Don Giovanni (Digital Reissue)

~ Release by Mozart; Nicolaï Ghiaurov, Christa Ludwig, Claire Watson, Mirella Freni, Nicolai Gedda, Walter Berry, Paolo Montarsolo, Franz Crass, Otto Klemperer, Nicolai Gedda, New Philharmonia Orchestra and Chorus (see all versions of this release, 6 available)

Tracklist

1▼Digital Media
#TitleArtistRatingLength
1Don Giovanni K527: Sinfonia (Orchestra)
baritone vocals:
Walter Berry (bass‐baritone)
bass vocals:
Franz Crass (operatic bass), Nicolaï Ghiaurov (operatic bass) and Paolo Montarsolo (operatic bass)
mezzo-soprano vocals:
Christa Ludwig (mezzo-soprano)
soprano vocals:
Mirella Freni (soprano) and Claire Watson (soprano)
tenor vocals:
Nicolai Gedda (tenor)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) and Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977)
conductor:
Otto Klemperer (German-born conductor and composer)
chorus master:
Wilhelm Pitz (chorus master)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1966-06-15 until 1966-07-04)
recording of:
Don Giovanni: Ouvertura
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1787)
part of:
Il dissoluto punito, ossia il Don Giovanni, K. 527 (Don Giovanni)
Wolfgang Amadeus Mozart6:33
2Don Giovanni K527, Atto Primo, Scena prima, Introduzione: Notte e giorno faticar (Leporello): Notte e giorno faticar (Leporello)
baritone vocals:
Walter Berry (bass‐baritone)
bass vocals:
Franz Crass (operatic bass), Nicolaï Ghiaurov (operatic bass) and Paolo Montarsolo (operatic bass)
mezzo-soprano vocals:
Christa Ludwig (mezzo-soprano)
soprano vocals:
Mirella Freni (soprano) and Claire Watson (soprano)
tenor vocals:
Nicolai Gedda (tenor)
orchestra:
Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) and Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Otto Klemperer (German-born conductor and composer)
chorus master:
Wilhelm Pitz (chorus master)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1966-06-15 until 1966-07-04)
partial recording of:
Don Giovanni: Atto I. No. 1 Introduzione “Notte e giorno faticar” (Leporello) / “Non sperar se non m’uccidi” – “Lasciala indegno” – “Ah soccorso” (Donna Anna, Don Giovanni, Leporello, Commendatore)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart1:57
3Don Giovanni K527, Atto Primo, Scena prima, Introduzione: Notte e giorno faticar (Leporello): Non sperar, se non m'uccidi (Donna A
baritone vocals:
Walter Berry (bass‐baritone)
bass vocals:
Franz Crass (operatic bass), Nicolaï Ghiaurov (operatic bass) and Paolo Montarsolo (operatic bass)
mezzo-soprano vocals:
Christa Ludwig (mezzo-soprano)
soprano vocals:
Mirella Freni (soprano) and Claire Watson (soprano)
tenor vocals:
Nicolai Gedda (tenor)
orchestra:
Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) and Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Otto Klemperer (German-born conductor and composer)
chorus master:
Wilhelm Pitz (chorus master)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1966-06-15 until 1966-07-04)
partial recording of:
Don Giovanni: Atto I. No. 1 Introduzione “Notte e giorno faticar” (Leporello) / “Non sperar se non m’uccidi” – “Lasciala indegno” – “Ah soccorso” (Donna Anna, Don Giovanni, Leporello, Commendatore)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart1:37
4Don Giovanni K527, Atto Primo, Scena prima, Introduzione: Notte e giorno faticar (Leporello): Lasciala, indegno! (Commendatore/Don
baritone vocals:
Walter Berry (bass‐baritone)
bass vocals:
Franz Crass (operatic bass), Nicolaï Ghiaurov (operatic bass) and Paolo Montarsolo (operatic bass)
mezzo-soprano vocals:
Christa Ludwig (mezzo-soprano)
soprano vocals:
Mirella Freni (soprano) and Claire Watson (soprano)
tenor vocals:
Nicolai Gedda (tenor)
orchestra:
Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) and Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Otto Klemperer (German-born conductor and composer)
chorus master:
Wilhelm Pitz (chorus master)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1966-06-15 until 1966-07-04)
partial recording of:
Don Giovanni: Atto I. No. 1 Introduzione “Notte e giorno faticar” (Leporello) / “Non sperar se non m’uccidi” – “Lasciala indegno” – “Ah soccorso” (Donna Anna, Don Giovanni, Leporello, Commendatore)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart2:57
5Don Giovanni K527, Atto Primo, Scena prima, Recitativo & Duetto: Ma qual mai s'offre (Donna Anna/Don Ottavio)
baritone vocals:
Walter Berry (bass‐baritone)
bass vocals:
Franz Crass (operatic bass), Nicolaï Ghiaurov (operatic bass) and Paolo Montarsolo (operatic bass)
mezzo-soprano vocals:
Christa Ludwig (mezzo-soprano)
soprano vocals:
Mirella Freni (soprano) and Claire Watson (soprano)
tenor vocals:
Nicolai Gedda (tenor)
orchestra:
Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) and Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Otto Klemperer (German-born conductor and composer)
chorus master:
Wilhelm Pitz (chorus master)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1966-06-15 until 1966-07-04)
recording of:
Don Giovanni: Atto I. No. 2 Recitativo accompagnato “Ma qual mai s’offre, oh Dei” (Donna Anna, Don Ottavio)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart3:04
6Don Giovanni K527, Atto Primo, Scena prima, Recitativo & Duetto: Fuggi, crudele, fuggi! (Donna Anna/Leporello)
baritone vocals:
Walter Berry (bass‐baritone)
bass vocals:
Franz Crass (operatic bass), Nicolaï Ghiaurov (operatic bass) and Paolo Montarsolo (operatic bass)
mezzo-soprano vocals:
Christa Ludwig (mezzo-soprano)
soprano vocals:
Mirella Freni (soprano) and Claire Watson (soprano)
tenor vocals:
Nicolai Gedda (tenor)
orchestra:
Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) and Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Otto Klemperer (German-born conductor and composer)
chorus master:
Wilhelm Pitz (chorus master)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1966-06-15 until 1966-07-04)
recording of:
Don Giovanni: Atto I. No. 2 Duetto “Fuggi, crudele, fuggi!” (Donna Anna, Don Ottavio)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart4:28
7Don Giovanni K527, Atto Primo, Scena seconda: Recitativo: Orsù, spicciati presto (Don Giovanni/Leporello)
baritone vocals:
Walter Berry (bass‐baritone)
bass vocals:
Franz Crass (operatic bass), Nicolaï Ghiaurov (operatic bass) and Paolo Montarsolo (operatic bass)
mezzo-soprano vocals:
Christa Ludwig (mezzo-soprano)
soprano vocals:
Mirella Freni (soprano) and Claire Watson (soprano)
tenor vocals:
Nicolai Gedda (tenor)
orchestra:
Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) and Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Otto Klemperer (German-born conductor and composer)
chorus master:
Wilhelm Pitz (chorus master)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1966-06-15 until 1966-07-04)
recording of:
Don Giovanni: Atto I. Recitativo “Orsù, spicciati presto” (Don Giovanni, Leporello)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart1:23
8Don Giovanni K527, Atto Primo, Scena seconda: Aria: Ah, chi mi dice mai (Donna Elvira)
baritone vocals:
Walter Berry (bass‐baritone)
bass vocals:
Franz Crass (operatic bass), Nicolaï Ghiaurov (operatic bass) and Paolo Montarsolo (operatic bass)
mezzo-soprano vocals:
Christa Ludwig (mezzo-soprano)
soprano vocals:
Mirella Freni (soprano) and Claire Watson (soprano)
tenor vocals:
Nicolai Gedda (tenor)
orchestra:
Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) and Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Otto Klemperer (German-born conductor and composer)
chorus master:
Wilhelm Pitz (chorus master)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1966-06-15 until 1966-07-04)
recording of:
Don Giovanni: Atto I. No. 3 Aria “Ah chi mi dice mai” (Donna Elvira)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart3:33
9Don Giovanni K527, Atto Primo, Scena seconda: Recitativo: Chi è là? (Donna Elvira/Don Giovanni/Leporello)
baritone vocals:
Walter Berry (bass‐baritone)
bass vocals:
Franz Crass (operatic bass), Nicolaï Ghiaurov (operatic bass) and Paolo Montarsolo (operatic bass)
mezzo-soprano vocals:
Christa Ludwig (mezzo-soprano)
soprano vocals:
Mirella Freni (soprano) and Claire Watson (soprano)
tenor vocals:
Nicolai Gedda (tenor)
orchestra:
Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) and Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Otto Klemperer (German-born conductor and composer)
chorus master:
Wilhelm Pitz (chorus master)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1966-06-15 until 1966-07-04)
recording of:
Don Giovanni: Atto I. Recitativo “Chi è là? Stelle! che vedo” (Donna Elvira, Don Giovanni, Leporello)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart2:47
10Don Giovanni K527, Atto Primo, Scena seconda: Aria: Madamina, il catalogo è questo (Leporello)
baritone vocals and bass vocals [Leporello]:
Walter Berry (bass‐baritone)
bass vocals:
Franz Crass (operatic bass), Nicolaï Ghiaurov (operatic bass) and Paolo Montarsolo (operatic bass)
mezzo-soprano vocals:
Christa Ludwig (mezzo-soprano)
soprano vocals:
Mirella Freni (soprano) and Claire Watson (soprano)
tenor vocals:
Nicolai Gedda (tenor)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) and Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977)
conductor:
Otto Klemperer (German-born conductor and composer)
chorus master:
Wilhelm Pitz (chorus master)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1966-06-15 until 1966-07-04)
recording of:
Don Giovanni: Atto I. No. 4 Aria “Madamina, il catalogo è questo” (Leporello)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart6:31
11Don Giovanni K527, Atto Primo, Scena terza: Coro: Giovinette che fate all'amore (Zerlina/Coro/Masetto)
baritone vocals:
Walter Berry (bass‐baritone)
bass vocals:
Franz Crass (operatic bass), Nicolaï Ghiaurov (operatic bass) and Paolo Montarsolo (operatic bass)
mezzo-soprano vocals:
Christa Ludwig (mezzo-soprano)
soprano vocals:
Mirella Freni (soprano) and Claire Watson (soprano)
tenor vocals:
Nicolai Gedda (tenor)
orchestra:
Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) and Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Otto Klemperer (German-born conductor and composer)
chorus master:
Wilhelm Pitz (chorus master)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1966-06-15 until 1966-07-04)
recording of:
Don Giovanni: Atto I. No. 5 Coro “Giovinette, che fate all’amore” (Zerlina, Coro)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart1:33
12Don Giovanni K527, Atto Primo, Scena terza: Recitativo: Manco male è partita (Don Giovanni/Leporello/Zerlina/Masetto)
baritone vocals:
Walter Berry (bass‐baritone)
bass vocals:
Franz Crass (operatic bass), Nicolaï Ghiaurov (operatic bass) and Paolo Montarsolo (operatic bass)
mezzo-soprano vocals:
Christa Ludwig (mezzo-soprano)
soprano vocals:
Mirella Freni (soprano) and Claire Watson (soprano)
tenor vocals:
Nicolai Gedda (tenor)
orchestra:
Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) and Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Otto Klemperer (German-born conductor and composer)
chorus master:
Wilhelm Pitz (chorus master)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1966-06-15 until 1966-07-04)
recording of:
Don Giovanni: Atto I. Recitativo “Manco male, è partita” (Don Giovanni, Leporello, Zerlina)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart1:57
13Don Giovanni K527, Atto Primo, Scena terza: Aria: Ho capito, signor si! (Masetto)
baritone vocals:
Walter Berry (bass‐baritone)
bass vocals:
Franz Crass (operatic bass), Nicolaï Ghiaurov (operatic bass) and Paolo Montarsolo (operatic bass)
mezzo-soprano vocals:
Christa Ludwig (mezzo-soprano)
soprano vocals:
Mirella Freni (soprano) and Claire Watson (soprano)
tenor vocals:
Nicolai Gedda (tenor)
orchestra:
Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) and Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Otto Klemperer (German-born conductor and composer)
chorus master:
Wilhelm Pitz (chorus master)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1966-06-15 until 1966-07-04)
recording of:
Don Giovanni: Atto I. No. 6 Aria “Ho capito, signor, sì!” (Masetto)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart1:45
14Don Giovanni K527, Atto Primo, Scena terza, Recitativo & Duetto: Alfin siam liberati (Don Giovanni/Zerlina)
baritone vocals:
Walter Berry (bass‐baritone)
bass vocals:
Franz Crass (operatic bass), Nicolaï Ghiaurov (operatic bass) and Paolo Montarsolo (operatic bass)
mezzo-soprano vocals:
Christa Ludwig (mezzo-soprano)
soprano vocals:
Mirella Freni (soprano) and Claire Watson (soprano)
tenor vocals:
Nicolai Gedda (tenor)
orchestra:
Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) and Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Otto Klemperer (German-born conductor and composer)
chorus master:
Wilhelm Pitz (chorus master)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1966-06-15 until 1966-07-04)
recording of:
Don Giovanni: Atto I. Recitativo “Alfin siam liberati” (Don Giovanni, Zerlina)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart1:50
15Don Giovanni K527, Atto Primo, Scena terza, Recitativo & Duetto: Là ci darem la mano (Don Giovanni/Zerlina)
baritone vocals:
Walter Berry (bass‐baritone)
bass vocals:
Franz Crass (operatic bass), Nicolaï Ghiaurov (operatic bass) and Paolo Montarsolo (operatic bass)
mezzo-soprano vocals:
Christa Ludwig (mezzo-soprano)
soprano vocals:
Mirella Freni (soprano) and Claire Watson (soprano)
tenor vocals:
Nicolai Gedda (tenor)
orchestra:
Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) and Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Otto Klemperer (German-born conductor and composer)
chorus master:
Wilhelm Pitz (chorus master)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1966-06-15 until 1966-07-04)
recording of:
Don Giovanni: Atto I. No. 7 Duettino “Là ci darem la mano” (Don Giovanni, Zerlina)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart3:10
16Don Giovanni K527, Atto Primo, Scena terza: Recitativo: Fermati, scellerato! (Donna Elvira/Zerlina/Don Giovanni)
baritone vocals:
Walter Berry (bass‐baritone)
bass vocals:
Franz Crass (operatic bass), Nicolaï Ghiaurov (operatic bass) and Paolo Montarsolo (operatic bass)
mezzo-soprano vocals:
Christa Ludwig (mezzo-soprano)
soprano vocals:
Mirella Freni (soprano) and Claire Watson (soprano)
tenor vocals:
Nicolai Gedda (tenor)
orchestra:
Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) and Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Otto Klemperer (German-born conductor and composer)
chorus master:
Wilhelm Pitz (chorus master)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1966-06-15 until 1966-07-04)
recording of:
Don Giovanni: Atto I. Recitativo “Fermati scellerato” (Donna Elvira, Zerlina, Don Giovanni)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart2:14
17Don Giovanni K527, Atto Primo, Scena terza, Recitativo & Quartetto: Mi par ch'oggi il demonio
baritone vocals:
Walter Berry (bass‐baritone)
bass vocals:
Franz Crass (operatic bass), Nicolaï Ghiaurov (operatic bass) and Paolo Montarsolo (operatic bass)
mezzo-soprano vocals:
Christa Ludwig (mezzo-soprano)
soprano vocals:
Mirella Freni (soprano) and Claire Watson (soprano)
tenor vocals:
Nicolai Gedda (tenor)
orchestra:
Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) and Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Otto Klemperer (German-born conductor and composer)
chorus master:
Wilhelm Pitz (chorus master)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1966-06-15 until 1966-07-04)
recording of:
Don Giovanni: Atto I. Recitativo "Mi par ch' oggi il demonio si diverta" (Don Giovanni, Don Ottavio, Donna Anna)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart1:13
18Don Giovanni K527, Atto Primo, Scena terza: Non ti fidar, o misera (Don Giovanni/Don Ottavio/Donna Anna/Don Elvira)
baritone vocals:
Walter Berry (bass‐baritone)
bass vocals:
Franz Crass (operatic bass), Nicolaï Ghiaurov (operatic bass) and Paolo Montarsolo (operatic bass)
mezzo-soprano vocals:
Christa Ludwig (mezzo-soprano)
soprano vocals:
Mirella Freni (soprano) and Claire Watson (soprano)
tenor vocals:
Nicolai Gedda (tenor)
orchestra:
Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) and Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Otto Klemperer (German-born conductor and composer)
chorus master:
Wilhelm Pitz (chorus master)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1966-06-15 until 1966-07-04)
recording of:
Don Giovanni: Atto I. No. 9 Quartetto "Non ti fidar, oh misera" (Donna Elvira, Donna Anna, Don Ottavio, Don Giovanni)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart5:04
19Don Giovanni K527, Atto Primo, Scena terza, Recitativo & Aria: Don Ottavio, son morta! (Donna Anna/Don Ottavio)
baritone vocals:
Walter Berry (bass‐baritone)
bass vocals:
Franz Crass (operatic bass), Nicolaï Ghiaurov (operatic bass) and Paolo Montarsolo (operatic bass)
mezzo-soprano vocals:
Christa Ludwig (mezzo-soprano)
soprano vocals:
Mirella Freni (soprano) and Claire Watson (soprano)
tenor vocals:
Nicolai Gedda (tenor)
orchestra:
Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) and Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Otto Klemperer (German-born conductor and composer)
chorus master:
Wilhelm Pitz (chorus master)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1966-06-15 until 1966-07-04)
recording of:
Don Giovanni: Atto I. No. 10 Recitativo accompagnato "Don Ottavio, son morta!" (Donna Anna, Don Ottavio)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart3:26
20Don Giovanni K527, Atto Primo, Scena terza, Recitativo & Aria: Or sai chi l'onore (Donna Anna)
baritone vocals:
Walter Berry (bass‐baritone)
bass vocals:
Franz Crass (operatic bass), Nicolaï Ghiaurov (operatic bass) and Paolo Montarsolo (operatic bass)
mezzo-soprano vocals:
Christa Ludwig (mezzo-soprano)
soprano vocals:
Mirella Freni (soprano) and Claire Watson (soprano)
tenor vocals:
Nicolai Gedda (tenor)
orchestra:
Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) and Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Otto Klemperer (German-born conductor and composer)
chorus master:
Wilhelm Pitz (chorus master)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1966-06-15 until 1966-07-04)
recording of:
Don Giovanni: Atto I. No. 10 Aria “Or sai chi l’onore” (Donna Anna)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart3:05
21Don Giovanni K527, Atto Primo, Scena terza: Recitativo & Aria
baritone vocals:
Walter Berry (bass‐baritone)
bass vocals:
Franz Crass (operatic bass), Nicolaï Ghiaurov (operatic bass) and Paolo Montarsolo (operatic bass)
mezzo-soprano vocals:
Christa Ludwig (mezzo-soprano)
soprano vocals:
Mirella Freni (soprano) and Claire Watson (soprano)
tenor vocals:
Nicolai Gedda (tenor)
orchestra:
Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) and Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Otto Klemperer (German-born conductor and composer)
chorus master:
Wilhelm Pitz (chorus master)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1966-06-15 until 1966-07-04)
recording of:
Don Giovanni: Atto I. Anhang. No. 10a Aria “Dalla sua pace” (Don Ottavio) [K. 540a]
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Köchelverzeichnis (Köchel catalogue, sixth edition, 1964, K⁶) (number: K. 540a)
part of:
Don Giovanni: Atto I
recording of:
Don Giovanni: Atto I. Recitativo “Come mai creder deggio” (Don Ottavio)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart4:49
22Don Giovanni K527, Atto Primo, Scena terza: Recitativo: Io deggio ad agni patto (Leporello/Don Giovanni)
baritone vocals:
Walter Berry (bass‐baritone)
bass vocals:
Franz Crass (operatic bass), Nicolaï Ghiaurov (operatic bass) and Paolo Montarsolo (operatic bass)
mezzo-soprano vocals:
Christa Ludwig (mezzo-soprano)
soprano vocals:
Mirella Freni (soprano) and Claire Watson (soprano)
tenor vocals:
Nicolai Gedda (tenor)
orchestra:
Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) and Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Otto Klemperer (German-born conductor and composer)
chorus master:
Wilhelm Pitz (chorus master)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1966-06-15 until 1966-07-04)
recording of:
Don Giovanni: Atto I. Recitativo “Io deggio ad ogni patto” (Leporello, Don Giovanni)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte (in 1787)
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart1:29
23Mozart: Don Giovanni, K. 527, Act 1: "Finch'han dal vino" (Don Giovanni)
baritone vocals:
Walter Berry (bass‐baritone)
bass vocals:
Franz Crass (operatic bass), Nicolaï Ghiaurov (operatic bass) and Paolo Montarsolo (operatic bass)
bass vocals [Don Giovanni] and bass-baritone vocals [Don Giovanni]:
Nicolaï Ghiaurov (operatic bass)
mezzo-soprano vocals:
Christa Ludwig (mezzo-soprano)
soprano vocals:
Mirella Freni (soprano) and Claire Watson (soprano)
tenor vocals:
Nicolai Gedda (tenor)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) and Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977)
conductor:
Otto Klemperer (German-born conductor and composer)
chorus master:
Wilhelm Pitz (chorus master)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1966-06-15 until 1966-07-04)
recording of:
Don Giovanni: Atto I. No. 11 Aria “Fin ch’han dal vino” (Don Giovanni)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte (in 1787)
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart1:29
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