Bach 333: Instrumental & supplement (second half)

~ Release by Johann Sebastian Bach (see all versions of this release, 11 available)

Tracklist

1▶CD: Violin Sonatas & Partitas BWV 1001-1004 (Milstein)
2▶CD: Violin Sonatas & Partitas BWV 1004-1006 (Grumiaux)
3▶CD: Violin Sonatas & Partitas BWV 1001, 1003, 1004, 1006 (Kremer / Mullova / Batiashvili / Jansen)
4▶CD: Cello Suites 1-3 (Fournier)
5▶CD: Cello Suites 4-6 (Fournier)
6▶CD: Solo & Chamber Works (Alternative Instrumentations)
7▶CD: Clavier-Büchlein W. F. Bach (1)
8▶CD: Clavier-Büchlein W. F. Bach (2) / A. M. Bach (1722)
9▶CD: Notenbüchlein A. M. Bach (1725) (1)
10▶CD: Notenbüchlein A. M. Bach (1725) (2)
11▶CD: Schemelli Gesangbuch BWV 439-474
12▶CD: Schemelli Gesangbuch BWV 475-507
13▶CD: Bach: Early Influences
14▶CD: Concertos at Weimar (Telemann / Prince Johann Ernst)
15▶CD: Concertos at Weimar (Vivaldi)
16▶CD: Concertos at Weimar (Vivaldi / A. & B. Marcello)
17▶CD: The Bach Family
18▶CD: Bach & Other Composers (c. 1715-1730)
19▼CD: Bach & Other Composers (c. 1730-1742)
#TitleArtistRatingLength
1Concerto for 4 Harpsichords, Strings and Basso continuo in A minor, BWV 1065 (after Concerto for 4 Violins, RV 580) (after Antonio Vivaldi (1678–1741)): 1. [without tempo indication]
producer:
Peter Wadland (producer)
harpsichord:
Christopher Hogwood (conductor, harpsichordist) (in 1989-08), Davitt Moroney (cembalist) (in 1989-08), Christophe Rousset (French harpsichordist & conductor) (in 1989-08) and Colin Tilney (harpsichordist) (in 1989-08)
orchestra:
Academy of Ancient Music (in 1989-08)
recorded at:
Conservatoire national supérieur de musique et de danse de Paris (since 1990, Parc de la Villette) in Paris, Île-de-France, France (in 1989-08)
recording of:
Concerto for 4 Harpsichords and Orchestra in A minor, BWV 1065: I. [Allegro] (in 1989-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Concerto for 4 Harpsichords and Orchestra in A minor, BWV 1065
Johann Sebastian Bach3:52
2Concerto for 4 Harpsichords, Strings and Basso continuo in A minor, BWV 1065 (after Concerto for 4 Violins, RV 580) (after Antonio Vivaldi (1678–1741)): 2. Largo
producer:
Peter Wadland (producer)
harpsichord:
Christopher Hogwood (conductor, harpsichordist) (in 1989-08), Davitt Moroney (cembalist) (in 1989-08), Christophe Rousset (French harpsichordist & conductor) (in 1989-08) and Colin Tilney (harpsichordist) (in 1989-08)
orchestra:
Academy of Ancient Music (in 1989-08)
recorded at:
Conservatoire national supérieur de musique et de danse de Paris (since 1990, Parc de la Villette) in Paris, Île-de-France, France (in 1989-08)
recording of:
Concerto for 4 Harpsichords and Orchestra in A minor, BWV 1065: II. Largo (in 1989-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Concerto for 4 Harpsichords and Orchestra in A minor, BWV 1065
Johann Sebastian Bach1:59
3Concerto for 4 Harpsichords, Strings and Basso continuo in A minor, BWV 1065 (after Concerto for 4 Violins, RV 580) (after Antonio Vivaldi (1678–1741)): 3. Allegro
producer:
Peter Wadland (producer)
harpsichord:
Christopher Hogwood (conductor, harpsichordist) (in 1989-08), Davitt Moroney (cembalist) (in 1989-08), Christophe Rousset (French harpsichordist & conductor) (in 1989-08) and Colin Tilney (harpsichordist) (in 1989-08)
orchestra:
Academy of Ancient Music (in 1989-08)
recorded at:
Conservatoire national supérieur de musique et de danse de Paris (since 1990, Parc de la Villette) in Paris, Île-de-France, France (in 1989-08)
recording of:
Concerto for 4 Harpsichords and Orchestra in A minor, BWV 1065: III. Allegro (in 1989-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Concerto for 4 Harpsichords and Orchestra in A minor, BWV 1065
Johann Sebastian Bach3:23
4Alcina, HWV 34: 10. Aria: Di’, cor mio, quanto t’amai (Act I)
producer:
Arend Prohmann (producer / editor)
soprano vocals [Alcina]:
Joyce DiDonato (mezzo-soprano) (in 2007-09)
orchestra:
Il Complesso Barocco (in 2007-09)
conductor:
Alan Curtis (harpsichordist, musicologist, and conductor) (in 2007-09)
balance engineer:
Hans‐Ulrich Bastin
recorded at:
Chiesa Sant’Agostino in Bagnoregio, Viterbo, Lazio, Italy (in 2007-09)
recording of:
Alcina, HWV 34: Atto I, Scena II, VIII. Aria “Di’, cor mio, quanto t’amai” (Alcina) (in 2007-09)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Alcina, HWV 34: Atto I
George Frideric Handel7:21
5Alcina, HWV 34: 23. Aria: Mi lusinga il dolce affetto (Act II)
producer:
Arend Prohmann (producer / editor)
mezzo-soprano vocals [Ruggiero]:
Maite Beaumont (in 2007-09)
orchestra:
Il Complesso Barocco (in 2007-09)
conductor:
Alan Curtis (harpsichordist, musicologist, and conductor) (in 2007-09)
balance engineer:
Hans‐Ulrich Bastin
recorded at:
Chiesa Sant’Agostino in Bagnoregio, Viterbo, Lazio, Italy (in 2007-09)
recording of:
Alcina, HWV 34: Atto II, Scena III, IX. Aria “Mi lusinga il dolce affetto” (Ruggiero) (in 2007-09)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Alcina, HWV 34: Atto II
George Frideric Handel6:51
6"Wer ist der, so von Edom kömmt", BWV 1166 (J. S. Bach’s additions to Carl Heinrich Graun’s (1704–1759)): 19. Chorus: Herr Jesu Christ, wahr’ Mensch und Gott, BWV 127/1
producer:
Gerd Berg (producer)
bass vocals:
Hans-Georg Wimmer (German bass-baritone vocalist) (in 1990-01)
choir vocals:
Rheinische Kantorei (in 1990-01)
orchestra:
Das Kleine Konzert (in 1990-01)
conductor:
Hermann Max (chorus master and conductor) (in 1990-01)
balance engineer:
Hartwig Paulsen
recorded at:
Evangelische Kirche (Honrath) in Lohmar, Nordrhein-Westfalen (North Rhine-Westphalia), Germany (in 1990-01)
partial recording of:
Passion pasticcio "Jesus Christus ist um unsrer Missetat willen verwundet", BWV 1166.2 (1st Leipzig version) (in 1990-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bachs Notenbibliothek (BNB) (number: BNB I/K/1 (Leipziger Fassung)), Bach-Werke-Verzeichnis (third edition, 2022, BWV³) (number: BWV 1166.2) and Bach Compendium (number: BC D 5b)
Johann Sebastian Bach5:05
7"Wer ist der, so von Edom kömmt", BWV 1166 (J. S. Bach’s additions to Carl Heinrich Graun’s (1704–1759)): 20. Arioso: So heb ich denn mein Auge sehnlich auf, BWV 1088
producer:
Gerd Berg (producer)
bass vocals:
Hans-Georg Wimmer (German bass-baritone vocalist) (in 1990-01)
choir vocals:
Rheinische Kantorei (in 1990-01)
orchestra:
Das Kleine Konzert (in 1990-01)
conductor:
Hermann Max (chorus master and conductor) (in 1990-01)
balance engineer:
Hartwig Paulsen
recorded at:
Evangelische Kirche (Honrath) in Lohmar, Nordrhein-Westfalen (North Rhine-Westphalia), Germany (in 1990-01)
recording of:
So heb ich denn mein Auge sehnlich auf, BWV 1088 (in 1990-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (third edition, 2022, BWV³) (number: BWV 1088), Bach Compendium (number: BC D 10/2) and Bach-Werke-Verzeichnis (second edition, 1990, BWV²) (number: BWV 1088 / 247‑>)
Johann Sebastian Bach1:44
8Trio in C minor, BWV 585 (after Johann Friedrich Fasch (1688–1758)): 1. Adagio
producer:
Arend Prohmann (producer / editor)
organ:
Simon Preston (organist, conductor, composer) (from 1996-05 until 1996-06)
balance engineer:
Hans‐Peter Schweigmann (engineer)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (from 1996-05 until 1996-06)
recording of:
Trio c-Moll nach Johann Friedrich Fasch, BWV 585: I. Adagio (from 1996-05 until 1996-06)
composer:
Johann Friedrich Fasch (composer)
part of:
Trio c-Moll nach Johann Friedrich Fasch, BWV 585
Johann Sebastian Bach2:47
9Trio in C minor, BWV 585 (after Johann Friedrich Fasch (1688–1758)): 2. Allegro
producer:
Arend Prohmann (producer / editor)
organ:
Simon Preston (organist, conductor, composer) (from 1996-05 until 1996-06)
balance engineer:
Hans‐Peter Schweigmann (engineer)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (from 1996-05 until 1996-06)
recording of:
Trio c-Moll nach Johann Friedrich Fasch, BWV 585: II. Allegro (from 1996-05 until 1996-06)
composer:
Johann Friedrich Fasch (composer)
part of:
Trio c-Moll nach Johann Friedrich Fasch, BWV 585
Johann Sebastian Bach2:29
10Suite for Violin and Keyboard in A major, BWV 1025 (after Sylvius Leopold Weiss (1687–1750)): 1. Fantasia
executive producer:
Dr. Andreas Holschneider
producer and balance engineer:
Heinz Wildhagen (engineer, producer)
harpsichord:
Robert Hill (American harpsichordist) (in 1982-07)
violin:
Reinhard Goebel (violinist and conductor) (in 1982-07)
recorded at:
Friedrich-Ebert-Halle in Hamburg, Germany (in 1982-07)
recording of:
Suite for Violin and Harpsichord in A major, BWV 1025: I. Fantasia (in 1982-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Suite for Violin and Harpsichord in A major, BWV 1025
Johann Sebastian Bach2:04
11Suite for Violin and Keyboard in A major, BWV 1025 (after Sylvius Leopold Weiss (1687–1750)): 2. Courante
executive producer:
Dr. Andreas Holschneider
producer and balance engineer:
Heinz Wildhagen (engineer, producer)
harpsichord:
Robert Hill (American harpsichordist) (in 1982-07)
violin:
Reinhard Goebel (violinist and conductor) (in 1982-07)
recorded at:
Friedrich-Ebert-Halle in Hamburg, Germany (in 1982-07)
recording of:
Suite for Violin and Harpsichord in A major, BWV 1025: II. Courante (in 1982-07)
additional composer:
Sylvius Leopold Weiss (composer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Suite for Violin and Harpsichord in A major, BWV 1025
Johann Sebastian Bach3:47
12Suite for Violin and Keyboard in A major, BWV 1025 (after Sylvius Leopold Weiss (1687–1750)): 3. Entrée
executive producer:
Dr. Andreas Holschneider
producer and balance engineer:
Heinz Wildhagen (engineer, producer)
harpsichord:
Robert Hill (American harpsichordist) (in 1982-07)
violin:
Reinhard Goebel (violinist and conductor) (in 1982-07)
recorded at:
Friedrich-Ebert-Halle in Hamburg, Germany (in 1982-07)
recording of:
Suite for Violin and Harpsichord in A major, BWV 1025: III. Entrée (in 1982-07)
additional composer:
Sylvius Leopold Weiss (composer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Suite for Violin and Harpsichord in A major, BWV 1025
Johann Sebastian Bach3:30
13Suite for Violin and Keyboard in A major, BWV 1025 (after Sylvius Leopold Weiss (1687–1750)): 4. Rondeau
executive producer:
Dr. Andreas Holschneider
producer and balance engineer:
Heinz Wildhagen (engineer, producer)
harpsichord:
Robert Hill (American harpsichordist) (in 1982-07)
violin:
Reinhard Goebel (violinist and conductor) (in 1982-07)
recorded at:
Friedrich-Ebert-Halle in Hamburg, Germany (in 1982-07)
recording of:
Suite for Violin and Harpsichord in A major, BWV 1025: IV: Rondeau (in 1982-07)
additional composer:
Sylvius Leopold Weiss (composer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Suite for Violin and Harpsichord in A major, BWV 1025
Johann Sebastian Bach3:39
14Suite for Violin and Keyboard in A major, BWV 1025 (after Sylvius Leopold Weiss (1687–1750)): 5. Sarabande
executive producer:
Dr. Andreas Holschneider
producer and balance engineer:
Heinz Wildhagen (engineer, producer)
harpsichord:
Robert Hill (American harpsichordist) (in 1982-07)
violin:
Reinhard Goebel (violinist and conductor) (in 1982-07)
recorded at:
Friedrich-Ebert-Halle in Hamburg, Germany (in 1982-07)
recording of:
Suite for Violin and Harpsichord in A major, BWV 1025: V. Sarabande (in 1982-07)
additional composer:
Sylvius Leopold Weiss (composer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Suite for Violin and Harpsichord in A major, BWV 1025
Johann Sebastian Bach4:46
15Suite for Violin and Keyboard in A major, BWV 1025 (after Sylvius Leopold Weiss (1687–1750)): 6. Menuett
executive producer:
Dr. Andreas Holschneider
producer and balance engineer:
Heinz Wildhagen (engineer, producer)
harpsichord:
Robert Hill (American harpsichordist) (in 1982-07)
violin:
Reinhard Goebel (violinist and conductor) (in 1982-07)
recorded at:
Friedrich-Ebert-Halle in Hamburg, Germany (in 1982-07)
recording of:
Suite for Violin and Harpsichord in A major, BWV 1025: VI. Menuett (in 1982-07)
additional composer:
Sylvius Leopold Weiss (composer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Suite for Violin and Harpsichord in A major, BWV 1025
Johann Sebastian Bach2:52
16Suite for Violin and Keyboard in A major, BWV 1025 (after Sylvius Leopold Weiss (1687–1750)): 7. Allegro
executive producer:
Dr. Andreas Holschneider
producer and balance engineer:
Heinz Wildhagen (engineer, producer)
harpsichord:
Robert Hill (American harpsichordist) (in 1982-07)
violin:
Reinhard Goebel (violinist and conductor) (in 1982-07)
recorded at:
Friedrich-Ebert-Halle in Hamburg, Germany (in 1982-07)
recording of:
Suite for Violin and Harpsichord in A major, BWV 1025: VII. Allegro (in 1982-07)
additional composer:
Sylvius Leopold Weiss (composer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Suite for Violin and Harpsichord in A major, BWV 1025
Johann Sebastian Bach3:43
17Suscepit Israel puerum suum, BWV 1082 (after Antonio Caldara (1670–1736)) (Arrangement of Mvt. 3 from Caldara’s Magnificat in C major)
producer and balance engineer:
Adrian Hunter (producer and engineer)
choir vocals:
St Salvator’s Chapel Choir (in 2015-06)
orchestra:
Ars Eloquentiae (in 2015-06) and Fitzwilliam String Quartet (in 2015-06)
conductor:
Tom Wilkinson (American musician) (in 2015-06)
recorded at:
Saint Salvador's Church in Dundee, Scotland, United Kingdom (in 2015-06)
recording of:
Suscepit Israel puerum suum, BWV 1082 (in 2015-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 1082)
Johann Sebastian Bach1:37
18Sanctus in D minor, BWV 239 (after Antonio Caldara (1670–1736))
recording engineer:
Olaf Mielke (from 2009-03 until 2009-05)
producer:
Stephan Schmidt (classical producer and editor)
choir vocals:
Alsfelder Vokalensemble (German vocal ensemble) (from 2009-03 until 2009-05)
orchestra:
Hannoversche Hofkapelle (from 2009-03 until 2009-05)
conductor:
Wolfgang Helbich (from 2009-03 until 2009-05)
balance engineer:
Olaf Mielke
phonographic copyright (℗) by:
Deutschlandradio (in 2012)
recorded at:
Festhalle der Johannischen Kirche in Blankensee, Mecklenburg-Vorpommern, Germany (from 2009-03 until 2009-05)
recording of:
Sanctus in d-Moll, BWV 239 (Sanctus in D minor, BWV 239) (from 2009-03 until 2009-05)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 239)
Johann Sebastian Bach2:01
19Sanctus in G major, BWV 240 (after Antonio Caldara (1670–1736)) (Bach’s arrangements)
producer:
Hans Kipfer
orchestra:
Bach Collegium Japan (from 2014-09 until 2015-10)
conductor:
鈴木雅明 (Masaaki Suzuki, keyboardist, conductor) (from 2014-09 until 2015-10)
balance engineer:
Jens Braun (classical engineer)
recorded at:
Saitama Arts Theatre Concert Hall in Saitama (Saitama City), Saitama (Saitama Prefecture), Japan (from 2014-09 until 2015-10)
recording of:
Sanctus G-Dur, BWV 240 (from 2014-09 until 2015-10)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 240)
Johann Sebastian Bach2:24
20Mass in G major, BWV App. C (ex Anh. 167): 1. Kyrie
producer:
Stephan Schmidt (classical producer and editor)
choir vocals:
Alsfelder Vokalensemble (German vocal ensemble) (from 2009-03 until 2009-05), Gesualdo Consort Amsterdam (from 2009-03 until 2009-05) and Solistenquartett der Hochschule Bremen (from 2009-03 until 2009-05)
orchestra:
Hannoversche Hofkapelle (from 2009-03 until 2009-05)
conductor:
Wolfgang Helbich (from 2009-03 until 2009-05)
balance engineer:
Olaf Mielke
phonographic copyright (℗) by:
Deutschlandradio (in 2012)
recorded at:
Festhalle der Johannischen Kirche in Blankensee, Mecklenburg-Vorpommern, Germany (from 2009-03 until 2009-05)
recording of:
Kyrie–Gloria Mass for double choir, BWV Anh. 167: 1. Kyrie (from 2009-03 until 2009-05)
composer:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.)
previously attributed to:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Kyrie–Gloria Mass for double choir, BWV Anh. 167 (by unknown composer, attributed to Bach)
Johann Sebastian Bach4:27
21Mass in G major, BWV App. C (ex Anh. 167): 2. Gloria
producer:
Stephan Schmidt (classical producer and editor)
choir vocals:
Alsfelder Vokalensemble (German vocal ensemble) (from 2009-03 until 2009-05), Gesualdo Consort Amsterdam (from 2009-03 until 2009-05) and Solistenquartett der Hochschule Bremen (from 2009-03 until 2009-05)
orchestra:
Hannoversche Hofkapelle (from 2009-03 until 2009-05)
conductor:
Wolfgang Helbich (from 2009-03 until 2009-05)
balance engineer:
Olaf Mielke
phonographic copyright (℗) by:
Deutschlandradio (in 2012)
recorded at:
Festhalle der Johannischen Kirche in Blankensee, Mecklenburg-Vorpommern, Germany (from 2009-03 until 2009-05)
partial recording of:
Kyrie–Gloria Mass for double choir, BWV Anh. 167: 2. Gloria (from 2009-03 until 2009-05)
composer:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.)
previously attributed to:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Kyrie–Gloria Mass for double choir, BWV Anh. 167 (by unknown composer, attributed to Bach)
Johann Sebastian Bach3:09
22Mass in G major, BWV App. C (ex Anh. 167): 3. Gloria II – Domine Deus
producer:
Stephan Schmidt (classical producer and editor)
choir vocals:
Alsfelder Vokalensemble (German vocal ensemble) (from 2009-03 until 2009-05), Gesualdo Consort Amsterdam (from 2009-03 until 2009-05) and Solistenquartett der Hochschule Bremen (from 2009-03 until 2009-05)
orchestra:
Hannoversche Hofkapelle (from 2009-03 until 2009-05)
conductor:
Wolfgang Helbich (from 2009-03 until 2009-05)
balance engineer:
Olaf Mielke
phonographic copyright (℗) by:
Deutschlandradio (in 2012)
recorded at:
Festhalle der Johannischen Kirche in Blankensee, Mecklenburg-Vorpommern, Germany (from 2009-03 until 2009-05)
partial recording of:
Kyrie–Gloria Mass for double choir, BWV Anh. 167: 2. Gloria (from 2009-03 until 2009-05)
composer:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.)
previously attributed to:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Kyrie–Gloria Mass for double choir, BWV Anh. 167 (by unknown composer, attributed to Bach)
Johann Sebastian Bach6:00
20▶CD: Bach & Other Composers (1742-1750)
21▶CD: Bach Renewed (From Bach's Sons to Mahler)
22▶CD: Bach Reimagined (Chaconne & Passacaglia)
23▶CD: Bach Orchestrated (Reger to Stokowski)
24▶CD: Inspired by Bach (Gounod to Pärt)
25▶CD: Bach & The Virtuoso Piano (Liszt and Busoni)
26▶CD: Bach & The Virtuoso Piano (The 20th Century)
27▶CD: Bach à la Jazz
28▶CD: New Colours of Bach

Credits

Release group

part of:Bach 333 - J.S. Bach Complete Works (J.S. Bach: The New Complete Edition) (order: 1)
standalone website:US: B07D2Y539K [info]
https://www.bach333.com/en/ [info]
https://www.deutschegrammophon.com/en/cat/4798000 [info]
Wikidata:Q113958674 [info]