Titelliste

1CD
2CD
Nr.TitelKünstlerBewertungLänge
1Black Night
E-Bass:
Roger Glover (in 1970-05)
E-Gitarre:
Ritchie Blackmore (in 1970-05)
Hammond-Orgel:
Jon Lord (in 1970-05)
Schlagzeug:
Ian Paice (in 1970-05)
Sologesang:
Ian Gillan (in 1970-05)
aufgenommen bei:
De Lane Lea Studios in Soho, Westminster, London (Greater London), England, Vereinigtes Königreich (in 1970-05)
recording of:
Black Night (in 1970-05)
Verfasser(in):
Ritchie Blackmore, Ian Gillan, Roger Glover, Jon Lord und Ian Paice
publisher:
EMI Music Publishing (do not use as a release label!), Glenwood Music Corp., HEC Music und Henrees Music co.
sub-publisher:
EMI Music Publishing France, EMI Music Publishing Japan C.F. division (bis 2021-06-30), イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (vom 2021-07-01 bis heute)
Deep Purple4.253:26
2Cocaine
recording of:
Cocaine
Texter und Komponist(in):
J.J. Cale
publisher:
Audigram Music, Audigram Songs, Inc., Blue Mountain Music Ltd., BMG Platinum Songs, Kobalt Music Publishing Ltd. (UK), Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–) und Warner Chappell Music Ltd. (no slash; used 1988–1996)
J.J. Cale2:46
3The House of the Rising Sun
Produzent(in):
Mickie Most (English record producer)
Bassgitarre:
Chas Chandler
E-Gitarre:
Hilton Valentine
Orgel:
Alan Price
Schlagzeug:
John Steel (English musician)
Sologesang:
Eric Burdon
phonographisches Urheberrecht (℗) von:
Columbia (owned by Sony Music Entertainment, worldwide except JP; formerly owned by CBS between 1938–1990 within US/CA/MX) (in 1964), Columbia Pictures Industries, Inc. (in 1964) und EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1964, in 2002)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1964 (recordings) (Nummer: 11), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 122), BILLIONS CLUB und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 471)
recording of:
The House of the Rising Sun (Alan Price (The Animals) arrangement)
Texter und Komponist(in):
[traditional] (special purpose artist)
arranger:
Alan Price
publisher:
Al Gallico Music, EMI Music Publishing (do not use as a release label!), Keith Prowse, Keith Prowse Music Publishing Co. Ltd. und Universal/MCA Music Ltd. (not for release label use!)
Arrangement von:
House of the Rising Sun
The Animals4.154:29
4Fox on the Run
Techniker(in):
Peter Coleman (British engineer & producer)
Produzent(in):
Sweet (UK glam rock band)
arranger:
Sweet (UK glam rock band)
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1973, in 1974, in 1975) und Chinebridge Ltd. (The Sweet) (in 1974)
aufgenommen bei:
Kingsway Studios in Camden (London Borough of Camden), London (Greater London), England, Vereinigtes Königreich
engineered at:
Audio International Studios in London (Greater London), England, Vereinigtes Königreich
recording of:
Fox on the Run
Verfasser(in):
Brian Connolly (Scottish, member of Sweet), Steve Priest, Andy Scott (Member of Sweet) und Mick Tucker (drummer for The Sweet)
publisher:
Maxwood Music Ltd., Sweet Publishing Ltd. und Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–)
Sweet4.553:19
5Magic Carpet Ride
Produzent(in):
Gabriel Mekler
recording of:
Magic Carpet Ride
Verfasser(in):
John Kay (lead singer of Steppenwolf) und Rushton Moreve
publisher:
MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), Songs of Universal, Inc. (BMI), The Music Pool, Inc., Trousdale Music Publishers, Inc., Universal Duchess Music Corp. und Universal/MCA Music Publishing Pty Ltd
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Steppenwolf4.454:23
6Whatever You Want
assistierende(r) Techniker(in):
Freek Feenstra
Techniker(in):
John Eden (producer) und Barry Hammond
Produzent(in):
Status Quo (UK boogie rock band) und Pip Williams (producer)
Mix:
Simon Sullivan
phonographisches Urheberrecht (℗) von:
Mercury Records Ltd. (not for release label use!) (in 1979), Mercury Records Ltd. (London) (for copyrights use only) (in 1979), Mercury Records Ltd. (UK) (in 1979), Phonogram Ltd. (not for release label use!) (in 1979) und Phonogram Ltd. (London) (company name, NOT a label!) (in 1979)
produced for:
Handle Records Ltd.
aufgenommen bei:
Phonogram Studios in Hilversum, Noord-Holland (Provinz Nordholland), Niederlande, Kingdom of the Netherlands
Musikvideos:
Whatever You Want von Status Quo (UK boogie rock band)
recording of:
Whatever You Want
geschrieben in:
Jersey
Verfasser(in):
Andy Bown und Rick Parfitt (UK guitarist for Status Quo)
publisher:
Birchwood Music Ltd., Eaton Music Limited, EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing Co. Ltd., EMI Music Publishing Ltd. (PRS‐affiliated), S.Q. Publishing Eaton und Shawbury Music Ltd. (publisher)
Status Quo44:00
7Wild Thing
Produzent(in):
Colin Frechter (British pianist, arranger, music director, producer, vocalist)
E-Gitarre:
Chris Britton (The Troggs) (in 1966)
Okarina und Sologesang:
Reg Presley (in 1966)
Schlagzeug:
Ronnie Bond (The Troggs) (in 1966)
phonographisches Urheberrecht (℗) von:
Mercury Records Ltd. (not for release label use!) (in 1966)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 257)
cover recording of:
Wild Thing (in 1966)
Texter und Komponist(in):
Chip Taylor (US singer/songwriter)
publisher:
EMI Blackwood Music Inc., EMI Songs, EMI Songs Australia Pty. Ltd., EMI Songs Musikverlag GmbH und April Music (in 1981)
The Troggs4.42:35
82-4-6-8 Motorway
Produzent(in):
Vic Maile
Bass:
Tom Robinson (British singer-songwriter, bassist and radio presenter) (am 1977-09-14)
Gitarre:
Danny Kustow (am 1977-09-14)
Klavier und Orgel:
Mark Ambler (am 1977-09-14)
Schlagzeug:
Dolphin Taylor (am 1977-09-14)
vocals:
Tom Robinson (British singer-songwriter, bassist and radio presenter) (am 1977-09-14)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1977)
aufgenommen bei:
Berwick Street Studios in Westminster, London (Greater London), England, Vereinigtes Königreich (am 1977-09-14)
recording of:
2‐4‐6‐8 Motorway (am 1977-09-14)
Texter und Komponist(in):
Tom Robinson (British singer-songwriter, bassist and radio presenter)
publisher:
Konkwest Music Limited
Tom Robinson Band43:18
9Little Green Bag
recording of:
Little Green Bag
Verfasser(in):
Hans Bouwens und Jan Visser (Dutch Gospel singer)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated)
George Baker Selection4:03
10Takin’ Care of Business
assistierende(r) Techniker(in):
Marc Sterling
Techniker(in):
Buzz Richmond
Produzent(in):
Randy Bachman (Canadian guitarist, singer & songwriter)
Bassgitarre:
C.F. Turner (von 1973-09 bis 1973-10)
Gitarre [lead guitar] und Sologesang:
Randy Bachman (Canadian guitarist, singer & songwriter) (von 1973-09 bis 1973-10)
Gitarre [second lead guitar]:
Tim Bachman (von 1973-09 bis 1973-10)
Klavier:
Norman Durkee (von 1973-09 bis 1973-10)
Perkussion und Schlagzeug:
Rob Bachman (von 1973-09 bis 1973-10)
Hintergrundgesang:
C.F. Turner (von 1973-09 bis 1973-10), Randy Bachman (Canadian guitarist, singer & songwriter) (von 1973-09 bis 1973-10) und Tim Bachman (von 1973-09 bis 1973-10)
phonographisches Urheberrecht (℗) von:
Phonogram, Inc. (in 1973), PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1973) und The Island Def Jam Music Group (American holding company, not normally a release label) (in 1973)
aufgenommen bei:
Kaye–Smith Studios in Seattle, Washington, Vereinigte Staaten (von 1973-09 bis 1973-10)
mixed at:
Kaye–Smith Studios in Seattle, Washington, Vereinigte Staaten
Teil von:
Huffington Post: 100 Best Canadian Songs Ever (Nummer: 59)
recording of:
Takin’ Care of Business (von 1973-09 bis 1973-10)
Texter und Komponist(in):
Randy Bachman (Canadian guitarist, singer & songwriter)
publisher:
Ranbach Music (publisher), Sony Songs Inc., Sony/ATV Songs LLC und Top Soil Music (publisher)
Bachman–Turner Overdrive4.254:49
11Hooked on a Feeling
Produzent(in):
Bengt Palmers
phonographisches Urheberrecht (℗) von:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1973), EMI Music Sweden AB (not for release label use! SE subsidiary of EMI) (in 1973) und EMI Records Group (in 1973)
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 284)
recording of:
Hooked on a Feeling
Texter und Komponist(in):
Mark James (Francis Zambon, composer of “Suspicious Minds”)
Blue Swede4.052:52
12Because I Love You
phonographisches Urheberrecht (℗) von:
EMI Music Australia Pty. Limited (not for release label use!) (in 1970, in 1971)
recording of:
Because I Love You (Masters Apprentices song)
Verfasser(in):
Doug Ford und Jim Keays
publisher:
EMI Music Australia Pty. Limited (not for release label use!), EMI Music Publishing (do not use as a release label!) und EMI Music Publishing Australia Pty Ltd (not for release label use!)
The Masters Apprentices4:32
13Maggie May
Produzent(in):
Rod Stewart
Akustikgitarre:
Martin Quittenton (guitarist for Steamhammer) (in 1971)
Bassgitarre, E-Gitarre und zwölfsaitige Gitarre:
Ronnie Wood (UK guitarist, member of The Rolling Stones, also goes by Ron Wood) (in 1971)
Becken und membranophone:
Micky Waller (in 1971)
Celesta:
Pete Sears (in 1971)
Hammond-Orgel:
Ian McLagan (in 1971)
Mandoline:
Ray Jackson (in 1971) und David Lindley (in 1971)
Sologesang:
Rod Stewart (in 1971)
phonographisches Urheberrecht (℗) von:
Mercury Records Inc. (copyrights use only) (in 1971), PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1971), The Island Def Jam Music Group (American holding company, not normally a release label) (in 1971) und UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1971)
recording of:
Maggie May (in 1971)
publisher:
Rod Stewart
Verfasser(in):
Mike Peters, Martin Quittenton (guitarist for Steamhammer) und Rod Stewart
publisher:
Chappell Music Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI April Music Inc., EMI Blackwood Music Inc., EMI Full Keel Music, EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), H. G. Music Inc, Mushroom Music (Mushroom label’s publishing company), Rightsong Music Inc., Unichappell Music, Inc., Warner Chappell und Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–)
Rod Stewart4.25:12
14No Rain
assistierende(r) Techniker(in):
Mr. Jon Plum
Techniker(in):
Rick Parashar
Produzent(in) und Mix:
Blind Melon und Rick Parashar
Akustikgitarre [Gibson J-30]:
Christopher Thorn
Bass [1969 Fender Jazz]:
Brad Smith (Blind Melon bassist)
E-Gitarre [Fender Stratocaster, 1962 Reissue]:
Rogers Stevens
Fingerschnippen, Perkussion, Schlagzeug und shakers:
Glen Graham (Blind Melon percussionist)
Hintergrundgesang und Sologesang:
Shannon Hoon
aufgenommen bei:
London Bridge Studios in Seattle, Washington, Vereinigte Staaten
Musikvideos:
No Rain von Blind Melon
Teil von:
Paste: The 50 Greatest One-Hit Wonders of All Time (Nummer: 14) und Indie 88: Top 500 Indie Rock Songs (Nummer: 414)
recording of:
No Rain
Verfasser(in):
Glen Graham (Blind Melon percussionist), Shannon Hoon, Brad Smith (Blind Melon bassist), Rogers Stevens und Christopher Thorn
publisher:
EMI April Music Inc. und Heavy Melon Music
Blind Melon4.33:36
15Easy
Produzent(in):
Faith No More (von 1992-01 bis 1992-03) und Matt Wallace (US producer & engineer) (von 1992-01 bis 1992-03)
E-Bass:
Billy Gould (von 1992-01 bis 1992-03)
E-Gitarre:
Jim Martin (ex-Faith No More guitarist) (von 1992-01 bis 1992-03)
Keyboard:
Roddy Bottum (von 1992-01 bis 1992-03)
Schlagzeug:
Mike Bordin (American drummer) (von 1992-01 bis 1992-03)
Sologesang:
Mike Patton (Faith No More, Mr. Bungle, Fantômas, etc.) (von 1992-01 bis 1992-03)
phonographisches Urheberrecht (℗) von:
Slash Records (company, do not use as release label!)
cover recording of:
Easy (von 1992-01 bis 1992-03)
Texter und Komponist(in):
Lionel Richie
publisher:
Brenda Richie Publishing, EMI Songs Australia Pty. Ltd., Jobete Music (UK) Ltd., Jobete Music Co., Inc. und Libren Music
Faith No More4.53:05
16Unskinny Bop
Techniker(in) und Mix:
Mike Fraser (Canadian record producer, engineer and mixer)
zusätzliche(r) Techniker(in):
Ken Lomas
Koproduzent(in):
Mike Fraser (Canadian record producer, engineer and mixer)
Produzent(in):
Bruce Fairbairn
Bassgitarre:
Bobby Dall
Gitarre:
C.C. DeVille
Schlagzeug:
Rikki Rockett
Sologesang:
Bret Michaels
Interpret(in):
Poison (US glam metal band)
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1990, in 2006)
recording of:
Unskinny Bop
Verfasser(in):
Bobby Dall, C.C. DeVille, Bret Michaels und Rikki Rockett
publisher:
Cyanide Publishing
Poison4.253:47
17Santa Monica
recording engineer:
Michael Douglass
Koproduzent(in):
Brian Malouf und Michael Douglass
Produzent(in):
A.P. Alexakis (Singer and guitarist of the rock band Everclear.)
Mix:
Brian Malouf
Musikvideos:
Santa Monica von Everclear
Teil von:
Indie 88: Top 500 Indie Rock Songs (Nummer: 425)
recording of:
Santa Monica
Texter und Komponist(in):
Art Alexakis (Singer and guitarist of the rock band Everclear.)
Everclear4.33:13
18Boys Will Be Boys
recording of:
Boys Will Be Boys
Verfasser(in):
Mark Gable, Ian Hulme, Lindsay Tebbutt und Brett Williams (Australian rock guitarist)
publisher:
Mushroom Music Pty. Ltd., Mushroom Music Publishing und Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group)
Choirboys43:27
19If You Leave Me, Can I Come Too?
Techniker(in):
Bruce Brown (Australia producer & engineer; bass player) und Russel Dunlop (Australian drummer, singer, composer, producer, engineer)
aufgenommen bei:
Albert Studios (Australian studio, Neutral Bay location, 1985-2016) in Neutral Bay, Sydney, New South Wales, Australien
recording of:
If You Leave Me Can I Come Too
Texter und Komponist(in):
Martin Plaza (Australian musician)
Mental as Anything32:52
20April Sun in Cuba
E-Bass:
Todd Hunter (Todd Stuart Hunter of Dragon)
Gitarre:
Robert Taylor (singer-songwriter and guitarist)
Keyboard:
Paul Hewson (New Zealand keyboardist; not to be confused with the Irish rock star better known as Bono)
Sologesang:
Marc Hunter
vocals:
Paul Hewson (New Zealand keyboardist; not to be confused with the Irish rock star better known as Bono), Todd Hunter (Todd Stuart Hunter of Dragon) und Robert Taylor (singer-songwriter and guitarist)
phonographisches Urheberrecht (℗) von:
Sony BMG Music Entertainment (Australia) Pty Limited (not for release label use! AU subsidiary of SBME 2004–2009) (in 1977), Sony Music Entertainment (Australia) Limited (not for release label use! AU subsidiary of Sony Music Entertainment Inc., 1995/02–2004/02) (in 1977) und Sony Music Entertainment Australia Pty Ltd. (not for release label use! AU subsidiary of SME since 2009) (in 1977)
recording of:
April Sun in Cuba
Komponist(in):
Paul Hewson (New Zealand keyboardist; not to be confused with the Irish rock star better known as Bono)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing Australia Pty Ltd (not for release label use!), EMI Songs, EMI Songs Australia, EMI Songs Australia Pty. Ltd. und Essex Music of Australia Pty. Ltd.
Teil von:
APRA Top 100 New Zealand Songs of All Time (Nummer: 10)
Dragon3:27
21I'm on My Way
Produzent(in):
Pete Wingfield (keyboardist, singer, producer, songwriter)
recording of:
I’m on My Way
Verfasser(in):
Charlie Reid und Craig Reid
publisher:
Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23) und Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
The Proclaimers33:34
22You'll Never Walk Alone
Interpret(in):
Gerry and the Pacemakers
phonographisches Urheberrecht (℗) von:
Columbia Pictures Industries, Inc. (in 1963) und EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1963)
cover recording of:
You’ll Never Walk Alone (Carousel)
Texter:
Oscar Hammerstein II (of Rodgers & Hammerstein)
Komponist(in):
Richard Rodgers (composer)
publisher:
Chappell Music Ltd., EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), T.B. Harms Company, The Welk Music Group, Williamson Music Company und Williamson Music, Inc.
Teil von:
Carousel (Rodgers & Hammerstein musical)
Gerry & the Pacemakers2:40
3CD

Nennungen