The Seven Deadly Sins

~ Release by Weill; Magdalena Kožená, Andrew Staples, Florian Boesch, Ross Ramgobin, Alessandro Fisher, London Symphony Orchestra, Sir Simon Rattle (see all versions of this release, 2 available)

Tracklist

1▼Hybrid SACD
#TitleArtistRatingLength
1Die sieben Todsünden: I. Prolog
engineer:
Neil Hutchinson (sound engineer) (from 2022-04-26 until 2022-04-28) and Jonathan Stokes (engineer) (from 2022-04-26 until 2022-04-28)
producer:
Andrew Cornall (engineer / producer)
soprano vocals [Anna]:
Magdalena Kožená (Czech mezzo-soprano) (from 2022-04-26 until 2022-04-28)
orchestra:
London Symphony Orchestra (from 2022-04-26 until 2022-04-28)
conductor:
Sir Simon Rattle (Simon Rattle, conductor) (from 2022-04-26 until 2022-04-28)
phonographic copyright (℗) by:
London Symphony Orchestra Ltd (not release label) (in 2025)
recorded at:
Barbican Centre: Barbican Hall in London (Greater London), England, United Kingdom (from 2022-04-26 until 2022-04-28)
recording of:
Die sieben Todsünden, Ballett mit Gesang in 8 Teilen: 1. Prolog. Andante sostenuto (Anna) (from 2022-04-26 until 2022-04-28)
lyricist:
Bertolt Brecht
composer:
Kurt Weill (composer) (in 1933)
part of:
Die sieben Todsünden, Ballett mit Gesang in 8 Teilen
Kurt Weill3:48
2Die sieben Todsünden: II. Faulheit
engineer:
Neil Hutchinson (sound engineer) (from 2022-04-26 until 2022-04-28) and Jonathan Stokes (engineer) (from 2022-04-26 until 2022-04-28)
producer:
Andrew Cornall (engineer / producer)
baritone vocals [Brother]:
Ross Ramgobin (baritone) (from 2022-04-26 until 2022-04-28)
baritone vocals [Mother]:
Florian Boesch (bass-baritone) (from 2022-04-26 until 2022-04-28)
tenor vocals [Brother]:
Alessandro Fisher (tenor) (from 2022-04-26 until 2022-04-28)
tenor vocals [Father]:
Andrew Staples (tenor & photographer) (from 2022-04-26 until 2022-04-28)
orchestra:
London Symphony Orchestra (from 2022-04-26 until 2022-04-28)
conductor:
Sir Simon Rattle (Simon Rattle, conductor) (from 2022-04-26 until 2022-04-28)
phonographic copyright (℗) by:
London Symphony Orchestra Ltd (not release label) (in 2025)
recorded at:
Barbican Centre: Barbican Hall in London (Greater London), England, United Kingdom (from 2022-04-26 until 2022-04-28)
recording of:
Die sieben Todsünden, Ballett mit Gesang in 8 Teilen: 2. Faulheit. Allegro vivace (Familie) (from 2022-04-26 until 2022-04-28)
lyricist:
Bertolt Brecht
composer:
Kurt Weill (composer)
part of:
Die sieben Todsünden, Ballett mit Gesang in 8 Teilen
Kurt Weill3:50
3Die sieben Todsünden: III. Stolz
engineer:
Neil Hutchinson (sound engineer) (from 2022-04-26 until 2022-04-28) and Jonathan Stokes (engineer) (from 2022-04-26 until 2022-04-28)
producer:
Andrew Cornall (engineer / producer)
baritone vocals [Brother]:
Ross Ramgobin (baritone) (from 2022-04-26 until 2022-04-28)
baritone vocals [Mother]:
Florian Boesch (bass-baritone) (from 2022-04-26 until 2022-04-28)
soprano vocals [Anna]:
Magdalena Kožená (Czech mezzo-soprano) (from 2022-04-26 until 2022-04-28)
tenor vocals [Brother]:
Alessandro Fisher (tenor) (from 2022-04-26 until 2022-04-28)
tenor vocals [Father]:
Andrew Staples (tenor & photographer) (from 2022-04-26 until 2022-04-28)
orchestra:
London Symphony Orchestra (from 2022-04-26 until 2022-04-28)
conductor:
Sir Simon Rattle (Simon Rattle, conductor) (from 2022-04-26 until 2022-04-28)
phonographic copyright (℗) by:
London Symphony Orchestra Ltd (not release label) (in 2025)
recorded at:
Barbican Centre: Barbican Hall in London (Greater London), England, United Kingdom (from 2022-04-26 until 2022-04-28)
recording of:
Die sieben Todsünden, Ballett mit Gesang in 8 Teilen: 3. Stolz. Allegretto, quasi Andantino (Anna) (from 2022-04-26 until 2022-04-28)
lyricist:
Bertolt Brecht
composer:
Kurt Weill (composer)
part of:
Die sieben Todsünden, Ballett mit Gesang in 8 Teilen
Kurt Weill4:45
4Die sieben Todsünden: IV. Zorn
engineer:
Neil Hutchinson (sound engineer) (from 2022-04-26 until 2022-04-28) and Jonathan Stokes (engineer) (from 2022-04-26 until 2022-04-28)
producer:
Andrew Cornall (engineer / producer)
baritone vocals [Brother]:
Ross Ramgobin (baritone) (from 2022-04-26 until 2022-04-28)
baritone vocals [Mother]:
Florian Boesch (bass-baritone) (from 2022-04-26 until 2022-04-28)
soprano vocals [Anna]:
Magdalena Kožená (Czech mezzo-soprano) (from 2022-04-26 until 2022-04-28)
tenor vocals [Brother]:
Alessandro Fisher (tenor) (from 2022-04-26 until 2022-04-28)
tenor vocals [Father]:
Andrew Staples (tenor & photographer) (from 2022-04-26 until 2022-04-28)
orchestra:
London Symphony Orchestra (from 2022-04-26 until 2022-04-28)
conductor:
Sir Simon Rattle (Simon Rattle, conductor) (from 2022-04-26 until 2022-04-28)
phonographic copyright (℗) by:
London Symphony Orchestra Ltd (not release label) (in 2025)
recorded at:
Barbican Centre: Barbican Hall in London (Greater London), England, United Kingdom (from 2022-04-26 until 2022-04-28)
recording of:
Die sieben Todsünden, Ballett mit Gesang in 8 Teilen: 4. Zorn. Molto agitato (Familie, Anna) (from 2022-04-26 until 2022-04-28)
lyricist:
Bertolt Brecht
composer:
Kurt Weill (composer)
part of:
Die sieben Todsünden, Ballett mit Gesang in 8 Teilen
Kurt Weill4:31
5Die sieben Todsünden: V. Völlerei
engineer:
Neil Hutchinson (sound engineer) (from 2022-04-26 until 2022-04-28) and Jonathan Stokes (engineer) (from 2022-04-26 until 2022-04-28)
producer:
Andrew Cornall (engineer / producer)
baritone vocals [Brother]:
Ross Ramgobin (baritone) (from 2022-04-26 until 2022-04-28)
baritone vocals [Mother]:
Florian Boesch (bass-baritone) (from 2022-04-26 until 2022-04-28)
tenor vocals [Brother]:
Alessandro Fisher (tenor) (from 2022-04-26 until 2022-04-28)
tenor vocals [Father]:
Andrew Staples (tenor & photographer) (from 2022-04-26 until 2022-04-28)
conductor:
Sir Simon Rattle (Simon Rattle, conductor) (from 2022-04-26 until 2022-04-28)
phonographic copyright (℗) by:
London Symphony Orchestra Ltd (not release label) (in 2025)
recorded at:
Barbican Centre: Barbican Hall in London (Greater London), England, United Kingdom (from 2022-04-26 until 2022-04-28)
recording of:
Die sieben Todsünden, Ballett mit Gesang in 8 Teilen: 5. Völlerei. Largo (Familie) (from 2022-04-26 until 2022-04-28)
lyricist:
Bertolt Brecht
composer:
Kurt Weill (composer)
part of:
Die sieben Todsünden, Ballett mit Gesang in 8 Teilen
Kurt Weill3:03
6Die sieben Todsünden: VI. Unzucht
engineer:
Neil Hutchinson (sound engineer) (from 2022-04-26 until 2022-04-28) and Jonathan Stokes (engineer) (from 2022-04-26 until 2022-04-28)
producer:
Andrew Cornall (engineer / producer)
baritone vocals [Brother]:
Ross Ramgobin (baritone) (from 2022-04-26 until 2022-04-28)
baritone vocals [Mother]:
Florian Boesch (bass-baritone) (from 2022-04-26 until 2022-04-28)
soprano vocals [Anna]:
Magdalena Kožená (Czech mezzo-soprano) (from 2022-04-26 until 2022-04-28)
tenor vocals [Brother]:
Alessandro Fisher (tenor) (from 2022-04-26 until 2022-04-28)
tenor vocals [Father]:
Andrew Staples (tenor & photographer) (from 2022-04-26 until 2022-04-28)
orchestra:
London Symphony Orchestra (from 2022-04-26 until 2022-04-28)
conductor:
Sir Simon Rattle (Simon Rattle, conductor) (from 2022-04-26 until 2022-04-28)
phonographic copyright (℗) by:
London Symphony Orchestra Ltd (not release label) (in 2025)
recorded at:
Barbican Centre: Barbican Hall in London (Greater London), England, United Kingdom (from 2022-04-26 until 2022-04-28)
recording of:
Die sieben Todsünden, Ballett mit Gesang in 8 Teilen: 6. Unzucht. Moderato (Anna) (from 2022-04-26 until 2022-04-28)
lyricist:
Bertolt Brecht
composer:
Kurt Weill (composer)
part of:
Die sieben Todsünden, Ballett mit Gesang in 8 Teilen
Kurt Weill5:47
7Die sieben Todsünden: VII. Habsucht
engineer:
Neil Hutchinson (sound engineer) (from 2022-04-26 until 2022-04-28) and Jonathan Stokes (engineer) (from 2022-04-26 until 2022-04-28)
producer:
Andrew Cornall (engineer / producer)
baritone vocals [Brother]:
Ross Ramgobin (baritone) (from 2022-04-26 until 2022-04-28)
baritone vocals [Mother]:
Florian Boesch (bass-baritone) (from 2022-04-26 until 2022-04-28)
tenor vocals [Brother]:
Alessandro Fisher (tenor) (from 2022-04-26 until 2022-04-28)
tenor vocals [Father]:
Andrew Staples (tenor & photographer) (from 2022-04-26 until 2022-04-28)
orchestra:
London Symphony Orchestra (from 2022-04-26 until 2022-04-28)
conductor:
Sir Simon Rattle (Simon Rattle, conductor) (from 2022-04-26 until 2022-04-28)
phonographic copyright (℗) by:
London Symphony Orchestra Ltd (not release label) (in 2025)
recorded at:
Barbican Centre: Barbican Hall in London (Greater London), England, United Kingdom (from 2022-04-26 until 2022-04-28)
recording of:
Die sieben Todsünden, Ballett mit Gesang in 8 Teilen: 7. Habsucht. Allegro giusto (Familie) (from 2022-04-26 until 2022-04-28)
lyricist:
Bertolt Brecht
composer:
Kurt Weill (composer)
part of:
Die sieben Todsünden, Ballett mit Gesang in 8 Teilen
Kurt Weill3:16
8Die sieben Todsünden: VIII. Neid
engineer:
Neil Hutchinson (sound engineer) (from 2022-04-26 until 2022-04-28) and Jonathan Stokes (engineer) (from 2022-04-26 until 2022-04-28)
producer:
Andrew Cornall (engineer / producer)
baritone vocals [Brother]:
Ross Ramgobin (baritone) (from 2022-04-26 until 2022-04-28)
baritone vocals [Mother]:
Florian Boesch (bass-baritone) (from 2022-04-26 until 2022-04-28)
soprano vocals [Anna]:
Magdalena Kožená (Czech mezzo-soprano) (from 2022-04-26 until 2022-04-28)
tenor vocals [Brother]:
Alessandro Fisher (tenor) (from 2022-04-26 until 2022-04-28)
tenor vocals [Father]:
Andrew Staples (tenor & photographer) (from 2022-04-26 until 2022-04-28)
orchestra:
London Symphony Orchestra (from 2022-04-26 until 2022-04-28)
conductor:
Sir Simon Rattle (Simon Rattle, conductor) (from 2022-04-26 until 2022-04-28)
phonographic copyright (℗) by:
London Symphony Orchestra Ltd (not release label) (in 2025)
recorded at:
Barbican Centre: Barbican Hall in London (Greater London), England, United Kingdom (from 2022-04-26 until 2022-04-28)
recording of:
Die sieben Todsünden, Ballett mit Gesang in 8 Teilen: 8. Neid. Allegro non troppo (Anna) (from 2022-04-26 until 2022-04-28)
lyricist:
Bertolt Brecht
composer:
Kurt Weill (composer)
part of:
Die sieben Todsünden, Ballett mit Gesang in 8 Teilen
Kurt Weill5:15
9Die sieben Todsünden: IX. Epilog
engineer:
Neil Hutchinson (sound engineer) (from 2022-04-26 until 2022-04-28) and Jonathan Stokes (engineer) (from 2022-04-26 until 2022-04-28)
producer:
Andrew Cornall (engineer / producer)
soprano vocals [Anna]:
Magdalena Kožená (Czech mezzo-soprano) (from 2022-04-26 until 2022-04-28)
orchestra:
London Symphony Orchestra (from 2022-04-26 until 2022-04-28)
conductor:
Sir Simon Rattle (Simon Rattle, conductor) (from 2022-04-26 until 2022-04-28)
phonographic copyright (℗) by:
London Symphony Orchestra Ltd (not release label) (in 2025)
recorded at:
Barbican Centre: Barbican Hall in London (Greater London), England, United Kingdom (from 2022-04-26 until 2022-04-28)
recording of:
Die sieben Todsünden, Ballett mit Gesang in 8 Teilen: 9. Epilog. Andante sostenuto (Anna) (from 2022-04-26 until 2022-04-28)
lyricist:
Bertolt Brecht
composer:
Kurt Weill (composer)
part of:
Die sieben Todsünden, Ballett mit Gesang in 8 Teilen
Kurt Weill1:42
10Vom Tod im Wald, op. 23
engineer:
Neil Hutchinson (sound engineer) (from 2022-04-26 until 2022-04-28) and Jonathan Stokes (engineer) (from 2022-04-26 until 2022-04-28)
producer:
Andrew Cornall (engineer / producer)
bass-baritone vocals:
Florian Boesch (bass-baritone) (from 2022-04-26 until 2022-04-28)
orchestra:
London Symphony Orchestra (from 2022-04-26 until 2022-04-28)
conductor:
Sir Simon Rattle (Simon Rattle, conductor) (from 2022-04-26 until 2022-04-28)
phonographic copyright (℗) by:
London Symphony Orchestra Ltd (not release label) (in 2025)
recorded at:
Barbican Centre: Barbican Hall in London (Greater London), England, United Kingdom (from 2022-04-26 until 2022-04-28)
recording of:
Vom Tod im Wald, op. 23 (Kantate für Baß und zehn Blasinstrumente) (from 2022-04-26 until 2022-04-28)
lyricist:
Bertolt Brecht
composer:
Kurt Weill (composer) (in 1927)
Kurt Weill8:18
11Street Scene: Act I: Lonely House
engineer:
Neil Hutchinson (sound engineer) (from 2022-04-26 until 2022-04-28) and Jonathan Stokes (engineer) (from 2022-04-26 until 2022-04-28)
producer:
Andrew Cornall (engineer / producer)
tenor vocals:
Andrew Staples (tenor & photographer) (from 2022-04-26 until 2022-04-28)
orchestra:
London Symphony Orchestra (from 2022-04-26 until 2022-04-28)
conductor:
Sir Simon Rattle (Simon Rattle, conductor) (from 2022-04-26 until 2022-04-28)
phonographic copyright (℗) by:
London Symphony Orchestra Ltd (not release label) (in 2025)
recorded at:
Barbican Centre: Barbican Hall in London (Greater London), England, United Kingdom (from 2022-04-26 until 2022-04-28)
recording of:
Street Scene: Act I. No. 10 "Lonely House" (Sam Kaplan) (from 2022-04-26 until 2022-04-28)
lyricist:
Langston Hughes
composer:
Kurt Weill (composer)
librettist:
Elmer Rice
part of:
Street Scene: Act I.
Kurt Weill3:56
12Four Walt Whitman Songs: I. Beat! Beat! Drums!
engineer:
Neil Hutchinson (sound engineer) (from 2022-04-26 until 2022-04-28) and Jonathan Stokes (engineer) (from 2022-04-26 until 2022-04-28)
producer:
Andrew Cornall (engineer / producer)
baritone vocals:
Ross Ramgobin (baritone) (from 2022-04-26 until 2022-04-28)
orchestra:
London Symphony Orchestra (from 2022-04-26 until 2022-04-28)
conductor:
Sir Simon Rattle (Simon Rattle, conductor) (from 2022-04-26 until 2022-04-28)
phonographic copyright (℗) by:
London Symphony Orchestra Ltd (not release label) (in 2025)
recorded at:
Barbican Centre: Barbican Hall in London (Greater London), England, United Kingdom (from 2022-04-26 until 2022-04-28)
recording of:
Beat! Beat! Drums! (from 2022-04-26 until 2022-04-28)
lyricist:
Walt Whitman (19th c. American poet, essayist, and journalist)
composer:
Kurt Weill (composer) (in 1942)
part of:
Four Walt Whitman Songs
Kurt Weill3:12
13Four Walt Whitman Songs: IV. Dirge for Two Veterans
engineer:
Neil Hutchinson (sound engineer) (from 2022-04-26 until 2022-04-28) and Jonathan Stokes (engineer) (from 2022-04-26 until 2022-04-28)
producer:
Andrew Cornall (engineer / producer)
tenor vocals:
Andrew Staples (tenor & photographer) (from 2022-04-26 until 2022-04-28)
orchestra:
London Symphony Orchestra (from 2022-04-26 until 2022-04-28)
conductor:
Sir Simon Rattle (Simon Rattle, conductor) (from 2022-04-26 until 2022-04-28)
phonographic copyright (℗) by:
London Symphony Orchestra Ltd (not release label) (in 2025)
recorded at:
Barbican Centre: Barbican Hall in London (Greater London), England, United Kingdom (from 2022-04-26 until 2022-04-28)
recording of:
Dirge for Two Veterans (from 2022-04-26 until 2022-04-28)
lyricist:
Walt Whitman (19th c. American poet, essayist, and journalist)
composer:
Kurt Weill (composer)
part of:
Four Walt Whitman Songs
Kurt Weill4:36
14Kleine Dreigroschenmusik: I. Ouvertüre
engineer:
Neil Hutchinson (sound engineer) (from 2022-04-26 until 2022-04-28) and Jonathan Stokes (engineer) (from 2022-04-26 until 2022-04-28)
producer:
Andrew Cornall (engineer / producer)
orchestra:
London Symphony Orchestra (from 2022-04-26 until 2022-04-28)
conductor:
Sir Simon Rattle (Simon Rattle, conductor) (from 2022-04-26 until 2022-04-28)
phonographic copyright (℗) by:
London Symphony Orchestra Ltd (not release label) (in 2025)
recorded at:
Barbican Centre: Barbican Hall in London (Greater London), England, United Kingdom (from 2022-04-26 until 2022-04-28)
recording of:
Kleine Dreigroschenmusik: I. Ouvertüre: Maestoso (from 2022-04-26 until 2022-04-28)
composer:
Kurt Weill (composer)
part of:
Kleine Dreigroschenmusik (Suite für Blasorchester)
Kurt Weill1:55
15Kleine Dreigroschenmusik: II. Die Moritat von Mackie Messer
engineer:
Neil Hutchinson (sound engineer) (from 2022-04-26 until 2022-04-28) and Jonathan Stokes (engineer) (from 2022-04-26 until 2022-04-28)
producer:
Andrew Cornall (engineer / producer)
orchestra:
London Symphony Orchestra (from 2022-04-26 until 2022-04-28)
conductor:
Sir Simon Rattle (Simon Rattle, conductor) (from 2022-04-26 until 2022-04-28)
phonographic copyright (℗) by:
London Symphony Orchestra Ltd (not release label) (in 2025)
recorded at:
Barbican Centre: Barbican Hall in London (Greater London), England, United Kingdom (from 2022-04-26 until 2022-04-28)
recording of:
Kleine Dreigroschenmusik: II. Die Moritat von Mackie Messer: Moderato assai (from 2022-04-26 until 2022-04-28)
composer:
Kurt Weill (composer)
part of:
Kleine Dreigroschenmusik (Suite für Blasorchester)
Kurt Weill2:13
16Kleine Dreigroschenmusik: III. Anstatt-dass Song
engineer:
Neil Hutchinson (sound engineer) (from 2022-04-26 until 2022-04-28) and Jonathan Stokes (engineer) (from 2022-04-26 until 2022-04-28)
producer:
Andrew Cornall (engineer / producer)
orchestra:
London Symphony Orchestra (from 2022-04-26 until 2022-04-28)
conductor:
Sir Simon Rattle (Simon Rattle, conductor) (from 2022-04-26 until 2022-04-28)
phonographic copyright (℗) by:
London Symphony Orchestra Ltd (not release label) (in 2025)
recorded at:
Barbican Centre: Barbican Hall in London (Greater London), England, United Kingdom (from 2022-04-26 until 2022-04-28)
recording of:
Kleine Dreigroschenmusik: III. Anstatt-dass-Song: Moderato (from 2022-04-26 until 2022-04-28)
composer:
Kurt Weill (composer)
part of:
Kleine Dreigroschenmusik (Suite für Blasorchester)
Kurt Weill1:55
17Kleine Dreigroschenmusik: IV. Die Ballade vom angenehmen Leben
engineer:
Neil Hutchinson (sound engineer) (from 2022-04-26 until 2022-04-28) and Jonathan Stokes (engineer) (from 2022-04-26 until 2022-04-28)
producer:
Andrew Cornall (engineer / producer)
orchestra:
London Symphony Orchestra (from 2022-04-26 until 2022-04-28)
conductor:
Sir Simon Rattle (Simon Rattle, conductor) (from 2022-04-26 until 2022-04-28)
phonographic copyright (℗) by:
London Symphony Orchestra Ltd (not release label) (in 2025)
recorded at:
Barbican Centre: Barbican Hall in London (Greater London), England, United Kingdom (from 2022-04-26 until 2022-04-28)
recording of:
Kleine Dreigroschenmusik: IV. Die Ballade vom angenehmen Leben: Foxtrott (from 2022-04-26 until 2022-04-28)
composer:
Kurt Weill (composer)
part of:
Kleine Dreigroschenmusik (Suite für Blasorchester)
Kurt Weill2:44
18Kleine Dreigroschenmusik: V. Pollys Lied
engineer:
Neil Hutchinson (sound engineer) (from 2022-04-26 until 2022-04-28) and Jonathan Stokes (engineer) (from 2022-04-26 until 2022-04-28)
producer:
Andrew Cornall (engineer / producer)
orchestra:
London Symphony Orchestra (from 2022-04-26 until 2022-04-28)
conductor:
Sir Simon Rattle (Simon Rattle, conductor) (from 2022-04-26 until 2022-04-28)
phonographic copyright (℗) by:
London Symphony Orchestra Ltd (not release label) (in 2025)
recorded at:
Barbican Centre: Barbican Hall in London (Greater London), England, United Kingdom (from 2022-04-26 until 2022-04-28)
recording of:
Kleine Dreigroschenmusik: V. Pollys Lied: Andante con moto (from 2022-04-26 until 2022-04-28)
composer:
Kurt Weill (composer)
part of:
Kleine Dreigroschenmusik (Suite für Blasorchester)
Kurt Weill2:14
19Kleine Dreigroschenmusik: VI. Tango-Ballade
engineer:
Neil Hutchinson (sound engineer) (from 2022-04-26 until 2022-04-28) and Jonathan Stokes (engineer) (from 2022-04-26 until 2022-04-28)
producer:
Andrew Cornall (engineer / producer)
orchestra:
London Symphony Orchestra (from 2022-04-26 until 2022-04-28)
conductor:
Sir Simon Rattle (Simon Rattle, conductor) (from 2022-04-26 until 2022-04-28)
phonographic copyright (℗) by:
London Symphony Orchestra Ltd (not release label) (in 2025)
recorded at:
Barbican Centre: Barbican Hall in London (Greater London), England, United Kingdom (from 2022-04-26 until 2022-04-28)
recording of:
Kleine Dreigroschenmusik: VI. Tango-Ballade (from 2022-04-26 until 2022-04-28)
composer:
Kurt Weill (composer)
part of:
Kleine Dreigroschenmusik (Suite für Blasorchester)
Kurt Weill2:52
20Kleine Dreigroschenmusik: VII. Kanonen-Song
engineer:
Neil Hutchinson (sound engineer) (from 2022-04-26 until 2022-04-28) and Jonathan Stokes (engineer) (from 2022-04-26 until 2022-04-28)
producer:
Andrew Cornall (engineer / producer)
orchestra:
London Symphony Orchestra (from 2022-04-26 until 2022-04-28)
conductor:
Sir Simon Rattle (Simon Rattle, conductor) (from 2022-04-26 until 2022-04-28)
phonographic copyright (℗) by:
London Symphony Orchestra Ltd (not release label) (in 2025)
recorded at:
Barbican Centre: Barbican Hall in London (Greater London), England, United Kingdom (from 2022-04-26 until 2022-04-28)
recording of:
Kleine Dreigroschenmusik: VII. Kanonen-Song: Charleston-Tempo (from 2022-04-26 until 2022-04-28)
composer:
Kurt Weill (composer)
part of:
Kleine Dreigroschenmusik (Suite für Blasorchester)
Kurt Weill2:24
21Kleine Dreigroschenmusik: VIII. Dreigroschen-Finale
engineer:
Neil Hutchinson (sound engineer) (from 2022-04-26 until 2022-04-28) and Jonathan Stokes (engineer) (from 2022-04-26 until 2022-04-28)
producer:
Andrew Cornall (engineer / producer)
orchestra:
London Symphony Orchestra (from 2022-04-26 until 2022-04-28)
conductor:
Sir Simon Rattle (Simon Rattle, conductor) (from 2022-04-26 until 2022-04-28)
phonographic copyright (℗) by:
London Symphony Orchestra Ltd (not release label) (in 2025)
recorded at:
Barbican Centre: Barbican Hall in London (Greater London), England, United Kingdom (from 2022-04-26 until 2022-04-28)
recording of:
Kleine Dreigroschenmusik: VIII. Dreigroschen-Finale (from 2022-04-26 until 2022-04-28)
composer:
Kurt Weill (composer)
part of:
Kleine Dreigroschenmusik (Suite für Blasorchester)
Kurt Weill4:21

Credits

Release

liner notes:David Drew (British classical music journalist)
Jessica Duchen
liner notes translator:Pascal Bergerault (liner notes)
Ursula Wulfekamp (liner notes)
copyrighted (©) by and phonographic copyright (℗) by:London Symphony Orchestra Ltd (not release label) (in 2025)
discography entry:https://lsolive.lso.co.uk/products/lso0880-weill [info]