Las 100 canciones más Rolling de la historia

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 1 disponibile)

Annotazione

missing CD5

Annotazione modificata l'ultima volta il 2023-02-14 13:08 UTC.

Elenco tracce

1▼CD
#TitoloArtistaValutazioneDurata
1Subterranean Homesick Blues
registrata a:
New York, New York, Stati Uniti (il 1965-01-15)
produttore:
Tom Wilson (producer, worked with Dylan, Simon & Garfunkel, Zappa, VU, etc.)
armonica (a bocca) :
Bob Dylan (il 1965-01-15)
batteria :
Bobby Gregg (il 1965-01-15)
chitarra :
Bob Dylan (il 1965-01-15), Al Gorgoni (guitarist, composer, arranger, and producer) (il 1965-01-15), John Hammond (blues singer and guitarist) (il 1965-01-15), Bruce Langhorne (il 1965-01-15) e Kenny Rankin (il 1965-01-15)
chitarra basso :
John Sebastian (il 1965-01-15)
pianoforte :
Paul Griffin (American pianist, session musician) (il 1965-01-15) e Frank Owens (American pianist) (il 1965-01-15)
tastiera :
Bob Dylan (il 1965-01-15) e Paul Griffin (American pianist, session musician) (il 1965-01-15)
voce:
Bob Dylan (il 1965-01-15)
remixer:
Michael Brauer (engineer)
video musicali:
Subterranean Homesick Blues di Bob Dylan
parte di:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 187) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 332)
registrazione di:
Subterranean Homesick Blues (il 1965-01-15)
paroliere:
Bob Dylan (dal 1964-12 al 1965-01)
compositore:
Bob Dylan (nel 1965-01)
editore:
Blossom Music Ltd., Warner/Chappell (Warner/Chappell Music, Inc.) (dal 1965 al 1993), Warner Bros. Music (publisher; do NOT use as release label) (nel 1974) e Special Rider Music (dal 1993 a oggi)
Bob Dylan4.152:19
2Brown Eyed Girl
tecnico di registrazione:
Brooks Arthur (il 1967-03-28)
produttore:
Bert Russell Berns
batteria :
Gary Chester (studio drummer and educator) (il 1967-03-28)
chitarra :
Al Gorgoni (guitarist, composer, arranger, and producer) (il 1967-03-28), Hugh McCracken (il 1967-03-28) e Van Morrison (il 1967-03-28)
chitarra basso :
Eric Gale (il 1967-03-28)
organo :
Garry Sherman (mid-20th century composer, arranger & conductor) (il 1967-03-28)
voce di accompagnamento:
The Sweet Inspirations (il 1967-03-28)
voce principale:
Van Morrison (il 1967-03-28)
esecutore:
Van Morrison (il 1967-03-28)
diritti fonografici (℗) detenuti da:
Sony BMG Music Entertainment Inc. (nel 1967), Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1967), Charly Records (nel 1968) e Exile Productions Ltd. (not for Label Release) (nel 1973)
registrata presso:
A&R Recording Studio A (original studio, 1958–1967) in New York, New York, Stati Uniti (il 1967-03-28) e A&R Recording Studio (original studio, 1958–1967) in New York, New York, Stati Uniti (il 1967-04-07)
parte di:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 71) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 109)
registrazione di:
Brown Eyed Girl (dal 1967-03-28 al 1967-04-07)
paroliere e compositore:
Van Morrison
editore:
Artist Alliance, Gallo Music Publishers, PolyGram Music Publishing Australia Pty. Ltd., PolyGram Music Publishing Ltd., Songs of PolyGram International, Inc., Universal Music Publishing (use ONLY if no country‐specific information is available), Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Universal–Songs of PolyGram International, Inc., Web IV Music Inc. (nel 1967) e Polygram Publishing AB (nel 1992)
Van Morrison3.53:04
3Me and Bobby McGee
tecnico:
Phil Macy (50s-70s engineer)
produttore:
Paul Rothchild
batteria :
Clark Pierson (il 1970-09-25)
bonghi e congas ospite :
Bobbye Hall (il 1970-09-25)
bonghi ospite e congas ospite :
Bobbye Hall
chitarra :
John Till (rock guitarist) (il 1970-09-25)
chitarra acustica e voce principale:
Janis Joplin (il 1970-09-25)
chitarra basso :
Brad Campbell (bassist, member of Full Tilt Boogie) (il 1970-09-25)
organo :
Ken Pearson (il 1970-09-25)
pianoforte :
Richard Bell (Canadian keyboardist for The Band/Janis Joplin) (il 1970-09-25)
tamburello ospite :
Sandra Crouch (il 1970-09-25)
voce di accompagnamento:
Phil Badella (il 1970-09-25), Richard Bell (Canadian keyboardist for The Band/Janis Joplin) (il 1970-09-25), Brad Campbell (bassist, member of Full Tilt Boogie) (il 1970-09-25), John Cooke (il 1970-09-25), Janis Joplin (il 1970-09-25), Vince Mitchell (il 1970-09-25), Ken Pearson (il 1970-09-25), Clark Pierson (il 1970-09-25) e John Till (rock guitarist) (il 1970-09-25)
esecutore:
Full Tilt Boogie (il 1970-09-25)
registrata presso:
Sunset Sound in Hollywood, Los Angeles, California, Stati Uniti (il 1970-09-25)
parte di:
New York Post: 100 Greatest Covers (2007) (numero: 31) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 148)
registrazione cover di:
Me and Bobby McGee (il 1970-09-25)
paroliere e compositore:
Fred Foster e Kris Kristofferson
editore:
Combine Music Corp., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Songs Ltd. e Keith Prowse Music Publishing Co. Ltd.
Janis Joplin4.34:29
4Everyday I Have the Blues
registrazione di:
Everyday I Have the Blues
paroliere, compositore e rivista da:
Peter Chatman
autore:
Memphis Slim, Aaron ‘Pinetop’ Sparks (1930s blues & boogie-woogie pianist) (nel 1935) e Milton Sparks (nel 1935)
editore:
Arc Music (U.S. rock & blues publisher), Arc Music Corp. (U.S. rock & blues publisher), BMG Platinum Songs, Fort Knox Music Co, Fort Knox Music Inc., Golden State Songs, Jewel Music Publishing Co. Ltd. (publisher; do NOT use as release label), Trio Music Co., Inc., Trio Music Company e Tristan Music Ltd.
B.B. King2:39
5First We Take Manhattan
tecnico di registrazione:
François Deschamps (recording engineer) e Ian Terry (Canadian engineer & producer)
supporto a vario titolo:
Roscoe Beck
produttore:
Leonard Cohen (Canadian singer‐songwriter and poet)
tecnico di missaggio:
Frank Wolf (engineer at Skyline Recording)
voce:
Anjani Thomas
voce principale:
Leonard Cohen (Canadian singer‐songwriter and poet)
esecutore:
Jeff Fisher
arrangiatore:
Jeff Fisher
diritti fonografici (℗) detenuti da:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1988)
registrazione di:
First We Take Manhattan (nel 1987)
paroliere e compositore:
Leonard Cohen (Canadian singer‐songwriter and poet)
editore:
Sony/ATV Music Publishing LLC (1995–2020) e Stranger Music Inc.
Leonard Cohen4.55:59
6The House Is Rockin’
Stevie Ray Vaughan2:23
7Sunday Morning
tecnico di registrazione:
Omi Haden
produttore:
Tom Wilson (producer, worked with Dylan, Simon & Garfunkel, Zappa, VU, etc.)
voce di accompagnamento:
Nico (Christa Päffgen, German singer, fashion model, actress)
diritti fonografici (℗) detenuti da:
UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (nel 1967)
registrazione di:
Sunday Morning
paroliere:
Lou Reed
compositore:
John Cale (The Velvet Underground founder) e Lou Reed
editore:
Oakfield Avenue Music Ltd.
The Velvet Underground4.152:52
8Mr. Bojangles
registrazione cover di:
Mr. Bojangles
paroliere e compositore:
Jerry Jeff Walker
editore:
Gotillion Music (BMI), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) e Warner/Chappell Music Australia Pty. Ltd.
The Nitty Gritty Dirt Band5:14
9Make Me Smile (Come Up and See Me)
produttore:
Steve Harley e Alan Parsons (of The Alan Parsons Project)
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1975)
parte di:
TV Cream: Real 100 Best Singles Ever (numero: 18)
registrazione di:
Make Me Smile (Come Up and See Me)
paroliere e compositore:
Steve Harley
editore:
EMI Music Publishing (do not use as a release label!), Finchley Music Corp., RAK Publishing Ltd. e Trigram Music Management Ltd.
Steve Harley & Cockney Rebel43:57
10America
registrazione di:
America
paroliere e compositore:
Paul Simon (of Simon & Garfunkel)
editore:
Pattern Music Ltd (publisher), Paul Simon Music e Universal/MCA Music Ltd. (not for release label use!)
Simon & Garfunkel3:29
11Birdland
assistente tecnico:
Jerry Hudgins e Brian Risner
tecnico:
Ron Malo
assistente produttore:
Wayne Shorter (US jazz saxophonist and composer)
co-produttore:
Jaco Pastorius
produttore:
Jaco Pastorius, Wayne Shorter (US jazz saxophonist and composer) e Joe Zawinul (jazz and fusion keyboard player)
basso elettrico [bass] e mandoloncello :
Jaco Pastorius (dal 1976 al 1977)
batteria :
Alex Acuña (dal 1976 al 1977)
melodica , pianoforte a coda [acoustic piano] e sintetizzatore analogico [Oberheim Polyphonic] :
Joe Zawinul (jazz and fusion keyboard player) (dal 1976 al 1977)
sassofono soprano e sassofono tenore :
Wayne Shorter (US jazz saxophonist and composer) (dal 1976 al 1977)
sintetizzatore analogico [Arp 2600] :
Joe Zawinul (jazz and fusion keyboard player)
tamburello :
Manolo Badrena (dal 1976 al 1977)
voce:
Jaco Pastorius (dal 1976 al 1977) e Joe Zawinul (jazz and fusion keyboard player) (dal 1976 al 1977)
orchestratore:
Joe Zawinul (jazz and fusion keyboard player)
registrata presso:
Devonshire Sound Studios in North Hollywood, Los Angeles, California, Stati Uniti (dal 1976 al 1977)
registrazione di:
Birdland (instrumental) (dal 1976 al 1977)
compositore:
Joe Zawinul (jazz and fusion keyboard player)
editore:
Mulatto Music, Songs of Universal, Inc. (BMI), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) e ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Weather Report55:58
12The Weight
tecnico:
Don Hahn (engineer) e Tony May (engineer)
produttore:
The Band (Canadian-American rock band) e John Simon (US producer, arranger, composer, songwriter and musician)
batteria :
Levon Helm (il 1968-01-12)
chitarra acustica :
Robbie Robertson (il 1968-01-12)
chitarra basso :
Rick Danko (il 1968-01-12)
pianoforte :
Garth Hudson (il 1968-01-12)
voce di accompagnamento:
Rick Danko (il 1968-01-12), Levon Helm (il 1968-01-12) e Richard Manuel (il 1968-01-12)
voce principale:
Rick Danko (il 1968-01-12) e Levon Helm (il 1968-01-12)
diritti fonografici (℗) detenuti da:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1968, nel 2005)
registrata presso:
A&R Recording Studio (third studio, 322 West 48th Street, closed in 1989) in New York, New York, Stati Uniti (il 1968-01-12)
parte di:
Huffington Post: 100 Best Canadian Songs Ever (numero: 6), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 41), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 58), Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (numero: 80) e Rock and Roll Hall of Fame – 500 Songs That Shaped Rock
registrazione di:
The Weight (il 1968-01-12)
paroliere e compositore:
Robbie Robertson
editore:
Dwarf Music, Sony/ATV Music Publishing Australia Pty Ltd. e ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
The Band4.154:35
13The Whole of the Moon
produttore:
Mike Scott (The Waterboys)
tecnico di missaggio:
Mick Glossop (producer & engineer)
batteria :
Chris Whitten (nel 1985-05)
chitarra e pianoforte :
Mike Scott (The Waterboys) (nel 1985-05)
percussione :
Martin Ditcham (nel 1985-05)
sassofono :
Anthony Thistlethwaite (nel 1985-05)
sintetizzatore e sintetizzatore basso :
Karl Wallinger (nel 1985-05)
tromba :
Roddy Lorimer (nel 1985-05)
voce:
Mike Scott (The Waterboys) (nel 1985-05)
voce di accompagnamento:
Max Edie (nel 1985-05) e Karl Wallinger (nel 1985-05)
diritti fonografici (℗) detenuti da:
Ensign Records Ltd. (company; do NOT use as release label) (nel 1985), Island Records Ltd. (not for release label use! company known by this name from 1962‐05‐08 to 1999‐03‐29, and since 2014‐06‐25) (nel 1985) e Chrysalis Records (don’t use as an imprint; please use “Chrysalis” instead) (nel 2020)
registrazione di:
The Whole of the Moon (nel 1985-05)
paroliere e compositore:
Mike Scott (The Waterboys)
editore:
Chrysalis Music Ltd. (music publisher, affiliated with PRS), Dizzy Heights Music Publishing Ltd. (publisher; do NOT use as release label) e Warner Chappell Music Ltd. (no slash; used 1988–1996)
The Waterboys4.455:00
14Spanish Stroll
basso :
Rubén Sigüenza
chitarra :
Willy DeVille e Louis X. Erlanger
membranofono :
Thomas R. "Manfred" Allen, Jr.
pianoforte :
Bobby Leonards
voce principale:
Willy DeVille
diritti fonografici (℗) detenuti da:
USM (for ℗ & © use only; Universal Strategic Marketing, a division of Universal Music B.V.) (nel 2015)
registrazione di:
Spanish Stroll
paroliere e compositore:
Willy DeVille
Mink DeVille53:32
15Nelson Mandela
produttore:
Elvis Costello
registrazione di:
Free Nelson Mandela
paroliere e compositore:
Jerry Dammers
editore:
Plangent Visions Music Ltd. (nel 1984)
The Special A.K.A.34:34
16Feelin’ All Right
registrazione cover di:
Feelin’ Alright
paroliere e compositore:
Dave Mason (co‐founder of Traffic)
editore:
Almo Music Corp. (USA, affiliated with ASCAP)
Joe Cocker4:09
17Stranger in Blue Suede Shoes
Kevin Ayers & The Whole World3:23
18Sweet Home Alabama
supporto a vario titolo:
Ronnie Van Zant
tecnico e produttore:
Al Kooper
basso elettrico :
Leon Wilkeson (nel 1973-07)
batteria :
Bob Burns (Lynyrd Skynyrd drummer and songwriter) (nel 1973-07)
chitarra elettrica :
Allen Collins (nel 1973-07), Ed King (US guitarist, bassist & songwriter) (nel 1973-07) e Gary Rossington (nel 1973-07)
tastiera :
Billy Powell (nel 1973-07)
voce di accompagnamento:
Merry Clayton (nel 1973-07) e Clydie King (nel 1973-07)
voce principale:
Ronnie Van Zant (nel 1973-07)
diritti fonografici (℗) detenuti da:
Geffen Records (nel 1974), MCA Records (1967–2003; name as in imprint during 1972–1990) (nel 1974), MCA Records Ltd. (do not use as an imprint; UK subsidiary of MCA Records) (nel 1974), MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (nel 1974), UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (nel 1974), Universal Music (plain logo: “Universal Music”) (nel 1974), Union Square Music Ltd. (for copyright use only, holding company of Union Square Music) (nel 2018) e Universal Music Operations Ltd. (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (nel 2018)
è stato produttore per:
Sounds of the South Productions
registrata presso:
Studio One (Doraville, GA) in Doraville, Georgia, Stati Uniti (nel 1973-07)
parte di:
Billboard Hot 100: 2026-07-18 (numero: 31), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 398)
registrazione di:
Sweet Home Alabama (nel 1973-07)
supporto a vario titolo:
Ronnie Van Zant
autore:
Ed King (US guitarist, bassist & songwriter), Gary Rossington e Ronnie Van Zant
editore:
Hustler Inc., Leeds Music Corp., MCA Music Ltd., Songs of Universal, Inc. (BMI), Universal Music Corp. (USA, affiliated with ASCAP), Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Universal/MCA Music Ltd. (not for release label use!), Universal/MCA Music Publishing GmbH e Universal/MCA Music Publishing Pty Ltd
Lynyrd Skynyrd4.14:41
19Wild Thing
produttore:
Colin Frechter (British pianist, arranger, music director, producer, vocalist)
batteria :
Ronnie Bond (The Troggs) (nel 1966)
chitarra elettrica :
Chris Britton (The Troggs) (nel 1966)
ocarina e voce principale:
Reg Presley (nel 1966)
diritti fonografici (℗) detenuti da:
Mercury Records Ltd. (not for release label use!) (nel 1966)
parte di:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 257)
registrazione cover di:
Wild Thing (nel 1966)
paroliere e compositore:
Chip Taylor (US singer/songwriter)
editore:
EMI Blackwood Music Inc., EMI Songs, EMI Songs Australia Pty. Ltd., EMI Songs Musikverlag GmbH e April Music (nel 1981)
The Troggs4.42:36
20California Dreamin’
tecnico:
Bones Howe
produttore:
Lou Adler
chitarra :
P.F. Sloan (nel 1965)
flauto contralto solista :
Bud Shank (nel 1965)
diritti fonografici (℗) detenuti da:
Geffen Records e Dunhill Records (nel 1966)
registrata presso:
Western Recorders (@ 6000 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California, Stati Uniti (nel 1965)
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 52), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 89) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 420)
registrazione di:
California Dreamin’ (nel 1965)
autore:
John Phillips (The Mamas & The Papas) e Michelle Phillips
editore:
American Broadcasting Music, Inc., MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), Richt & Slezak OHG, Trousdale Music, Trousdale Music Publishers, Inc., Universal Music Corp. (USA, affiliated with ASCAP) e Universal/MCA Music Publishing GmbH
sub-editore:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) e ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
The Mamas & the Papas4.352:38
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