Rocktrip ’82

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1▼12"-Vinyl
Nr.TitelKünstlerBewertungLänge
A1Goody Two Shoes
recording of:
Goody Two Shoes
Verfasser(in):
Adam Ant (English new wave singer and actor) und Marco Pirroni (British musician and producer)
publisher:
Sony/ATV Tunes LLC (ASCAP), Universal Music Publishing MGB Limited und EMI Music Publishing Ltd. (PRS‐affiliated) (in 1982)
Adam Ant3:30
A2Baby Makes Her Blue Jeans Talk
recording of:
Baby Makes Her Blue Jeans Talk
Verfasser(in):
Ron Haffkine, Dennis Locorriere und Sam Weedman (singer/songwriter, bassist, guitarist, mandolin, engineer)
cover recording of:
Baby Makes Her Blue Jeans Talk
Verfasser(in):
Ron Haffkine, Dennis Locorriere und Sam Weedman (singer/songwriter, bassist, guitarist, mandolin, engineer)
Dr. Hook3:56
A3Be Good Johnny
Techniker(in):
Jim Barbour und Peter McIan
zusätzliche(r) Techniker(in):
Paul Ray (70s/80s US engineer)
Produzent(in):
Peter McIan
phonographisches Urheberrecht (℗) von:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1982) und Sony Music Productions Pty. Ltd. (for copyrights use only) (in 1996)
aufgenommen bei:
Richmond Recorders in Melbourne, Victoria, Australien
recording of:
Be Good Johnny
Texter:
Colin Hay
Komponist(in):
Greg Ham (member of Men at Work) und Colin Hay
publisher:
EMI Music (do not use as release label! this is a music publisher) und EMI Songs Australia Pty. Ltd.
Men At Work3.653:35
A4Poison Arrow
Techniker(in):
Gary Langan
Produzent(in):
Trevor Horn
Bassgitarre:
Mark Lickley
Sologesang:
Martin Fry
phonographisches Urheberrecht (℗) von:
Mercury Records Ltd. (not for release label use!) (in 1982), Mercury Records Ltd. (London) (for copyrights use only) (in 1982), Phonogram Ltd. (not for release label use!) (in 1982) und Phonogram Ltd. (London) (company name, NOT a label!) (in 1982)
mixed at:
Sarm Studios (1973–2013, fka Sarm Studios from 1973–1982) in Aldgate, Tower Hamlets, London (Greater London), England, Vereinigtes Königreich (in 1982)
Teil von:
The Downloader’s Music Source Book (Nummer: 76)
recording of:
Poison Arrow
Verfasser(in):
Martin Fry, Mark Lickley, Stephen Singleton und Mark White (ABC/Vice Versa)
publisher:
10 Music Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Neutron Music, Neutron Music Ltd., Virgin Music (publisher and label, only for releases with Virgin MUSIC logo), Virgin Music (Publishers) Ltd. und Virgin Music (Publishing) Ltd.
Teil von:
Mantrap (ABC long-form film)
ABC4.43:23
A5Hurts So Good
John Cougar3:39
A6Temporary Heartache
Swanee4:00
A7867‐5309/Jenny
assistierende(r) Techniker(in):
Catharina "Mix" Masters (von 1981-07 bis 1981-08)
Techniker(in):
Toby Scott (von 1981-07 bis 1981-08)
Produzent(in):
Jim Keller (member of Tommy Tutone) und Chuck Plotkin
Bassgitarre [bass]:
Jon Lyons (von 1981-07 bis 1981-08)
Gitarre, Klavier und Sologesang:
Tommy Heath (von 1981-07 bis 1981-08)
Gitarre [lead guitar]:
Jim Keller (member of Tommy Tutone) (von 1981-07 bis 1981-08)
Keyboard [keyboards]:
Steve LeGassick (von 1981-07 bis 1981-08)
Perkussion und Hintergrundgesang [harmonies]:
John Cowsill (von 1981-07 bis 1981-08)
Schlagzeug [drums]:
Victor Carberry (von 1981-07 bis 1981-08)
vocals:
Jim Keller (member of Tommy Tutone) (von 1981-07 bis 1981-08)
aufgenommen bei:
Clover Recorders (Chuck Plotkin’s Clover Studios in Hollywood CA, USA) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (von 1981-07 bis 1981-08)
Teil von:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (Nummer: 4), VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (Nummer: 36) und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 494)
recording of:
867‒5309/Jenny (von 1981-07 bis 1981-08)
Texter und Komponist(in):
Alex Call und Jim Keller (member of Tommy Tutone)
Tommy Tutone4.753:46
A8Controversy
Techniker(in):
Mick Guzauski, Bob Mockler (engineer) und Ross Pallone
Produzent(in):
Prince (“The Artist Formerly Known as…”)
E-Bass, E-Gitarre, elektronisches Schlagzeug / E-Drums [Pearl SY-1 Syncussion], Händeklatschen, Synthesizer [Oberheim OB-SX], Synthesizer [Oberheim OB-X] und Sologesang:
Prince (“The Artist Formerly Known as…”)
Schlagzeug:
Morris Day
Hintergrundgesang:
Lisa Coleman (US pianist/keyboardist & composer) und Prince (“The Artist Formerly Known as…”)
arranger:
Prince (“The Artist Formerly Known as…”)
aufgenommen bei:
Kiowa Trail Home Studio in Chanhassen, Minnesota, Vereinigte Staaten (in 1981)
mixed at:
Sunset Sound in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (von 1981-08-14 bis 1981-08-23)
recording of:
Controversy (von 1981-04-01 bis 1981-08-13)
Texter und Komponist(in):
Prince (“The Artist Formerly Known as…”)
publisher:
Controversy Music
Prince3:37
A9I’ve Never Been to Me
recording of:
I’ve Never Been to Me
Verfasser(in):
Ken Hirsch (American pop songwriter, composer, pianist, producer, and arranger) und Ron Miller (Motown songwriter Ronald Norman Miller)
publisher:
Stone Diamond Music Corporation
Charlene3:48
B1Don’t You Want Me
assistierende Programmierung:
David M. Allen (UK producer/engineer/remixer, mainly new‐wave/synth‐pop/goth) (in 1981)
Programmierung:
Martin Rushent (in 1981)
assistierende(r) Techniker(in):
David M. Allen (UK producer/engineer/remixer, mainly new‐wave/synth‐pop/goth)
Produzent(in):
The Human League und Martin Rushent
Synthesizer:
Ian Burden (in 1981), Jo Callis (in 1981) und Philip Oakey (in 1981)
Hintergrundgesang:
Joanne Catherall (in 1981) und Susan Ann Sulley (in 1981)
Sologesang:
Philip Oakey (in 1981) und Susan Ann Sulley (in 1981)
phonographisches Urheberrecht (℗) von:
Virgin Records Ltd. (not for release label use! for company relationships only)
aufgenommen bei:
Genetic Studios in West Berkshire, England, Vereinigtes Königreich (in 1981)
Musikvideos:
Don’t You Want Me von The Human League
Teil von:
TV Cream: Real 100 Best Singles Ever (Nummer: 1), VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (Nummer: 79) und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 82)
recording of:
Don’t You Want Me (Human League song) (in 1981)
Texter:
Philip Oakey
Komponist(in):
Jo Callis, Philip Oakey und Philip Adrian Wright (Human League)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
The Human League3.93:57
B2More Than This
recording of:
More Than This
Texter und Komponist(in):
Bryan Ferry
publisher:
BMG Platinum Songs US, BMG Rights Management (UK) Ltd. (not for release label use! see annotation), E.G. Music Inc., EMI Virgin Music Ltd. (do not use this as a release label!), EMI Virgin Songs, Inc., Virgin Songs, Inc. und E.G. Music Ltd. (publisher) (in 1982)
Roxy Music4:34
B3Forever Now
Cold Chisel4:27
B4I Know What Boys Like
recording of:
I Know What Boys Like
Texter und Komponist(in):
Chris Butler (US musician, writer and artist, led The Waitresses)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
Version von:
Wait Here I’ll Be Right Back…
The Waitresses2:38
B5Key Largo
Bearbeitung von:
Key Largo von Bertie Higgins
Teil von:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (Nummer: 75)
recording of:
Key Largo
Verfasser(in):
Bertie Higgins und Sonny Limbo
publisher:
Chappell & Co., Jen‐Lee Music Company, Lowery Music Co. Inc. und Sony/ATV Tunes LLC (ASCAP)
Bertie Higgins3:05
B6No Time
Mondo Rock4:03
B7Promised You a Miracle
Produzent(in):
Keith Forsey (drummer, producer and songwriter) und Peter Walsh (UK producer)
recording of:
Promised You a Miracle
Verfasser(in):
Charlie Burchill, Derek Forbes, Jim Kerr (of Simple Minds) und Michael MacNeil
Simple Minds3:58
B8Without You
Eurogliders4:04
B9Believe It or Not
vocals:
Joey Scarbury
phonographisches Urheberrecht (℗) von:
Elektra Entertainment (company, DO NOT USE as release label, for releases use “Elektra”) (in 1981) und Elektra Entertainment Group (not for release label use! a division of Warner Communications, Inc. for the United States, and WEA International Inc. for the world outside the United States) (in 2004)
recording of:
Believe It or Not (theme from “The Greatest American Hero”)
Texter:
Stephen Geyer
Komponist(in):
Mike Post
publisher:
Darjen Music, EMI April Music Inc., EMI Blackwood Music Inc., Lokey Publishing und Stephen Cannell Music
sub-publisher:
ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division) und 日音 Synch事業部 (NICHION, INC. Synch Division)
Joey Scarbury43:13

Nennungen