Donne Barocche

~ Release by Francesca Caccini, Barbara Strozzi, Élisabeth Jacquet de La Guerre, Elisabetta de Gambarini; Gabriella Di Laccio, Audacium Baroque Ensemble (see all versions of this release, 1 available)

Tracklist

1▼Digital Media
#TitleArtistRatingLength
1Lasciatemi qui solo
sound engineer, producer, mixer and editor:
John Taylor (classical producer/engineer, often associated with Naxos recordings)
instruments:
Audacium Baroque Ensemble (from 2019-01-08 until 2019-01-10)
soprano vocals:
Gabriella Di Laccio (soprano) (from 2019-01-08 until 2019-01-10)
recorded at:
Holy Trinity (Weston) in Weston, Hertfordshire, England, United Kingdom (from 2019-01-08 until 2019-01-10)
recording of:
Lasciatemi qui solo (from 2019-01-08 until 2019-01-10)
lyricist:
[anonymous] (special purpose artist)
composer:
Francesca Caccini
Francesca Caccini6:15
2Ch’amor sia nudo
sound engineer, producer, mixer and editor:
John Taylor (classical producer/engineer, often associated with Naxos recordings)
instruments:
Audacium Baroque Ensemble (from 2019-01-08 until 2019-01-10)
soprano vocals:
Gabriella Di Laccio (soprano) (from 2019-01-08 until 2019-01-10)
recorded at:
Holy Trinity (Weston) in Weston, Hertfordshire, England, United Kingdom (from 2019-01-08 until 2019-01-10)
recording of:
Ch’Amor sia nudo (from 2019-01-08 until 2019-01-10)
composer:
Francesca Caccini
Francesca Caccini2:33
3Che t’o fatt’io
sound engineer, producer, mixer and editor:
John Taylor (classical producer/engineer, often associated with Naxos recordings)
instruments:
Audacium Baroque Ensemble (from 2019-01-08 until 2019-01-10)
soprano vocals:
Gabriella Di Laccio (soprano) (from 2019-01-08 until 2019-01-10)
recorded at:
Holy Trinity (Weston) in Weston, Hertfordshire, England, United Kingdom (from 2019-01-08 until 2019-01-10)
recording of:
Che t’o fatt’io (from 2019-01-08 until 2019-01-10)
composer:
Francesca Caccini
Francesca Caccini3:31
4Dov’vio credea
sound engineer, producer, mixer and editor:
John Taylor (classical producer/engineer, often associated with Naxos recordings)
instruments:
Audacium Baroque Ensemble (from 2019-01-08 until 2019-01-10)
soprano vocals:
Gabriella Di Laccio (soprano) (from 2019-01-08 until 2019-01-10)
recorded at:
Holy Trinity (Weston) in Weston, Hertfordshire, England, United Kingdom (from 2019-01-08 until 2019-01-10)
recording of:
Dov’io credea le mie speranze vere (from 2019-01-08 until 2019-01-10)
composer:
Francesca Caccini
Francesca Caccini4:16
5Chi desia di saper
sound engineer, producer, mixer and editor:
John Taylor (classical producer/engineer, often associated with Naxos recordings)
instruments:
Audacium Baroque Ensemble (from 2019-01-08 until 2019-01-10)
soprano vocals:
Gabriella Di Laccio (soprano) (from 2019-01-08 until 2019-01-10)
recorded at:
Holy Trinity (Weston) in Weston, Hertfordshire, England, United Kingdom (from 2019-01-08 until 2019-01-10)
recording of:
Chi desia di saper (from 2019-01-08 until 2019-01-10)
composer:
Francesca Caccini
Francesca Caccini2:33
6Prelude
sound engineer, producer, mixer and editor:
John Taylor (classical producer/engineer, often associated with Naxos recordings)
instruments:
Audacium Baroque Ensemble (from 2019-01-08 until 2019-01-10)
recorded at:
Holy Trinity (Weston) in Weston, Hertfordshire, England, United Kingdom (from 2019-01-08 until 2019-01-10)
recording of:
Suite no. 1 in D minor: I. Prélude (from 2019-01-08 until 2019-01-10)
composer:
Élisabeth-Claude Jacquet de La Guerre (compositrice et claveciniste française)
part of:
Suite no. 1 in D minor
Élisabeth Jacquet de La Guerre2:47
7Allemande
sound engineer, producer, mixer and editor:
John Taylor (classical producer/engineer, often associated with Naxos recordings)
instruments:
Audacium Baroque Ensemble (from 2019-01-08 until 2019-01-10)
recorded at:
Holy Trinity (Weston) in Weston, Hertfordshire, England, United Kingdom (from 2019-01-08 until 2019-01-10)
recording of:
Suite no. 1 in D minor: II. Allemande (from 2019-01-08 until 2019-01-10)
composer:
Élisabeth-Claude Jacquet de La Guerre (compositrice et claveciniste française)
part of:
Suite no. 1 in D minor
Élisabeth Jacquet de La Guerre3:24
8Chaconne l’inconstante
sound engineer, producer, mixer and editor:
John Taylor (classical producer/engineer, often associated with Naxos recordings)
instruments:
Audacium Baroque Ensemble (from 2019-01-08 until 2019-01-10)
recorded at:
Holy Trinity (Weston) in Weston, Hertfordshire, England, United Kingdom (from 2019-01-08 until 2019-01-10)
recording of:
Suite no. 1 in D minor: VIII. Chaconne l'Inconstante (from 2019-01-08 until 2019-01-10)
composer:
Élisabeth-Claude Jacquet de La Guerre (compositrice et claveciniste française)
part of:
Suite no. 1 in D minor
Élisabeth Jacquet de La Guerre3:10
9Menuet
sound engineer, producer, mixer and editor:
John Taylor (classical producer/engineer, often associated with Naxos recordings)
instruments:
Audacium Baroque Ensemble (from 2019-01-08 until 2019-01-10)
recorded at:
Holy Trinity (Weston) in Weston, Hertfordshire, England, United Kingdom (from 2019-01-08 until 2019-01-10)
recording of:
Suite no. 1 in D minor: IX. Menuet (from 2019-01-08 until 2019-01-10)
composer:
Élisabeth-Claude Jacquet de La Guerre (compositrice et claveciniste française)
part of:
Suite no. 1 in D minor
Élisabeth Jacquet de La Guerre1:12
10Tra le speranze e’l timore
sound engineer, producer, mixer and editor:
John Taylor (classical producer/engineer, often associated with Naxos recordings)
instruments:
Audacium Baroque Ensemble (from 2019-01-08 until 2019-01-10)
soprano vocals:
Gabriella Di Laccio (soprano) (from 2019-01-08 until 2019-01-10)
recorded at:
Holy Trinity (Weston) in Weston, Hertfordshire, England, United Kingdom (from 2019-01-08 until 2019-01-10)
recording of:
Tra le speranze e 'l timore, op. 2 no. 15 "Timore, e che sarà?" (from 2019-01-08 until 2019-01-10)
composer:
Barbara Strozzi (composer and soprano)
part of:
Cantate, ariette, e duetti, op. 2
Barbara Strozzi2:29
11Lagrime mie
sound engineer, producer, mixer and editor:
John Taylor (classical producer/engineer, often associated with Naxos recordings)
instruments:
Audacium Baroque Ensemble (from 2019-01-08 until 2019-01-10)
soprano vocals:
Gabriella Di Laccio (soprano) (from 2019-01-08 until 2019-01-10)
recorded at:
Holy Trinity (Weston) in Weston, Hertfordshire, England, United Kingdom (from 2019-01-08 until 2019-01-10)
recording of:
Lamento, op. 7 no. 4 "Lagrime mie, a che vi trattenete" (from 2019-01-08 until 2019-01-10)
lyricist:
Pietro Dolfino
composer:
Barbara Strozzi (composer and soprano)
part of:
Diporti di Euterpe, op. 7
Barbara Strozzi9:37
12Lilla crudele ad onta d’amore
sound engineer, producer, mixer and editor:
John Taylor (classical producer/engineer, often associated with Naxos recordings)
instruments:
Audacium Baroque Ensemble (from 2019-01-08 until 2019-01-10)
soprano vocals:
Gabriella Di Laccio (soprano) (from 2019-01-08 until 2019-01-10)
recorded at:
Holy Trinity (Weston) in Weston, Hertfordshire, England, United Kingdom (from 2019-01-08 until 2019-01-10)
recording of:
Lilla crudele ad onta d'amore, op. 2 no. 12 "Lascia sì la benda e l'ali" (from 2019-01-08 until 2019-01-10)
composer:
Barbara Strozzi (composer and soprano)
part of:
Cantate, ariette, e duetti, op. 2
Barbara Strozzi2:16
13La travagliata
sound engineer, producer, mixer and editor:
John Taylor (classical producer/engineer, often associated with Naxos recordings)
instruments:
Audacium Baroque Ensemble (from 2019-01-08 until 2019-01-10)
soprano vocals:
Gabriella Di Laccio (soprano) (from 2019-01-08 until 2019-01-10)
recorded at:
Holy Trinity (Weston) in Weston, Hertfordshire, England, United Kingdom (from 2019-01-08 until 2019-01-10)
recording of:
La Travagliata, op. 2 no. 11 "Soccorrete, luci avare" (from 2019-01-08 until 2019-01-10)
composer:
Barbara Strozzi (composer and soprano)
part of:
Cantate, ariette, e duetti, op. 2
Barbara Strozzi4:59
14Amor dormiglione
sound engineer, producer, mixer and editor:
John Taylor (classical producer/engineer, often associated with Naxos recordings)
instruments:
Audacium Baroque Ensemble (from 2019-01-08 until 2019-01-10)
soprano vocals:
Gabriella Di Laccio (soprano) (from 2019-01-08 until 2019-01-10)
recorded at:
Holy Trinity (Weston) in Weston, Hertfordshire, England, United Kingdom (from 2019-01-08 until 2019-01-10)
recording of:
Amor dormiglione, op. 2 no. 22 "Amor, non dormir più" (from 2019-01-08 until 2019-01-10)
composer:
Barbara Strozzi (composer and soprano)
part of:
Cantate, ariette, e duetti, op. 2
Barbara Strozzi2:58
15Minuet
sound engineer, producer, mixer and editor:
John Taylor (classical producer/engineer, often associated with Naxos recordings)
instruments:
Audacium Baroque Ensemble (from 2019-01-08 until 2019-01-10)
recorded at:
Holy Trinity (Weston) in Weston, Hertfordshire, England, United Kingdom (from 2019-01-08 until 2019-01-10)
recording of:
Lessons for the Harpsichord, op. 2: Minuet (from 2019-01-08 until 2019-01-10)
composer:
Elisabetta de Gambarini
part of:
Lessons for the Harpsichord, op. 2
Elisabetta de Gambarini4:40
16Behold, behold and listen
sound engineer, producer, mixer and editor:
John Taylor (classical producer/engineer, often associated with Naxos recordings)
instruments:
Audacium Baroque Ensemble (from 2019-01-08 until 2019-01-10)
soprano vocals:
Gabriella Di Laccio (soprano) (from 2019-01-08 until 2019-01-10)
recorded at:
Holy Trinity (Weston) in Weston, Hertfordshire, England, United Kingdom (from 2019-01-08 until 2019-01-10)
recording of:
Lessons for the Harpsichord, op. 2: Behold, Behold and Listen (from 2019-01-08 until 2019-01-10)
composer:
Elisabetta de Gambarini
part of:
Lessons for the Harpsichord, op. 2
Elisabetta de Gambarini3:54
17Andante
sound engineer, producer, mixer and editor:
John Taylor (classical producer/engineer, often associated with Naxos recordings)
instruments:
Audacium Baroque Ensemble (from 2019-01-08 until 2019-01-10)
recorded at:
Holy Trinity (Weston) in Weston, Hertfordshire, England, United Kingdom (from 2019-01-08 until 2019-01-10)
recording of:
Lessons for the Harpsichord, op. 2: Andante (from 2019-01-08 until 2019-01-10)
composer:
Elisabetta de Gambarini
part of:
Lessons for the Harpsichord, op. 2
Elisabetta de Gambarini3:12
18Lover go and calm
sound engineer, producer, mixer and editor:
John Taylor (classical producer/engineer, often associated with Naxos recordings)
instruments:
Audacium Baroque Ensemble (from 2019-01-08 until 2019-01-10)
soprano vocals:
Gabriella Di Laccio (soprano) (from 2019-01-08 until 2019-01-10)
recorded at:
Holy Trinity (Weston) in Weston, Hertfordshire, England, United Kingdom (from 2019-01-08 until 2019-01-10)
recording of:
Lessons for the Harpsichord, op. 2: Lover Go and Calm Thy Sighs (from 2019-01-08 until 2019-01-10)
composer:
Elisabetta de Gambarini
part of:
Lessons for the Harpsichord, op. 2
Elisabetta de Gambarini1:41
19Variations on the foregoing song
sound engineer, producer, mixer and editor:
John Taylor (classical producer/engineer, often associated with Naxos recordings)
instruments:
Audacium Baroque Ensemble (from 2019-01-08 until 2019-01-10)
recorded at:
Holy Trinity (Weston) in Weston, Hertfordshire, England, United Kingdom (from 2019-01-08 until 2019-01-10)
recording of:
Lessons for the Harpsichord, op. 2: Variations on "Lover, Go and Calm Thy Sighs" (from 2019-01-08 until 2019-01-10)
composer:
Elisabetta de Gambarini
part of:
Lessons for the Harpsichord, op. 2
Elisabetta de Gambarini3:37