempo
piano:
Daniele Lombardi
phonographic copyright (℗) by:
Daniele Lombardi (in 1995)
recorded at:
Studi Edipan in Roma (Rome), Roma, Lazio, Italy (in 1995)
recording of:
La Femme 100 têtes, W. 60: XXXIII. Mystic Temple (in 1995)
composer:
George Antheil (composer and pianist) (from 1932 until 1933)
dedicated to:
Max Ernst (German artist)
part of:
La Femme 100 têtes, W. 60
George Antheil2:16
33La Femme 100 têtes (after Max Ernst): 35. Furioso
piano:
Daniele Lombardi
phonographic copyright (℗) by:
Daniele Lombardi (in 1995)
recorded at:
Studi Edipan in Roma (Rome), Roma, Lazio, Italy (in 1995)
recording of:
La Femme 100 têtes, W. 60: XXXV. Furioso (in 1995)
composer:
George Antheil (composer and pianist) (from 1932 until 1933)
dedicated to:
Max Ernst (German artist)
part of:
La Femme 100 têtes, W. 60
George Antheil0:19
34La Femme 100 têtes (after Max Ernst): 40. Nostalgic
piano:
Daniele Lombardi
phonographic copyright (℗) by:
Daniele Lombardi (in 1995)
recorded at:
Studi Edipan in Roma (Rome), Roma, Lazio, Italy (in 1995)
recording of:
La Femme 100 têtes, W. 60: XL. Nostalgic (in 1995)
composer:
George Antheil (composer and pianist) (from 1932 until 1933)
dedicated to:
Max Ernst (German artist)
part of:
La Femme 100 têtes, W. 60
George Antheil1:01
35La Femme 100 têtes (after Max Ernst): 44. A Machine
piano:
Daniele Lombardi
phonographic copyright (℗) by:
Daniele Lombardi (in 1995)
recorded at:
Studi Edipan in Roma (Rome), Roma, Lazio, Italy (in 1995)
recording of:
La Femme 100 têtes, W. 60: XLIV. A Machine (in 1995)
composer:
George Antheil (composer and pianist) (from 1932 until 1933)
dedicated to:
Max Ernst (German artist)
part of:
La Femme 100 têtes, W. 60
George Antheil1:14
36La Femme 100 têtes (after Max Ernst): 45. Cruel, Quick
piano:
Daniele Lombardi
phonographic copyright (℗) by:
Daniele Lombardi (in 1995)
recorded at:
Studi Edipan in Roma (Rome), Roma, Lazio, Italy (in 1995)
recording of:
La Femme 100 têtes, W. 60: XLV. Cruel. Quick (in 1995)
composer:
George Antheil (composer and pianist) (from 1932 until 1933)
dedicated to:
Max Ernst (German artist)
part of:
La Femme 100 têtes, W. 60
George Antheil0:34