Bach Edition, V: Vocal Works

~ Release by Johann Sebastian Bach (see all versions of this release, 7 available)

Annotation

FIXME (see also Edit #25169889 for the disc order):

* These are CDs V-1-32 (107-138 in total) from the 2006 155-CD box.
* The rest will also be added (or has already been added) as pseudo-volumes to the same release group to avoid issues with the single 155-CD release being too large.
* Once there are no more 502 errors with large releases, all those pseudo-volumes should be merged into a single release.

Annotation last modified on 2015-02-10 07:54 UTC.

Tracklist

1▶CD: Mass in B Minor / Hohe Messe BWV 232 (disc 1)
2▶CD: Mass in B Minor / Hohe Messe BWV 232 (disc 2)
3▶CD: Messen, BWV 233 & 234
4▶CD: Messen, BWV 235 & 236
5▶CD: Geistliche Lieder und Arien aus "Musicalisches Gesangbuch G.C. Schemelli", BWV 439-507 (disc 1)
6▶CD: Geistliche Lieder und Arien aus "Musicalisches Gesangbuch G.C. Schemelli", BWV 439-507 (disc 2)
7▶CD: Motetten
8▶CD: Osteroratorium, BWV 249
9▶CD: Secular Cantatas: Schwingt freudig euch empor / Non sa che sia dolore / Amore traditore
10▶CD: Secular Cantata, BWV 201; Geschwinde, ihr wirbelnden Winde - Der Streit zwischen Phoebus und Pan
11▶CD: Zwei Hochzeitskantaten, BWV 202 & 210
12▶CD: Secular Cantatas, BWV 204 & 208; Was mir behagt, ist nur die muntre Jagd / Ich bin in mir vergnügt
13▶CD: Secular Cantatas, BWV 205 & 207: Zerreißet, zersprenget, zertrümmert die Gruft / Vereinigte Zwietracht der wechselnden Saiten
14▶CD: Secular Cantatas, BWV 206 & 215: Schleicht, spielende Wellen / Preise dein Glücke, gesegnetes Sachsen
15▶CD: Secular Cantatas, BWV 211 & 212: Schweigt stille, plaudert nicht (Kaffee-Kantate) / Mehr hahn en neue Oberkeet (Bauernkantate)
16▶CD: Secular Cantatas, BWV 213 & 214; Laßt uns sorgen, laßt uns wachen, Herkules auf dem Scheidewege / Tönet ihr Pauken! Erschallet, Trompeten!
17▶CD: Matthäus-Passion, BWV 244 (disc 1)
18▶CD: Matthäus-Passion, BWV 244 (disc 2)
19▶CD: Matthäus-Passion, BWV 244 (disc 3)
20▶CD: Johannes-Passion, BWV 245 (disc 1)
21▶CD: Johannes-Passion, BWV 245 (disc 2)
22▶CD: Weihnachtsoratorium, BWV 248 (disc 1)
23▶CD: Weihnachtsoratorium, BWV 248 (disc 2)
24▶CD: Himmelfahrts-Oratorium, BWV 11; Ich habe genug, BWV 82a; Sanctus, BWV 238
25▼CD: Tilge, Höchster, meine Sünden, BWV 1083 (nach Pergolesis's Stabat Mater), BWV 1083; BWV 118, 200, 231
#TitleRatingLength
1Tilge, Höchster, meine Sünden (Psalm 51), BWV 1083: I. Aria (Duetto: Soprano, Alto): Tilge, Höchster, meine Sünden
alto vocals:
Sytse Buwalda
soprano vocals:
Marjon Strijk (Dutch soprano vocalist)
orchestra:
Netherlands Bach Collegium
conductor:
Pieter Jan Leusink
recorded at:
Sint-Nicolaaskerk (St. Nicolas Church, Elburg) in Elburg, Gelderland, Netherlands, Kingdom of the Netherlands
recording of:
Motette, BWV 1083 "Tilge, Höchster, meine Sünden": Versus 1 (Sopran, Alt) "Tilge, Höchster meine Sünden" (from 1999-11 until 2000-01)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany
additional composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1745 until 1747)
composer:
Giovanni Battista Pergolesi (composer) (in 1736)
arrangement of:
Stabat mater for soprano, alto, strings and basso continuo: I. Duo: Stabat mater dolorosa
part of:
Motette, BWV 1083 "Tilge, Höchster, meine Sünden"
3:36
2Tilge, Höchster, meine Sünden (Psalm 51), BWV 1083: II. Aria (Soprano): Ist mein Herz in Missetaten
soprano vocals:
Marjon Strijk (Dutch soprano vocalist)
orchestra:
Netherlands Bach Collegium
conductor:
Pieter Jan Leusink
recorded at:
Sint-Nicolaaskerk (St. Nicolas Church, Elburg) in Elburg, Gelderland, Netherlands, Kingdom of the Netherlands
recording of:
Motette, BWV 1083 "Tilge, Höchster, meine Sünden": Versus 2 (Sopran) "Ist mein Herz in Missetaten" (from 1999-11 until 2000-01)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany
additional composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1745 until 1747)
composer:
Giovanni Battista Pergolesi (composer) (in 1736)
arrangement of:
Stabat mater for soprano, alto, strings and basso continuo: II. Aria (soprano): Cujus animam gementem
part of:
Motette, BWV 1083 "Tilge, Höchster, meine Sünden"
2:31
3Tilge, Höchster, meine Sünden (Psalm 51), BWV 1083: III. Aria (Duetto: Soprano, Alto): Missetaten, die mich drücken
alto vocals:
Sytse Buwalda
soprano vocals:
Marjon Strijk (Dutch soprano vocalist)
orchestra:
Netherlands Bach Collegium
conductor:
Pieter Jan Leusink
recorded at:
Sint-Nicolaaskerk (St. Nicolas Church, Elburg) in Elburg, Gelderland, Netherlands, Kingdom of the Netherlands
recording of:
Motette, BWV 1083 "Tilge, Höchster, meine Sünden": Versus 3 (Sopran, Alt) "Missetaten, die mich drücken" (from 1999-11 until 2000-01)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany
additional composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1745 until 1747)
composer:
Giovanni Battista Pergolesi (composer) (in 1736)
arrangement of:
Stabat mater for soprano, alto, strings and basso continuo: III. Duo: O quam tristis et afflicta
part of:
Motette, BWV 1083 "Tilge, Höchster, meine Sünden"
1:58
4Tilge, Höchster, meine Sünden (Psalm 51), BWV 1083: IV. Aria (Alto): Dich erzürnt mein Tun und Lassen
alto vocals:
Sytse Buwalda
orchestra:
Netherlands Bach Collegium
conductor:
Pieter Jan Leusink
recorded at:
Sint-Nicolaaskerk (St. Nicolas Church, Elburg) in Elburg, Gelderland, Netherlands, Kingdom of the Netherlands
recording of:
Motette, BWV 1083 "Tilge, Höchster, meine Sünden": Versus 4 (Alt) "Dich erzürnt mein Tun und Lassen" (from 1999-11 until 2000-01)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany
additional composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1745 until 1747)
composer:
Giovanni Battista Pergolesi (composer) (in 1736)
arrangement of:
Stabat mater for soprano, alto, strings and basso continuo: IV. Aria (alto): Quae moerebat et dolebat
part of:
Motette, BWV 1083 "Tilge, Höchster, meine Sünden"
2:19
5Tilge, Höchster, meine Sünden (Psalm 51), BWV 1083: V. Aria (Duetto: Soprano, Alto): Wer wird seine Schuld verneinen
alto vocals:
Sytse Buwalda
soprano vocals:
Marjon Strijk (Dutch soprano vocalist)
orchestra:
Netherlands Bach Collegium
conductor:
Pieter Jan Leusink
recorded at:
Sint-Nicolaaskerk (St. Nicolas Church, Elburg) in Elburg, Gelderland, Netherlands, Kingdom of the Netherlands
recording of:
Motette, BWV 1083 "Tilge, Höchster, meine Sünden": Versus 5 & 6 (Sopran, Alt) "Wer wird seine Schuld verneinen" (from 1999-11 until 2000-01)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany
additional composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1745 until 1747)
composer:
Giovanni Battista Pergolesi (composer) (in 1736)
arrangement of:
Stabat mater for soprano, alto, strings and basso continuo: V. (1) Duo: Quis est homo, qui non fleret (Use this variant if 'Pro peccatis suae gentis' appears on a separate track)
part of:
Motette, BWV 1083 "Tilge, Höchster, meine Sünden"
2:07
6Tilge, Höchster, meine Sünden (Psalm 51), BWV 1083: VI. Aria (Duetto: Soprano, Alto): Sieh! ich bin in Sünd empfangen
alto vocals:
Sytse Buwalda
soprano vocals:
Marjon Strijk (Dutch soprano vocalist)
orchestra:
Netherlands Bach Collegium
conductor:
Pieter Jan Leusink
recorded at:
Sint-Nicolaaskerk (St. Nicolas Church, Elburg) in Elburg, Gelderland, Netherlands, Kingdom of the Netherlands
recording of:
Motette, BWV 1083 "Tilge, Höchster, meine Sünden": Versus 7 (Sopran, Alt) "Sieh! ich bin in Sünd empfangen" (from 1999-11 until 2000-01)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany
additional composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1745 until 1747)
composer:
Giovanni Battista Pergolesi (composer) (in 1736)
arrangement of:
Stabat mater for soprano, alto, strings and basso continuo: V. (2) Duo: Pro peccatis suae gentis (Use this variant if 'Pro peccatis suae gentis' appears on a separate track)
part of:
Motette, BWV 1083 "Tilge, Höchster, meine Sünden"
0:38
7Tilge, Höchster, meine Sünden (Psalm 51), BWV 1083: VII. Aria (Soprano): Sieh, du willst die Wahrheit
soprano vocals:
Marjon Strijk (Dutch soprano vocalist)
orchestra:
Netherlands Bach Collegium
conductor:
Pieter Jan Leusink
recorded at:
Sint-Nicolaaskerk (St. Nicolas Church, Elburg) in Elburg, Gelderland, Netherlands, Kingdom of the Netherlands
recording of:
Motette, BWV 1083 "Tilge, Höchster, meine Sünden": Versus 8 (Sopran) "Sieh, du willst die Wahrheit haben" (from 1999-11 until 2000-01)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany
additional composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1745 until 1747)
composer:
Giovanni Battista Pergolesi (composer) (in 1736)
arrangement of:
Stabat mater for soprano, alto, strings and basso continuo: VI. Aria (soprano): Vidit suum dulcem natum
part of:
Motette, BWV 1083 "Tilge, Höchster, meine Sünden"
3:44
8Tilge, Höchster, meine Sünden (Psalm 51), BWV 1083: VIII. Aria (Alto): Wasche mich doch rein
alto vocals:
Sytse Buwalda
orchestra:
Netherlands Bach Collegium
conductor:
Pieter Jan Leusink
recorded at:
Sint-Nicolaaskerk (St. Nicolas Church, Elburg) in Elburg, Gelderland, Netherlands, Kingdom of the Netherlands
recording of:
Motette, BWV 1083 "Tilge, Höchster, meine Sünden": Versus 9 (Alt) "Wasche mich doch rein von Sünden" (from 1999-11 until 2000-01)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany
additional composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1745 until 1747)
composer:
Giovanni Battista Pergolesi (composer) (in 1736)
arrangement of:
Stabat mater for soprano, alto, strings and basso continuo: VII. Aria (alto): Eja, mater, fons amoris
part of:
Motette, BWV 1083 "Tilge, Höchster, meine Sünden"
2:26
9Tilge, Höchster, meine Sünden (Psalm 51), BWV 1083: IX. Aria (Duetto: Soprano, Alto): Laß mich Freud und Wonne spüren
alto vocals:
Sytse Buwalda
soprano vocals:
Marjon Strijk (Dutch soprano vocalist)
orchestra:
Netherlands Bach Collegium
conductor:
Pieter Jan Leusink
recorded at:
Sint-Nicolaaskerk (St. Nicolas Church, Elburg) in Elburg, Gelderland, Netherlands, Kingdom of the Netherlands
recording of:
Motette, BWV 1083 "Tilge, Höchster, meine Sünden": Versus 10 (Sopran, Alt) "Laß mich Freud und Wonne spüren" (from 1999-11 until 2000-01)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany
additional composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1745 until 1747)
composer:
Giovanni Battista Pergolesi (composer) (in 1736)
arrangement of:
Stabat mater for soprano, alto, strings and basso continuo: VIII. Duo: Fac, ut ardeat cor meum
part of:
Motette, BWV 1083 "Tilge, Höchster, meine Sünden"
2:15
10Tilge, Höchster, meine Sünden (Psalm 51), BWV 1083: X. Aria (Duetto: Soprano, Alto): Schaue nicht auf meine Sünden
alto vocals:
Sytse Buwalda
soprano vocals:
Marjon Strijk (Dutch soprano vocalist)
orchestra:
Netherlands Bach Collegium
conductor:
Pieter Jan Leusink
recorded at:
Sint-Nicolaaskerk (St. Nicolas Church, Elburg) in Elburg, Gelderland, Netherlands, Kingdom of the Netherlands
recording of:
Motette, BWV 1083 "Tilge, Höchster, meine Sünden": Versus 11-15 (Sopran, Alt) "Schaue nicht auf meine Sünden" (from 1999-11 until 2000-01)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany
additional composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1745 until 1747)
composer:
Giovanni Battista Pergolesi (composer) (in 1736)
arrangement of:
Stabat mater for soprano, alto, strings and basso continuo: IX. Duo: Sancta mater, istud agas
part of:
Motette, BWV 1083 "Tilge, Höchster, meine Sünden"
5:23
11Tilge, Höchster, meine Sünden (Psalm 51), BWV 1083: XI. Aria (Alto): Öffne Lippen, Mund und Seele
alto vocals:
Sytse Buwalda
orchestra:
Netherlands Bach Collegium
conductor:
Pieter Jan Leusink
recorded at:
Sint-Nicolaaskerk (St. Nicolas Church, Elburg) in Elburg, Gelderland, Netherlands, Kingdom of the Netherlands
recording of:
Motette, BWV 1083 "Tilge, Höchster, meine Sünden": Versus 16 (Alt) "Öffne Lippen, Mund und Seele" (from 1999-11 until 2000-01)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany
additional composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1745 until 1747)
composer:
Giovanni Battista Pergolesi (composer) (in 1736)
arrangement of:
Stabat mater for soprano, alto, strings and basso continuo: X. Aria (alto): Fac, ut portem Christi mortem
part of:
Motette, BWV 1083 "Tilge, Höchster, meine Sünden"
3:06
12Tilge, Höchster, meine Sünden (Psalm 51), BWV 1083: XII. Aria (Duetto: Soprano, Alto): Denn du willst kein Opfer
alto vocals:
Sytse Buwalda
soprano vocals:
Marjon Strijk (Dutch soprano vocalist)
orchestra:
Netherlands Bach Collegium
conductor:
Pieter Jan Leusink
recorded at:
Sint-Nicolaaskerk (St. Nicolas Church, Elburg) in Elburg, Gelderland, Netherlands, Kingdom of the Netherlands
recording of:
Motette, BWV 1083 "Tilge, Höchster, meine Sünden": Versus 17 & 18 (Sopran, Alt) "Denn du willst kein Opfer haben" (from 1999-11 until 2000-01)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany
additional composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1745 until 1747)
composer:
Giovanni Battista Pergolesi (composer) (in 1736)
arrangement of:
Stabat mater for soprano, alto, strings and basso continuo: XII. Duo: Quando corpus morietur (without Amen)
part of:
Motette, BWV 1083 "Tilge, Höchster, meine Sünden"
2:25
13Tilge, Höchster, meine Sünden (Psalm 51), BWV 1083: XIII. Aria (Duetto: Soprano, Alto): Laß dein Zion blühend dauern
alto vocals:
Sytse Buwalda
soprano vocals:
Marjon Strijk (Dutch soprano vocalist)
orchestra:
Netherlands Bach Collegium
conductor:
Pieter Jan Leusink
recorded at:
Sint-Nicolaaskerk (St. Nicolas Church, Elburg) in Elburg, Gelderland, Netherlands, Kingdom of the Netherlands
recording of:
Motette, BWV 1083 "Tilge, Höchster, meine Sünden": Versus 19 & 20 (Sopran, Alt) "Laß dein Zion blühend dauern" (from 1999-11 until 2000-01)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany
additional composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1745 until 1747)
composer:
Giovanni Battista Pergolesi (composer) (in 1736)
arrangement of:
Stabat mater for soprano, alto, strings and basso continuo: XI. Duo: Inflammatus et accensus
part of:
Motette, BWV 1083 "Tilge, Höchster, meine Sünden"
2:16
14Tilge, Höchster, meine Sünden (Psalm 51), BWV 1083: XIV. Aria (Duetto: Soprano, Alto): Amen
alto vocals:
Sytse Buwalda
soprano vocals:
Marjon Strijk (Dutch soprano vocalist)
orchestra:
Netherlands Bach Collegium
conductor:
Pieter Jan Leusink
recorded at:
Sint-Nicolaaskerk (St. Nicolas Church, Elburg) in Elburg, Gelderland, Netherlands, Kingdom of the Netherlands
recording of:
Motette, BWV 1083 "Tilge, Höchster, meine Sünden": XIV. (Sopran, Alt) "Amen" (from 1999-11 until 2000-01)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany
additional composer:
Johann Sebastian Bach (German Baroque period composer & musician)
composer:
Giovanni Battista Pergolesi (composer)
arrangement of:
Stabat mater for soprano, alto, strings and basso continuo: XIII. Amen (separate Amen variant)
part of:
Motette, BWV 1083 "Tilge, Höchster, meine Sünden"
2:05
15O Jesu Christ, mein's Lebens Licht, BWV 118: Choral (Coro): O Jesu Christ mein's Lebens Licht
choir vocals:
Holland Boys Choir
orchestra:
Netherlands Bach Collegium
conductor:
Pieter Jan Leusink
recorded at:
Sint-Nicolaaskerk (St. Nicolas Church, Elburg) in Elburg, Gelderland, Netherlands, Kingdom of the Netherlands
recording of:
BWV 118 "O Jesu Christ, meins Lebens Licht" (from 1999-11 until 2000-01)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 118) and Bach Compendium (number: BC B 23)
7:46
16Bekennen will ich seinen Namen, BWV 200: Aria (Alto): Bekennen will ich seinen Namen
alto vocals:
Sytse Buwalda
orchestra:
Netherlands Bach Collegium
conductor:
Pieter Jan Leusink
recorded at:
Sint-Nicolaaskerk (St. Nicolas Church, Elburg) in Elburg, Gelderland, Netherlands, Kingdom of the Netherlands
recording of:
Kantate (Aria), BWV 200 "Bekennen will ich seinen Namen" (from 1999-11 until 2000-01)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composer:
Gottfried Heinrich Stölzel (composer)
librettist:
[anonymous] (special purpose artist)
arranger:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1742 until 1743)
part of:
Bach-Werke-Verzeichnis (abbreviated second edition, 1998, BWV²ᵃ) (number: BWV 200), Bach-Werke-Verzeichnis (first edition, 1950, BWV¹) (number: BWV 200), Bach-Werke-Verzeichnis (second edition, 1990, BWV²) (number: BWV 200) and Bach Compendium (number: BC A 192)
3:39
17Sei Lob und Preis mit Ehren, BWV 231: (Coro): Sei Lob und Preis mit Ehren
choir vocals:
Holland Boys Choir
orchestra:
Netherlands Bach Collegium
conductor:
Pieter Jan Leusink
recorded at:
Sint-Nicolaaskerk (St. Nicolas Church, Elburg) in Elburg, Gelderland, Netherlands, Kingdom of the Netherlands
recording of:
Sei Lob und Preis mit Ehren, BWV 231 (renumbered BWV 28/2a) (from 1999-11 until 2000-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 231)
revision of:
Kantate, BWV 28 "Gottlob! nun geht das Jahr zu Ende": II. Coro "Nun lob, mein Seel, den Herren"
5:06
26▶CD: Magnificat, BWV 243; Choräle
27▶CD: Choräle (aus der Breitkopf-Edition "389 Choräle") (disc 1)
28▶CD: Choräle (aus der Breitkopf-Edition "389 Choräle") (disc 2)
29▶CD: Choräle (disc 1)
30▶CD: Choräle (disc 2)
31▶CD: Choräle (disc 3)
32▶CD: Choräle (disc 4)