Christmas Oratorio

~ Release by Johann Sebastian Bach:Sir Philip Ledger (see all versions of this release, 2 available)

Tracklist

1CD
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1Cantata No.1 'Jauchzet, Frohlocket': Chorus: Jauchzet, Frohlocket
choir vocals:
Choir of King’s College, Cambridge (from 1976-07 until 1976-12)
orchestra:
Academy of St Martin in the Fields (from 1976-07 until 1976-12)
conductor:
Sir Philip Ledger (from 1976-07 until 1976-12)
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom (from 1976-07 until 1976-12)
recording of:
Weihnachts‐Oratorium, BWV 248: Teil I, I. Coro „Jauchzet, frohlocket“ (from 1976-07 until 1976-12)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-25)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 214 "Tönet, ihr Pauken! Erschallet, Trompeten!": I. Coro "Tönet, ihr Pauken! Erschallet, Trompeten!"
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
8:17
2Cantata No.1 'Jauchzet, Frohlocket': Recitative: Es Begab Sih Aber Zu Der Zeit
tenor vocals [Evangelist]:
Robert Tear (tenor) (from 1976-07 until 1976-12)
orchestra:
Academy of St Martin in the Fields (from 1976-07 until 1976-12)
conductor:
Philip Ledger (from 1976-07 until 1976-12)
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom (from 1976-07 until 1976-12)
recording of:
Weihnachts-Oratorium, BWV 248: Teil I, II. Recitativo „Es begab sich aber zu der Zeit“ (Evangelista) (from 1976-07 until 1976-12)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-25)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
1:27
3Cantata No.1 'Jauchzet, Frohlocket': Arioso: Nun Wird Mein Liebster Brautigam
alto vocals:
Dame Janet Baker (mezzo‐soprano and alto) (from 1976-07 until 1976-12)
orchestra:
Academy of St Martin in the Fields (from 1976-07 until 1976-12)
conductor:
Philip Ledger (from 1976-07 until 1976-12)
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom (from 1976-07 until 1976-12)
recording of:
Weihnachts-Oratorium, BWV 248: Teil I, III. Recitativo (Alto) „Nun wird mein liebster Bräutigam“ (from 1976-07 until 1976-12)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-25)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
1:06
4Cantata No.1 'Jauchzet, Frohlocket': Aria: Bereite Dich, Zion
alto vocals:
Dame Janet Baker (mezzo‐soprano and alto) (from 1976-07 until 1976-12)
mezzo-soprano vocals:
Dame Janet Baker (mezzo‐soprano and alto)
orchestra:
Academy of St Martin in the Fields (from 1976-07 until 1976-12)
conductor:
Philip Ledger (from 1976-07 until 1976-12)
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom (from 1976-07 until 1976-12)
recording of:
Weihnachts-Oratorium, BWV 248: Teil I, IV. Aria (Alto) „Bereite dich, Zion“ (from 1976-07 until 1976-12)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-25)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
5:30
5Cantata No.1 'Jauchzet, Frohlocket': Chorale: Wie Soll Ich Dich Empfangen
choir vocals:
Choir of King’s College, Cambridge (from 1976-07 until 1976-12)
orchestra:
Academy of St Martin in the Fields (from 1976-07 until 1976-12)
conductor:
Philip Ledger (from 1976-07 until 1976-12)
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom (from 1976-07 until 1976-12)
recording of:
Weihnachts-Oratorium, BWV 248: Teil I, V. Choral „Wie soll ich dich empfangen“ (from 1976-07 until 1976-12)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-25)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Wie soll ich dich empfangen
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
1:18
6Cantata No.1 'Jauchzet, Frohlocket': Recitative: Und Sie Gebar Ihren Ersten Sohn
tenor vocals [Evangelist]:
Robert Tear (tenor) (from 1976-07 until 1976-12)
orchestra:
Academy of St Martin in the Fields (from 1976-07 until 1976-12)
conductor:
Philip Ledger (from 1976-07 until 1976-12)
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom (from 1976-07 until 1976-12)
recording of:
Weihnachts-Oratorium, BWV 248: Teil I, VI. Recitativo „Und sie gebar ihren ersten Sohn“ (Evangelista) (from 1976-07 until 1976-12)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-25)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
0:30
7Cantata No.1 'Jauchzet, Frohlocket': Recitative & Chorale: Es Ist Auf Erden Kommen Arm
bass vocals:
Dietrich Fischer‐Dieskau (baritone) (from 1976-07 until 1976-12)
soprano vocals:
Elly Ameling (soprano) (from 1976-07 until 1976-12)
orchestra:
Academy of St Martin in the Fields (from 1976-07 until 1976-12)
conductor:
Philip Ledger (from 1976-07 until 1976-12)
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom (from 1976-07 until 1976-12)
recording of:
Weihnachts-Oratorium, BWV 248: Teil I, VII. Choral (Soprano) con Recitativo (Basso) „Er ist auf Erden kommen arm“ (from 1976-07 until 1976-12)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-25)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
3:43
8Cantata No.1 'Jauchzet, Frohlocket': Aria: Grosser Herr, O Starker Konig
bass vocals:
Dietrich Fischer‐Dieskau (baritone) (from 1976-07 until 1976-12)
orchestra:
Academy of St Martin in the Fields (from 1976-07 until 1976-12)
conductor:
Philip Ledger (from 1976-07 until 1976-12)
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom (from 1976-07 until 1976-12)
recording of:
Weihnachts-Oratorium, BWV 248: Teil I, VIII. Aria (Basso) „Großer Herr, o starker König“ (from 1976-07 until 1976-12)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-25)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
4:54
9Cantata No.1 'Jauchzet, Frohlocket': Chorale: Ach Mein Herzliebes Jesulein!
choir vocals:
Choir of King’s College, Cambridge (from 1976-07 until 1976-12)
orchestra:
Academy of St Martin in the Fields (from 1976-07 until 1976-12)
conductor:
Philip Ledger (from 1976-07 until 1976-12)
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom (from 1976-07 until 1976-12)
recording of:
Weihnachts-Oratorium, BWV 248: Teil I, IX. Choral „Ach mein herzliebes Jesulein“ (from 1976-07 until 1976-12)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-25)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
1:15
10Cantata No.2 'Und Es Waren Hirten In Derselben Gegend': Sinfonia
orchestra:
Academy of St Martin in the Fields (from 1976-07 until 1976-12)
conductor:
Philip Ledger (from 1976-07 until 1976-12)
performer:
Academy of St Martin in the Fields (from 1976-07 until 1976-12) and Philip Ledger (from 1976-07 until 1976-12)
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom (from 1976-07 until 1976-12)
recording of:
Weihnachts-Oratorium, BWV 248: Teil II, X. Sinfonia (from 1976-07 until 1976-12)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-26)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
5:02
11Cantata No.2 'Und Es Waren Hirten In Derselben Gegend': Recitative: Und Es Waren Hirten In...
tenor vocals [Evangelist]:
Robert Tear (tenor) (from 1976-07 until 1976-12)
orchestra:
Academy of St Martin in the Fields (from 1976-07 until 1976-12)
conductor:
Philip Ledger (from 1976-07 until 1976-12)
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom (from 1976-07 until 1976-12)
recording of:
Weihnachts-Oratorium, BWV 248: Teil II, XI. Recitativo „Und es waren Hirten in derselben Gegend“ (Evangelista) (from 1976-07 until 1976-12)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-26)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
0:48
12Cantata No.2 'Und Es Waren Hirten In Derselben Gegend': Chorale: Brich An, O Schones Morgenlicht
choir vocals:
Choir of King’s College, Cambridge (from 1976-07 until 1976-12)
orchestra:
Academy of St Martin in the Fields (from 1976-07 until 1976-12)
conductor:
Philip Ledger (from 1976-07 until 1976-12)
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom (from 1976-07 until 1976-12)
recording of:
Weihnachts-Oratorium, BWV 248: Teil II, XII. Choral „Brich an, o schönes Morgenlicht“ (from 1976-07 until 1976-12)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-26)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Johann von Rist (in 1641)
part of:
Breitkopf 389 Choralgesänge (number: 80)
is based on:
Geistliches Lied, BWV 454: „Ermuntre dich, mein schwacher Geist“
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
1:17
13Cantata No.2 'Und Es Waren Hirten In Derselben Gegend': Recitative: Und Der Engel Sprach Zu Ihnen
tenor vocals [Evangelist]:
Robert Tear (tenor) (from 1976-07 until 1976-12)
orchestra:
Academy of St Martin in the Fields (from 1976-07 until 1976-12)
conductor:
Philip Ledger (from 1976-07 until 1976-12)
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom (from 1976-07 until 1976-12)
recording of:
Weihnachts-Oratorium, BWV 248: Teil II, XIII. Recitativo „Und der Engel sprach zu ihnen“ (Evangelista, Angelus) (from 1976-07 until 1976-12)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-26)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
0:49
14Cantata No.2 'Und Es Waren Hirten In Derselben Gegend': Recitative: Was Gott Dem Abraham Verheissen
bass vocals:
Dietrich Fischer‐Dieskau (baritone) (from 1976-07 until 1976-12)
orchestra:
Academy of St Martin in the Fields (from 1976-07 until 1976-12)
conductor:
Philip Ledger (from 1976-07 until 1976-12)
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom
recording of:
Weihnachts-Oratorium, BWV 248: Teil II, XIV. Recitativo (Basso) „Was Gott dem Abraham verheißen“ (from 1976-07 until 1976-12)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-26)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
0:56
15Cantata No.2 'Und Es Waren Hirten In Derselben Gegend': Aria: Frohe Hirten, Eilt, Ach Eilet
tenor vocals:
Robert Tear (tenor) (from 1976-07 until 1976-12)
orchestra:
Academy of St Martin in the Fields (from 1976-07 until 1976-12)
conductor:
Philip Ledger (from 1976-07 until 1976-12)
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom (from 1976-07 until 1976-12)
recording of:
Weihnachts-Oratorium, BWV 248: Teil II, XV. Aria (Tenore) „Frohe Hirten, eilt, ach eilet“ (from 1976-07 until 1976-12)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-26)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
3:57
16Cantata No.2 'Und Es Waren Hirten In Derselben Gegend': Recitative: Und Das Habt Zum Zeichen
tenor vocals [Evangelist]:
Robert Tear (tenor) (from 1976-07 until 1976-12)
orchestra:
Academy of St Martin in the Fields (from 1976-07 until 1976-12)
conductor:
Philip Ledger (from 1976-07 until 1976-12)
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom (from 1976-07 until 1976-12)
recording of:
Weihnachts-Oratorium, BWV 248: Teil II, XVI. Recitativo „Und das habt zum Zeichen“ (Evangelista) (from 1976-07 until 1976-12)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-26)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
0:28
17Cantata No.2 'Und Es Waren Hirten In Derselben Gegend': Chorale: Schaut Hin, Dort Liegt Im...
choir vocals:
Choir of King’s College, Cambridge (from 1976-07 until 1976-12)
orchestra:
Academy of St Martin in the Fields (from 1976-07 until 1976-12)
conductor:
Philip Ledger (from 1976-07 until 1976-12)
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom (from 1976-07 until 1976-12)
recording of:
Weihnachts-Oratorium, BWV 248: Teil II, XVII. Choral „Schaut hin, dort liegt im finstern Stall“ (from 1976-07 until 1976-12)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-26)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
lyricist:
Paul Gerhardt (17th century hymn writer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Breitkopf 389 Choralgesänge (number: 323)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
0:43
18Cantata No.2 'Und Es Waren Hirten In Derselben Gegend': Recitative: So Geht Denn Hin, Ihr Hirten...
bass vocals:
Dietrich Fischer‐Dieskau (baritone) (from 1976-07 until 1976-12)
orchestra:
Academy of St Martin in the Fields (from 1976-07 until 1976-12)
conductor:
Philip Ledger (from 1976-07 until 1976-12)
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom (from 1976-07 until 1976-12)
recording of:
Weihnachts-Oratorium, BWV 248: Teil II, XVIII. Recitativo (Basso) „So geht denn hin“ (from 1976-07 until 1976-12)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-26)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
1:02
19Cantata No.2 'Und Es Waren Hirten In Derselben Gegend': Aria: Schlafe, Mein Liebster
alto vocals:
Dame Janet Baker (mezzo‐soprano and alto) (from 1976-07 until 1976-12)
orchestra:
Academy of St Martin in the Fields (from 1976-07 until 1976-12)
conductor:
Philip Ledger (from 1976-07 until 1976-12)
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom (from 1976-07 until 1976-12)
recording of:
Weihnachts-Oratorium, BWV 248: Teil II, XIX. Aria (Alto) „Schlafe, mein Liebster“ (from 1976-07 until 1976-12)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-26)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
9:10
20Cantata No.2 'Und Es Waren Hirten In Derselben Gegend': Recitative: Und Alsobald War Da Bei Dem...
tenor vocals [Evangelist]:
Robert Tear (tenor) (from 1976-07 until 1976-12)
orchestra:
Academy of St Martin in the Fields (from 1976-07 until 1976-12)
conductor:
Philip Ledger (from 1976-07 until 1976-12)
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom (from 1976-07 until 1976-12)
recording of:
Weihnachts-Oratorium, BWV 248: Teil II, XX. Recitativo „Und alsobald war da bei dem Engel“ (Evangelista) (from 1976-07 until 1976-12)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-26)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
0:17
21Cantata No.2 'Und Es Waren Hirten In Derselben Gegend': Chorus: Ehre Sei Gott In Der Hohe
choir vocals:
Choir of King’s College, Cambridge (from 1976-07 until 1976-12)
orchestra:
Academy of St Martin in the Fields (from 1976-07 until 1976-12)
conductor:
Philip Ledger (from 1976-07 until 1976-12)
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom (from 1976-07 until 1976-12)
recording of:
Weihnachts-Oratorium, BWV 248: Teil II, XXI. Coro „Ehre sei Gott in der Höhe“ (from 1976-07 until 1976-12)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-26)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
2:45
22Cantata No.2 'Und Es Waren Hirten In Derselben Gegend': Recitative: So Recht, Ihr Engel, Jauchzt...
bass vocals:
Dietrich Fischer‐Dieskau (baritone) (from 1976-07 until 1976-12)
orchestra:
Academy of St Martin in the Fields (from 1976-07 until 1976-12)
conductor:
Philip Ledger (from 1976-07 until 1976-12)
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom (from 1976-07 until 1976-12)
recording of:
Weihnachts-Oratorium, BWV 248: Teil II, XXII. Recitativo (Basso) „So recht, ihr Engel“ (from 1976-07 until 1976-12)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-26)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
0:31
23Cantata No.2 'Und Es Waren Hirten In Derselben Gegend': Chorale: Wir Singen Dir In Deinem Heer
choir vocals:
Choir of King’s College, Cambridge (from 1976-07 until 1976-12)
orchestra:
Academy of St Martin in the Fields (from 1976-07 until 1976-12)
conductor:
Philip Ledger (from 1976-07 until 1976-12)
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom (from 1976-07 until 1976-12)
recording of:
Weihnachts-Oratorium, BWV 248: Teil II, XXIII. Choral „Wir singen dir in deinem Heer“ (from 1976-07 until 1976-12)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-26)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
1:26
24Cantata No.3 'Herrsher Des Himmels': Chorus: Herrscher Des Himmels, Erhore Das Lallen
choir vocals:
Choir of King’s College, Cambridge (from 1976-07 until 1976-12)
orchestra:
Academy of St Martin in the Fields (from 1976-07 until 1976-12)
conductor:
Philip Ledger (from 1976-07 until 1976-12)
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom (from 1976-07 until 1976-12)
recording of:
Weihnachts-Oratorium, BWV 248: Teil III, XXIV. Coro „Herrscher des Himmels, erhöre das Lallen“ (from 1976-07 until 1976-12)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
2:09
25Cantata No.3 'Herrsher Des Himmels': Recitative: Und Da Die Engel Von Ihnen Gen Himmel Fuhren
tenor vocals [Evangelist]:
Robert Tear (tenor) (from 1976-07 until 1976-12)
orchestra:
Academy of St Martin in the Fields (from 1976-07 until 1976-12)
conductor:
Philip Ledger (from 1976-07 until 1976-12)
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom (from 1976-07 until 1976-12)
recording of:
Weihnachts-Oratorium, BWV 248: Teil III, XXV. Recitativo „Und da die Engel“ (Evangelista) (from 1976-07 until 1976-12)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
0:13
26Cantata No.3 'Herrsher Des Himmels': Chorus: Lasset Uns Nun Gehen Gen Bethlehem
choir vocals:
Choir of King’s College, Cambridge (from 1976-07 until 1976-12)
orchestra:
Academy of St Martin in the Fields (from 1976-07 until 1976-12)
conductor:
Philip Ledger (from 1976-07 until 1976-12)
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom (from 1976-07 until 1976-12)
recording of:
Weihnachts-Oratorium, BWV 248: Teil III, XXVI. Coro „Lasset uns nun gehen“ (from 1976-07 until 1976-12)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
0:45
27Cantata No.3 'Herrsher Des Himmels': Recitative: Er Hat Sein Volk Getrost't
bass vocals:
Dietrich Fischer‐Dieskau (baritone) (from 1976-07 until 1976-12)
orchestra:
Academy of St Martin in the Fields (from 1976-07 until 1976-12)
conductor:
Philip Ledger (from 1976-07 until 1976-12)
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom (from 1976-07 until 1976-12)
recording of:
Weihnachts-Oratorium, BWV 248: Teil III, XXVII. Recitativo (Basso) „Er hat sein Volk getröst“ (from 1976-07 until 1976-12)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
0:47
28Cantata No.3 'Herrsher Des Himmels': Chorale: Dies Hat Er Alles Uns Getan
choir vocals:
Choir of King’s College, Cambridge (from 1976-07 until 1976-12)
orchestra:
Academy of St Martin in the Fields (from 1976-07 until 1976-12)
conductor:
Philip Ledger (from 1976-07 until 1976-12)
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom (from 1976-07 until 1976-12)
recording of:
Weihnachts-Oratorium, BWV 248: Teil III, XXVIII. Choral „Dies hat er alles uns getan“ (from 1976-07 until 1976-12)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
lyricist:
Martin Luther (German theologian of the Reformation)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Breitkopf 389 Choralgesänge (number: 110)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
0:51
29Cantata No.3 'Herrsher Des Himmels': Duet: Frohe Hirten, Eilt, Ach Eilet
bass vocals:
Dietrich Fischer‐Dieskau (baritone) (from 1976-07 until 1976-12)
soprano vocals:
Elly Ameling (soprano) (from 1976-07 until 1976-12)
orchestra:
Academy of St Martin in the Fields (from 1976-07 until 1976-12)
conductor:
Philip Ledger (from 1976-07 until 1976-12)
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom (from 1976-07 until 1976-12)
recording of:
Weihnachts-Oratorium, BWV 248: Teil III, XXIX. Aria duetto (Soprano, Basso) „Herr, dein Mitleid“ (from 1976-07 until 1976-12)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
7:19
30Cantata No.3 'Herrsher Des Himmels': Recitative: Und Sie Kamen Eilend Und Fanden Beide
tenor vocals [Evangelist]:
Robert Tear (tenor) (from 1976-07 until 1976-12)
orchestra:
Academy of St Martin in the Fields (from 1976-07 until 1976-12)
conductor:
Philip Ledger (from 1976-07 until 1976-12)
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom (from 1976-07 until 1976-12)
recording of:
Weihnachts-Oratorium, BWV 248: Teil III, XXX. Recitativo „Und sie kamen eilend“ (Evangelista) (from 1976-07 until 1976-12)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
1:27
31Cantata No.3 'Herrsher Des Himmels': Aria: Schliesse, Mein Herze, Dies Selige Wunder
alto vocals:
Dame Janet Baker (mezzo‐soprano and alto) (from 1976-07 until 1976-12)
orchestra:
Academy of St Martin in the Fields (from 1976-07 until 1976-12)
conductor:
Philip Ledger (from 1976-07 until 1976-12)
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom (from 1976-07 until 1976-12)
recording of:
Weihnachts-Oratorium, BWV 248: Teil III, XXXI. Aria (Alto) „Schließe, mein Herze“ (from 1976-07 until 1976-12)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
5:26
32Cantata No.3 'Herrsher Des Himmels': Recitative: Ja, Ja, Mein Herz Soll Es Bewahren
alto vocals:
Dame Janet Baker (mezzo‐soprano and alto) (from 1976-07 until 1976-12)
orchestra:
Academy of St Martin in the Fields (from 1976-07 until 1976-12)
conductor:
Philip Ledger (from 1976-07 until 1976-12)
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom (from 1976-07 until 1976-12)
recording of:
Weihnachts-Oratorium, BWV 248: Teil III, XXXII. Recitativo (Alto) „Ja, ja, mein Herz soll es bewahren“ (from 1976-07 until 1976-12)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
0:35
33Cantata No.3 'Herrsher Des Himmels': Chorale: Ich Will Dich Mit Fleiss Bewahren
choir vocals:
Choir of King’s College, Cambridge (from 1976-07 until 1976-12)
orchestra:
Academy of St Martin in the Fields (from 1976-07 until 1976-12)
conductor:
Philip Ledger (from 1976-07 until 1976-12)
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom (from 1976-07 until 1976-12)
recording of:
Weihnachts-Oratorium, BWV 248: Teil III, XXXIII. Choral „Ich will dich mit Fleiß bewahren“ (from 1976-07 until 1976-12)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
lyricist:
Paul Gerhardt (17th century hymn writer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Breitkopf 389 Choralgesänge (number: 335)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
1:05
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ASIN:UK: B001MXTQVS [info]