Duets

~ Release by Ray Charles (see all versions of this release, 1 available)

Tracklist

1CD
#TitleRatingLength
1Night Time Is the Right Time?:??
2My Baby! (I Love Her, Yes I Do)
?:??
3Intro: Goodbye / We’ll Be Together Again
engineer:
Steve Hoffman (mastering engineer)
producer:
Sid Feller
conductor:
Marty Paich
arranger:
Marty Paich
medley including a recording of:
Goodbye
lyricist and composer:
Gordon Jenkins
writer:
Benny Goodman (clarinetist and bandleader)
publisher:
Devalbo Inc, La Salle Music Publishers, Inc., LaSalle Music, MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), Peermusic (UK) Limited, Southern Music Publishing Co., Inc. ((ASCAP) tradename Peermusic), Universal Music Corp. (USA, affiliated with ASCAP) and WB Music Corp. (1929–2019)
medley including a recording of:
We’ll Be Together Again
lyricist:
Frankie Laine
composer:
Carl T. Fischer (Native American jazz pianist and composer)
publisher:
Cares Music, Cares Music Company, EDM Music, Fischer-Carey Music Co., Marmor Music, Inc., Music Sales Corporation (American copyright holder in both popular and classical music), Peermusic (UK) Ltd., Sparta Florida Music Group Ltd., Terry Fischer Music Co., ピアーミュージック (Peer Music Japan, Japan, subsidiary of Nichion) and ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
?:??
4Takes Two to Tango
cover recording of:
Takes Two to Tango
writer:
Al Hoffman (in 1952) and Dick Manning (American songwriter) (in 1952)
?:??
5If It Wasn’t for Bad Luck
recording of:
If It Wasn’t for Bad Luck
writer:
Ray Charles (soul musician, singer and songwriter) and Jimmy Lewis (US soul/blues singer/songwriter/producer)
?:??
6Spirit in the Dark (reprise)
recording engineer:
Ray Thompson (engineer) (on 1971-02-07)
mixer:
Arif Mardin
recorded at:
Fillmore West in San Francisco, California, United States (on 1971-02-07)
live recording of:
Spirit in the Dark (on 1971-02-07)
lyricist and composer:
Aretha Franklin
publisher:
Springtime Music, Inc.
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7Summertime
?:??
8We Didn’t See a Thing?:??
9Rock & Roll Shoes
acoustic guitar:
Billy Sanford (guitar)
bass:
Robert Wray II
drums (drum set):
Kenneth Malone (session drummer/percussion)
electric guitar:
Dale Sellers (Nashville session guitarist)
keyboard:
Hargus “Pig” Robbins
percussion:
Terry McMillan
steel guitar:
Pete Drake (steel guitar player)
performer:
B.J. Thomas
recording of:
Rock and Roll Shoes
writer:
Paul Kennerley (English singer-songwriter, musician, record producer) and Graham Lyle
publisher:
Irving Music (BMI) and Songs of Kobalt Music Publishing
2?:??
10Seven Spanish Angels
producer:
Billy Sherrill (US songwriter/producer/arranger)
acoustic guitar:
Dale Sellers (Nashville session guitarist) (in 1984)
bass:
Robert Wray (in 1984)
classical guitar [gut string guitar]:
Pete Bordonali (in 1984) and Billy Sanford (guitar) (in 1984)
drums (drum set):
Kenneth Malone (session drummer/percussion) (in 1984)
harmonica:
Terry McMillan (in 1984)
keyboard:
Hargus "Pig" Robbins (in 1984)
steel guitar:
Pete Drake (steel guitar player) (in 1984)
strings:
The “A” Strings (in 1984)
trumpet:
Bill McElhiney (in 1984) and Jose McElhiney (in 1984)
background vocals:
Louis Nunley (in 1984), Lisa Silver (in 1984), Diane Tidwell (in 1984) and Hurshel Wiginton (in 1984)
lead vocals:
Ray Charles (soul musician, singer and songwriter) (in 1984) and Willie Nelson (in 1984)
conductor:
Bill McElhiney (in 1984)
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 2003)
recorded at:
Eleven Eleven Studio in Nashville, Tennessee, United States (in 1984) and Pedernales Recording Studio in Spicewood, Texas, United States (in 1984)
part of:
Rolling Stone: 40 Saddest Country Songs of All Time (2019 re-issued) (number: 24)
recording of:
Seven Spanish Angels (in 1984)
writer:
Troy Seals (Troy Harold Seals, American singer, songwriter, and guitarist) and Eddie Setser (In Groups: James Brown And The Dapps, Jellyroll, The Dapps)
publisher:
WB Music Group
3.25?:??
11Crazy Old Soldier
recorded in:
Nashville, Tennessee, United States (on 1984-02-22)
producer:
Billy Sherrill (US songwriter/producer/arranger)
acoustic guitar:
Billy Sanford (guitar) and Dale Sellers (Nashville session guitarist)
bass:
Henry Strzelecki
drums (drum set):
Kenneth Malone (session drummer/percussion)
electric guitar:
Pete Bordonali
harmonica and percussion:
Terry McMillan
keyboard:
Hargus “Pig” Robbins
steel guitar:
Pete Drake (steel guitar player)
strings:
The “A” Strings
background vocals:
Louis Nunley and Hurshel Wiginton
performer:
Johnny Cash (country music legend) and Ray Charles (soul musician, singer and songwriter)
recording of:
Crazy Old Soldier (on 1984-02-22)
writer:
Paul Kennerley (English singer-songwriter, musician, record producer) and Troy Seals (Troy Harold Seals, American singer, songwriter, and guitarist)
cover recording of:
Crazy Old Soldier
writer:
Paul Kennerley (English singer-songwriter, musician, record producer) and Troy Seals (Troy Harold Seals, American singer, songwriter, and guitarist)
4?:??
12Two Old Cats Like Us
acoustic guitar:
Dale Sellers (Nashville session guitarist)
bass:
Henry Strzelecki
drums (drum set):
Jerry Carrigan (US drummer)
electric guitar:
Pete Bordonali and Billy Sanford (guitar)
harmonica:
Terry McMillan
keyboard:
Bobby Wood (American pianist, keyboard player and songwriter)
saxophone:
Denis Solee
steel guitar:
Pete Drake (steel guitar player)
background vocals:
Louis Nunley, Lisa Silver, Diane Tidwell and Hurshel Wiginton
performer:
Ray Charles (soul musician, singer and songwriter) and Hank Williams, Jr.
recording of:
Two Old Cats Like Us
lyricist and composer:
Troy Seals (Troy Harold Seals, American singer, songwriter, and guitarist)
3?:??
13Save the Bones for Henry Jones
?:??
14I Wish I’d Never Loved You at All
?:??
15Precious Thing
executive producer:
Jean-Pierre Grosz
producer:
Dee Dee Bridgewater
mixer:
Steve Forward
vocals and performer:
Dee Dee Bridgewater
phonographic copyright (℗) by:
Infernal Entertainment Productions (in 1989)
recording of:
Precious Thing (Till the Next… Somewhere)
lyricist:
Ronnie Bird
composer:
Pierre Papadiamandis (French songwriter)
publisher:
Infernal Entertainment
?:??
16I’ll Be Good to You
synthesizer programming:
Michael Boddicker (in 1989), Larry Williams (jazz keyboard, sax, flute & clarinet; producer, composer, arranger, and multi‐instrumentalist) (in 1989), Steve Porcaro (in 1989) and Ian Underwood (in 1989)
producer:
Quincy Jones
bass:
Louis Johnson (bass, member of Brothers Johnson) (in 1989)
drums (drum set):
Harvey Mason (jazz drummer) (in 1989) and Bruce Swedien (in 1989)
guitar:
George Johnson (member of Brothers Johnson, guitar) (in 1989)
keyboard:
David Paich (in 1989), Greg Phillinganes (in 1989) and Ian Prince (US arranger/producer/composer) (in 1989)
background vocals:
Siedah Garrett (in 1989), James Ingram (R&B singer) (in 1989), James Gilstrap (in 1989), George Johnson (member of Brothers Johnson, guitar) (in 1989), Louis Johnson (bass, member of Brothers Johnson) (in 1989), Phil Perry (US R&B/jazz singer, songwriter & musician) (in 1989) and Syretta Wright (US singer‐songwriter active 1970s–80s) (in 1989)
vocals:
Ray Charles (soul musician, singer and songwriter) (in 1989) and Chaka Khan (in 1989)
arranger:
Quincy Jones
cover recording of:
I’ll Be Good to You (in 1989)
writer:
George Johnson (member of Brothers Johnson, guitar) and Louis Johnson (bass, member of Brothers Johnson)
1?:??