| Nr. | Titel | Künstler | Bewertung | Länge |
|---|
| 1 | That Was Yesterday- assistierende(r) Techniker(in):
- Bobby Cohen , Tim Crich und Scott "Abada" Mabuchi
- Techniker(in):
- Frank Filipetti
- zusätzliche(r) Techniker(in):
- Josh Abbey, Larry Alexander , Jason Corsaro , Joe Ferla und Howie Lindeman
- Produzent(in):
- Mick Jones und Alex Sadkin
- Bassgitarre:
- Rick Wills
- E-Gitarre:
- Mick Jones
- Schlagzeug:
- Dennis Elliott
- Hintergrundgesang:
- Mick Jones und Rick Wills
- Sologesang:
- Lou Gramm
- phonographisches Urheberrecht (℗) von:
- Atlantic Recording Corporation (in 1984) und Rhino Entertainment Company (in 2009)
- aufgenommen bei:
- The Hit Factory in Manhattan, New York, New York, Vereinigte Staaten
- zusätzlich aufgenommen bei:
- Right Track Recording in Manhattan, New York, New York, Vereinigte Staaten
- mixed at:
- Right Track Recording in Manhattan, New York, New York, Vereinigte Staaten
- recording of:
- That Was Yesterday
- Verfasser(in):
- Lou Gramm und Mick Jones
- publisher:
- Little Doggies Productions, Screen Gems–EMI Music Ltd. und Somerset Songs Publishing Inc.
- sub-publisher:
- フジパシフィック音楽出版 (bis 2014-12-31), イーエムアイ音楽出版 フジパシフィック事業部 (bis 2021-06-30), フジパシフィックミュージック (vom 2015-01-01 bis heute) und ソニー・ミュージックパブリッシング フジパシフィック事業部 (vom 2021-07-01 bis heute)
| Foreigner | 4 | 3:49 |
| 2 | Jane | Jefferson Starship | 3.75 | 4:12 |
| 3 | Love Me for a Minute | Cheap Trick | 3 | 4:14 |
| 4 | Excited | Bad Company | 4 | 4:33 |
| 5 | Ride Like the Wind- assistierende(r) Techniker(in):
- Stuart Gitlin
- Techniker(in) und Mix:
- Chet Himes
- Produzent(in):
- Michael Omartian
- Akustikgitarre, E-Gitarre, Solo-Gitarre und Sologesang:
- Christopher Cross
- Bassgitarre:
- Andy Salmon
- Hybrid-Piano und Klavier:
- Michael Omartian
- Perkussion:
- Lenny Castro
- Schlagzeug:
- Tommy Taylor
- Synthesizer:
- Rob Meurer
- Hintergrundgesang:
- Christopher Cross und Michael McDonald
- arranger:
- Christopher Cross , Rob Meurer und Michael Omartian
- phonographisches Urheberrecht (℗) von:
- Warner Bros. (in 1979) und Warner Bros. Records Inc. (in 1979)
- produced for:
- Free Flow Productions
- aufgenommen bei:
- Pecan Street Studios in Austin, Texas, Vereinigte Staaten und Warner Bros. Recording Studios in North Hollywood, Los Angeles, California , Vereinigte Staaten
- mixed at:
- Warner Bros. Recording Studios in North Hollywood, Los Angeles, California , Vereinigte Staaten
- recording of:
- Ride Like the Wind
- Texter und Komponist(in):
- Christopher Cross
- publisher:
- BMG Songs, Inc., Pop ’n’ Roll Music und Universal Music–MGB Songs
- sub-publisher:
- Shinko Music Entertainment Co., Ltd. und Universal Music Publishing, Synch Division
| Christopher Cross | 4.2 | 4:36 |
| 6 | Who Do You Think You Are? | Russia | | 3:20 |
| 7 | Tell Me How You Want It | Damn Yankees | 2 | 4:33 |
| 8 | Best of Me | Ratt | 4 | 4:19 |
| 9 | Night Shift | Foghat | 3 | 5:35 |
| 10 | Discipline | Desmond Child | | 5:07 |
| 11 | Ambition | Tommy Shaw | | 4:26 |
| 12 | Broken Heart | White Lion | | 4:08 |
| 13 | Radioactive | The Firm | | 2:49 |
| 14 | Go Easy | Alien | | 3:38 |
| 15 | Into the Night | Ace Frehley | | 4:14 |
| 16 | Angels Calling | Laura Branigan | | 3:48 |
| 17 | Lost in the Shadows (from “The Lost Boys”) | Lou Gramm | 3 | 6:37 |
| 18 | New Thing | Enuff Z’Nuff | | 4:18 |
| 19 | It Can Happen | Yes | 3.5 | 5:27 |
| 20 | Stuck in the Middle | Grand Funk Railroad | | 3:10 |
| 21 | Don’t Blame It on Love | Private Life | | 3:52 |
| 22 | Midnite Dynamite | Kix | 3.5 | 3:51 |
| 23 | Goin’ Home to Rock ’n’ Roll | Painter | | 3:02 |
| 24 | Distant Riders | Henry Paul Band | | 4:08 |
| 25 | Caution to the Wind | Tangier | 3 | 4:23 |
| 26 | Who’ll Be the Fool Tonight | Larsen/Feiten Band | | 4:10 |
| 27 | I Don’t Want It | Montrose | | 2:56 |
| 28 | Ball and Chain | Flame | | 5:16 |
| 29 | Hearts in Trouble | The Dukes | | 3:42 |
| 30 | (New Reign) The Phoenix | Drive | | 4:22 |
| 31 | Shadow on the Wall | Zero Nine | | 3:23 |
| 32 | Something in the Air | Gamma | | 3:17 |
| 33 | Cowgirl | Sons of Angels | | 4:14 |
| 34 | Isn’t It Easy | Beggars & Thieves | | 4:15 |
| 35 | Angel (on the Wrong Side of Town) | Steadlür | | 3:03 |
| 36 | Where the Livin’ Is Easy | Heavy Bones | | 4:54 |
| 37 | Time Ain’t Runnin’ Out | Frehley’s Comet | | 3:53 |
| 38 | Double Trouble | Nitro | | 3:55 |
| 39 | Sweet Sensation | Paul Rodgers | | 3:16 |
| 40 | Illusion (C’mon Over to My House) | Mother’s Finest | | 3:19 |
| 41 | Livin’ in the Eighties | New England | | 3:25 |
| 42 | I Can’t Get You Out of My System | Lisa Hartman | | 4:27 |
| 43 | D’Stroll | D’Molls | | 5:53 |
| 44 | Livin’ for the Rock ’n’ Roll | RTZ | | 3:27 |
| 45 | Can’t Leave You Alone | Taking Dawn | | 3:28 |
| 46 | Cover Up | Trevor Rabin | | 5:17 |
| 47 | Love Me or Leave Me | Swedish Erotica | | 4:27 |
| 48 | Don’t Settle for Less | Rough Cutt | | 2:34 |
| 49 | I Want You | Shadow King | | 4:30 |
| 50 | Fever | Talk of the Town | | 3:19 |
| 51 | Name of the Game | Fotomaker | | 4:39 |
| 52 | She’s Got You Running | Mickey Thomas | | 4:35 |
| 53 | Runaway | Bill Champlin | | 3:59 |
| 54 | Jennifer | Axe | | 3:57 |
| 55 | You’re No Angel | Fiona | | 3:57 |
| 56 | Do You Believe in Rock ’n’ Roll | Bad City | | 3:44 |
| 57 | Didn’t Wanna Lose Ya | Airrace | | 3:30 |
| 58 | Don’t Lose Any Sleep | Jim Jidhed | | 3:43 |
| 59 | You’re Not My Lover (but You Were Last Night) | Dalton | | 3:10 |
| 60 | My Girl | Uncanny X‐Men | | 4:58 |
| 61 | Tokyo | Dirty Looks | | 3:08 |
| 62 | Big Time | Skagarack | | 4:30 |
| 63 | No Tellin’ Lies | Zebra | | 3:30 |
| 64 | We Don’t Own the World | George Lynch | | 4:27 |
| 65 | Laughing With the Dead- recording engineer:
- Mike Tacci
- assistierende(r) Techniker(in):
- Russell Burt , Kimm James, Jamie Seyberth und Ulrich Wild
- zusätzliche(r) Techniker(in):
- Jeff Hendrickson , Mark Linett und Mike Tacci
- Produzent(in):
- Ted Templeman
- Mix:
- Jeff Hendrickson
- Bassgitarre:
- Lonnie Vencent
- Gitarre:
- Mick Sweda
- Perkussion und Schlagzeug:
- Jimmy D’Anda
- Hintergrundgesang:
- Jimmy D’Anda, Mick Sweda und Lonnie Vencent
- Sologesang:
- Marq Torien
- phonographisches Urheberrecht (℗) von:
- Warner Bros. Records Inc. (in 1993) und WEA International Inc. (in 1993)
- aufgenommen bei:
- Alpha Studios in Burbank, California , Vereinigte Staaten, Larrabee Sound Studios in North Hollywood, Los Angeles, California , Vereinigte Staaten und One on One Studios in North Hollywood, Los Angeles, California , Vereinigte Staaten
- recording of:
- Laughing With the Dead
- Verfasser(in):
- Jimmy D’Anda, Grant Morris , Mick Sweda, Marq Torien und Lonnie Vencent
- publisher:
- Buffoonery Grooves, From My Head to Your Ears Music, Fussy Pants Music, Grant Morris Publishing, My Two Angels Publishing und Shifty Harris
| BulletBoys | | 3:13 |
| 66 | If Love Should Go | Streets | | 4:11 |
| 67 | Just One Night | Bangalore Choir | | 3:48 |
| 68 | Matter of the Heart | Wild Horses | | 4:08 |
| 69 | Calling | Angry Anderson | | 4:35 |
| 70 | Heartbeat | Boulder | | 3:33 |
| 71 | Beneath da’ Coconuts | Fate | | 4:34 |
| 72 | Returned to the Scene of the Crime | Rossington | | 3:49 |
| 73 | Love Can Be So Cruel | Johnny Van Zant | | 5:04 |
| 74 | Wrecking Ball | Grace Slick | 2 | 3:51 |
| 75 | Can’t Have Your Cake | Vince Neil | | 3:57 |
| 76 | Godzilla | Michael Sembello | | 3:48 |
| 77 | Dirty Dancer | Michael White | | 4:00 |
| 78 | Big Bad Noise | Choirboys | | 3:39 |
| 79 | Once in a Lifetime | Vandenberg | | 3:54 |
| 80 | Lost in the Shuffle | Danny Kortchmar | | 3:23 |
| 81 | Love in the Big Town | Alannah Myles | 4 | 4:48 |
| 82 | What’s Your Game | Annica | | 2:42 |
| 83 | Comin’ Back | Kiss of the Gypsy | | 4:58 |
| 84 | Running Under Fire | Icon | | 4:26 |
| 85 | Lonely Too Long | Britny Fox | | 3:34 |
| 86 | The Wrong Side of the Law | Mick Jones | | 5:19 |
| 87 | Sucker for a Pretty Face | Eric Martin Band | | 3:55 |
| 88 | Everybody Wants What She’s Got | Tattoo Rodeo | | 3:23 |
| 89 | Grow or Pay | D‐A‐D | | 5:03 |
| 90 | No Way | Valentine | | 3:48 |
| 91 | Wild Young and Crazy | Hericane Alice | | 4:17 |
| 92 | Reckless Boy | Blackfoot | 2 | 3:26 |
| 93 | Two Hearts (from “American Anthem”) | John Parr | | 6:08 |
| 94 | Livin’ on a Knife Edge | Virginia Wolf | | 4:46 |
| 95 | Hungry | Winger | 4 | 4:01 |
| 96 | Goodbye Girl | David Gates | | 2:49 |
| 97 | Doctor- Techniker(in):
- Mark Atura, Cliff Hudgson, Jon Mathias und Nelson “Go‐Go” Ayers
- Produzent(in):
- Jack Ponti
- Mix:
- Jon Mathias und Jack Ponti
- Bassgitarre:
- Scott Bender
- Gitarre:
- David Cremin und Kelly Keeling
- Gitarre [lead and rhythm guitar]:
- Lance Bulen
- Keyboard:
- David Cremin
- Perkussion und Schlagzeug:
- Corky McClellan
- zusätzlich Keyboard:
- Randy Cantor und Bobby Gordon
- zusätzlich Perkussion:
- Frankie LaRocka
- zusätzlich Schlagzeug:
- Joe Franco
- Hintergrundgesang:
- Scott Bender, Lance Bulen, David Cremin und Corky McClellan
- Sologesang:
- Kelly Keeling
- arranger:
- Lance Bulen, Kelly Keeling, Jack Ponti und Vic Pepe
- phonographisches Urheberrecht (℗) von:
- Atlantic Recording Corporation (in 1990) und WEA International Inc. (in 1990)
- recording of:
- Doctor
- Verfasser(in):
- Lance Bulen, Kelly Keeling, Jack Ponti und Vic Pepe
- publisher:
- Jack Ponti Music, Little Elvis Music, Snoody Tunes, Universal Music–MGB Songs und WB Music Corp.
| Baton Rouge | | 3:41 |
| 98 | The Race Is On | Joe Lynn Turner | | 3:23 |
| 99 | Backdoor Man | Boycott | | 3:26 |
| 100 | Teaser | Yngwie Malmsteen | 2 | 3:29 |
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