| # | Title | Artist | Rating | Length |
|---|
| 1 | Heaven Is a Place on Earth- recording engineer:
- Steve McMillan
- drums (drum set) [drum] programming:
- Charles Judge and Rick Nowels
- additional engineer:
- Stacy Baird and Robert Feist
- assistant engineer:
- Matthew Freeman , Clark Germaine, Brian Scheuble and Joe Schiff
- additional producer:
- Robert Feist (other vocals [vocal]) and Ellen Shipley (other vocals [vocal])
- producer:
- Rick Nowels
- mixer:
- Shelly Yakus
- acoustic guitar [acoustic guitars]:
- Rick Nowels
- additional guitar:
- Tim Pierce
- additional guitar [guitars]:
- Michael Landau
- additional keyboard [keyboards]:
- Thomas Dolby
- additional percussion:
- Jimmy Bralower and Paulinho da Costa
- bass:
- John Pierce
- drums (drum set) [drums]:
- Kenny Aronoff and Curly Smith
- electric guitar [electric guitars]:
- Dan Huff, John McCurry and Rick Nowels
- guitar [air guitar] and lead vocals:
- Belinda Carlisle
- keyboard [keyboards]:
- Charles Judge and Rick Nowels
- piano [acoustic piano]:
- Charles Judge
- synthesizer [Fairlight]:
- Rhett Lawrence
- vocals:
- Beth Anderson , Charlotte Caffey, Donna Davidson, Donna Delory, Edie Lehmann, Rick Nowels, Michelle Phillips and Ellen Shipley
- arranger:
- Rick Nowels
- phonographic copyright (℗) by:
- Artist Management Services Ltd. (in 1987), MCA Records, Inc. (in 1987), Virgin Records Ltd (in 1987) and Demon Music Group Ltd. (in 2019)
- additionally recorded at:
- Cherokee Studios in Hollywood, Los Angeles, California, United States, Hollywood Sound in Los Angeles, California, United States and Music Grinder Studios in Hollywood, Los Angeles, California, United States
- recorded at:
- American Recording and Ocean Way Studio in Hollywood, Los Angeles, California, United States
- mixed at:
- A&M Studios in Hollywood, Los Angeles, California, United States
- part of:
- Billboard: The 500 Best Pop Songs (number: 400)
- recording of:
- Heaven Is a Place on Earth
- writer:
- Rick Nowels and Ellen Shipley
- publisher:
- BMG Bumblebee , BMG Rights Management , Bug Music Ltd., EMI Music Publishing , EMI Virgin Music Publishing Australia P/L, EMI Virgin Music Publishing Australia Pty Ltd, Spirit Music Publishing Limited, Virgin Songs, Inc., Future Furniture Music (in 1987) and Shipwreck Music (in 1987)
- sub-publisher:
- Fujipacific Music, Inc.
| Belinda Carlisle | 4.15 | 4:04 |
| 2 | Cuts Like a Knife- recording engineer:
- Bob Clearmountain (from 1982-08-13 until 1982-08-23)
- assistant engineer:
- Mike Fraser , Jeff Hendrickson , Paul Northfield and Robbie Whelan
- engineer:
- Bob Clearmountain
- producer:
- Bryan Adams and Bob Clearmountain
- mixer:
- Bob Clearmountain (from 1982-10-14 until 1982-10-20)
- drums (drum set):
- Mickey Curry (from 1982-08-13 until 1982-08-23)
- electric bass guitar [bass]:
- Dave Taylor (from 1982-08-13 until 1982-08-23)
- guitar:
- Bryan Adams (from 1982-08-13 until 1982-08-23) and Keith Scott (from 1982-08-13 until 1982-08-23)
- organ:
- Tommy Mandel (from 1982-08-13 until 1982-08-23)
- solo guitar:
- Keith Scott (from 1982-08-13 until 1982-08-23)
- background vocals:
- Bryan Adams (from 1982-08-13 until 1982-08-23), Bruce Allen (from 1982-08-13 until 1982-08-23), Bob Clearmountain (from 1982-08-13 until 1982-08-23), K. Davies (from 1982-08-13 until 1982-08-23), L. Frenette (from 1982-08-13 until 1982-08-23), Keith Scott (from 1982-08-13 until 1982-08-23), M. Simpson (from 1982-08-13 until 1982-08-23), Dave Taylor (from 1982-08-13 until 1982-08-23) and Jimmy Wesley (from 1982-08-13 until 1982-08-23)
- lead vocals:
- Bryan Adams (from 1982-08-13 until 1982-08-23)
- phonographic copyright (℗) by:
- A&M Records, Inc. (in 1983) and UMG Recordings, Inc. (in 1983)
- additionally recorded at:
- Power Station in Hell's Kitchen, New York, New York, United States (from 1982-08-13 until 1982-08-23)
- recorded at:
- Little Mountain Sound in Vancouver, British Columbia, Canada (from 1982-08-13 until 1982-08-23)
- additionally mixed at:
- Power Station in Hell's Kitchen, New York, New York, United States (from 1982-10-14 until 1982-10-20)
- mixed at:
- Le Studio in Morin‐Heights, Québec , Canada (from 1982-10-14 until 1982-10-20)
- part of:
- The Downloader’s Music Source Book (number: 159)
- recording of:
- Cuts Like a Knife (from 1982-08-13 until 1982-08-23)
- written in:
- Vancouver, British Columbia, Canada (in 1982-04)
- writer:
- Bryan Adams (in 1982-04) and Jim Vallance (in 1982-04)
- publisher:
- Almo Music of Canada, Irving Music of Canada, Some Guy Songs, Adams Communications Inc. (in 1983), Almo Music Corp. (in 1983), Calypso Toonz (in 1983), Irving Music, Inc. (in 1983) and Testatyme Music (in 1983)
| Bryan Adams | 3.5 | 5:12 |
| 3 | Promises in the Dark (single version) | Pat Benatar | | 4:12 |
| 4 | If I Could Turn Back Time- recording engineer and mixer:
- Frank Wolf
- additional engineer:
- Guy Roche
- assistant engineer:
- Ken Allardyce, Mario Luccy, Craig Porteils and Duane Seykora
- producer:
- Guy Roche and Diane Warren
- additional guitar:
- Gene Black and Glenn Sciurba
- bass guitar:
- John Pierce
- drums (drum set) and tambourine:
- Mark T. Williams
- guitar:
- Steve Lukather
- keyboard:
- Alan Pasqua and Guy Roche
- background vocals:
- Michael Anthony , Robin Beck, Desmond Child, Jimmy Demers, Jean McClain and Maria Vidal
- lead vocals:
- Cher
- phonographic copyright (℗) by:
- Geffen Records (in 1989), The David Geffen Company (in 1989), Union Square Music Ltd. (in 2018) and Universal Music Operations Limited (in 2018)
- recorded at:
- Bill Schnee Studios in North Hollywood, Los Angeles, California, United States and Criterion Studios in Los Angeles, California, United States
- mixed at:
- The Complex Studios in Los Angeles, California, United States
- part of:
- Billboard: The 500 Best Pop Songs (number: 386)
- recording of:
- If I Could Turn Back Time
- lyricist and composer:
- Diane Warren
- publisher:
- EMI Music Publishing and Realsongs (in 1989)
| Cher | 3.75 | 3:56 |
| 5 | Eyes Without a Face- engineer and mixer:
- Dave Wittman
- producer:
- Keith Forsey
- bass guitar:
- Sal Cuevas
- drums (drum set):
- Thommy Price
- guitar:
- Steve Stevens
- background vocals:
- Perri Lister
- lead vocals:
- Billy Idol
- arranger:
- Billy Idol and Steve Stevens
- phonographic copyright (℗) by:
- Capitol Records, Inc. (in 1983) and Chrysalis Records, Inc. (in 1999)
- recorded at and mixed at:
- Electric Lady Studios in Greenwich Village, New York, New York, United States
- music videos:
- Eyes Without a Face by Billy Idol
- recording of:
- Eyes Without a Face
- lyricist and composer:
- Billy Idol and Steve Stevens
- publisher:
- Boneidol Music, Chrysalis Music Group Inc., Chrysalis Music Ltd. , Chrysalis Music Publishing Ltd., Rare Blue Music, Rock Steady Music, Sitting Pretty Music and Warner Chappell Music Ltd.
| Billy Idol | 4.65 | 4:58 |
| 6 | Don’t Forget Me (When I’m Gone)- recording engineer:
- Paul Northfield (lead vocals) and Hayward Parrott
- engineer:
- Mike Jones (task: Sounds Interchange)
- producer:
- Jim Vallance
- assistant mixer:
- Randy Staub
- mixer:
- Ed Thacker
- guest background vocals:
- Bryan Adams (on 1985-11-04)
- recorded at:
- Armoury Studios in Vancouver, British Columbia, Canada (background vocals), Le Studio in Morin‐Heights, Québec , Canada (lead vocals), McClear Place Studios in Toronto, Ontario, Canada (background vocals, horn [horns]), Sounds Interchange in Toronto, Ontario, Canada and Eastern Sound in Toronto, Ontario, Canada (on 1985-11-04: background vocals [Bryan Adams' backing vocals])
- mixed at:
- Phase One Studios in Toronto, Ontario, Canada
- recording of:
- Don’t Forget Me (When I’m Gone)
- written in:
- Vancouver, British Columbia, Canada (in 1985-05)
- writer:
- Alan Frew, Sam Reid and Jim Vallance (in 1985-05)
- publisher:
- Copyright Control and EMI Music Publishing
| Glass Tiger | 4.5 | 4:07 |
| 7 | The Heart of the Matter | Don Henley | 2.85 | 5:21 |
| 8 | Do You Really Want to Hurt Me | Culture Club | 3.95 | 4:23 |
| 9 | If This Is It | Huey Lewis and the News | 3.8 | 3:54 |
| 10 | Never- assistant engineer:
- Mike Clink and Brian Foraker
- engineer and producer:
- Ron Nevison
- bass guitar:
- Mark Andes
- drums (drum set):
- Denny Carmassi
- lead vocals:
- Ann Wilson
- phonographic copyright (℗) by:
- Capitol Records, Inc.
- recorded at:
- The Plant Studios in Sausalito, California, United States (from 1985-01 until 1985-04) and The Record Plant in Hollywood, Los Angeles, California, United States (from 1985-01 until 1985-04)
- music videos:
- Never by Heart
- recording of:
- Never
- writer:
- Walter Bloch, Holly Knight, Ann Wilson and Nancy Wilson
- publisher:
- Heath Levy Music Ltd. , Mike Chapman Publishing Enterprises, Know Music (from 1985 to present), Strange Euphoria Music (from 1985 to present) and The Makiki Publishing Co. Ltd. (from 1985 to present)
- sub-publisher:
- Sony Music Publishing (Japan) Inc. , シンコーミュージック・エンタテイメント , ヤマハミュージックエンタテインメントホールディングス and ユニバーサル・ミュージック・パブリッシング Synch事業部
| Heart | 4.2 | 3:59 |
| 11 | Endless Summer Nights | Richard Marx | | 4:30 |
| 12 | When You Close Your Eyes | Night Ranger | | 4:15 |
| 13 | Second Chance- co-engineer:
- Edd Miller
- engineer, producer and mixer:
- Rodney Mills
- assistant mixer:
- Thom Kidd
- bass:
- Larry Junstrom
- brass [horns]:
- The “Noise Gator” Horns
- drums (drum set):
- Jack Grondin
- guitar [guitars]:
- Danny Chauncey and Jeff Carlisi
- keyboard:
- Max Carl
- percussion:
- Robert W. Johnson
- vibraslap:
- Eddddddd Miller
- background vocals:
- Robert White Johnson and The “Six Goomers”
- vocals:
- Donnie Van Zant and Max Carl
- phonographic copyright (℗) by:
- A&M Records, Inc. (in 1988), UMG Recordings, Inc. (in 1988), Universal Music Enterprises (in 2001) and Interscope Geffen (A&M) Records (in 2003)
- recorded at:
- Soundscape Studios in Atlanta, Georgia, United States
- mixed at:
- Cheshire Sound Studios in Atlanta, Georgia, United States
- recording of:
- Second Chance
- writer:
- Cal Curtis, Jeff Carlisi and Max Carl
- publisher:
- Cal Curtis Publishing, Rocknocker Music Co., SBK Blackwood Music Inc. and Too Tall Tunes
| 38 Special | 4.75 | 5:03 |
| 14 | Endless Love (from “The Endless Love” soundtrack) | Lionel Richie | 3.5 | 4:27 |
| 15 | Head Over Heels | The Go‐Go’s | 4 | 3:37 |
| 16 | Missing You- engineer and mixer:
- David Thoener
- drums (drum set):
- Curly Smith
- electric bass guitar [bass]:
- Donnie Nossov
- guitar:
- Gary Myrick
- keyboard:
- Bruce Brody
- percussion:
- Steve Scales
- lead vocals:
- John Waite
- phonographic copyright (℗) by:
- EMI Records (in 1984), EMI Records Ltd. (in 1984) and EMI Records USA (in 1984)
- recording of:
- Missing You
- lyricist:
- John Waite
- composer:
- Mark Leonard, Chas Sandford and John Waite
- publisher:
- Alley Music Corp., Carlin Music Corporation, Copyright Control , Everpop Songs, Markmeem Music , Paperwaite Music (, in 1984), Quartet Music Inc., Sony Music Publishing , Warner Chappell Music Ltd. , WB Music Corp. (until 2019-05-28), Fallwater Music (in 1984), Markeem Music (in 1984), The Hudson Bay Music Co. (in 1984) and WC Music Corp. (from 2019-05-28 to present)
| John Waite | 3.75 | 4:28 |
| 17 | Every Rose Has Its Thorn | Poison | 4 | 3:44 |
| 18 | Flashdance… What a Feeling- producer:
- Giorgio Moroder
- vocals:
- Irene Cara
- phonographic copyright (℗) by:
- Polygram Records, Inc. (New York) (in 1983), Unidisc Music Inc. (in 1983) and Universal Music TV (in 1995)
- part of:
- Billboard: Greatest of All Time Hot 100 Songs (number: 38) and Billboard: The 500 Best Pop Songs (number: 492)
- recording of:
- Flashdance… What a Feeling
- lyricist:
- Irene Cara and Keith Forsey
- composer:
- Giorgio Moroder
- publisher:
- Alcor Music , Carasmatic Music, Carub Music , Chappell Music Ltd., Famous Music Corporation , GMPC, Intersong Music, Intersong Music Ltd., Intersong U.S.A. , Sony/ATV Harmony and WB Music Corp.
- part of:
- The 56th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 1983 winner)
| Irene Cara | 3.65 | 3:54 |
| 19 | The Lady in Red | Chris de Burgh | 3.35 | 4:13 |
| 20 | Heart and Soul | T’Pau | 4.25 | 4:16 |
| 21 | The Finer Things | Steve Winwood | | 4:11 |
| 22 | Everybody Wants to Rule the World | Tears for Fears | 3.95 | 4:10 |
| 23 | Hello | Lionel Richie | 3.85 | 4:08 |
| 24 | Don’t You (Forget About Me) | Simple Minds | 4.25 | 4:20 |
| 25 | Don’t You Want Me | The Human League | 3.85 | 3:57 |
| 26 | Every Little Thing She Does Is Magic | The Police | 3.75 | 4:21 |
| 27 | Amanda- engineer and producer:
- Tom Scholz
- acoustic guitar, arpeggione [guitar violins], bass guitar, effects, electric guitar, electric piano, grand piano, Hammond organ and theatre organ:
- Tom Scholz (from 1980 until 1981)
- drums (drum set):
- Jim Masdea (from 1980 until 1981) and Tom Scholz (from 1980 until 1981)
- lead vocals:
- Brad Delp (from 1980 until 1981)
- arranger:
- Tom Scholz
- phonographic copyright (℗) by:
- Geffen Records (in 1986) and MCA Records, Inc. (in 1986)
- recorded at:
- Tom Scholz Hideaway Studio II in Massachusetts, United States (from 1980 until 1981)
- recording of:
- Amanda (from 1980 until 1981)
- lyricist and composer:
- Tom Scholz
- publisher:
- Copyright Control , EMI Music Publishing Ltd. and Hideaway Hits (in 1986)
| Boston | 4.35 | 4:17 |
| 28 | I Just Called to Say I Love You (single version) | Stevie Wonder | 4.25 | 4:23 |
Play on ListenBrainz