The Board of Directors / Annual Report

~ Release by Count Basie & The Mills Brothers (see all versions of this release, 5 available)

Tracklist

1▼CD
#TitleRatingLength
1Up a Lazy River
recording of:
Lazy River
lyricist:
Hoagy Carmichael
composer:
Sidney Arodin and Hoagy Carmichael
3:33
2I May Be Wrong but I Think You're Wonderful
recording of:
I May Be Wrong (but I Think You’re Wonderful)
lyricist:
Harry Ruskin
composer:
Henry Sullivan
3:11
3Release Me
cover recording of:
Release Me
additional writer:
W.S. Stevenson
writer:
Harris (James Pebworth; Guitarist - songwriter Wrote the standard "Release Me" along with Eddie Miller (3) and Robert Yount. In most cases one or both of his pseudonyms Dub Williams and Robert Harris are credited on the releases.), Miller (US country music songwriter), Williams (pseudonym used by James Pebworth) and Young (songwriter)
publisher:
Acuff-Rose Music Limited (UK), Four Star Sales, Roschelle Publishing and Sony/ATV Music Publishing Ltd.
2:44
4I Want to Be Happy
recording of:
I Want to Be Happy (No, No, Nanette)
lyricist:
Irving Caesar and Otto Harbach
composer:
Vincent Youmans
part of:
No, No, Nanette
2:01
5Down-down-down
recording of:
Down, Down, Down
composer:
Don Redman
2:38
6The Whiffenpoof Song
recording of:
The Whiffenpoof Song
lyricist:
Meade Minnigerode (American writer) and George S Pomeroy (American lyricist)
composer:
Tod B Galloway (American composer and songwriter)
3:13
7I Dig Rock and Roll Music
recording of:
I Dig Rock and Roll Music
writer:
Dave Dixon, Jim Mason (Folk rock 1960s-1970s) and Noel Paul Stookey
3:07
8Tiny Bubbles
recording of:
Tiny Bubbles
lyricist and composer:
Leon Pober
publisher:
Granite Music Corporation
3:14
9December
2:46
10Let Me Dream
2:51
11April in Paris
recording of:
April in Paris
lyricist:
Yip Harburg (in 1932)
composer:
Vernon Duke (in 1932)
publisher:
Chappell Music Ltd.
part of:
The Real Book (compilation of jazz standards, volume I)
4:11
12Gentle on My Mind
recorded in:
New York, New York, United States (from 1968-07-02 until 1968-07-03)
producer:
Tom Mack and Teddy Reig
alto saxophone:
Bobby Plater (from 1968-07-02 until 1968-07-03) and Marshall Royal (from 1968-07-02 until 1968-07-03)
baritone saxophone:
Charlie Fowlkes (baritone saxophonist) (from 1968-07-02 until 1968-07-03)
bass:
Norman Keenan (from 1968-07-02 until 1968-07-03)
guitar:
Freddie Green (from 1968-07-02 until 1968-07-03)
piano:
Count Basie (pianist) (from 1968-07-02 until 1968-07-03)
tenor saxophone:
Eric Dixon (woodwind) (from 1968-07-02 until 1968-07-03) and Frank Foster (saxophonist) (from 1968-07-02 until 1968-07-03)
trombone:
Bill Hughes (jazz trombonist) (from 1968-07-02 until 1968-07-03) and Grover Mitchell (trombone) (from 1968-07-02 until 1968-07-03)
trumpet:
Al Aarons (American jazz trumpeter, who also played the horn, flugelhorn) (from 1968-07-02 until 1968-07-03) and Ernie Royal (from 1968-07-02 until 1968-07-03)
orchestra:
The Mills Brothers (from 1968-07-02 until 1968-07-03)
recording of:
Gentle on My Mind
lyricist and composer:
John Hartford
publisher:
Acuff Rose Publications Ltd. and Ensign Music Corp.
2:45
13Cherry
recorded in:
New York, New York, United States (from 1968-07-02 until 1968-07-03)
producer:
Tom Mack and Teddy Reig
alto saxophone:
Bobby Plater (from 1968-07-02 until 1968-07-03) and Marshall Royal (from 1968-07-02 until 1968-07-03)
baritone saxophone:
Charlie Fowlkes (baritone saxophonist) (from 1968-07-02 until 1968-07-03)
bass:
Norman Keenan (from 1968-07-02 until 1968-07-03)
guitar:
Freddie Green (from 1968-07-02 until 1968-07-03)
piano:
Count Basie (pianist) (from 1968-07-02 until 1968-07-03)
tenor saxophone:
Eric Dixon (woodwind) (from 1968-07-02 until 1968-07-03) and Frank Foster (saxophonist) (from 1968-07-02 until 1968-07-03)
trombone:
Bill Hughes (jazz trombonist) (from 1968-07-02 until 1968-07-03) and Grover Mitchell (trombone) (from 1968-07-02 until 1968-07-03)
trumpet:
Al Aarons (American jazz trumpeter, who also played the horn, flugelhorn) (from 1968-07-02 until 1968-07-03) and Ernie Royal (from 1968-07-02 until 1968-07-03)
orchestra:
The Mills Brothers (from 1968-07-02 until 1968-07-03)
recording of:
Cherry
lyricist:
Ray Gilbert
composer:
Ray Gilbert and Don Redman
publisher:
Ipanema Music Corp., Peer Musikverlag GmbH and Southern Music Publishing Co., Inc. ((ASCAP) tradename Peermusic)
3:28
14You Never Miss the Water Till the Well Runs Dry
recorded in:
New York, New York, United States (from 1968-07-02 until 1968-07-03)
producer:
Tom Mack and Teddy Reig
alto saxophone:
Bobby Plater (from 1968-07-02 until 1968-07-03) and Marshall Royal (from 1968-07-02 until 1968-07-03)
baritone saxophone:
Charlie Fowlkes (baritone saxophonist) (from 1968-07-02 until 1968-07-03)
bass:
Norman Keenan (from 1968-07-02 until 1968-07-03)
guitar:
Freddie Green (from 1968-07-02 until 1968-07-03)
piano:
Count Basie (pianist) (from 1968-07-02 until 1968-07-03)
tenor saxophone:
Eric Dixon (woodwind) (from 1968-07-02 until 1968-07-03) and Frank Foster (saxophonist) (from 1968-07-02 until 1968-07-03)
trombone:
Bill Hughes (jazz trombonist) (from 1968-07-02 until 1968-07-03) and Grover Mitchell (trombone) (from 1968-07-02 until 1968-07-03)
trumpet:
Al Aarons (American jazz trumpeter, who also played the horn, flugelhorn) (from 1968-07-02 until 1968-07-03) and Ernie Royal (from 1968-07-02 until 1968-07-03)
orchestra:
The Mills Brothers (from 1968-07-02 until 1968-07-03)
recording of:
You Never Miss the Water Till the Well Runs Dry (in 1968-07)
writer:
Arthur Kent and Paul Secon
2:55
15Glow Worm
recorded in:
New York, New York, United States (from 1968-07-02 until 1968-07-03)
producer:
Tom Mack and Teddy Reig
alto saxophone:
Bobby Plater (from 1968-07-02 until 1968-07-03) and Marshall Royal (from 1968-07-02 until 1968-07-03)
baritone saxophone:
Charlie Fowlkes (baritone saxophonist) (from 1968-07-02 until 1968-07-03)
bass:
Norman Keenan (from 1968-07-02 until 1968-07-03)
guitar:
Freddie Green (from 1968-07-02 until 1968-07-03)
piano:
Count Basie (pianist) (from 1968-07-02 until 1968-07-03)
tenor saxophone:
Eric Dixon (woodwind) (from 1968-07-02 until 1968-07-03) and Frank Foster (saxophonist) (from 1968-07-02 until 1968-07-03)
trombone:
Bill Hughes (jazz trombonist) (from 1968-07-02 until 1968-07-03) and Grover Mitchell (trombone) (from 1968-07-02 until 1968-07-03)
trumpet:
Al Aarons (American jazz trumpeter, who also played the horn, flugelhorn) (from 1968-07-02 until 1968-07-03) and Ernie Royal (from 1968-07-02 until 1968-07-03)
orchestra:
The Mills Brothers (from 1968-07-02 until 1968-07-03)
recording of:
The Glow‐Worm (Johnny Mercer version)
additional lyricist:
Johnny Mercer
composer:
Paul Lincke
translator:
Lilla Cayley Robinson
translated version of:
Lysistrata: „Glühwürmchen, Glühwürmchen flimm're” (Glühwürmchen-Idyll)
2:27
16Sent for You Yesterday and Here You Come Today
recorded in:
New York, New York, United States (from 1968-07-02 until 1968-07-03)
producer:
Tom Mack and Teddy Reig
alto saxophone:
Bobby Plater (from 1968-07-02 until 1968-07-03) and Marshall Royal (from 1968-07-02 until 1968-07-03)
baritone saxophone:
Charlie Fowlkes (baritone saxophonist) (from 1968-07-02 until 1968-07-03)
bass:
Norman Keenan (from 1968-07-02 until 1968-07-03)
guitar:
Freddie Green (from 1968-07-02 until 1968-07-03)
piano:
Count Basie (pianist) (from 1968-07-02 until 1968-07-03)
tenor saxophone:
Eric Dixon (woodwind) (from 1968-07-02 until 1968-07-03) and Frank Foster (saxophonist) (from 1968-07-02 until 1968-07-03)
trombone:
Bill Hughes (jazz trombonist) (from 1968-07-02 until 1968-07-03) and Grover Mitchell (trombone) (from 1968-07-02 until 1968-07-03)
trumpet:
Al Aarons (American jazz trumpeter, who also played the horn, flugelhorn) (from 1968-07-02 until 1968-07-03) and Ernie Royal (from 1968-07-02 until 1968-07-03)
orchestra:
The Mills Brothers (from 1968-07-02 until 1968-07-03)
recording of:
Sent for You Yesterday
lyricist:
Jimmy Rushing
composer:
Count Basie (pianist) and Eddie Durham (American guitarist, trombonist, composer and arranger.)
3:38
17Sunny
recorded in:
New York, New York, United States (from 1968-07-02 until 1968-07-03)
producer:
Tom Mack and Teddy Reig
alto saxophone:
Bobby Plater (from 1968-07-02 until 1968-07-03) and Marshall Royal (from 1968-07-02 until 1968-07-03)
baritone saxophone:
Charlie Fowlkes (baritone saxophonist) (from 1968-07-02 until 1968-07-03)
bass:
Norman Keenan (from 1968-07-02 until 1968-07-03)
guitar:
Freddie Green (from 1968-07-02 until 1968-07-03)
piano:
Count Basie (pianist) (from 1968-07-02 until 1968-07-03)
tenor saxophone:
Eric Dixon (woodwind) (from 1968-07-02 until 1968-07-03) and Frank Foster (saxophonist) (from 1968-07-02 until 1968-07-03)
trombone:
Bill Hughes (jazz trombonist) (from 1968-07-02 until 1968-07-03) and Grover Mitchell (trombone) (from 1968-07-02 until 1968-07-03)
trumpet:
Al Aarons (American jazz trumpeter, who also played the horn, flugelhorn) (from 1968-07-02 until 1968-07-03) and Ernie Royal (from 1968-07-02 until 1968-07-03)
orchestra:
The Mills Brothers (from 1968-07-02 until 1968-07-03)
cover recording of:
Sunny (from 1968-07-02 until 1968-07-03)
lyricist and composer:
Bobby Hebb
publisher:
MRC Music Corp., Portable Music Co., Inc., Unichappell Music and ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
3:34
18I'll Be Around
recorded in:
New York, New York, United States (from 1968-07-02 until 1968-07-03)
producer:
Tom Mack and Teddy Reig
alto saxophone:
Bobby Plater (from 1968-07-02 until 1968-07-03) and Marshall Royal (from 1968-07-02 until 1968-07-03)
baritone saxophone:
Charlie Fowlkes (baritone saxophonist) (from 1968-07-02 until 1968-07-03)
bass:
Norman Keenan (from 1968-07-02 until 1968-07-03)
guitar:
Freddie Green (from 1968-07-02 until 1968-07-03)
piano:
Count Basie (pianist) (from 1968-07-02 until 1968-07-03)
tenor saxophone:
Eric Dixon (woodwind) (from 1968-07-02 until 1968-07-03) and Frank Foster (saxophonist) (from 1968-07-02 until 1968-07-03)
trombone:
Bill Hughes (jazz trombonist) (from 1968-07-02 until 1968-07-03) and Grover Mitchell (trombone) (from 1968-07-02 until 1968-07-03)
trumpet:
Al Aarons (American jazz trumpeter, who also played the horn, flugelhorn) (from 1968-07-02 until 1968-07-03) and Ernie Royal (from 1968-07-02 until 1968-07-03)
orchestra:
The Mills Brothers (from 1968-07-02 until 1968-07-03)
recording of:
I’ll Be Around
lyricist and composer:
Alec Wilder (American composer)
publisher:
Ludlow Music, Inc., Primary Wave 3 Songs (BMI) and TRO-Ludlow Music, Inc.
2:45
19Cielito Lindo
recorded in:
New York, New York, United States (from 1968-07-02 until 1968-07-03)
producer:
Tom Mack and Teddy Reig
alto saxophone:
Bobby Plater (from 1968-07-02 until 1968-07-03) and Marshall Royal (from 1968-07-02 until 1968-07-03)
baritone saxophone:
Charlie Fowlkes (baritone saxophonist) (from 1968-07-02 until 1968-07-03)
bass:
Norman Keenan (from 1968-07-02 until 1968-07-03)
guitar:
Freddie Green (from 1968-07-02 until 1968-07-03)
piano:
Count Basie (pianist) (from 1968-07-02 until 1968-07-03)
tenor saxophone:
Eric Dixon (woodwind) (from 1968-07-02 until 1968-07-03) and Frank Foster (saxophonist) (from 1968-07-02 until 1968-07-03)
trombone:
Bill Hughes (jazz trombonist) (from 1968-07-02 until 1968-07-03) and Grover Mitchell (trombone) (from 1968-07-02 until 1968-07-03)
trumpet:
Al Aarons (American jazz trumpeter, who also played the horn, flugelhorn) (from 1968-07-02 until 1968-07-03) and Ernie Royal (from 1968-07-02 until 1968-07-03)
orchestra:
The Mills Brothers (from 1968-07-02 until 1968-07-03)
2:22
20Blue and Sentimental
recorded in:
New York, New York, United States (from 1968-07-02 until 1968-07-03)
producer:
Tom Mack and Teddy Reig
alto saxophone:
Bobby Plater (from 1968-07-02 until 1968-07-03) and Marshall Royal (from 1968-07-02 until 1968-07-03)
baritone saxophone:
Charlie Fowlkes (baritone saxophonist) (from 1968-07-02 until 1968-07-03)
bass:
Norman Keenan (from 1968-07-02 until 1968-07-03)
guitar:
Freddie Green (from 1968-07-02 until 1968-07-03)
piano:
Count Basie (pianist) (from 1968-07-02 until 1968-07-03)
tenor saxophone:
Eric Dixon (woodwind) (from 1968-07-02 until 1968-07-03) and Frank Foster (saxophonist) (from 1968-07-02 until 1968-07-03)
trombone:
Bill Hughes (jazz trombonist) (from 1968-07-02 until 1968-07-03) and Grover Mitchell (trombone) (from 1968-07-02 until 1968-07-03)
trumpet:
Al Aarons (American jazz trumpeter, who also played the horn, flugelhorn) (from 1968-07-02 until 1968-07-03) and Ernie Royal (from 1968-07-02 until 1968-07-03)
orchestra:
The Mills Brothers (from 1968-07-02 until 1968-07-03)
recording of:
Blue and Sentimental
composer:
Count Basie (pianist), Mack David (American lyricist and songwriter) and Jerry Livingston (songwriter)
3:36
21Every Day
recorded in:
New York, New York, United States (from 1968-07-02 until 1968-07-03)
producer:
Tom Mack and Teddy Reig
alto saxophone:
Bobby Plater (from 1968-07-02 until 1968-07-03) and Marshall Royal (from 1968-07-02 until 1968-07-03)
baritone saxophone:
Charlie Fowlkes (baritone saxophonist) (from 1968-07-02 until 1968-07-03)
bass:
Norman Keenan (from 1968-07-02 until 1968-07-03)
guitar:
Freddie Green (from 1968-07-02 until 1968-07-03)
piano:
Count Basie (pianist) (from 1968-07-02 until 1968-07-03)
tenor saxophone:
Eric Dixon (woodwind) (from 1968-07-02 until 1968-07-03) and Frank Foster (saxophonist) (from 1968-07-02 until 1968-07-03)
trombone:
Bill Hughes (jazz trombonist) (from 1968-07-02 until 1968-07-03) and Grover Mitchell (trombone) (from 1968-07-02 until 1968-07-03)
trumpet:
Al Aarons (American jazz trumpeter, who also played the horn, flugelhorn) (from 1968-07-02 until 1968-07-03) and Ernie Royal (from 1968-07-02 until 1968-07-03)
orchestra:
The Mills Brothers (from 1968-07-02 until 1968-07-03)
2:55