The Complete Recordings: 1949-50

~ Veröffentlichung von Anita O’Day (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

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Nr.TitelBewertungLänge
1Them There Eyes
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1945-01-18)
alto saxophone:
Heinie Beau (am 1945-01-18) und Manny Gershman (am 1945-01-18)
baritone saxophone:
Harry Suchman (bass) (am 1945-01-18)
Bass:
Phil Stevens (country bass player) (am 1945-01-18)
Gitarre:
Dave Barbour (am 1945-01-18)
Klavier:
Milt Raskin (Milton Raskin) (am 1945-01-18)
Kontrabass:
Phil Stephens (bass and tuba player) (am 1945-01-18)
Posaune:
Jimmy Skyles (am 1945-01-18) und Jimmy Skyles (am 1945-01-18)
Schlagzeug:
Zutty Singleton (am 1945-01-18)
Tenorsaxophon:
Herbie Haymer (am 1945-01-18)
Trompete:
Charlie Griffith (trumpet) (am 1945-01-18)
vocals:
Anita O’Day (am 1945-01-18)
conductor:
Lowell Martin (jazz trombonist) (am 1945-01-18)
arranger:
Lowell Martin (jazz trombonist)
Teil von:
Capitol Records (by matrix number) (Nummer: 550-3)
cover recording of:
Them There Eyes (am 1945-01-18)
Texter:
William Tracey (in 1930)
Komponist(in):
Maceo Pinkard (in 1930) und Doris Tauber (in 1930)
publisher:
Bourne Co. (not for release label use, this is a music publisher), Redwood Music Ltd. (Carlin) und Warner Chappell Music Limited (2019–present)
recording of:
Them There Eyes (am 1945-01-18)
Texter:
William Tracey (in 1930)
Komponist(in):
Maceo Pinkard (in 1930) und Doris Tauber (in 1930)
publisher:
Bourne Co. (not for release label use, this is a music publisher), Redwood Music Ltd. (Carlin) und Warner Chappell Music Limited (2019–present)
2:41
2Memories of You
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1945-01-18)
alto saxophone:
Heinie Beau (am 1945-01-18) und Manny Gershman (am 1945-01-18)
baritone saxophone:
Harry Suchman (bass) (am 1945-01-18)
Bass:
Phil Stevens (country bass player) (am 1945-01-18)
Gitarre:
Dave Barbour (am 1945-01-18)
Klavier:
Milt Raskin (Milton Raskin) (am 1945-01-18)
Posaune:
Jimmy Skyles (am 1945-01-18)
Schlagzeug:
Zutty Singleton (am 1945-01-18)
Tenorsaxophon:
Herbie Haymer (am 1945-01-18)
Trompete:
Charlie Griffith (trumpet) (am 1945-01-18)
vocals:
Anita O’Day (am 1945-01-18)
conductor:
Lowell Martin (jazz trombonist) (am 1945-01-18)
arranger:
Lowell Martin (jazz trombonist)
Teil von:
Capitol Records (by matrix number) (Nummer: 551-4)
3:01
3How Come?
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1945-01-18)
alto saxophone:
Heinie Beau (am 1945-01-18) und Manny Gershman (am 1945-01-18)
baritone saxophone:
Harry Suchman (bass) (am 1945-01-18)
Bass:
Phil Stevens (country bass player) (am 1945-01-18)
Gitarre:
Dave Barbour (am 1945-01-18)
Klavier:
Milt Raskin (Milton Raskin) (am 1945-01-18)
Posaune:
Jimmy Skyles (am 1945-01-18)
Schlagzeug:
Zutty Singleton (am 1945-01-18)
Tenorsaxophon:
Herbie Haymer (am 1945-01-18)
Trompete:
Charlie Griffith (trumpet) (am 1945-01-18)
vocals:
Anita O’Day (am 1945-01-18)
conductor:
Lowell Martin (jazz trombonist) (am 1945-01-18)
arranger:
Lowell Martin (jazz trombonist)
Teil von:
Capitol Records (by matrix number) (Nummer: 552-1)
2:44
4I Can't Believe That You're in Love With Me
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1945-01-18)
alto saxophone:
Heinie Beau (am 1945-01-18) und Manny Gershman (am 1945-01-18)
baritone saxophone:
Harry Suchman (bass) (am 1945-01-18)
Bass:
Phil Stevens (country bass player) (am 1945-01-18)
Gitarre:
Dave Barbour (am 1945-01-18)
Klavier:
Milt Raskin (Milton Raskin) (am 1945-01-18)
Posaune:
Jimmy Skyles (am 1945-01-18)
Schlagzeug:
Zutty Singleton (am 1945-01-18)
Tenorsaxophon:
Herbie Haymer (am 1945-01-18)
Trompete:
Charlie Griffith (trumpet) (am 1945-01-18)
vocals:
Anita O’Day (am 1945-01-18)
conductor:
Lowell Martin (jazz trombonist) (am 1945-01-18)
arranger:
Lowell Martin (jazz trombonist)
Teil von:
Capitol Records (by matrix number) (Nummer: 553-3)
2:52
5Ain't Misbehavin'
recording of:
Ain’t Misbehavin’
Texter:
Andy Razaf (in 1929)
Komponist(in):
Harry Brooks (jazz pianist & songwriter) (in 1929) und Fats Waller (in 1929)
publisher:
BMG Rights Management (UK) Ltd. (not for release label use! see annotation), EMI Music (do not use as release label! this is a music publisher), Redwood Music und Redwood Music Ltd. (Carlin)
2:27
6Penthouse Serenade
Bass:
Johnny Miller (part of the Nat King Cole Trio) (am 1945-05-26)
Gitarre:
Oscar Moore (am 1945-05-26)
Klavier:
Nat King Cole (am 1945-05-26)
vocals:
Anita O’Day (am 1945-05-26)
Interpret(in):
The Nat King Cole Trio
aufgenommen bei:
C. P. MacGregor Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1945-05-26)
cover recording of:
Penthouse Serenade (am 1945-05-26)
Verfasser(in):
Val Burton (Isadore Harry Burns) und Will Jason
publisher:
Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Jerry Leiber Music, Range Road Music Inc. und Silver Seahorse Music LLC
3:09
7Lonesome Road
1:47
8I Can't Give You Anything but Love
cover recording of:
I Can’t Give You Anything but Love, Baby
Texter:
Dorothy Fields (American librettist and lyricist)
Verfasser(in):
Dorothy Fields (American librettist and lyricist)
Komponist(in):
Jimmy McHugh (songwriter)
publisher:
Aldi Music Company, Cotton Club Publishing und EMI Mills Music Inc. (ASCAP-affiliated)
sub-publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), Shapiro Bernstein & Co. Ltd., ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), コンソーシアム音楽出版 C・F事業部 (Consortium Music Publishing, CF Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング CMP外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (vom 2021-07-01 bis heute)
2:44
9Rosetta
2:14
10Jamaica Mon
2:28
11Don't Kick It Around
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1949-09-11)
Klavier:
Hymie Fiddleman (am 1949-09-11)
Rohrblattinstrumente:
Benny Lagasse (am 1949-09-11)
Schlagzeug:
Abbey Brown (am 1949-09-11)
Tenorsaxophon:
Bob Dukoff (am 1949-09-11)
vocals:
Anita O’Day (am 1949-09-11)
Interpret(in):
Abbey Brown’s Cool Cats (am 1949-09-11)
3:26
12So Much of Nothing to Do
3:14
13Poor Simple Simon
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1949-09-11)
Klavier:
Hymie Fiddleman (am 1949-09-11)
Rohrblattinstrumente:
Benny Lagasse (am 1949-09-11)
Schlagzeug:
Abbey Brown (am 1949-09-11)
Tenorsaxophon:
Bob Dukoff (am 1949-09-11)
vocals:
Anita O’Day (am 1949-09-11)
Interpret(in):
Abbey Brown’s Cool Cats (am 1949-09-11)
2:36
14Blues for Bojangles
recorded in:
Chicago, Illinois, Vereinigte Staaten (am 1950-01-05)
Bass:
Mel Schmidt (am 1950-01-05)
Gitarre:
George Barnes (am 1950-01-05)
Klavier:
Paul Jordan (piano, jazz) (am 1950-01-05)
Schlagzeug:
Frank Rullo (am 1950-01-05)
Tenorsaxophon:
Boyd Roland (am 1950-01-05)
Trompete:
John Carroll (jazz trumpeter) (am 1950-01-05)
vocals:
Anita O’Day (am 1950-01-05)
Orchester:
Paul Jordan and His Orchestra (am 1950-01-05)
3:13
15Your Eyes Are Bigger Than Your Heart
recorded in:
Chicago, Illinois, Vereinigte Staaten (am 1950-01-05)
Bass:
Mel Schmidt (am 1950-01-05)
Gitarre:
George Barnes (am 1950-01-05)
Klavier:
Paul Jordan (piano, jazz) (am 1950-01-05)
Schlagzeug:
Frank Rullo (am 1950-01-05)
Tenorsaxophon:
Boyd Roland (am 1950-01-05)
Trompete:
John Carroll (jazz trumpeter) (am 1950-01-05)
vocals:
Anita O’Day (am 1950-01-05)
Orchester:
Paul Jordan and His Orchestra (am 1950-01-05)
2:44
16Tennessee Waltz
recorded in:
New York, New York, Vereinigte Staaten (am 1950-10-26)
alto saxophone:
Hymie Schertzer (am 1950-10-26) und Al Klink (am 1950-10-26)
baritone saxophone:
Sol Schlinger (saxophone, jazz) (am 1950-10-26)
Bass:
Bob Carter (bass) (am 1950-10-26)
Gitarre:
Billy Mure (am 1950-10-26)
Klavier:
Teddy Wilson (am 1950-10-26)
Posaune:
George Arus (am 1950-10-26), Will Bradley (US boogie woogie trombonist & bandleader) (am 1950-10-26) und Phil Giardina (am 1950-10-26)
Schlagzeug:
Buzzy Drootin (am 1950-10-26)
Tenorsaxophon:
Boomie Richman (am 1950-10-26) und Babe Fresk (am 1950-10-26)
Trompete:
Art Depew (am 1950-10-26), Doc Severinsen (am 1950-10-26) und Charlie Shavers (am 1950-10-26)
vocals:
Anita O’Day (am 1950-10-26)
Orchester:
Jack Pleis and His Orchestra (am 1950-10-26)
cover recording of:
Tennessee Waltz
Texter:
Redd Stewart (in 1946)
Komponist(in):
Pee Wee King (in 1946)
publisher:
Acuff-Rose Publications, Inc. (BMI), Cinephonic Music Co., Ltd. und Sony/ATV Acuff Rose Music (tradename of Sony/ATV Songs LLC)
3:02
17Yea Boo
2:20
18Something I Dreamed Last Night
3:13
19If I Could Steal You From Somebody Else
recorded in:
New York, New York, Vereinigte Staaten (am 1950-10-26)
alto saxophone:
Hymie Schertzer (am 1950-10-26) und Al Klink (am 1950-10-26)
baritone saxophone:
Sol Schlinger (saxophone, jazz) (am 1950-10-26)
Bass:
Bob Carter (bass) (am 1950-10-26)
Gitarre:
Billy Mure (am 1950-10-26)
Klavier:
Teddy Wilson (am 1950-10-26)
Posaune:
George Arus (am 1950-10-26), Will Bradley (US boogie woogie trombonist & bandleader) (am 1950-10-26) und Phil Giardina (am 1950-10-26)
Schlagzeug:
Buzzy Drootin (am 1950-10-26)
Tenorsaxophon:
Boomie Richman (am 1950-10-26) und Babe Fresk (am 1950-10-26)
Trompete:
Art Depew (am 1950-10-26), Doc Severinsen (am 1950-10-26) und Charlie Shavers (am 1950-10-26)
vocals:
Anita O’Day (am 1950-10-26)
Orchester:
Jack Pleis and His Orchestra (am 1950-10-26)
2:31
20You Took Advantage of Me
recorded in:
New York, New York, Vereinigte Staaten (am 1950-12-27)
alto saxophone:
Hymie Schertzer (am 1950-12-27) und Al Klink (am 1950-12-27)
baritone saxophone:
Artie Baker (saxophonist, flutist and clarinetist) (am 1950-12-27)
Bass:
Bob Carter (bass) (am 1950-12-27)
Gitarre:
Al Valiente (am 1950-12-27)
Klavier:
Jack Pleis (am 1950-12-27)
Posaune:
Will Bradley (US boogie woogie trombonist & bandleader) (am 1950-12-27) und Cutty Cutshall (am 1950-12-27)
Schlagzeug:
Johnny Blowers (am 1950-12-27)
Tenorsaxophon:
Art Drellinger (am 1950-12-27)
Trompete:
Jack Hanson (am 1950-12-27), Carl Poole (US trumpeter) (am 1950-12-27) und Al Stewart (Trumpet) (am 1950-12-27)
vocals:
Anita O’Day (am 1950-12-27)
Orchester:
Ben Homer and His Orchestra (am 1950-12-27)
recording of:
You Took Advantage of Me
Texter:
Lorenz Hart (in 1928)
Komponist(in):
Richard Rodgers (composer) (in 1928)
publisher:
Chappell’s • Sydney
2:20
21Once There Lived a Fool
recorded in:
New York, New York, Vereinigte Staaten (am 1950-12-27)
alto saxophone:
Hymie Schertzer (am 1950-12-27) und Al Klink (am 1950-12-27)
baritone saxophone:
Artie Baker (saxophonist, flutist and clarinetist) (am 1950-12-27)
Bass:
Bob Carter (bass) (am 1950-12-27)
Gitarre:
Al Valiente (am 1950-12-27)
Klavier:
Jack Pleis (am 1950-12-27)
Posaune:
Will Bradley (US boogie woogie trombonist & bandleader) (am 1950-12-27) und Cutty Cutshall (am 1950-12-27)
Schlagzeug:
Johnny Blowers (am 1950-12-27)
Tenorsaxophon:
Art Drellinger (am 1950-12-27)
Trompete:
Jack Hanson (am 1950-12-27), Carl Poole (US trumpeter) (am 1950-12-27) und Al Stewart (Trumpet) (am 1950-12-27)
vocals:
Anita O’Day (am 1950-12-27)
Orchester:
Ben Homer and His Orchestra (am 1950-12-27)
3:00
22I Apologize
recorded in:
New York, New York, Vereinigte Staaten (am 1950-12-27)
alto saxophone:
Hymie Schertzer (am 1950-12-27) und Al Klink (am 1950-12-27)
baritone saxophone:
Artie Baker (saxophonist, flutist and clarinetist) (am 1950-12-27)
Bass:
Bob Carter (bass) (am 1950-12-27)
Gitarre:
Al Valiente (am 1950-12-27)
Klavier:
Jack Pleis (am 1950-12-27)
Posaune:
Will Bradley (US boogie woogie trombonist & bandleader) (am 1950-12-27) und Cutty Cutshall (am 1950-12-27)
Schlagzeug:
Johnny Blowers (am 1950-12-27)
Tenorsaxophon:
Art Drellinger (am 1950-12-27)
Trompete:
Jack Hanson (am 1950-12-27), Carl Poole (US trumpeter) (am 1950-12-27) und Al Stewart (Trumpet) (am 1950-12-27)
vocals:
Anita O’Day (am 1950-12-27)
Orchester:
Ben Homer and His Orchestra (am 1950-12-27)
3:05
23Black Moonlight
recorded in:
New York, New York, Vereinigte Staaten (am 1950-12-27)
alto saxophone:
Hymie Schertzer (am 1950-12-27) und Al Klink (am 1950-12-27)
baritone saxophone:
Artie Baker (saxophonist, flutist and clarinetist) (am 1950-12-27)
Bass:
Bob Carter (bass) (am 1950-12-27)
Gitarre:
Al Valiente (am 1950-12-27)
Klavier:
Jack Pleis (am 1950-12-27)
Posaune:
Will Bradley (US boogie woogie trombonist & bandleader) (am 1950-12-27) und Cutty Cutshall (am 1950-12-27)
Schlagzeug:
Johnny Blowers (am 1950-12-27)
Tenorsaxophon:
Art Drellinger (am 1950-12-27)
Trompete:
Jack Hanson (am 1950-12-27), Carl Poole (US trumpeter) (am 1950-12-27) und Al Stewart (Trumpet) (am 1950-12-27)
vocals:
Anita O’Day (am 1950-12-27)
Orchester:
Ben Homer and His Orchestra (am 1950-12-27)
2:45
24Lovesick Blues
2:45

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