Up! (Red And Green Versions, File (FLAC, Album, Reissue, Remastered))

~ Veröffentlichung von Shania Twain (alle Versionen dieser Veröffentlichung ansehen, 18 vorhanden)

Anmerkung

Label | Copyright | Publisher

Mercury Nashville
© Mercury Records, a Division of UMG Recordings, Inc.
℗ Mercury Records, a Division of UMG Recordings, Inc.

Anmerkung zuletzt geändert am 2023-01-23 18:00 UTC.

Titelliste

1▶Digitales Medium: Red Version
2▼Digitales Medium: Green Version
Nr.TitelBewertungLänge
1Up! (Green Version)
Assistent recording engineer:
Guido Andreani, Peppe De Angelis, Oswald Bowe, Alex Dixon und Taketo Gohara
recording engineer:
Bob Bullock, Kevin Churko und Brian Masterson (audio engineer)
sonstige Unterstützung:
Protools mixing and fixing operator
Programmierung:
Kevin Churko und Kieran Lynch
Techniker(in):
Kevin Churko
Produzent(in):
Robert John “Mutt” Lange (Robert John Lange)
Mix:
Mike Shipley (audio engineer, mixer, producer)
Editing:
Kevin Churko und Stewart Whitmore
Sologesang:
Shania Twain
arranger:
Gavin Greenaway, Robert John “Mutt” Lange (Robert John Lange) und Arthur Stead
phonographisches Urheberrecht (℗) von:
Mercury Records (or just “Mercury”; a UMG imprint, do not use it for ©/℗ credits) und Mercury Records (the holding company; for use as ℗&© credits only!) (in 2022)
aufgenommen bei:
Compass Point Studios in Nassau, Bahamas, Officine Meccaniche in Milano (Milan), Milano, Lombardia, Italien und Windmill Lane Studios (2nd/current location, since 1990) in Dublin, County Dublin, Leinster, Irland
recording of:
Up!
Komponist(in):
Robert John “Mutt” Lange (Robert John Lange) und Shania Twain
4.52:53
2I’m Gonna Getcha Good (Green Version)
Assistent recording engineer:
Guido Andreani, Peppe De Angelis, Oswald Bowe, Alex Dixon und Taketo Gohara
recording engineer:
Bob Bullock, Kevin Churko und Brian Masterson (audio engineer)
sonstige Unterstützung:
Protools mixing and fixing operator
Programmierung:
Kevin Churko und Kieran Lynch
Techniker(in):
Kevin Churko
Produzent(in):
Robert John “Mutt” Lange (Robert John Lange)
Mix:
Mike Shipley (audio engineer, mixer, producer)
Editing:
Kevin Churko und Stewart Whitmore
Sologesang:
Shania Twain
arranger:
Gavin Greenaway, Robert John “Mutt” Lange (Robert John Lange) und Arthur Stead
phonographisches Urheberrecht (℗) von:
Mercury Records (or just “Mercury”; a UMG imprint, do not use it for ©/℗ credits)
aufgenommen bei:
Compass Point Studios in Nassau, Bahamas, Officine Meccaniche in Milano (Milan), Milano, Lombardia, Italien und Windmill Lane Studios (2nd/current location, since 1990) in Dublin, County Dublin, Leinster, Irland
recording of:
I’m Gonna Getcha Good!
Komponist(in):
Robert John “Mutt” Lange (Robert John Lange) und Shania Twain
4.54:29
3She’s Not Just a Pretty Face (Green Version)
Assistent recording engineer:
Guido Andreani, Peppe De Angelis, Oswald Bowe, Alex Dixon und Taketo Gohara
recording engineer:
Bob Bullock, Kevin Churko und Brian Masterson (audio engineer)
sonstige Unterstützung:
Protools mixing and fixing operator
Programmierung:
Kevin Churko und Kieran Lynch
Techniker(in):
Kevin Churko
Produzent(in):
Robert John “Mutt” Lange (Robert John Lange)
Mix:
Mike Shipley (audio engineer, mixer, producer)
Editing:
Kevin Churko und Stewart Whitmore
Sologesang:
Shania Twain
arranger:
Gavin Greenaway, Robert John “Mutt” Lange (Robert John Lange) und Arthur Stead
phonographisches Urheberrecht (℗) von:
Mercury Records (or just “Mercury”; a UMG imprint, do not use it for ©/℗ credits)
aufgenommen bei:
Compass Point Studios in Nassau, Bahamas, Officine Meccaniche in Milano (Milan), Milano, Lombardia, Italien und Windmill Lane Studios (2nd/current location, since 1990) in Dublin, County Dublin, Leinster, Irland
recording of:
She’s Not Just a Pretty Face
Komponist(in):
Robert John “Mutt” Lange (Robert John Lange) und Shania Twain
3.53:49
4Juanita (Green Version)
Assistent recording engineer:
Guido Andreani, Peppe De Angelis, Oswald Bowe, Alex Dixon und Taketo Gohara
recording engineer:
Bob Bullock, Kevin Churko und Brian Masterson (audio engineer)
sonstige Unterstützung:
Protools mixing and fixing operator
Programmierung:
Kevin Churko und Kieran Lynch
Techniker(in):
Kevin Churko
Produzent(in):
Robert John “Mutt” Lange (Robert John Lange)
Mix:
Mike Shipley (audio engineer, mixer, producer)
Editing:
Kevin Churko und Stewart Whitmore
Sologesang:
Shania Twain
arranger:
Gavin Greenaway, Robert John “Mutt” Lange (Robert John Lange) und Arthur Stead
phonographisches Urheberrecht (℗) von:
Mercury Records (or just “Mercury”; a UMG imprint, do not use it for ©/℗ credits)
aufgenommen bei:
Compass Point Studios in Nassau, Bahamas, Officine Meccaniche in Milano (Milan), Milano, Lombardia, Italien und Windmill Lane Studios (2nd/current location, since 1990) in Dublin, County Dublin, Leinster, Irland
recording of:
Juanita
Komponist(in):
Robert John “Mutt” Lange (Robert John Lange) und Shania Twain
53:50
5Forever and for Always (Green Version)
Assistent recording engineer:
Guido Andreani, Peppe De Angelis, Oswald Bowe, Alex Dixon und Taketo Gohara
recording engineer:
Bob Bullock, Kevin Churko und Brian Masterson (audio engineer)
sonstige Unterstützung:
Protools mixing and fixing operator
Programmierung:
Kevin Churko und Kieran Lynch
Techniker(in):
Kevin Churko
Produzent(in):
Robert John “Mutt” Lange (Robert John Lange)
Mix:
Mike Shipley (audio engineer, mixer, producer)
Editing:
Kevin Churko und Stewart Whitmore
Sologesang:
Shania Twain
arranger:
Gavin Greenaway, Robert John “Mutt” Lange (Robert John Lange) und Arthur Stead
phonographisches Urheberrecht (℗) von:
Mercury Records (or just “Mercury”; a UMG imprint, do not use it for ©/℗ credits)
aufgenommen bei:
Compass Point Studios in Nassau, Bahamas, Officine Meccaniche in Milano (Milan), Milano, Lombardia, Italien und Windmill Lane Studios (2nd/current location, since 1990) in Dublin, County Dublin, Leinster, Irland
recording of:
Forever and for Always
Komponist(in):
Robert John “Mutt” Lange (Robert John Lange) und Shania Twain
publisher:
Loon Echo, Inc., Universal–Songs of PolyGram International, Inc. und Zomba Enterprises, Inc.
54:43
6Ain’t No Particular Way (Green Version)
Assistent recording engineer:
Guido Andreani, Peppe De Angelis, Oswald Bowe, Alex Dixon und Taketo Gohara
recording engineer:
Bob Bullock, Kevin Churko und Brian Masterson (audio engineer)
sonstige Unterstützung:
Protools mixing and fixing operator
Programmierung:
Kevin Churko und Kieran Lynch
Techniker(in):
Kevin Churko
Produzent(in):
Robert John “Mutt” Lange (Robert John Lange)
Mix:
Mike Shipley (audio engineer, mixer, producer)
Editing:
Kevin Churko und Stewart Whitmore
Sologesang:
Shania Twain
arranger:
Gavin Greenaway, Robert John “Mutt” Lange (Robert John Lange) und Arthur Stead
phonographisches Urheberrecht (℗) von:
Mercury Records (or just “Mercury”; a UMG imprint, do not use it for ©/℗ credits)
aufgenommen bei:
Compass Point Studios in Nassau, Bahamas, Officine Meccaniche in Milano (Milan), Milano, Lombardia, Italien und Windmill Lane Studios (2nd/current location, since 1990) in Dublin, County Dublin, Leinster, Irland
recording of:
Ain’t No Particular Way
Verfasser(in):
Eilleen Regina Lange und Robert John Lange
publisher:
Imagem London Ltd.
44:25
7It Only Hurts When I’m Breathing (Green Version)
Assistent recording engineer:
Guido Andreani, Peppe De Angelis, Oswald Bowe, Alex Dixon und Taketo Gohara
recording engineer:
Bob Bullock, Kevin Churko und Brian Masterson (audio engineer)
sonstige Unterstützung:
Protools mixing and fixing operator
Programmierung:
Kevin Churko und Kieran Lynch
Techniker(in):
Kevin Churko
Produzent(in):
Robert John “Mutt” Lange (Robert John Lange)
Mix:
Mike Shipley (audio engineer, mixer, producer)
Editing:
Kevin Churko und Stewart Whitmore
Sologesang:
Shania Twain
arranger:
Gavin Greenaway, Robert John “Mutt” Lange (Robert John Lange) und Arthur Stead
phonographisches Urheberrecht (℗) von:
Mercury Records (or just “Mercury”; a UMG imprint, do not use it for ©/℗ credits)
aufgenommen bei:
Compass Point Studios in Nassau, Bahamas, Officine Meccaniche in Milano (Milan), Milano, Lombardia, Italien und Windmill Lane Studios (2nd/current location, since 1990) in Dublin, County Dublin, Leinster, Irland
recording of:
It Only Hurts When I’m Breathing
Komponist(in):
Robert John “Mutt” Lange (Robert John Lange) und Shania Twain
53:20
8Nah! (Green Version)
Assistent recording engineer:
Guido Andreani, Peppe De Angelis, Oswald Bowe, Alex Dixon und Taketo Gohara
recording engineer:
Bob Bullock, Kevin Churko und Brian Masterson (audio engineer)
sonstige Unterstützung:
Protools mixing and fixing operator
Programmierung:
Kevin Churko und Kieran Lynch
Techniker(in):
Kevin Churko
Produzent(in):
Robert John “Mutt” Lange (Robert John Lange)
Mix:
Mike Shipley (audio engineer, mixer, producer)
Editing:
Kevin Churko und Stewart Whitmore
Sologesang:
Shania Twain
arranger:
Gavin Greenaway, Robert John “Mutt” Lange (Robert John Lange) und Arthur Stead
phonographisches Urheberrecht (℗) von:
Mercury Records (or just “Mercury”; a UMG imprint, do not use it for ©/℗ credits)
aufgenommen bei:
Compass Point Studios in Nassau, Bahamas, Officine Meccaniche in Milano (Milan), Milano, Lombardia, Italien und Windmill Lane Studios (2nd/current location, since 1990) in Dublin, County Dublin, Leinster, Irland
recording of:
Nah!
Komponist(in):
Robert John “Mutt” Lange (Robert John Lange) und Shania Twain
44:14
9(Wanna Get to Know You) That Good! (Green Version)
Assistent recording engineer:
Guido Andreani, Peppe De Angelis, Oswald Bowe, Alex Dixon und Taketo Gohara
recording engineer:
Bob Bullock, Kevin Churko und Brian Masterson (audio engineer)
sonstige Unterstützung:
Protools mixing and fixing operator
Programmierung:
Kevin Churko und Kieran Lynch
Techniker(in):
Kevin Churko
Produzent(in):
Robert John “Mutt” Lange (Robert John Lange)
Mix:
Mike Shipley (audio engineer, mixer, producer)
Editing:
Kevin Churko und Stewart Whitmore
Sologesang:
Shania Twain
arranger:
Gavin Greenaway, Robert John “Mutt” Lange (Robert John Lange) und Arthur Stead
phonographisches Urheberrecht (℗) von:
Mercury Records (or just “Mercury”; a UMG imprint, do not use it for ©/℗ credits)
aufgenommen bei:
Compass Point Studios in Nassau, Bahamas, Officine Meccaniche in Milano (Milan), Milano, Lombardia, Italien und Windmill Lane Studios (2nd/current location, since 1990) in Dublin, County Dublin, Leinster, Irland
recording of:
(Wanna Get to Know You) That Good!
Komponist(in):
Robert John “Mutt” Lange (Robert John Lange) und Shania Twain
44:31
10C’est la Vie (Green Version)
Assistent recording engineer:
Guido Andreani, Peppe De Angelis, Oswald Bowe, Alex Dixon und Taketo Gohara
recording engineer:
Bob Bullock, Kevin Churko und Brian Masterson (audio engineer)
sonstige Unterstützung:
Protools mixing and fixing operator
Programmierung:
Kevin Churko und Kieran Lynch
Techniker(in):
Kevin Churko
Produzent(in):
Robert John “Mutt” Lange (Robert John Lange)
Mix:
Mike Shipley (audio engineer, mixer, producer)
Editing:
Kevin Churko und Stewart Whitmore
Sologesang:
Shania Twain
arranger:
Gavin Greenaway, Robert John “Mutt” Lange (Robert John Lange) und Arthur Stead
phonographisches Urheberrecht (℗) von:
Mercury Records (or just “Mercury”; a UMG imprint, do not use it for ©/℗ credits)
aufgenommen bei:
Compass Point Studios in Nassau, Bahamas, Officine Meccaniche in Milano (Milan), Milano, Lombardia, Italien und Windmill Lane Studios (2nd/current location, since 1990) in Dublin, County Dublin, Leinster, Irland
recording of:
C’est la vie
Komponist(in):
Robert John “Mutt” Lange (Robert John Lange) und Shania Twain
43:39
11I’m Jealous (Green Version)
Assistent recording engineer:
Guido Andreani, Peppe De Angelis, Oswald Bowe, Alex Dixon und Taketo Gohara
recording engineer:
Bob Bullock, Kevin Churko und Brian Masterson (audio engineer)
sonstige Unterstützung:
Protools mixing and fixing operator
Programmierung:
Kevin Churko und Kieran Lynch
Techniker(in):
Kevin Churko
Produzent(in):
Robert John “Mutt” Lange (Robert John Lange)
Mix:
Mike Shipley (audio engineer, mixer, producer)
Editing:
Kevin Churko und Stewart Whitmore
Sologesang:
Shania Twain
arranger:
Gavin Greenaway, Robert John “Mutt” Lange (Robert John Lange) und Arthur Stead
phonographisches Urheberrecht (℗) von:
Mercury Records (or just “Mercury”; a UMG imprint, do not use it for ©/℗ credits)
aufgenommen bei:
Compass Point Studios in Nassau, Bahamas, Officine Meccaniche in Milano (Milan), Milano, Lombardia, Italien und Windmill Lane Studios (2nd/current location, since 1990) in Dublin, County Dublin, Leinster, Irland
recording of:
I’m Jealous
Verfasser(in):
Eilleen Regina Lange und Robert John Lange
publisher:
Imagem London Ltd.
43:59
12Ka‐Ching! (Green Version)
Assistent recording engineer:
Guido Andreani, Peppe De Angelis, Oswald Bowe, Alex Dixon und Taketo Gohara
recording engineer:
Bob Bullock, Kevin Churko und Brian Masterson (audio engineer)
sonstige Unterstützung:
Protools mixing and fixing operator
Programmierung:
Kevin Churko und Kieran Lynch
Techniker(in):
Kevin Churko
Produzent(in):
Robert John “Mutt” Lange (Robert John Lange)
Mix:
Mike Shipley (audio engineer, mixer, producer)
Editing:
Kevin Churko und Stewart Whitmore
Sologesang:
Shania Twain
arranger:
Gavin Greenaway, Robert John “Mutt” Lange (Robert John Lange) und Arthur Stead
phonographisches Urheberrecht (℗) von:
Mercury Records (or just “Mercury”; a UMG imprint, do not use it for ©/℗ credits)
aufgenommen bei:
Compass Point Studios in Nassau, Bahamas, Officine Meccaniche in Milano (Milan), Milano, Lombardia, Italien und Windmill Lane Studios (2nd/current location, since 1990) in Dublin, County Dublin, Leinster, Irland
recording of:
Ka-Ching!
Komponist(in):
Robert John “Mutt” Lange (Robert John Lange) und Shania Twain
43:20
13Thank you Baby! (For Makin’ Someday Come So Soon) (Green Version)
Assistent recording engineer:
Guido Andreani, Peppe De Angelis, Oswald Bowe, Alex Dixon und Taketo Gohara
recording engineer:
Bob Bullock, Kevin Churko und Brian Masterson (audio engineer)
sonstige Unterstützung:
Protools mixing and fixing operator
Programmierung:
Kevin Churko und Kieran Lynch
Techniker(in):
Kevin Churko
Produzent(in):
Robert John “Mutt” Lange (Robert John Lange)
Mix:
Mike Shipley (audio engineer, mixer, producer)
Editing:
Kevin Churko und Stewart Whitmore
Sologesang:
Shania Twain
arranger:
Gavin Greenaway, Robert John “Mutt” Lange (Robert John Lange) und Arthur Stead
phonographisches Urheberrecht (℗) von:
Mercury Records (or just “Mercury”; a UMG imprint, do not use it for ©/℗ credits)
aufgenommen bei:
Compass Point Studios in Nassau, Bahamas, Officine Meccaniche in Milano (Milan), Milano, Lombardia, Italien und Windmill Lane Studios (2nd/current location, since 1990) in Dublin, County Dublin, Leinster, Irland
recording of:
Thank You Baby! (for Makin’ Someday Come So Soon)
Komponist(in):
Robert John “Mutt” Lange (Robert John Lange) und Shania Twain
44:01
14Waiter! Bring Me Water! (Green Version)
Assistent recording engineer:
Guido Andreani, Peppe De Angelis, Oswald Bowe, Alex Dixon und Taketo Gohara
recording engineer:
Bob Bullock, Kevin Churko und Brian Masterson (audio engineer)
sonstige Unterstützung:
Protools mixing and fixing operator
Programmierung:
Kevin Churko und Kieran Lynch
Techniker(in):
Kevin Churko
Produzent(in):
Robert John “Mutt” Lange (Robert John Lange)
Mix:
Mike Shipley (audio engineer, mixer, producer)
Editing:
Kevin Churko und Stewart Whitmore
Sologesang:
Shania Twain
arranger:
Gavin Greenaway, Robert John “Mutt” Lange (Robert John Lange) und Arthur Stead
phonographisches Urheberrecht (℗) von:
Mercury Records (or just “Mercury”; a UMG imprint, do not use it for ©/℗ credits)
aufgenommen bei:
Compass Point Studios in Nassau, Bahamas, Officine Meccaniche in Milano (Milan), Milano, Lombardia, Italien und Windmill Lane Studios (2nd/current location, since 1990) in Dublin, County Dublin, Leinster, Irland
recording of:
Waiter! Bring Me Water!
Komponist(in):
Robert John “Mutt” Lange (Robert John Lange) und Shania Twain
33:20
15What a Way to Wanna Be! (Green Version)
Assistent recording engineer:
Guido Andreani, Peppe De Angelis, Oswald Bowe, Alex Dixon und Taketo Gohara
recording engineer:
Bob Bullock, Kevin Churko und Brian Masterson (audio engineer)
sonstige Unterstützung:
Protools mixing and fixing operator
Programmierung:
Kevin Churko und Kieran Lynch
Techniker(in):
Kevin Churko
Produzent(in):
Robert John “Mutt” Lange (Robert John Lange)
Mix:
Mike Shipley (audio engineer, mixer, producer)
Editing:
Kevin Churko und Stewart Whitmore
Sologesang:
Shania Twain
arranger:
Gavin Greenaway, Robert John “Mutt” Lange (Robert John Lange) und Arthur Stead
phonographisches Urheberrecht (℗) von:
Mercury Records (or just “Mercury”; a UMG imprint, do not use it for ©/℗ credits)
aufgenommen bei:
Compass Point Studios in Nassau, Bahamas, Officine Meccaniche in Milano (Milan), Milano, Lombardia, Italien und Windmill Lane Studios (2nd/current location, since 1990) in Dublin, County Dublin, Leinster, Irland
recording of:
What a Way to Wanna Be!
Komponist(in):
Robert John “Mutt” Lange (Robert John Lange) und Shania Twain
43:33
16I Ain’t Goin’ Down (Green Version)
Assistent recording engineer:
Guido Andreani, Peppe De Angelis, Oswald Bowe, Alex Dixon und Taketo Gohara
recording engineer:
Bob Bullock, Kevin Churko und Brian Masterson (audio engineer)
sonstige Unterstützung:
Protools mixing and fixing operator
Programmierung:
Kevin Churko und Kieran Lynch
Techniker(in):
Kevin Churko
Produzent(in):
Robert John “Mutt” Lange (Robert John Lange)
Mix:
Mike Shipley (audio engineer, mixer, producer)
Editing:
Kevin Churko und Stewart Whitmore
Sologesang:
Shania Twain
arranger:
Gavin Greenaway, Robert John “Mutt” Lange (Robert John Lange) und Arthur Stead
phonographisches Urheberrecht (℗) von:
Mercury Records (or just “Mercury”; a UMG imprint, do not use it for ©/℗ credits)
aufgenommen bei:
Compass Point Studios in Nassau, Bahamas, Officine Meccaniche in Milano (Milan), Milano, Lombardia, Italien und Windmill Lane Studios (2nd/current location, since 1990) in Dublin, County Dublin, Leinster, Irland
recording of:
I Ain’t Goin’ Down
Komponist(in):
Robert John “Mutt” Lange (Robert John Lange) und Shania Twain
53:45
17I’m Not in the Mood (To Say No)! (Green Version)
Assistent recording engineer:
Guido Andreani, Peppe De Angelis, Oswald Bowe, Alex Dixon und Taketo Gohara
recording engineer:
Bob Bullock, Kevin Churko und Brian Masterson (audio engineer)
sonstige Unterstützung:
Protools mixing and fixing operator
Programmierung:
Kevin Churko und Kieran Lynch
Techniker(in):
Kevin Churko
Produzent(in):
Robert John “Mutt” Lange (Robert John Lange)
Mix:
Mike Shipley (audio engineer, mixer, producer)
Editing:
Kevin Churko und Stewart Whitmore
Sologesang:
Shania Twain
arranger:
Gavin Greenaway, Robert John “Mutt” Lange (Robert John Lange) und Arthur Stead
phonographisches Urheberrecht (℗) von:
Mercury Records (or just “Mercury”; a UMG imprint, do not use it for ©/℗ credits)
aufgenommen bei:
Compass Point Studios in Nassau, Bahamas, Officine Meccaniche in Milano (Milan), Milano, Lombardia, Italien und Windmill Lane Studios (2nd/current location, since 1990) in Dublin, County Dublin, Leinster, Irland
recording of:
I’m Not in the Mood (to Say No)!
Komponist(in):
Robert John “Mutt” Lange (Robert John Lange) und Shania Twain
33:26
18In My Car (I’ll Be the Driver) (Green Version)
Assistent recording engineer:
Guido Andreani, Peppe De Angelis, Oswald Bowe, Alex Dixon und Taketo Gohara
recording engineer:
Bob Bullock, Kevin Churko und Brian Masterson (audio engineer)
sonstige Unterstützung:
Protools mixing and fixing operator
Programmierung:
Kevin Churko und Kieran Lynch
Techniker(in):
Kevin Churko
Produzent(in):
Robert John “Mutt” Lange (Robert John Lange)
Mix:
Mike Shipley (audio engineer, mixer, producer)
Editing:
Kevin Churko und Stewart Whitmore
Sologesang:
Shania Twain
arranger:
Gavin Greenaway, Robert John “Mutt” Lange (Robert John Lange) und Arthur Stead
phonographisches Urheberrecht (℗) von:
Mercury Records (or just “Mercury”; a UMG imprint, do not use it for ©/℗ credits)
aufgenommen bei:
Compass Point Studios in Nassau, Bahamas, Officine Meccaniche in Milano (Milan), Milano, Lombardia, Italien und Windmill Lane Studios (2nd/current location, since 1990) in Dublin, County Dublin, Leinster, Irland
recording of:
In My Car (I’ll Be the Driver)
Komponist(in):
Robert John “Mutt” Lange (Robert John Lange) und Shania Twain
43:15
19When you Kiss Me (Green Version)
Assistent recording engineer:
Guido Andreani, Peppe De Angelis, Oswald Bowe, Alex Dixon und Taketo Gohara
recording engineer:
Bob Bullock, Kevin Churko und Brian Masterson (audio engineer)
sonstige Unterstützung:
Protools mixing and fixing operator
Programmierung:
Kevin Churko und Kieran Lynch
Techniker(in):
Kevin Churko
Produzent(in):
Robert John “Mutt” Lange (Robert John Lange)
Mix:
Mike Shipley (audio engineer, mixer, producer)
Editing:
Kevin Churko und Stewart Whitmore
Sologesang:
Shania Twain
arranger:
Gavin Greenaway, Robert John “Mutt” Lange (Robert John Lange) und Arthur Stead
phonographisches Urheberrecht (℗) von:
Mercury Records (or just “Mercury”; a UMG imprint, do not use it for ©/℗ credits)
aufgenommen bei:
Compass Point Studios in Nassau, Bahamas, Officine Meccaniche in Milano (Milan), Milano, Lombardia, Italien und Windmill Lane Studios (2nd/current location, since 1990) in Dublin, County Dublin, Leinster, Irland
recording of:
When You Kiss Me
Komponist(in):
Robert John “Mutt” Lange (Robert John Lange) und Shania Twain
54:07

Nennungen

Veröffentlichungsgruppe

ausgekoppelte Singles/EPs:Forever and for Always
I’m Gonna Getcha Good!
Ka-Ching!
Thank You Baby! (For Makin’ Someday Come So Soon)
When You Kiss Me
Teil von:Juno Awards: Country Album of the Year (Nummer: 2004) (Reihenfolge: 2)
Music Canada Certified Double Diamond Albums (Nummer: 2004-12-21) (Reihenfolge: 11)
Music Canada Certified Nine Times Platinum Albums (Reihenfolge: 22)
Music Canada Certified Eight Times Platinum Albums (Reihenfolge: 24)
Music Canada Certified Seven Times Platinum Albums (Reihenfolge: 27)
Music Canada Certified Six Times Platinum Albums (Reihenfolge: 30)
Music Canada Certified Quintuple Platinum Albums (Reihenfolge: 35)
Music Canada Certified Quadruple Platinum Albums (Reihenfolge: 42)
Grammy Award: Best Contemporary Country Album nominees (Nummer: 2004) (Reihenfolge: 49)
Music Canada Certified Diamond Albums (Reihenfolge: 52)
Music Canada Certified Triple Platinum Albums (Reihenfolge: 59)
Huffington Post: Sexiest Album Covers: From the 50’s to Now (Nummer: 66) (Reihenfolge: 65)
Music Canada Certified Double Platinum Albums (Reihenfolge: 100)
Juno Awards: Album of the Year (Nummer: 2003) (Reihenfolge: 140)
Music Canada Certified Platinum Albums (Reihenfolge: 154)
Music Canada Certified Gold Albums (Reihenfolge: 301)
Discogs:https://www.discogs.com/master/132439 [Info]
andere Datenbanken:https://rateyourmusic.com/release/album/shania-twain/up/ [Info]
https://www.musik-sammler.de/album/43603/ [Info]
Allmusic:https://www.allmusic.com/album/mw0000662317 [Info]
Wikidata:Q2211171 [Info]
Diskografieeintrag:https://www.last.fm/music/Shania+Twain/Up! [Info]