Armageddon: The Album

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, 11 vorhanden)

Titelliste

1▼CD
Nr.TitelKünstlerBewertungLänge
1I Don’t Want to Miss a Thing
assistierende(r) Techniker(in):
Alex Dejonge (engineer) und Rob Murphy (Engineer)
Techniker(in) und Mix:
Dave Thoener
Produzent(in):
Matt Serletic
Saiteninstrumente arranger:
Suzie Katayama
arranger:
Matt Serletic
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1998)
aufgenommen bei und mixed at:
The Hit Factory in Manhattan, New York, New York, Vereinigte Staaten
Teil von:
BILLIONS CLUB und The Downloader’s Music Source Book (Nummer: 228)
recording of:
I Don’t Want to Miss a Thing
Texter und Komponist(in):
Diane Warren (US songwriter)
publisher:
Realsongs (beendet), Manatt, Phelps & Phillips, LLP, ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Teil von:
The 71st Academy Award for Best Original Song (Nummer: 2)
Aerosmith4.054:59
2Remember Me
Techniker(in), Produzent(in) und Mix:
Kevin Shirley (producer & mixer)
Sologesang:
Steve Augeri
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1998)
aufgenommen bei und mixed at:
Avatar Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, Vereinigte Staaten
recording of:
Remember Me (Armageddon)
Verfasser(in):
Jack Blades (of Night Ranger), Jonathan Cain und Neal Schon
publisher:
No More Tails Music, Ranch Rock Music, So Much Music und Sony/ATV Songs LLC
sub-publisher:
ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division), フジパシフィックミュージック (Fujipacific Music, Inc.) und 日音 Synch事業部 (NICHION, INC. Synch Division)
Journey35:28
3What Kind of Love Are You On
assistierende(r) Techniker(in):
Alex Dejonge (engineer) und Rob Murphy (Engineer)
Techniker(in) und Mix:
David Thoener
assistierende(r) Produzent(in):
Mark Dobson (engineer)
Produzent(in):
Matt Serletic
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1998, in 1999)
aufgenommen bei und mixed at:
The Hit Factory in Manhattan, New York, New York, Vereinigte Staaten
recording of:
What Kind of Love Are You On
Verfasser(in):
Jack Blades (of Night Ranger), Joe Perry (guitarist for Aerosmith), Tommy Shaw (of Styx) und Steven Tyler
publisher:
EMI April Music Inc., Ranch Rock Music, Swag Song Music, Inc., Tranquility Base Songs und WB Music Corp. (1929–2019)
Aerosmith3.753:16
4La Grange
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1974)
recording of:
La Grange
Verfasser(in):
Frank Beard (ZZ Top drummer), Billy Gibbons und Dusty Hill
publisher:
Hamstein Music Company (publisher), Music of Stage Three, Songs of Mosaic und Stage Three Songs
basiert auf:
Boogie Chillen’
ZZ Top43:35
5Roll Me Away
Techniker(in):
Shelly Yakus
Produzent(in):
Jimmy Iovine
Mix:
Greg Edward, Punch (Ed Andrews, Bob Seger's Manager) und Bob Seger
Bass:
Chris Campbell (US bassist for Bob Seger & the Silver Bullet Band)
Gitarre:
Waddy Wachtel
Klavier:
Roy Bittan
Orgel:
Craig Frost
Perkussion:
Bobbye Hall
Schlagzeug:
Russ Kunkel (session drummer)
Synthesizer:
Michael Boddicker
vocals:
Bob Seger
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1982) und Hideout Records & Distributors, Inc. (in 1982)
aufgenommen bei:
Studio 55 in Los Angeles, California (Kalifornien), Vereinigte Staaten
mixed at:
Rumbo Recorders in Canoga Park, Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
Roll Me Away
Texter und Komponist(in):
Bob Seger
publisher:
Hideout Records/Distribtrs Inc (Gear Publishing Div) und Gear Publishing Co (in 1982)
Bob Seger & the Silver Bullet Band3.754:38
6When the Rainbow Comes
Techniker(in):
Bill Drescher (Producer and sound engineer) und Marc Greene (engineer)
Produzent(in):
Marc Tanner
Mix:
Bill Drescher (Producer and sound engineer)
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1998)
aufgenommen bei:
Cedar Creek Studios in Austin, Texas, Vereinigte Staaten und The Village (Village Studios, aka The Village Recorder) in Los Angeles, California (Kalifornien), Vereinigte Staaten
mixed at:
The Enterprise (aka Enterprise Studios) in Burbank, California (Kalifornien), Vereinigte Staaten
recording of:
When the Rainbow Comes
Texter und Komponist(in):
Karl Wallinger
publisher:
PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998)
Shawn Colvin2.54:21
7Sweet Emotion (David Thoener remix)
Produzent(in):
Jack Douglas
remixer:
David Thoener (in 1991)
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1975)
aufgenommen bei und mixed at:
The Record Plant (New York) in Midtown Manhattan, New York, New York, Vereinigte Staaten
Remix von:
Sweet Emotion (album version) von Aerosmith (American hard rock band)
recording of:
Sweet Emotion
Verfasser(in):
Tom Hamilton (bassist for Aerosmith) und Steven Tyler
publisher:
Daksel LLC, Daksel Music Corp., Music of Stage Three Aerosmith Account, Song and Dance Music, Sony/ATV Songs LLC und Vindaloo Productions, Inc.
Aerosmith45:10
8Mister Big Time
Techniker(in):
Obie O’Brien
Produzent(in):
Jon Bon Jovi, Stephen Lironi und Aldo Nova (Canadian rock musician)
Mix:
Kevin Shirley (producer & mixer)
phonographisches Urheberrecht (℗) von:
Mercury Records (or just “Mercury”; a UMG imprint, do not use it for ©/℗ credits) (in 1988)
mixed at:
Avatar Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, Vereinigte Staaten
recording of:
Mister Big Time
Verfasser(in):
Jon Bon Jovi und Aldo Nova (Canadian rock musician)
publisher:
Aldo Nova, Inc., Bon Jovi Publishing und PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998)
Bon Jovi32:47
9Come Together
Produzent(in):
Jack Douglas und George Martin (producer, arranger, composer, conductor, audio engineer, and musician)
phonographisches Urheberrecht (℗) von:
RSO Records, Inc. (US company that owned the RSO label, not the label itself.) (in 1978) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1978)
Teil von:
The Downloader’s Music Source Book (Nummer: 220)
cover recording of:
Come Together
Verfasser(in):
John Lennon (The Beatles) und Paul McCartney (The Beatles)
publisher:
Blackwood Music Inc. (1953-02-07–1987-12-30), EMI-Songs Musikverlag, Maclen Music, Inc. (U.S. based publisher for Lennon–McCartney), Northern Songs, Sony/ATV Music Publishing LLC (1995–2020), Sony/ATV Songs LLC und Sony/ATV Tunes LLC (ASCAP)
basiert auf:
You Can’t Catch Me
recording of:
Come Together
Verfasser(in):
John Lennon (The Beatles) und Paul McCartney (The Beatles)
publisher:
Blackwood Music Inc. (1953-02-07–1987-12-30), EMI-Songs Musikverlag, Maclen Music, Inc. (U.S. based publisher for Lennon–McCartney), Northern Songs, Sony/ATV Music Publishing LLC (1995–2020), Sony/ATV Songs LLC und Sony/ATV Tunes LLC (ASCAP)
basiert auf:
You Can’t Catch Me
Aerosmith3.553:45
10Wish I Were You
assistierende(r) Techniker(in):
Jason Stasium
Techniker(in) und Mix:
Gary Tole
assistierende(r) Produzent(in):
Mark Dobson (engineer)
Produzent(in):
Matt Serletic
Editing:
Mark Dobson (engineer)
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1998)
aufgenommen bei und mixed at:
Right Track Recording in Manhattan, New York, New York, Vereinigte Staaten
recording of:
Wish I Were You
Verfasser(in):
Glen Burtnik und Patty Smyth‐MacEnroe
publisher:
EMI Blackwood Music Inc., Pink Smoke Music und War Bride Music
Patty Smyth33:48
11Starseed (Armageddon remix)
Techniker(in) und Produzent(in):
Arnold Lanni
remixer:
Kevin Shirley (producer & mixer)
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment (Canada) Inc. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (in 1994)
aufgenommen bei und engineered at:
Arnyard Studios in Toronto, Ontario, Kanada
mixed at:
Avatar Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, Vereinigte Staaten
recording of:
Starseed
Texter:
Raine Maida
Komponist(in):
Chris Eacrett, Arnold Lanni, Raine Maida und Mike Turner (former guitarist of Our Lady Peace)
publisher:
Catchit Songs, Lanni Tunes, Seacret Publishing, Sony/ATV Tunes LLC (ASCAP), Under Zenith, Sony Music Publishing (worldwide except Japan, ended 1995) (von 1994 bis 1995) und Sony/ATV Music Publishing Canada (SOCAN) (vom 1995 bis heute)
Our Lady Peace34:19
12Leaving on a Jet Plane
recording engineer:
Noel Golden (producer and engineer) und Rick Will
zusätzliche(r) Techniker(in):
Giles Reaves
Produzent(in):
Peter Asher und Jay Joyce
Mix:
Kevin Killen und George Massenburg
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment (Canada) Inc. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (in 1998, in 1999)
aufgenommen bei:
The Hit Factory in Manhattan, New York, New York, Vereinigte Staaten
mixed at:
Effanel Music in New York, Vereinigte Staaten
cover recording of:
Leaving on a Jet Plane
Texter und Komponist(in):
John Denver
publisher:
BMG Ruby Songs, Cherry Lane Music Publishing Inc, Cherry Lane Music, Inc., Reservoir Media Music (B) und ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
Chantal Kreviazuk44:40
13Theme From Armageddon
Editing:
Will Kaplan
Interpret(in):
Trevor Rabin (South African musician and score composer)
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment (Canada) Inc. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (in 1998)
aufgenommen bei und mixed at:
The Jacaranda Room (Trevor Rabin's home studio) in Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
Theme From Armageddon
Komponist(in):
Trevor Rabin (South African musician and score composer)
publisher:
Buena Vista Music Co.
Trevor Rabin43:08
14Animal Crackers
recording engineer:
Slamm Andrews und Kevin Globerman
Produzent(in):
Matt Serletic
Mix:
Slamm Andrews und Kevin Shirley (producer & mixer)
Editing:
Mark Dobson (engineer)
Sologesang:
Steven Tyler
Sprecher:
Ben Affleck und Liv Tyler
arranger:
Matt Serletic
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment (Canada) Inc. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (in 1998)
recording of:
Animal Crackers
Verfasser(in):
Harry Gregson‐Williams (English score composer), Trevor Rabin (South African musician and score composer) und Diane Warren (US songwriter)
publisher:
Buena Vista Music Co. und Realsongs
Steven Tyler22:35