Handel: The Great Oratorios

~ Uitgave van George Frideric Handel (Bekijk alle versies van deze uitgave, 1 beschikbaar)

Nummerlijst

1▶cd: La Resurrezione - Parte prima
2▶cd: La Resurrezione - Parte seconda
3▶cd: Acis & Galatea - Act I
4▶cd: Acis & Galatea - Act II
5▶cd: Esther - Scenes 1-4
6▶cd: Esther - Scenes 5 & 6
7▶cd: Athalia - Part I
8▶cd: Athalia - Part II, Part III
9▶cd: Alexander's Feast - Part I
10▶cd: Alexander's Feast - Concerto grosso in C major, Part II
11▶cd: Saul - Symfonia, Act I
12▶cd: Saul - Act II
13▶cd: Saul - Act III
14▶cd: Israel in Egypt - Part I
15▶cd: Israel in Egypt - Part II / Coronation Anthems
16▶cd: Messiah - Part I, Part II (beginning)
17▶cd: Messiah - Part II (conclusion), Part III
18▼cd: Samson - Act I
#TitelWaarderingDuur
1Samson, HWV 57: Act One, Scene 1. Symfony
technicus:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work)
orkest:
The Symphony of Harmony and Invention (in 2002)
was dirigent:
Harry Christophers (conductor) (in 2002)
fonografisch auteursrecht (℗):
The Sixteen Productions Ltd. (in 2002)
opgenomen bij:
St Jude‐on‐the‐Hill in Hampstead, Camden, London (Greater London), England, Verenigd Koninkrijk (in 2002)
is een opname van:
Samson, HWV 57: Overture (in 2002)
componist:
George Frideric Handel (German‐British baroque composer)
deel van:
Samson, HWV 57
7:47
2Samson, HWV 57: Act One, Scene 1. Recitative: "This day, a solemn feast to Dagon held" (Samson)
technicus:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work)
producent:
Dr. Steven Paul (classical arranger/producer for Deutsche Grammophon)
contratenorvocalen [Athamas]:
Michael Chance (British countertenor) (in 1990-05)
orkest:
English Chamber Orchestra (in 1990-05)
was dirigent:
John Nelson (American conductor) (in 1990-05)
balanstechnicus:
Helmut Burk
fonografisch auteursrecht (℗):
The Sixteen Productions Ltd. (in 2002)
opgenomen bij:
St Jude‐on‐the‐Hill in Hampstead, Camden, London (Greater London), England, Verenigd Koninkrijk (in 2002)
0:32
3Samson, HWV 57: Act One, Scene 1. No. 1 Chorus of Philistines: "Awake the trumpet's lofty sound!"
technicus:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work)
koor:
The Sixteen (UK choir) (in 2002)
orkest:
The Symphony of Harmony and Invention (in 2002)
was dirigent:
Harry Christophers (conductor) (in 2002)
fonografisch auteursrecht (℗):
The Sixteen Productions Ltd. (in 2002)
opgenomen bij:
St Jude‐on‐the‐Hill in Hampstead, Camden, London (Greater London), England, Verenigd Koninkrijk (in 2002)
is een gedeeltelijke opname van:
Samson, HWV 57: Act I. Recitative. This day, a Solemn Feast to Dagon Held (Samson). Chorus. Awake the Trumpet’s Lofty Sound! (in 2002)
componist:
George Frideric Handel (German‐British baroque composer)
librettist:
Newburgh Hamilton
deel van:
Samson, HWV 57: Act I
1:54
4Samson, HWV 57: Act One, Scene 1. No. 2 Air: "Ye men of Gaza, hither bring" (Philistine woman)
technicus:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work)
sopraanvocalen [Philistine woman]:
Lynne Dawson (soprano) (in 2002)
orkest:
The Symphony of Harmony and Invention (in 2002)
was dirigent:
Harry Christophers (conductor) (in 2002)
fonografisch auteursrecht (℗):
The Sixteen Productions Ltd. (in 2002)
opgenomen bij:
St Jude‐on‐the‐Hill in Hampstead, Camden, London (Greater London), England, Verenigd Koninkrijk (in 2002)
is een gedeeltelijke opname van:
Samson, HWV 57: Act I. Air. Ye Men of Gaza, hither bring (Philistine Woman) Chorus. Awake the trumpet's lofty sound! (in 2002)
componist:
George Frideric Handel (German‐British baroque composer)
librettist:
Newburgh Hamilton
deel van:
Samson, HWV 57: Act I
3:52
5Samson, HWV 57: Act One, Scene 1. No. 3 Chorus of Philistines: "Awake the trumpet's lofty sound!"
technicus:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work)
koor:
The Sixteen (UK choir) (in 2002)
orkest:
The Symphony of Harmony and Invention (in 2002)
was dirigent:
Harry Christophers (conductor) (in 2002)
fonografisch auteursrecht (℗):
The Sixteen Productions Ltd. (in 2002)
opgenomen bij:
St Jude‐on‐the‐Hill in Hampstead, Camden, London (Greater London), England, Verenigd Koninkrijk (in 2002)
is een gedeeltelijke opname van:
Samson, HWV 57: Act I. Air. Ye Men of Gaza, hither bring (Philistine Woman) Chorus. Awake the trumpet's lofty sound! (in 2002)
componist:
George Frideric Handel (German‐British baroque composer)
librettist:
Newburgh Hamilton
deel van:
Samson, HWV 57: Act I
0:29
6Samson, HWV 57: Act One, Scene 1. No. 4 Air: "Loud as the thunder's awful voice" (Philistine man)
technicus:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work)
tenorvocalen [Philistine man]:
Mark Padmore (British tenor) (in 2002)
orkest:
The Symphony of Harmony and Invention (in 2002)
was dirigent:
Harry Christophers (conductor) (in 2002)
fonografisch auteursrecht (℗):
The Sixteen Productions Ltd. (in 2002)
opgenomen bij:
St Jude‐on‐the‐Hill in Hampstead, Camden, London (Greater London), England, Verenigd Koninkrijk (in 2002)
is een opname van:
Samson, HWV 57: Act I. Air. Loud as the Thunder’s Awful Voice (Philistine Man) (in 2002)
componist:
George Frideric Handel (German‐British baroque composer)
librettist:
Newburgh Hamilton
deel van:
Samson, HWV 57: Act I
3:07
7Samson, HWV 57: Act One, Scene 1. No. 5 Air: "Then free from sorrow" (Philistine woman)
technicus:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work)
sopraanvocalen [Philistine woman]:
Lynne Dawson (soprano) (in 2002)
orkest:
The Symphony of Harmony and Invention (in 2002)
was dirigent:
Harry Christophers (conductor) (in 2002)
fonografisch auteursrecht (℗):
The Sixteen Productions Ltd. (in 2002)
opgenomen bij:
St Jude‐on‐the‐Hill in Hampstead, Camden, London (Greater London), England, Verenigd Koninkrijk (in 2002)
is een gedeeltelijke opname van:
Samson, HWV 57: Act I. Air. Then free from sorrow, free from thrall (Philistine Woman). Chorus. Awake the trumpet's lofty sound! (in 2002)
componist:
George Frideric Handel (German‐British baroque composer)
librettist:
Newburgh Hamilton
deel van:
Samson, HWV 57: Act I
2:35
8Samson, HWV 57: Act One, Scene 1. Chorus of Philistines: "Awake the trumpet's lofty sound!"
technicus:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work)
koor:
The Sixteen (UK choir) (in 2002)
orkest:
The Symphony of Harmony and Invention (in 2002)
was dirigent:
Harry Christophers (conductor) (in 2002)
fonografisch auteursrecht (℗):
The Sixteen Productions Ltd. (in 2002)
opgenomen bij:
St Jude‐on‐the‐Hill in Hampstead, Camden, London (Greater London), England, Verenigd Koninkrijk (in 2002)
is een gedeeltelijke opname van:
Samson, HWV 57: Act I. Air. Then free from sorrow, free from thrall (Philistine Woman). Chorus. Awake the trumpet's lofty sound! (in 2002)
componist:
George Frideric Handel (German‐British baroque composer)
librettist:
Newburgh Hamilton
deel van:
Samson, HWV 57: Act I
0:28
9Samson, HWV 57: Act One, Scene 1. Recitative: "Why by an angel was my birth foretold" (Samson)
technicus:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work)
tenorvocalen [Samson]:
Thomas Randle (tenor) (in 2002)
orkest:
The Symphony of Harmony and Invention (in 2002)
was dirigent:
Harry Christophers (conductor) (in 2002)
fonografisch auteursrecht (℗):
The Sixteen Productions Ltd. (in 2002)
opgenomen bij:
St Jude‐on‐the‐Hill in Hampstead, Camden, London (Greater London), England, Verenigd Koninkrijk (in 2002)
is een gedeeltelijke opname van:
Samson, HWV 57: Act I. Recitative. Why by an Angel Was My Birth Foretold (Samson). Air. Torments, Alas! Are Not Confin’d (Samson) (in 2002)
componist:
George Frideric Handel (German‐British baroque composer)
librettist:
Newburgh Hamilton
deel van:
Samson, HWV 57: Act I
0:52
10Samson, HWV 57: Act One, Scene 1. No. 6 Air: "Torments, alas! are not confined" (Samson)
technicus:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work)
tenorvocalen [Samson]:
Thomas Randle (tenor) (in 2002)
orkest:
The Symphony of Harmony and Invention (in 2002)
was dirigent:
Harry Christophers (conductor) (in 2002)
fonografisch auteursrecht (℗):
The Sixteen Productions Ltd. (in 2002)
opgenomen bij:
St Jude‐on‐the‐Hill in Hampstead, Camden, London (Greater London), England, Verenigd Koninkrijk (in 2002)
is een gedeeltelijke opname van:
Samson, HWV 57: Act I. Recitative. Why by an Angel Was My Birth Foretold (Samson). Air. Torments, Alas! Are Not Confin’d (Samson) (in 2002)
componist:
George Frideric Handel (German‐British baroque composer)
librettist:
Newburgh Hamilton
deel van:
Samson, HWV 57: Act I
3:57
11Samson, HWV 57: Act One, Scene 2. Recitative: "O change beyond report" (Micah)
technicus:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work)
altvocalen [Micah]:
Catherine Wyn-Rogers (mezzo-soprano) (in 2002)
orkest:
The Symphony of Harmony and Invention (in 2002)
was dirigent:
Harry Christophers (conductor) (in 2002)
fonografisch auteursrecht (℗):
The Sixteen Productions Ltd. (in 2002)
opgenomen bij:
St Jude‐on‐the‐Hill in Hampstead, Camden, London (Greater London), England, Verenigd Koninkrijk (in 2002)
is een gedeeltelijke opname van:
Samson, HWV 57: Act I. Recitative. Oh, Change Beyond Report, Thought or Belief! (Micah). Air. Oh, Mirror of Our Fickle State! (Micah) (in 2002)
componist:
George Frideric Handel (German‐British baroque composer)
librettist:
Newburgh Hamilton
deel van:
Samson, HWV 57: Act I
0:57
12Samson, HWV 57: Act One, Scene 2. No. 7 Air: "O mirror of our fickle state" (Micah)
technicus:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work)
altvocalen [Micah]:
Catherine Wyn-Rogers (mezzo-soprano) (in 2002)
orkest:
The Symphony of Harmony and Invention (in 2002)
was dirigent:
Harry Christophers (conductor) (in 2002)
fonografisch auteursrecht (℗):
The Sixteen Productions Ltd. (in 2002)
opgenomen bij:
St Jude‐on‐the‐Hill in Hampstead, Camden, London (Greater London), England, Verenigd Koninkrijk (in 2002)
is een gedeeltelijke opname van:
Samson, HWV 57: Act I. Recitative. Oh, Change Beyond Report, Thought or Belief! (Micah). Air. Oh, Mirror of Our Fickle State! (Micah) (in 2002)
componist:
George Frideric Handel (German‐British baroque composer)
librettist:
Newburgh Hamilton
deel van:
Samson, HWV 57: Act I
2:44
13Samson, HWV 57: Act One, Scene 2. Recitative: "Whom have I to complain of but myself" (Samson, Micah)
technicus:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work)
altvocalen [Micah]:
Catherine Wyn-Rogers (mezzo-soprano) (in 2002)
tenorvocalen [Samson]:
Thomas Randle (tenor) (in 2002)
orkest:
The Symphony of Harmony and Invention (in 2002)
was dirigent:
Harry Christophers (conductor) (in 2002)
fonografisch auteursrecht (℗):
The Sixteen Productions Ltd. (in 2002)
opgenomen bij:
St Jude‐on‐the‐Hill in Hampstead, Camden, London (Greater London), England, Verenigd Koninkrijk (in 2002)
is een gedeeltelijke opname van:
Samson, HWV 57: Act I. Recitative. Whom have I to complain of but myself (Samson, Micah). Air. Total Eclipse! No sun, no moon! (Samson) (in 2002)
componist:
George Frideric Handel (German‐British baroque composer) (in 1741)
librettist:
Newburgh Hamilton
deel van:
Samson, HWV 57: Act I
2:36
14Samson, HWV 57: Act One, Scene 2. No. 8 Air: "Total eclipse! no sun, no moon, all dark" (Samson)
technicus:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work)
tenorvocalen [Samson]:
Thomas Randle (tenor) (in 2002)
orkest:
The Symphony of Harmony and Invention (in 2002)
was dirigent:
Harry Christophers (conductor) (in 2002)
fonografisch auteursrecht (℗):
The Sixteen Productions Ltd. (in 2002)
opgenomen bij:
St Jude‐on‐the‐Hill in Hampstead, Camden, London (Greater London), England, Verenigd Koninkrijk (in 2002)
is een gedeeltelijke opname van:
Samson, HWV 57: Act I. Recitative. Whom have I to complain of but myself (Samson, Micah). Air. Total Eclipse! No sun, no moon! (Samson) (in 2002)
componist:
George Frideric Handel (German‐British baroque composer) (in 1741)
librettist:
Newburgh Hamilton
deel van:
Samson, HWV 57: Act I
3:29
15Samson, HWV 57: Act One, Scene 2. No. 9 Accompagnato: "Since light so necessary is to life" (Micah)
technicus:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work)
altvocalen [Micah]:
Catherine Wyn-Rogers (mezzo-soprano) (in 2002)
orkest:
The Symphony of Harmony and Invention (in 2002)
was dirigent:
Harry Christophers (conductor) (in 2002)
fonografisch auteursrecht (℗):
The Sixteen Productions Ltd. (in 2002)
opgenomen bij:
St Jude‐on‐the‐Hill in Hampstead, Camden, London (Greater London), England, Verenigd Koninkrijk (in 2002)
is een opname van:
Samson, HWV 57: Act I. Accompagnato. Since light so necessary is to life (Micah) (in 2002)
componist:
George Frideric Handel (German‐British baroque composer)
librettist:
Newburgh Hamilton
deel van:
Samson, HWV 57: Act I
1:12
16Samson, HWV 57: Act One, Scene 2. No. 10 Chorus of Israelites: "Oh first created beam!"
technicus:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work)
koor:
The Sixteen (UK choir) (in 2002)
orkest:
The Symphony of Harmony and Invention (in 2002)
was dirigent:
Harry Christophers (conductor) (in 2002)
fonografisch auteursrecht (℗):
The Sixteen Productions Ltd. (in 2002)
opgenomen bij:
St Jude‐on‐the‐Hill in Hampstead, Camden, London (Greater London), England, Verenigd Koninkrijk (in 2002)
is een opname van:
Samson, HWV 57: Act I. Chorus. Oh First Created Beam! (in 2002)
componist:
George Frideric Handel (German‐British baroque composer)
librettist:
Newburgh Hamilton
deel van:
Samson, HWV 57: Act I
3:35
17Samson, HWV 57: Act One, Scene 2. Recitative: "Ye see, my friends, how woes enclose me round" (Samson, Micah)
technicus:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work)
altvocalen [Micah]:
Catherine Wyn-Rogers (mezzo-soprano) (in 2002)
tenorvocalen [Samson]:
Thomas Randle (tenor) (in 2002)
orkest:
The Symphony of Harmony and Invention (in 2002)
was dirigent:
Harry Christophers (conductor) (in 2002)
fonografisch auteursrecht (℗):
The Sixteen Productions Ltd. (in 2002)
opgenomen bij:
St Jude‐on‐the‐Hill in Hampstead, Camden, London (Greater London), England, Verenigd Koninkrijk (in 2002)
is een gedeeltelijke opname van:
Samson, HWV 57: Act I. Recitative. Ye see, my friends (Samson/Micah). Brethren and men of Dan (Manoah) (in 2002)
componist:
George Frideric Handel (German‐British baroque composer)
librettist:
Newburgh Hamilton
deel van:
Samson, HWV 57: Act I
2:00
18Samson, HWV 57: Act One, Scene 3. Recitative: "Brethren and men of Dan" (Manoa, Micah)
technicus:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work)
altvocalen [Micah]:
Catherine Wyn-Rogers (mezzo-soprano) (in 2002)
basvocalen [Manoa]:
Michael George (operatic bass) (in 2002)
orkest:
The Symphony of Harmony and Invention (in 2002)
was dirigent:
Harry Christophers (conductor) (in 2002)
fonografisch auteursrecht (℗):
The Sixteen Productions Ltd. (in 2002)
opgenomen bij:
St Jude‐on‐the‐Hill in Hampstead, Camden, London (Greater London), England, Verenigd Koninkrijk (in 2002)
is een gedeeltelijke opname van:
Samson, HWV 57: Act I. Recitative. Ye see, my friends (Samson/Micah). Brethren and men of Dan (Manoah) (in 2002)
componist:
George Frideric Handel (German‐British baroque composer)
librettist:
Newburgh Hamilton
deel van:
Samson, HWV 57: Act I
0:33
19Samson, HWV 57: Act One, Scene 3. No. 11 Accompagnato: "O miserable change! is this the man" (Manoa)
technicus:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work)
producent:
Dr. Steven Paul (classical arranger/producer for Deutsche Grammophon)
basvocalen [Cadmus]:
Samuel Ramey (bass-baritone) (in 1990-05)
orkest:
English Chamber Orchestra (in 1990-05)
was dirigent:
John Nelson (American conductor) (in 1990-05)
balanstechnicus:
Helmut Burk
fonografisch auteursrecht (℗):
Deutsche Grammophon (in 1993) en The Sixteen Productions Ltd. (in 2002)
opgenomen bij:
St Jude‐on‐the‐Hill in Hampstead, Camden, London (Greater London), England, Verenigd Koninkrijk (in 2002)
0:45
20Samson, HWV 57: Act One, Scene 3. Recitative: "O ever failing trust in mortal strength!" (Israelite man)
technicus:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work)
tenorvocalen [Israelite man]:
Mark Padmore (British tenor) (in 2002)
orkest:
The Symphony of Harmony and Invention (in 2002)
was dirigent:
Harry Christophers (conductor) (in 2002)
fonografisch auteursrecht (℗):
The Sixteen Productions Ltd. (in 2002)
opgenomen bij:
St Jude‐on‐the‐Hill in Hampstead, Camden, London (Greater London), England, Verenigd Koninkrijk (in 2002)
is een opname van:
Samson, HWV 57: Act I. Recitative. Oh, ever failing trust (Israelite man) (in 2002)
componist:
George Frideric Handel (German‐British baroque composer)
librettist:
Newburgh Hamilton
deel van:
Samson, HWV 57: Act I
0:15
21Samson, HWV 57: Act One, Scene 3. No. 12 Air: "God of our fathers" (Israelite man)
technicus:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work)
tenorvocalen [Israelite man]:
Mark Padmore (British tenor) (in 2002)
orkest:
The Symphony of Harmony and Invention (in 2002)
was dirigent:
Harry Christophers (conductor) (in 2002)
fonografisch auteursrecht (℗):
The Sixteen Productions Ltd. (in 2002)
opgenomen bij:
St Jude‐on‐the‐Hill in Hampstead, Camden, London (Greater London), England, Verenigd Koninkrijk (in 2002)
is een opname van:
Samson, HWV 57: Act I. Air. God of our fathers, what is man? (Israelite man) (in 2002)
componist:
George Frideric Handel (German‐British baroque composer)
librettist:
Newburgh Hamilton
deel van:
Samson, HWV 57: Act I
3:01
22Samson, HWV 57: Act One, Scene 3. No. 14 Accompagnato: "The good we wish for, often proves our banes" (Manoa)
technicus:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work)
basvocalen [Manoa]:
Michael George (operatic bass) (in 2002)
orkest:
The Symphony of Harmony and Invention (in 2002)
was dirigent:
Harry Christophers (conductor) (in 2002)
fonografisch auteursrecht (℗):
The Sixteen Productions Ltd. (in 2002)
opgenomen bij:
St Jude‐on‐the‐Hill in Hampstead, Camden, London (Greater London), England, Verenigd Koninkrijk (in 2002)
is een opname van:
Samson, HWV 57: Act I. Accompagnato. The good we wish for, often proves our bane (Manoah) (in 2002)
componist:
George Frideric Handel (German‐British baroque composer)
librettist:
Newburgh Hamilton
deel van:
Samson, HWV 57: Act I
1:04
23Samson, HWV 57: Act One, Scene 3. No. 15 Air: "Thy glorious deeds inspir'd my tongue" (Manoa)
technicus:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work)
basvocalen [Manoa]:
Michael George (operatic bass) (in 2002)
orkest:
The Symphony of Harmony and Invention (in 2002)
was dirigent:
Harry Christophers (conductor)
fonografisch auteursrecht (℗):
The Sixteen Productions Ltd. (in 2002)
opgenomen bij:
St Jude‐on‐the‐Hill in Hampstead, Camden, London (Greater London), England, Verenigd Koninkrijk (in 2002)
is een opname van:
Samson, HWV 57: Act I. Air. Thy Glorious Deeds Inspired My Tongue (Manoah) (in 2002)
componist:
George Frideric Handel (German‐British baroque composer)
librettist:
Newburgh Hamilton
deel van:
Samson, HWV 57: Act I
4:36
24Samson, HWV 57: Act One, Scene 3. Recitative: "Justly these evils have befall'n thy son" (Samson, Manoa)
technicus:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work)
basvocalen [Manoa]:
Michael George (operatic bass) (in 2002)
tenorvocalen [Samson]:
Thomas Randle (tenor) (in 2002)
orkest:
The Symphony of Harmony and Invention (in 2002)
was dirigent:
Harry Christophers (conductor) (in 2002)
fonografisch auteursrecht (℗):
The Sixteen Productions Ltd. (in 2002)
opgenomen bij:
St Jude‐on‐the‐Hill in Hampstead, Camden, London (Greater London), England, Verenigd Koninkrijk (in 2002)
is een opname van:
Samson, HWV 57: Act I. Recitative. Justly these evils have befalI'n thy son (Samson/Manoah) (in 2002)
componist:
George Frideric Handel (German‐British baroque composer)
librettist:
Newburgh Hamilton
deel van:
Samson, HWV 57: Act I
1:36
25Samson, HWV 57: Act One, Scene 3. No. 16 Accompagnato: "My griefs for this forbid mine eyes to close" (Samson)
technicus:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work)
tenorvocalen [Samson]:
Thomas Randle (tenor) (in 2002)
orkest:
The Symphony of Harmony and Invention (in 2002)
was dirigent:
Harry Christophers (conductor) (in 2002)
fonografisch auteursrecht (℗):
The Sixteen Productions Ltd. (in 2002)
opgenomen bij:
St Jude‐on‐the‐Hill in Hampstead, Camden, London (Greater London), England, Verenigd Koninkrijk (in 2002)
is een opname van:
Samson, HWV 57: Act I. Accompagnato. My griefs for this (Samson) (in 2002)
componist:
George Frideric Handel (German‐British baroque composer)
librettist:
Newburgh Hamilton
deel van:
Samson, HWV 57: Act I
0:54
26Samson, HWV 57: Act One, Scene 3. No. 17 Air: "Why does the God of Israel sleep?" (Samson)
technicus:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work)
tenorvocalen [Samson]:
Thomas Randle (tenor) (in 2002)
orkest:
The Symphony of Harmony and Invention (in 2002)
was dirigent:
Harry Christophers (conductor) (in 2002)
fonografisch auteursrecht (℗):
The Sixteen Productions Ltd. (in 2002)
opgenomen bij:
St Jude‐on‐the‐Hill in Hampstead, Camden, London (Greater London), England, Verenigd Koninkrijk (in 2002)
is een opname van:
Samson, HWV 57: Act I. Air. Why does the God of lsrael sleep? (Samson) (in 2002)
componist:
George Frideric Handel (German‐British baroque composer)
librettist:
Newburgh Hamilton
deel van:
Samson, HWV 57: Act I
4:35
27Samson, HWV 57: Act One, Scene 3. Recitative: "There lies our hope!" (Micah)
technicus:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work)
altvocalen [Micah]:
Catherine Wyn-Rogers (mezzo-soprano) (in 2002)
orkest:
The Symphony of Harmony and Invention (in 2002)
was dirigent:
Harry Christophers (conductor) (in 2002)
fonografisch auteursrecht (℗):
The Sixteen Productions Ltd. (in 2002)
opgenomen bij:
St Jude‐on‐the‐Hill in Hampstead, Camden, London (Greater London), England, Verenigd Koninkrijk (in 2002)
is een opname van:
Samson, HWV 57: Act I. Recitative. There Lies Our Hope! (Micah) (in 2002)
componist:
George Frideric Handel (German‐British baroque composer)
librettist:
Newburgh Hamilton
deel van:
Samson, HWV 57: Act I
0:21
28Samson, HWV 57: Act One, Scene 3. No. 18 Chorus of Israelites: "Then shall they know"
technicus:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work)
koor:
The Sixteen (UK choir) (in 2002)
orkest:
The Symphony of Harmony and Invention (in 2002)
was dirigent:
Harry Christophers (conductor) (in 2002)
fonografisch auteursrecht (℗):
The Sixteen Productions Ltd. (in 2002)
opgenomen bij:
St Jude‐on‐the‐Hill in Hampstead, Camden, London (Greater London), England, Verenigd Koninkrijk (in 2002)
is een opname van:
Samson, HWV 57: Act I. Chorus. Then shall they know (in 2002)
componist:
George Frideric Handel (German‐British baroque composer)
librettist:
Newburgh Hamilton
deel van:
Samson, HWV 57: Act I
2:19
29Samson, HWV 57: Act One, Scene 3. Recitative: "For thee, my dearest son" (Manoa, Samson)
technicus:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work)
basvocalen [Manoa]:
Michael George (operatic bass) (in 2002)
tenorvocalen [Samson]:
Thomas Randle (tenor) (in 2002)
orkest:
The Symphony of Harmony and Invention (in 2002)
was dirigent:
Harry Christophers (conductor) (in 2002)
fonografisch auteursrecht (℗):
The Sixteen Productions Ltd. (in 2002)
opgenomen bij:
St Jude‐on‐the‐Hill in Hampstead, Camden, London (Greater London), England, Verenigd Koninkrijk (in 2002)
is een opname van:
Samson, HWV 57: Act I. Accompagnato. My genial spirits droop (Samson) (in 2002)
componist:
George Frideric Handel (German‐British baroque composer)
librettist:
Newburgh Hamilton
deel van:
Samson, HWV 57: Act I
is een opname van:
Samson, HWV 57: Act I. Recitative. For thee, my dearest son (Manoah/Samson) (in 2002)
componist:
George Frideric Handel (German‐British baroque composer)
librettist:
Newburgh Hamilton
deel van:
Samson, HWV 57: Act I
2:57
30Samson, HWV 57: Act One, Scene 3. No. 20 Air: "Then long Eternity shall greet your bliss" (Micah)
technicus:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work)
altvocalen [Micah]:
Catherine Wyn-Rogers (mezzo-soprano) (in 2002)
orkest:
The Symphony of Harmony and Invention (in 2002)
was dirigent:
Harry Christophers (conductor) (in 2002)
fonografisch auteursrecht (℗):
The Sixteen Productions Ltd. (in 2002)
opgenomen bij:
St Jude‐on‐the‐Hill in Hampstead, Camden, London (Greater London), England, Verenigd Koninkrijk (in 2002)
is een opname van:
Samson, HWV 57: Act I. Air. Joys that are pure (Micah) (in 2002)
componist:
George Frideric Handel (German‐British baroque composer)
librettist:
Newburgh Hamilton
deel van:
Samson, HWV 57: Act I
is een opname van:
Samson, HWV 57: Act I. Recitative. Then long eternity (Micah) (in 2002)
componist:
George Frideric Handel (German‐British baroque composer)
librettist:
Newburgh Hamilton
deel van:
Samson, HWV 57: Act I
5:27
31Samson, HWV 57: Act One, Scene 3. No. 21 Chorus of Philistines: "Then round about the starry throne"
technicus:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work)
koor:
The Sixteen (UK choir) (in 2002)
orkest:
The Symphony of Harmony and Invention (in 2002)
was dirigent:
Harry Christophers (conductor) (in 2002)
fonografisch auteursrecht (℗):
The Sixteen Productions Ltd. (in 2002)
opgenomen bij:
St Jude‐on‐the‐Hill in Hampstead, Camden, London (Greater London), England, Verenigd Koninkrijk (in 2002)
is een opname van:
Samson, HWV 57: Act I. Chorus. Then Round About the Starry Throne (in 2002)
componist:
George Frideric Handel (German‐British baroque composer)
librettist:
Newburgh Hamilton
deel van:
Samson, HWV 57: Act I
2:10
19▶cd: Samson - Act II
20▶cd: Samson - Act III
21▶cd: Semele - Act I
22▶cd: Semele - Act II
23▶cd: Semele - Act III
24▶cd: Hercules - Act I
25▶cd: Hercules - Act II
26▶cd: Hercules - Act III
27▶cd: Belshazzar - Act I (beginning)
28▶cd: Belshazzar - Act I (conclusion), Act II (beginning)
29▶cd: Belshazzar - Act II (conclusion), Act III
30▶cd: Judas Maccabaeus - Act I
31▶cd: Judas Maccabaeus - Act II
32▶cd: Judas Maccabaeus - Act III
33▶cd: Solomon - Act I
34▶cd: Solomon - Act II
35▶cd: Solomon - Act III
36▶cd: Theodora - Part I
37▶cd: Theodora - Part II (& alternative scene 2)
38▶cd: Theodora - Part III
39▶cd: Jephtha - Act I
40▶cd: Jephtha - Act II
41▶cd: Jephtha - Act III

Relaties

Uitgave

discografisch lemma:https://www.deccaclassics.com/en/cat/4830142 [info] (beëindigd)
https://www.deccaclassics.com/en/catalogue/products/handel-great-oratorios-5848 [info]