80s Dancefloor: The Collection

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

1▼Digital Media
#TitleArtistRatingLength
1The Sun Always Shines on TV
bass programming:
Magne Furuholmen
producer:
Alan Tarney
mixer:
a‐ha (Norwegian synth‐pop band) and John Ratcliff
drum machine and guitar:
Paul Waaktaar-Savoy (guitarist, songwriter and singer)
keyboard:
Magne Furuholmen
background vocals:
Magne Furuholmen and Paul Waaktaar-Savoy (guitarist, songwriter and singer)
lead vocals:
Morten Harket
phonographic copyright (℗) by:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1985)
part of:
TV Cream: Real 100 Best Singles Ever (number: 11) and The Downloader’s Music Source Book (number: 283)
recording of:
The Sun Always Shines on T.V.
lyricist and composer:
Paul Waaktaar-Savoy (guitarist, songwriter and singer)
publisher:
ATV Music Ltd. and Sony ATV Publishing
a‐ha3.95:08
2Dancing With Tears in My Eyes (2009 Remastered version)
recording of:
Dancing With Tears in My Eyes
writer:
Warren Cann, Chris Cross (UK bassist for Ultravox), Billy Currie and Midge Ure
publisher:
Hot Food Publishing Ltd., Jump Jet Music Ltd., Mood Music Ltd. (publisher), Sing Sing Songs Ltd. and Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
Ultravox4:40
3Rio
producer:
Colin Thurston
recording of:
Rio
writer:
Simon Le Bon (singer for Duran Duran), Nick Rhodes, Andy Taylor (of Duran Duran), John Taylor (UK bassist for Duran Duran) and Roger Taylor (Duran Duran drummer)
Duran Duran45:15
4To Cut a Long Story Short
producer:
Richard James Burgess
phonographic copyright (℗) by:
Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1980)
mixed at:
Jam Studios in Finsbury Park, Hackney, Haringey, Islington, London (Greater London), England, United Kingdom
recording of:
To Cut a Long Story Short
lyricist and composer:
Gary Kemp
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), PDC Music Publishing Pty. Ltd. and Reformation Publishing Co. Ltd.
Spandau Ballet3.53:21
5Don’t Leave Me This Way
performer:
Sarah Jane Morris and The Communards (in 1986)
cover recording of:
Don’t Leave Me This Way (Harold Melvin & The Blue Notes song) (in 1986)
writer:
Kenneth Gamble (songwriter for Philadelphia International), Cary Gilbert and Leon Huff (Philly soul producer, of Gamble & Huff)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
The Communards with Sarah Jane Morris34:48
6Money’s Too Tight (To Mention)
additional producer:
Mick Hucknall (lead singer of Simply Red)
producer:
Stewart Levine (record producer and saxophonist)
earliest release:
Money’s Too Tight (to Mention) by Simply Red (English soul and pop band)
cover recording of:
Money’s Too Tight (to Mention)
writer:
Billy Valentine (US soul funk singer), John Valentine (Valentine Brothers) and Carolyn Wiggins
publisher:
Songs for Today Ltd
Simply Red4:29
7Everywhere
programming:
Lindsey Buckingham (guitarist, singer, songwriter and producer) (in 1987)
producer:
Lindsey Buckingham (guitarist, singer, songwriter and producer) and Richard Dashut
drums (drum set) and percussion:
Mick Fleetwood (in 1987)
electric bass guitar:
John McVie (in 1987)
guitar and sampler [Fairlight CMI]:
Lindsey Buckingham (guitarist, singer, songwriter and producer) (in 1987)
keyboard:
Lindsey Buckingham (guitarist, singer, songwriter and producer) (in 1987) and Christine McVie (in 1987)
background vocals:
Lindsey Buckingham (guitarist, singer, songwriter and producer) (in 1987), Christine McVie (in 1987) and Stevie Nicks (in 1987)
lead vocals:
Christine McVie (in 1987)
phonographic copyright (℗) by:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1987) and Warner Music International (trademark of Warner Music International the company) (in 1988)
recording of:
Everywhere (in 1987)
lyricist and composer:
Christine McVie
publisher:
Bright Music Ltd. (publisher)
Fleetwood Mac43:44
8Talk Talk (1997 Remastered version)
recording of:
Talk Talk (Talk Talk)
lyricist and composer:
Ed Hollis (British songwriter and producer) and Mark Hollis
Talk Talk3:23
9Temptation (Remastered version)
recording of:
Temptation (New Order)
writer:
Gillian Gilbert, Peter Hook, Stephen Morris (New Order) and Bernard Sumner
publisher:
Be Music (New Order’s own publishing company) and Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23)
New Order25:26
10Why?
recording of:
Why?
composer:
Steve Bronski, Jimmy Somerville and Larry Steinbachek
Bronski Beat4:03
11Kids in America
recording engineer:
Jeo (from 1980 until 1981)
programming:
Jörn‐Uwe Fahrenkrog‐Petersen (from 1980 until 1981) and Derek von Krogh (from 1980 until 1981)
engineer:
Steve Stewart (engineer, guitarist of The Enid)
producer:
Ricky Wilde
additional keyboard:
Nick Priessnitz (from 1980 until 1981)
bass guitar:
Martin Russell (recording engineer, producer, composer & musician) (from 1980 until 1981) and Derek von Krogh (from 1980 until 1981)
drums (drum set):
Bernhard Hahn (from 1980 until 1981), Chris North (UK drummer of The Enid) (from 1980 until 1981) and Tobias Wörner (from 1980 until 1981)
guitar:
Thomas Hahn (from 1980 until 1981), Charlotte Hatherley (from 1980 until 1981), Francis Lickerish (from 1980 until 1981), Steve Stewart (engineer, guitarist of The Enid) (from 1980 until 1981), James Stevenson (from 1980 until 1981) and Ricky Wilde (from 1980 until 1981)
keyboard:
Jörn‐Uwe Fahrenkrog‐Petersen (from 1980 until 1981), Robert John Godfrey (member of The Enid) (from 1980 until 1981), Calvin Hayes (Actor, keyboard player and drummer with 80s pop band, Johnny Hates Jazz) (from 1980 until 1981), Derek von Krogh (from 1980 until 1981) and Ricky Wilde (from 1980 until 1981)
background vocals:
D. Janz (from 1980 until 1981), M. Janz (from 1980 until 1981), N. Janz (from 1980 until 1981) and Ricky Wilde (from 1980 until 1981)
lead vocals:
Charlotte Hatherley (from 1980 until 1981) and Kim Wilde (from 1980 until 1981)
vocals:
Kim Wilde (from 1980 until 1981)
phonographic copyright (℗) by:
Cherry Red Records Ltd. (do not use as label, for copyrights and distribution credits only), EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1981, in 1996, in 2001), EMI France (in 1993) and EMI Records Limited (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 2006)
recorded at:
Amira Studio (from 1980 until 1981), RAK Studios in London (Greater London), England, United Kingdom (from 1980 until 1981), Soundmastaz Studios (from 1980 until 1981), Studio 77 in Stuttgart, Baden-Württemberg, Germany (from 1980 until 1981) and The Lodge Recording Studio in Northampton, Northamptonshire, England, United Kingdom (from 1980 until 1981)
mixed at:
Jeopark in Buchholz, Niedersachsen (Lower Saxony), Germany, RAK Studios in London (Greater London), England, United Kingdom and Studio 77 in Stuttgart, Baden-Württemberg, Germany
part of:
TV Cream: Real 100 Best Singles Ever (number: 55)
recording of:
Kids in America (from 1980 until 1981)
writer:
Marty Wilde and Ricky Wilde
publisher:
All Nations Music, EMI Music Publishing (do not use as a release label!), Finchley Music Corp., RAK Publishing Ltd. and Rickim Music Ltd.
Kim Wilde4.13:26
12Disorder
live recording of:
Disorder
lyricist:
Ian Curtis
composer:
Ian Curtis, Peter Hook, Stephen Morris (New Order) and Bernard Sumner
publisher:
Fractured Music (publisher) (ended) and Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
recording of:
Disorder
lyricist:
Ian Curtis
composer:
Ian Curtis, Peter Hook, Stephen Morris (New Order) and Bernard Sumner
publisher:
Fractured Music (publisher) (ended) and Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
Joy Division3:29
13All Right
recording engineer and mixer:
Chet Himes
additional engineer:
John Guess, Lee Herschberg, Mark Linett and Richard Mullen
assistant engineer:
Stuart Gitlin and Margaret Gwynne (engineer)
assistant producer:
Rob Meurer and Michael Ostin
producer:
Michael Omartian
solo guitar:
Steve Lukather (guitarist, vocalist, composer, producer and arranger)
additional vocals:
Michael McDonald (R&B & soul singer)
lead vocals:
Christopher Cross (US singer‐songwriter)
conductor:
Michael Omartian
strings arranger:
Michael Omartian
arranger:
Christopher Cross (US singer‐songwriter), Rob Meurer and Michael Omartian
concertmaster:
Assa Drori
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1983) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1983)
produced for:
Free Flow Productions
recorded at:
Pop ’n’ Roll Studios in Santa Monica, California, United States, Studio South in Austin, Texas, United States, The Aspen Studios in Aspen, Colorado, United States and Warner Bros. Recording Studios (North Hollywood, a/k/a Amigo Studios) in North Hollywood, Los Angeles, California, United States
mixed at:
Warner Bros. Recording Studios (North Hollywood, a/k/a Amigo Studios) in North Hollywood, Los Angeles, California, United States
recording of:
All Right
lyricist and composer:
Christopher Cross (US singer‐songwriter)
publisher:
Pop ’n’ Roll Music (US work publisher), Universal Music–MGB Songs, シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Christopher Cross54:15
14International Rescue
engineer:
Richard Manwaring (Producer)
recording of:
International Rescue
writer:
Joanne Dunne, Margaret Dunne (Fuzzbox), Tina O'Neill and Liam Sternberg
Fuzzbox3:29
15I Promised Myself
recording of:
I Promised Myself
lyricist and composer:
Nick Kamen
Nick Kamen3:53
16Living on the Ceiling (Remastered version)
Blancmange3:59
17Love Changes (Everything)
engineer:
Mike Ging and Bob Kraushaar
producer:
Stephen Hague
additional percussion:
Bruce Smith (UK drummer & producer for Pop Group, Slits, P.I.L., etc.)
guitar:
Neil Taylor (guitarist)
keyboard:
Rob Fisher (UK keyboardist, in Naked Eyes)
background vocals:
Coral Gordon and Soultanas
vocals:
Simon Climie
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1987)
recording of:
Love Changes (Everything)
writer:
Simon Climie, Rob Fisher (UK keyboardist, in Naked Eyes) and Dennis Morgan (US songwriter)
publisher:
Chrysalis Music Ltd. (music publisher, affiliated with PRS), Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music (do not use as release label! this is a music publisher), Rondor Music (London) Ltd. and Warner Chappell Music Ltd. (no slash; used 1988–1996)
Climie Fisher3.94:28
18Cruel Summer (Remastered version)
recording of:
Cruel Summer
lyricist:
Sara Dallin, Siobhan Fahey, Steve Jolley, Tony Swain (songwriter, producer) and Keren Woodward
composer:
Leo Birenberg (soundtrack composer), Sara Dallin, Siobhan Fahey, Steve Jolley, Kari Kimmel (singer, songwriter, composer, producer, piano, guitar), Tony Swain (songwriter, producer) and Keren Woodward
publisher:
In a Bunch Music Ltd., PolyGram Songs, Red Bus Music Ltd., Reverb Music Ltd., Sony Music Publishing (UK) Ltd. (2003–2008, 2021–present), Sony Publishing, Sony/ATV Music Publishing (UK) Ltd., Warner Chappell and Warner Chappell Music Ltd. (no slash; used 1988–1996)
Bananarama3:30
19Our Lips Are Sealed
producer:
David Byrne (Talking Heads)
remixer:
Fun Boy Three and Jeremy Green
cover recording of:
Our Lips Are Sealed
writer:
Go‐Go’s (all-female American rock band formed in 1978), Terence Edward Hall and Jane Wiedlin
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Gotown Music and Plangent Visions Music
Fun Boy Three3.22:51
20Just What I Always Wanted
producer:
Tony Mansfield (producer & songwriter)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only)
recording of:
Just What I Always Wanted
lyricist and composer:
Teddy Johns
Mari Wilson3:26
21Respect
part of:
The Downloader’s Music Source Book (number: 206)
cover recording of:
Respect
lyricist and composer:
Otis Redding
publisher:
Cotillion Music Inc. (BMI), East-Time-Walco, Irving Music, Inc., Rondor Music (London) Ltd., Warner Chappell and Warner/Chappell North America
Adeva2.354:01
22Ain’t Nobody
additional synthesizer:
James Newton Howard (American score composer)
alto saxophone:
Larry Williams (jazz keyboard, sax, flute & clarinet; producer, composer, arranger, and multi‐instrumentalist)
bass:
Bobby Watson (bassist)
drums (drum set):
John “JR” Robinson (session drummer)
flute:
Gary Herbig, Ernie Watts (jazz and blues saxophonist) and Larry Williams (jazz keyboard, sax, flute & clarinet; producer, composer, arranger, and multi‐instrumentalist)
guitar:
Tony Maiden
keyboard:
Kevin Murphy (American keyboardist, Rufus & The American Breed) and David “Hawk” Wolinski
percussion:
Paulinho da Costa (Brazilian percussionist)
tenor saxophone:
Gary Herbig and Ernie Watts (jazz and blues saxophonist)
trumpet:
Jerry Hey
vocals:
Chaka Khan and Tony Maiden
part of:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (number: 88) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 403)
recording of:
Ain’t Nobody
lyricist and composer:
David Wolinski
publisher:
Overdue Music
Chaka Khan3.74:40
23Respectable
producer:
Jamie Bromfield (member of SNJ Works, The Extra Beat Boys, Recall), Mark McGuire (UK producer/engineer) and Stock Aitken Waterman
phonographic copyright (℗) by:
Cherry Red Records Ltd. (do not use as label, for copyrights and distribution credits only) (in 1987), EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1987) and The Supreme Record Company Ltd. (in 1987)
music videos:
Respectable by Mel & Kim (Appleby sisters)
recording of:
Respectable
writer:
Matt Aitken, Mike Stock (of Stock Aitken Waterman) and Pete Waterman
publisher:
All Boys Music, All Boys Music Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Hammer Musik GmbH, Matt Aitken Publishing, MCA Gilbey, Mike Stock Publishing Limited, Mushroom Music (Mushroom label’s publishing company), Sony/ATV Music Publishing (UK) Ltd. and Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
Mel & Kim2.53:22
24Dancin’ in the Key of Life
recording of:
Dancin' in the Key of Life
writer:
India Arrington and Steve Arrington
Steve Arrington4:57
25Nightline
Randy Crawford3:48
26Only in My Dreams
recording engineer:
Bernard Bullock, Phil Castellano (brother of John, uncle of Richie) and Don Feinberg
programming and producer:
Fred Zarr
assistant engineer:
Bill Esses
mixer:
Doc Dougherty and “Little” Louie Vega (US house DJ/producer)
bass:
Gary Down
guitar:
Ira Siegel
keyboard and synthesizer:
Fred Zarr
percussion:
Bashiri Johnson
saxophone:
Jeff Smith (US saxophonist)
tom-tom:
Billy Amendola
background vocals:
La‐Rita Gaskin and Norma Jean Wright
background vocals and lead vocals:
Debbie Gibson
arranger:
Debbie Gibson and Fred Zarr
phonographic copyright (℗) by:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1987)
recorded at:
Z Studio in Brooklyn, New York, New York, United States
mixed at:
Right Track Recording in Manhattan, New York, New York, United States
part of:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (number: 95) and Billboard: The 500 Best Pop Songs (as of October 2023) (number: 479)
recording of:
Only in My Dreams
lyricist and composer:
Debbie Gibson
publisher:
Music Sales Corporation (American copyright holder in both popular and classical music), Creative Bloc Music Ltd. (from 1987 to ????) and Deborah Ann’s Music (from 1987 to ????)
Debbie Gibson43:56
27Candy Girl
co-producer:
Arthur Baker (American record producer and DJ) and Michael Jonzun
percussion:
Bashiri Johnson
part of:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (number: 77) and Billboard: The 500 Best Pop Songs (as of October 2023) (number: 350)
recording of:
Candy Girl
composer:
Michael Jonzun and Maurice Starr
publisher:
EMI Music Publishing (do not use as a release label!), EMI Songs Australia Pty. Ltd. and Universal‐MCA Music Publishing (US)
New Edition43:55
28That’s the Way Love Is (Underground mix) [Edited version]
recording of:
That's the Way Love Is
writer:
Byron Burke, Herb Lawson and Byron Stingily
Ten City4:15
29Keep Your Body Workin’
producer:
Dennis King (mastering engineer Atlantic Recording Studios)
recording of:
Keeep Your Body Workin’ ('Keeep' is not a typo)
lyricist and composer:
Norman Durham
Kleeer35:20
30Dancing Tight
recording of:
Dancing Tight
lyricist and composer:
Phil Fearon
publisher:
Almo Music Corp. (USA, affiliated with ASCAP), Handle Music Ltd. and Imagem Songs Ltd.
Phil Fearon & Galaxy53:35
31Cupid / I’ve Loved You for a Long Time
edit of:
Medley: Cupid / I’ve Loved You for a Long Time by The Spinners (The Detroit Spinners, US R&B/soul group, aka The Detroit Spinners)
medley including a cover recording of:
Cupid
lyricist and composer:
Sam Cooke (American singer and songwriter, “King of Soul”)
publisher:
ABKCO Music Ltd., ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”) and Kags Music Corp.
medley including a recording of:
I've Loved You for a Long Time
lyricist and composer:
Michael Zager
The Spinners43:56
32Best Years of Our Lives
recording of:
Best Years of Our Lives
additional lyricist:
Rick Carey and Marvin Prosper
writer:
Geoff Deane and David Jaymes
publisher:
Business Art Prod Ltd, Chrysalis Music Ltd. (music publisher, affiliated with PRS), フジパシフィック音楽出版 BMG事業部 (until 2014-12-31), フジパシフィック音楽出版 SBK事業部 (Fujipacific Music Inc. SBK Division) (until 2014-12-31), フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division) (from 2015-01-01 to present) and フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) (from 2015-01-01 to present)
Modern Romance2:35
33Set Me Free
music videos:
Set Me Free by Jaki Graham
recording of:
Set Me Free
lyricist and composer:
Derek Bramble
Jaki Graham33:36
34Self Control
executive producer:
Jack White (German producer Horst Nußbaum)
producer:
Robbie Buchanan (Canadian producer) and Jack White (German producer Horst Nußbaum)
arranger:
Robbie Buchanan (Canadian producer) and Harold Faltermeier
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1984) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1984)
music videos:
Self Control by Laura Branigan
cover recording of:
Self Control (in 1984)
lyricist:
Steve Piccolo
additional writer:
Harro Steffen
composer:
Giancarlo Bigazzi and Raffaele Riefoli (Italian pop singer)
publisher:
Careers Music, Inc., Edition Sunrise Publishing Inc., Sugar Musik Verlags GmbH (publisher) and Sugarmusic Spa (publisher, do NOT use as label)
Laura Branigan4.34:07
35No Lookin’ Back
producer:
Michael McDonald (R&B & soul singer) and Ted Templeman
bass:
Willie Weeks (US bass player)
drums (drum set):
Jeff Porcaro
drums (drum set) [tom - solo]:
George Perilli
guitar:
David Pack
phonographic copyright (℗) by:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1985)
recording of:
No Lookin’ Back
writer:
Kenny Loggins, Michael McDonald (R&B & soul singer) and Ed Sanford
publisher:
Edspose Songs, Genevieve Music, Kobalt Music Publishing Ltd. (UK), Milk Money Music, Sony Music Publishing (Japan) Inc. (song publisher, never a release label), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Michael McDonald3:49
36Hand Held in Black and White
recording of:
Hand Held in Black and White
composer:
Trevor Horn and Bruce Woolley
Dollar3:22
37Take It While It’s Hot
Sweet Sensation4:59
38We Call It Acieed
producer and mixer:
Dancin’ Danny D (British DJ, producer, remixer and A&R)
additional guest performer:
Gary Haisman
arranger:
Dancin’ Danny D (British DJ, producer, remixer and A&R)
phonographic copyright (℗) by:
FFRR Records Ltd. (company name, NOT a label!) (in 1988)
recording of:
We Call It Acieed
lyricist and composer:
Danny Poku (British DJ, producer, remixer and A&R)
D Mob feat. Gary Haisman3:24
39Planet Rock
recording of:
Planet Rock
writer:
Afrika Bambaataa (US DJ singer, songwriter & producer), Robert Darrell Allen, Arthur Baker (American record producer and DJ), John Miller (MC G.L.O.B.E. (Soulsonic Force)), John Robie and Ellis Williams
publisher:
Bambaataa Music, No Hassle Music, Shakin’ Baker Music, Sony/ATV Songs (SOCAN) and T-Girl Music LLC
quotes music from:
Trans Europa Express
Afrika Bambaataa & Soulsonic Force5:20
40Ghost Town
engineer:
John A. Rivers
trombone:
Rico Rodriguez (Jamaican trombonist)
phonographic copyright (℗) by:
Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1981)
part of:
Indie 88: Top 500 Indie Rock Songs (number: 217)
recording of:
Ghost Town
lyricist and composer:
Jerry Dammers
publisher:
BMG Rights Management (UK) Limited (not for release label use! see annotation)
The Specials3.953:39
41Stand
additional engineer:
Thom Cadley, George Cowan (US engineer) and Tom Laune
assistant engineer:
Jeff Kahan and Chris Laidlaw
engineer and mixer:
Jay Healy and Scott Litt (producer and engineer)
producer:
Scott Litt (producer and engineer) and R.E.M. (American rock band)
bass guitar:
Mike Mills (R.E.M. bass player)
drums (drum set):
Bill Berry (R.E.M. drummer)
guitar:
Peter Buck (R.E.M. guitarist)
lead vocals:
Michael Stipe
phonographic copyright (℗) by:
R.E.M./Athens, Ltd. (in 1988) and Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1988)
recorded at:
Ardent Studios in Memphis, Tennessee, United States
mixed at:
Bearsville Studios in Bearsville, New York, United States
recording of:
Stand
writer:
Bill Berry (R.E.M. drummer), Peter Buck (R.E.M. guitarist), Mike Mills (R.E.M. bass player) and Michael Stipe
publisher:
Night Garden Music
R.E.M.43:11
42Birdhouse in Your Soul
recording engineer and mixer:
Roger Moutenot
producer:
Clive Langer and Alan Winstanley (English record producer)
electric guitar:
John Flansburgh
keyboard, background vocals and lead vocals:
John Linnell
trumpet [sampled]:
Frank London
violin:
Mark Feldman (American violinist)
recording of:
Birdhouse in Your Soul
writer:
John Flansburgh and John Linnell
publisher:
TMBG Music
They Might Be Giants4.553:18
43Veronica
recording of:
Veronica
writer:
Declan Patrick MacManus and Paul McCartney (The Beatles)
Elvis Costello3:08
44The Cutter
engineer:
David Bascombe, Dave Woolley, Colin Fairley, Paul Cobald, Steve Prestige and Steve Short (sound engineer & producer)
producer:
Kingbird
bass:
Les Pattinson
drums (drum set):
Pete de Freitas
guest strings:
Shankar (L. Shankar)
guitar:
Ian McCulloch (Echo & the Bunnymen) and Will Sergeant
vocals:
Ian McCulloch (Echo & the Bunnymen)
recording of:
The Cutter
writer:
Pete de Freitas, Ian McCulloch (Echo & the Bunnymen), Les Pattinson and Will Sergeant
Echo & the Bunnymen43:52
45Walk Out to Winter
engineer:
John Brand (engineer)
producer:
John Brand (engineer) and Bernie Clarke (keyboard / producer)
bass guitar:
Campbell Owens
drums (drum set) and percussion:
Dave Ruffy
guitar:
Roddy Frame
vocals:
Roddy Frame
arranger:
Roddy Frame
recording of:
Walk Out to Winter
lyricist and composer:
Roddy Frame
Aztec Camera33:24
46She Drives Me Crazy
engineer:
David Z. (producer/engineer David Rivkin)
co-producer:
Fine Young Cannibals and David Z. (producer/engineer David Rivkin)
bass, drum machine and keyboard:
David Steele (UK musician, member of The Beat and Fine Young Cannibals)
drum machine, guitar and tambourine:
Andy Cox (of The Beat)
vocals:
Roland Gift
phonographic copyright (℗) by:
London Music Stream Ltd. (reissues, 2017–present; a.k.a. London Records or Recordings) (in 1988) and London Records Ltd. (not release label) (in 1989)
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 77)
recording of:
She Drives Me Crazy (Fine Young Cannibals song)
writer:
Roland Gift and David Steele (UK musician, member of The Beat and Fine Young Cannibals)
publisher:
Virgin Music (Publishers) Ltd.
Fine Young Cannibals43:34
47Brass in Pocket
additional recording engineer:
Steve Nye (producer, engineer and pianist)
engineer:
Bill Price (UK producer/engineer)
producer:
Chris Thomas (UK record producer / remixer)
mixer:
Michael Paul Stavrou (producer/engineer)
phonographic copyright (℗) by:
Warner Music UK Ltd. (not for release label use!) (in 1979, in 1987, in 2000)
additionally recorded at:
Air Studios (Oxford Street, London. 1970–1991 recordings only) in London (Greater London), England, United Kingdom
recorded at:
Wessex Sound Studios in Highbury, Islington, London (Greater London), England, United Kingdom
mixed at:
Air Studios (Oxford Street, London. 1970–1991 recordings only) in London (Greater London), England, United Kingdom
part of:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (number: 89) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 389)
recording of:
Brass in Pocket
writer:
James Honeyman‐Scott and Chrissie Hynde (rock singer-songwriter and founder of Pretenders)
publisher:
ATV Music Ltd., Banks Clive Music, EMI Music Publishing (do not use as a release label!), EMI Music Publishing Australia Pty Ltd (not for release label use!), Hynde House of Hits Music and Modern Music Publishing Co., Inc.
Pretenders4.43:03
48You’re History
recording of:
You’re History
writer:
Marcella Detroit, Siobhan Fahey and Richard Feldman
Shakespears Sister4:26
49Good Tradition
recording of:
Good Tradition
lyricist and composer:
Tanita Tikaram
Tanita Tikaram2:51
50The Whole of the Moon (2004 Remastered version)
producer:
Mike Scott (The Waterboys)
mixer:
Mick Glossop (producer & engineer)
bass synthesizer and synthesizer:
Karl Wallinger (in 1985-05)
drums (drum set):
Chris Whitten (in 1985-05)
guitar and piano:
Mike Scott (The Waterboys) (in 1985-05)
percussion:
Martin Ditcham (in 1985-05)
saxophone:
Anthony Thistlethwaite (in 1985-05)
trumpet:
Roddy Lorimer (in 1985-05)
background vocals:
Max Edie (in 1985-05) and Karl Wallinger (in 1985-05)
vocals:
Mike Scott (The Waterboys) (in 1985-05)
phonographic copyright (℗) by:
Ensign Records Ltd. (company; do NOT use as release label) (in 1985), Island Records Ltd. (not for release label use! company known by this name from 1962‐05‐08 to 1999‐03‐29, and since 2014‐06‐25) (in 1985) and Chrysalis Records (don’t use as an imprint; please use “Chrysalis” instead) (in 2020)
recording of:
The Whole of the Moon (in 1985-05)
lyricist and composer:
Mike Scott (The Waterboys)
publisher:
Chrysalis Music Ltd. (music publisher, affiliated with PRS), Dizzy Heights Music Publishing Ltd. (publisher; do NOT use as release label) and Warner Chappell Music Ltd. (no slash; used 1988–1996)
The Waterboys4.455:02
51Things Can Only Get Better
recording engineer and mixer:
Stephen W. Tayler (UK engineer)
programming:
Howard Jones (English singer, songwriter)
producer:
Rupert Hine
brass:
The TKO Horns
instruments:
Howard Jones (English singer, songwriter)
background vocals:
Claudia Fontaine (vocals, background vocals), Naomi Thompson and Caron Wheeler (English singer, songwriter, and record producer)
lead vocals:
Howard Jones (English singer, songwriter)
recorded at and mixed at:
Farmyard Studios in Amersham, Buckinghamshire, England, United Kingdom
recording of:
Things Can Only Get Better
lyricist and composer:
Howard Jones (English singer, songwriter)
publisher:
Howard Jones Music Ltd.
Howard Jones53:55
52Cath
recording of:
Cath
lyricist and composer:
Robert Hodgens
The Bluebells3:49
53Come On, Let’s Go
Los Lobos2:11
54Twist and Shout
cover recording of:
Twist and Shout
writer:
Bert Russell (in 1961-02) and Phil Medley (in 1961-02)
publisher:
EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), Progressive Music Publishing Company Inc., Progressive Music, Inc (publisher), Rightsong Music Inc., Robert Mellin Ltd., Robert Mellin Music Publishing Corp., Robert Mellin, Inc., Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), Sony/ATV Music Publishing (UK) Ltd., Unichappell Music, Inc. and Warner/Chappell (Warner/Chappell Music, Inc.)
part of:
Baby It’s You! (jukebox musical, book by Floyd Mutrux and Colin Escott)
David Lindley2:44
55Blister in the Sun
recording engineer:
Glenn Lorbiecki (in 1982-07)
engineer and mixer:
John Tanner
producer:
Mark Van Hecke
bass:
Brian Ritchie (in 1982-07)
drums (drum set) and percussion:
Victor DeLorenzo (in 1982-07)
guitar and lead vocals:
Gordon Gano (in 1982-07)
vocals:
Victor DeLorenzo (in 1982-07) and Brian Ritchie (in 1982-07)
recorded at:
Castle Productions in Lake Geneva, Wisconsin, United States (in 1982-07)
part of:
Indie 88: Top 500 Indie Rock Songs (number: 17)
recording of:
Blister in the Sun (in 1982-07)
lyricist and composer:
Gordon Gano
publisher:
Gorno Music Publishing, Gorno Music (in 1980) and Copyright Control (not for release label use! this is only for copyrights and publishing relationships) (in 1982)
Violent Femmes4.452:24
56Bound to Be
recording of:
Bound to Be
writer:
Gilbert Gabriel and Nick Laird-Clowes
The Dream Academy43:08
57Legs
engineer:
Terry Manning (US recording engineer)
producer:
Bill Ham (manager of ZZ Top)
lead vocals:
Billy Gibbons
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1983)
recorded at:
Ardent Studios in Memphis, Tennessee, United States
recording of:
Legs
writer:
Frank Beard (ZZ Top drummer), Billy Gibbons and Dusty Hill
publisher:
Music of Stage Three, Songs of Mosaic and Hamstein Music Co. (publisher) (in 1983)
ZZ Top4.354:35
58Jolene
cover recording of:
Jolene
lyricist and composer:
Dolly Parton
publisher:
Carlin Music Corporation, Neue Welt Musikverlag GmbH (2017 – present), Owepar Publishing Inc. and Velvet Apple Music
Strawberry Switchblade6:14
59Should I Say Yes?
Nu Shooz4:51
60Lip Up Fatty
producer:
Roger Lomas
phonographic copyright (℗) by:
Magnet Records Ltd.
recording of:
Lip Up Fatty
writer:
Louis Cook, Douglas Trendle, David Farren, Paul Hyman, Chris Kane (saxophone player), Andrew Marson, Alan Sayag, Martin Stewart (member of Bad Manners, The Selecter) and Brian Tuitt
publisher:
Magnet Music Ltd. (publisher)
Bad Manners42:46

Credits

Release

ASIN:UK: B00ODJVZ8K [info]