Edge of the 80s: Early 80s

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 1 disponibile)

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#TitoloArtistaValutazioneDurata
1Ant Music
produttore:
Chris Hughes (producer, aka “Merrick”)
armonica (a bocca) , chitarra acustica , pianoforte e voce principale:
Adam Ant (English new wave singer and actor)
batteria :
Merrick (producer, aka “Merrick”) e Terry Lee Miall
chitarra basso :
Kevin Mooney
chitarra elettrica :
Marco Pirroni (British musician and producer)
voce:
Kevin Mooney
diritti fonografici (℗) detenuti da:
Sony BMG Music Entertainment (UK) Ltd. (not for release label use! UK subsidiary of Sony BMG Music Entertainment) (nel 1980, nel 2004), Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (nel 1980) e Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (nel 1980)
video musicali:
Antmusic di Adam and the Ants (English new wave band)
parte di:
The Downloader’s Music Source Book (numero: 139)
registrazione di:
Antmusic
autore:
Adam Ant (English new wave singer and actor) e Marco Pirroni (British musician and producer)
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing Ltd. (PRS‐affiliated) e Universal Music Publishing MGB Ltd.
Adam and the Ants43:36
2Do You Really Want to Hurt Me
assistente tecnico:
Gordon Milne (engineer)
tecnico e produttore:
Steve Levine (producer)
tecnico di missaggio:
Steve Levine (producer) e Jon Moss
batteria e vibrafono :
Jon Moss
chitarra , pianoforte elettrico e sintetizzatore :
Roy Hay (Member of Culture Club and composer for film and television)
chitarra basso :
Mikey Craig (Culture Club bassist)
synclavier :
Keith Miller (Synthesiser Pioneer)
voce aggiuntiva:
Helen Terry (UK singer)
voce principale:
Boy George
diritti fonografici (℗) detenuti da:
Virgin Records Ltd. (not for release label use! for company relationships only) (nel 1982)
registrata presso:
Red Bus Studios in London (Greater London), England, Regno Unito (nel 1982)
video musicali:
Do You Really Want to Hurt Me di Culture Club (English pop group)
parte di:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (numero: 58)
registrazione di:
Do You Really Want to Hurt Me
autore:
Mikey Craig (Culture Club bassist), George O’Dowd, Roy Hay (Member of Culture Club and composer for film and television) e Jon Moss
editore:
EMI Virgin Music Australia Pty Ltd, EMI Virgin Music Ltd. (do not use this as a release label!), EMI Virgin Music Publishing Australia P/L, J. Albert & Son Pty. Ltd. e Virgin Music (Publishers) Ltd.
Culture Club3.954:23
3White Wedding
assistente tecnico:
Steve Bates (engineer)
tecnico:
Brian Reeves
produttore:
Keith Forsey (drummer, producer and songwriter)
batteria :
Steve Missal
chitarra :
Billy Idol (English rock singer‐songwriter) e Steve Stevens (US guitarist and songwriter)
chitarra basso :
Phil Feit
voce principale:
Billy Idol (English rock singer‐songwriter)
arrangiatore:
Billy Idol (English rock singer‐songwriter) e Steve Stevens (US guitarist and songwriter)
diritti fonografici (℗) detenuti da:
Capitol Records (imprint of Capitol Records, Inc.) (nel 1982), Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1982), Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (nel 1982) e Chrysalis Records, Inc. (not for release label use!) (nel 1982, nel 2002)
registrata presso e mixata presso:
Westlake Audio (former name of Westlake Recording Studios) in Los Angeles, California, Stati Uniti
video musicali:
White Wedding, Pt. 1 di Billy Idol (English rock singer‐songwriter)
registrazione di:
White Wedding
paroliere e compositore:
Billy Idol (English rock singer‐songwriter)
editore:
Boneidol Music, Chrysalis Music (music publisher, ASCAP-affiliated), Chrysalis Music Group Inc., Chrysalis Music Holdings GmbH (DE subsidiary of Chrysalis Group PLC), Chrysalis Music Ltd. (music publisher, affiliated with PRS), Chrysalis Music Publishing Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships) e Rare Blue Music Inc
Billy Idol4.654:12
4Down Under
tecnico:
Jim Barbour e Peter McIan
tecnico aggiunto:
Paul Ray (70s/80s US engineer)
produttore:
Peter McIan
basso :
John Rees
batteria :
Jerry Speiser (drummer for Men at Work)
chitarra :
Ron Strykert
legni e tastiera :
Greg Ham (member of Men at Work)
voce:
Colin Hay
diritti fonografici (℗) detenuti da:
CBS Records Australia Limited (do not use as a release label! for copyrights use only) (nel 1981), Columbia Records (EMI‐owned 1931–1990, worldwide except US, CA, MX, ES, & JP; largely defunct since Jan 1973) (nel 1981), Sony BMG Music Entertainment (Australia) Pty Limited (not for release label use! AU subsidiary of SBME 2004–2009) (nel 1981), Sony Music Entertainment (Australia) Pty. Ltd. (not for release label use! AU subsidiary of SME since 2009) (nel 1981), Sony Music Productions Pty. Ltd. (for copyrights use only) (nel 1981, nel 1982), CBS, Inc. (US broadcasting company; file no releases here!) (nel 1982), Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1982) e Diski CBS AEBE (Greek CBS affiliate, preceded by CBS Records of Greece S.A.) (nel 1986)
registrata presso:
Richmond Recorders in Melbourne, Victoria, Australia
parte di:
triple j’s Hottest 100 of Australian Songs (numero: 21) e VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (numero: 96)
registrazione di:
Down Under (Men at Work song, “Do you come from a land down under?”)
paroliere:
Colin Hay
compositore:
Colin Hay e Ron Strykert
editore:
April Music Pty. Ltd., EMI Blackwood Music Inc., EMI Music (do not use as release label! this is a music publisher), EMI Music Australia Pty. Limited (not for release label use!), EMI Songs, EMI Songs Australia, EMI Songs Australia Pty. Ltd., EMI Songs Ltd., フジパシフィック音楽出版 SBK事業部 (Fujipacific Music Inc. SBK Division) (fino al 2014-12-31) e フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) (dal 2015-01-01 a oggi)
Men at Work3.953:44
5Chequered Love
tecnico:
Steve Stewart (engineer, guitarist of The Enid)
produttore:
Ricky Wilde
batteria :
Chris North (UK drummer of The Enid) (dal 1980 al 1981)
chitarra :
Francis Lickerish (dal 1980 al 1981), Steve Stewart (engineer, guitarist of The Enid) (dal 1980 al 1981), James Stevenson (dal 1980 al 1981) e Ricky Wilde (dal 1980 al 1981)
chitarra basso :
Martin Russell (recording engineer, producer, composer & musician) (dal 1980 al 1981)
tastiera :
Robert John Godfrey (member of The Enid) (dal 1980 al 1981), Calvin Hayes (Actor, keyboard player and drummer with 80s pop band, Johnny Hates Jazz) (dal 1980 al 1981) e Ricky Wilde (dal 1980 al 1981)
voce di accompagnamento:
Ricky Wilde (dal 1980 al 1981)
voce principale:
Kim Wilde (dal 1980 al 1981)
diritti fonografici (℗) detenuti da:
Cherry Red Records Ltd. (do not use as label, for copyrights and distribution credits only), EMI France (nel 1993), EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1996, nel 2001) e EMI Records Limited (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 2006)
registrata presso:
The Lodge Recording Studio in Northampton, Northamptonshire, England, Regno Unito (dal 1980 al 1981)
mixata presso:
RAK Studios in London (Greater London), England, Regno Unito
registrazione di:
Chequered Love (dal 1980 al 1981)
autore:
Marty Wilde e Ricky Wilde
Kim Wilde53:23
6Always Something There to Remind Me
produttore:
Tony Mansfield (producer & songwriter)
registrazione cover di:
(There’s) Always Something There to Remind Me (nel 1982-09)
paroliere:
Hal David
compositore:
Burt Bacharach
editore:
Blue Seas Music, Inc., BMG Rights Management (UK) Ltd. (Hal David) (not for release label use! see annotation), Carlin Music Corporation, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Intersong Music, JAC Music Co., Inc., New Hidden Valley Music Co., フジパシフィック音楽出版 BMG事業部 (fino al 2014-12-31), フジパシフィック音楽出版 第2事業部 (Fujipacific Music Publishing Division 2) (fino al 2014-12-31), フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division) (dal 2015-01-01 a oggi) e フジパシフィックミュージック 第2事業部 (Fujipacific Music, Inc. Division 2) (dal 2015-01-01 a oggi)
Naked Eyes4.33:37
7Atomic
tecnico:
Peter Coleman (British engineer & producer) e David Tickle
produttore:
Mike Chapman (Australian producer and songwriter)
batteria :
Clem Burke (dal 1979-05 al 1979-06)
chitarra :
Frank Infante (dal 1979-05 al 1979-06) e Chris Stein (dal 1979-05 al 1979-06)
chitarra basso :
Nigel Harrison (dal 1979-05 al 1979-06)
tastiera :
Jimmy Destri (dal 1979-05 al 1979-06)
voce di accompagnamento:
Ellie Greenwich (dal 1979-05 al 1979-06)
voce principale:
Deborah Harry (dal 1979-05 al 1979-06)
diritti fonografici (℗) detenuti da:
Chrysalis Records (don’t use as an imprint; please use “Chrysalis” instead), Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (nel 1979), Chrysalis Records, Inc. (not for release label use!) (nel 1979, nel 2001), Capitol Records (imprint of Capitol Records, Inc.) (nel 2001) e Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 2001)
registrata presso:
Electric Lady Studios in Greenwich Village, New York, New York, Stati Uniti (dal 1979-05 al 1979-06), Mediasound Studios in New York, New York, Stati Uniti (dal 1979-05 al 1979-06) e Power Station Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, Stati Uniti (dal 1979-05 al 1979-06)
mixata presso:
MCA Whitney Recording Studios in Glendale, California, Stati Uniti
registrazione di:
Atomic (dal 1979-05 al 1979-06)
autore:
Jimmy Destri e Deborah Harry
editore:
Chrysalis Music (music publisher, ASCAP-affiliated) (conclusa), Monster Island Music Publishing Corporation (conclusa), BMG Monarch, Chrysalis Music Ltd. (music publisher, affiliated with PRS), Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint), EMI Music Publishing Ltd. (PRS‐affiliated) e Rare Blue Music Inc
Blondie3.84:32
8We Are Detective
registrazione di:
We Are Detective
autore:
Tom Bailey (Thompson Twins), Alannah Currie e Joe Leeway
Thompson Twins3:04
9A Town Called Malice
produttore:
The Jam (late 70s/early 80s UK punk/mod revival band) e Peter Wilson (UK Producer)
diritti fonografici (℗) detenuti da:
Polydor Ltd. (UK) (not for release label use; fka Polydor Records Ltd.) (nel 1982)
registrata presso:
Air Recording Studio No. 1 (located at Oxford Street 1970–1991) in London (Greater London), England, Regno Unito (nel 1981-12)
parte di:
Indie 88: Top 500 Indie Rock Songs (numero: 151)
registrazione di:
Town Called Malice
paroliere e compositore:
Paul Weller (English singer‐songwriter and musician)
editore:
Notting Hill Music (UK) Ltd., Stylist Music Ltd. e Universal Music Publishing MGB Australia
The Jam4.82:55
10They Won’t Let My Girlfriend Talk to Me
registrazione di:
They Won't Let My Girlfriend Talk to Me
compositore:
Tim Finn
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
Jimmy & the Boys3:14
11Listening
tecnico:
Glenn Phimister
co-produttore:
Ross Fraser
produttore e tecnico di missaggio:
Mark Berry (producer, mixer, engineer and remixer from Brooklyn, New York) e Brian Canham (Australian singer ex. Pseudo Echo)
diritti fonografici (℗) detenuti da:
EMI Music Australia Pty. Limited (not for release label use!) (nel 1984)
registrazione di:
Listening
autore:
Brian Canham (Australian singer ex. Pseudo Echo) e Tony Lugton
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) e Mushroom Music Pty. Ltd.
Pseudo Echo53:00
12Love Plus One
produttore:
Bob Sargeant
batteria :
Blair Cunningham
chitarra :
Graham Jones (Haircut 100)
percussione :
Marc Fox (Percussionist for the 80s New Wave band Haircut 100)
sassofono :
Phil Smith (Saxophonist)
strumenti:
Leslie Nemes
voce:
Nick Heyward
diritti fonografici (℗) detenuti da:
BMG Eurodisc Ltd. (nel 1982) e Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (nel 1982)
parte di:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (numero: 90)
registrazione di:
Love Plus One
paroliere e compositore:
Nick Heyward
editore:
Bryan Morrison Music Ltd.
Haircut One Hundred43:33
13Senses Working Overtime
assistente tecnico:
Howard Gray (UK producer, engineer, and electronic musician)
tecnico:
Hugh Padgham
produttore:
Hugh Padgham e XTC (English rock band)
basso , basso senza tasti e voce di accompagnamento:
Colin Moulding
batteria e drum machine e batteria :
Terry Chambers
chitarra :
Dave Gregory (XTC) e Andy Partridge
chitarra a 12 corde e percussione :
Dave Gregory (XTC)
chitarra acustica e voce di accompagnamento e voce principale:
Andy Partridge
voce:
Colin Moulding e Andy Partridge
registrata presso:
The Manor in Oxfordshire, England, Regno Unito
parte di:
TV Cream: Real 100 Best Singles Ever (numero: 35) e Indie 88: Top 500 Indie Rock Songs (numero: 339)
registrazione di:
Senses Working Overtime
paroliere e compositore:
Andy Partridge
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
XTC54:53
14One Perfect Day
basso :
Peter Leslie (bassist)
batteria :
Alan "Clutch" Robertson
tastiera :
Martin Fisher (keyboards, in Dear Enemy)
voce:
Roger Hart (Australian guitarist, vocalist, songwriter)
diritti fonografici (℗) detenuti da:
EMI Music Australia (defunct holding company, not for release label use!) (nel 1982) e EMI Music Australia Pty. Limited (not for release label use!) (nel 1982)
registrazione di:
One Perfect Day (Little Heroes song)
autore:
Roger Wells (Roger Garfield Ferrier)
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) e Orient Pacific Music Pty. Ltd.
The Little Heroes3:41
15Da da Da (I Don’t Love You You Don’t Love Me Aha Aha Aha)
tecnico:
Jim Duncombe (Swiss musician / engineer) (nel 1982-01)
produttore:
Klaus Voormann (nel 1982-01)
basso elettrico :
Klaus Voormann (nel 1982-01)
batteria :
Peter Behrens (nel 1982-01)
chitarra elettrica :
Kralle Krawinkel (nel 1982-01)
nacchere :
Hans‐Joachim Behrendt (nel 1982-01)
tastiera :
Stephan Remmler (nel 1982-01)
voce di accompagnamento:
Annette Humpe (nel 1982-01)
voce principale:
Stephan Remmler (nel 1982)
lavorazione tecnica effettuata presso:
Audio Studios in Berlin, Germania (nel 1982-01) e Powerplay Studios in Maur, Zürich (Canton Zurigo), Svizzera (nel 1982-01)
edit di:
Da Da Da I Don’t Love You You Don’t Love Me Aha Aha Aha di Trio (80s German band)
video musicali:
Da Da Da (I Don't Love You) di Trio (80s German band)
registrazione di:
Da Da Da I Don’t Love You You Don’t Love Me Aha Aha Aha (nel 1982-01)
paroliere e compositore:
Kralle (nel 1981) e Stephan Remmler (nel 1981)
traduttore:
Kralle e Stephan Remmler
editore:
Just Us Music Production GmbH
versione tradotta di:
Da da da ich lieb dich nicht du liebst mich nicht aha aha aha
Trio3.353:25
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parte di:Edge of the 80s (Time-Life Music) (numero: 7) (ordine: 6)