Special Touch

~ Release by Crackin’ (see all versions of this release, 5 available)

Tracklist

1▼CD
#TitleRatingLength
1Double Love
analog synthesizer [ARP 2600] programming:
Jay Graydon
engineer:
John Guess and Tom Perry (engineer)
producer:
Michael Omartian
mixer:
Tom Perry (engineer)
bass guitar:
Rick “Cheese” Chudacoff
drums (drum set):
Peter Bunetta
guitar:
Bob Bordy and Brian Ray
keyboard:
George T. Clinton (member of Crackin’) and Michael Omartian
percussion:
Peter Bunetta, Arno Lucas, Michael Omartian and Leslie Smith (funk/soul singer)
synthesizer:
George T. Clinton (member of Crackin’)
background vocals:
Michael Omartian
vocals:
Arno Lucas and Leslie Smith (funk/soul singer)
arranger:
Crackin’ and Michael Omartian
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1978) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1978)
recorded at:
Hollywood Sound Recorders in Los Angeles, California, United States
recording of:
Double Love
writer:
Bob Bordy, Arno Lucas and Michael Omartian
publisher:
Big Ears Music, Inc., Crackin’ Music Co. and Universal Music Corp. (USA, affiliated with ASCAP)
?:??
2Too Young
analog synthesizer [ARP 2600] programming:
Jay Graydon
engineer:
John Guess and Tom Perry (engineer)
producer:
Michael Omartian
mixer:
Tom Perry (engineer)
bass guitar:
Rick “Cheese” Chudacoff
drums (drum set):
Peter Bunetta
guitar:
Bob Bordy and Brian Ray
keyboard:
George T. Clinton (member of Crackin’) and Michael Omartian
percussion:
Peter Bunetta, Arno Lucas, Michael Omartian and Leslie Smith (funk/soul singer)
synthesizer:
George T. Clinton (member of Crackin’)
background vocals:
Julia Tillman Waters, Maxine Willard Waters and Michael Omartian
vocals:
Arno Lucas and Leslie Smith (funk/soul singer)
arranger:
Crackin’ and Michael Omartian
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1978) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1978)
recorded at:
Hollywood Sound Recorders in Los Angeles, California, United States
recording of:
Too Young
writer:
Bob Bordy, Rick Chudacoff, Arno Lucas and Michael Omartian
?:??
3Heavenly Day
analog synthesizer [ARP 2600] programming:
Jay Graydon
engineer:
John Guess and Tom Perry (engineer)
producer:
Michael Omartian
mixer:
Tom Perry (engineer)
bass guitar:
Rick “Cheese” Chudacoff
drums (drum set):
Peter Bunetta
guitar:
Bob Bordy and Brian Ray
keyboard:
George T. Clinton (member of Crackin’) and Michael Omartian
percussion:
Peter Bunetta, Arno Lucas, Michael Omartian and Leslie Smith (funk/soul singer)
synthesizer:
George T. Clinton (member of Crackin’)
background vocals:
Michael Omartian
vocals:
Arno Lucas and Leslie Smith (funk/soul singer)
arranger:
Crackin’ and Michael Omartian
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1978) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1978)
recorded at:
Hollywood Sound Recorders in Los Angeles, California, United States
recording of:
Heavenly Day
writer:
Bob Bordy, Rick Chudacoff, Arno Lucas and Michael Omartian
?:??
4Nobody Else
analog synthesizer [ARP 2600] programming:
Jay Graydon
engineer:
John Guess and Tom Perry (engineer)
producer:
Michael Omartian
mixer:
Tom Perry (engineer)
bass guitar:
Rick “Cheese” Chudacoff
drums (drum set):
Peter Bunetta
guitar:
Bob Bordy and Brian Ray
keyboard:
George T. Clinton (member of Crackin’) and Michael Omartian
percussion:
Peter Bunetta, Arno Lucas, Michael Omartian and Leslie Smith (funk/soul singer)
solo saxophone:
Ernie Watts (Ernest James Watts, jazz and blues saxophonist)
synthesizer:
George T. Clinton (member of Crackin’)
background vocals:
Michael Omartian
vocals:
Arno Lucas and Leslie Smith (funk/soul singer)
arranger:
Crackin’ and Michael Omartian
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1978) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1978)
recorded at:
Hollywood Sound Recorders in Los Angeles, California, United States
recording of:
Nobody Else
lyricist and composer:
Robbie Dupree
publisher:
BMG Platinum Songs US
?:??
5I Could Be Anything
analog synthesizer [ARP 2600] programming:
Jay Graydon
engineer:
John Guess and Tom Perry (engineer)
producer:
Michael Omartian
mixer:
Tom Perry (engineer)
bass guitar:
Rick “Cheese” Chudacoff
drums (drum set):
Peter Bunetta
guitar:
Bob Bordy and Brian Ray
keyboard:
George T. Clinton (member of Crackin’) and Michael Omartian
percussion:
Peter Bunetta, Arno Lucas, Michael Omartian and Leslie Smith (funk/soul singer)
solo synthesizer and synthesizer:
George T. Clinton (member of Crackin’)
background vocals:
Michael Omartian
vocals:
Arno Lucas and Leslie Smith (funk/soul singer)
arranger:
Crackin’ and Michael Omartian
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1978) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1978)
recorded at:
Hollywood Sound Recorders in Los Angeles, California, United States
recording of:
I Could Be Anything
writer:
Peter Bunetta and George T. Clinton (member of Crackin’)
?:??
6I Can’t Wait Forever
analog synthesizer [ARP 2600] programming:
Jay Graydon
engineer:
John Guess and Tom Perry (engineer)
producer:
Michael Omartian
mixer:
Tom Perry (engineer)
bass guitar:
Rick “Cheese” Chudacoff
drums (drum set):
Peter Bunetta
guitar:
Bob Bordy and Brian Ray
keyboard:
George T. Clinton (member of Crackin’) and Michael Omartian
percussion:
Peter Bunetta, Arno Lucas, Michael Omartian and Leslie Smith (funk/soul singer)
saxophone:
Ernie Watts (Ernest James Watts, jazz and blues saxophonist)
solo synthesizer and synthesizer:
George T. Clinton (member of Crackin’)
background vocals:
Julia Tillman Waters, Maxine Willard Waters and Michael Omartian
vocals:
Arno Lucas and Leslie Smith (funk/soul singer)
arranger:
Crackin’ and Michael Omartian
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1978) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1978)
recorded at:
Hollywood Sound Recorders in Los Angeles, California, United States
recording of:
I Can’t Wait Forever
writer:
Bob Bordy, Peter Bunetta, Rick Chudacoff and Arno Lucas
?:??
7In Between
analog synthesizer [ARP 2600] programming:
Jay Graydon
engineer:
John Guess and Tom Perry (engineer)
producer:
Michael Omartian
mixer:
Tom Perry (engineer)
bass guitar:
Rick “Cheese” Chudacoff
drums (drum set):
Peter Bunetta
flute:
Ernie Watts (Ernest James Watts, jazz and blues saxophonist)
guitar:
Bob Bordy and Brian Ray
keyboard:
George T. Clinton (member of Crackin’) and Michael Omartian
percussion:
Peter Bunetta, Arno Lucas, Michael Omartian and Leslie Smith (funk/soul singer)
solo synthesizer and synthesizer:
George T. Clinton (member of Crackin’)
background vocals:
Michael Omartian
vocals:
Arno Lucas and Leslie Smith (funk/soul singer)
arranger:
Crackin’ and Michael Omartian
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1978) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1978)
recorded at:
Hollywood Sound Recorders in Los Angeles, California, United States
recording of:
In Between
writer:
Michael Omartian and Stormie Omartian
?:??
8Don’t Cha Love Me
analog synthesizer [ARP 2600] programming:
Jay Graydon
engineer:
John Guess and Tom Perry (engineer)
producer:
Michael Omartian
mixer:
Tom Perry (engineer)
bass guitar:
Rick “Cheese” Chudacoff
drums (drum set):
Peter Bunetta
flute:
Ernie Watts (Ernest James Watts, jazz and blues saxophonist)
guitar:
Bob Bordy and Brian Ray
keyboard:
George T. Clinton (member of Crackin’) and Michael Omartian
percussion:
Peter Bunetta, Arno Lucas, Michael Omartian and Leslie Smith (funk/soul singer)
solo synthesizer and synthesizer:
George T. Clinton (member of Crackin’)
background vocals:
Julia Tillman Waters, Maxine Willard Waters and Michael Omartian
vocals:
Arno Lucas and Leslie Smith (funk/soul singer)
arranger:
Crackin’ and Michael Omartian
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1978) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1978)
recorded at:
Hollywood Sound Recorders in Los Angeles, California, United States
recording of:
Don’t Cha Love Me
writer:
John Carter (US disco songwriter), Arno Lucas, Leslie Smith (funk/soul singer) and Ray White
?:??
9On the Wing
analog synthesizer [ARP 2600] programming:
Jay Graydon
engineer:
John Guess and Tom Perry (engineer)
producer:
Michael Omartian
mixer:
Tom Perry (engineer)
bass guitar:
Rick “Cheese” Chudacoff
drums (drum set):
Peter Bunetta
guitar:
Bob Bordy and Brian Ray
keyboard:
George T. Clinton (member of Crackin’) and Michael Omartian
percussion:
Peter Bunetta, Arno Lucas, Michael Omartian and Leslie Smith (funk/soul singer)
synthesizer:
George T. Clinton (member of Crackin’)
background vocals:
Michael Omartian
vocals:
Arno Lucas and Leslie Smith (funk/soul singer)
arranger:
Crackin’ and Michael Omartian
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1978) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1978)
recorded at:
Hollywood Sound Recorders in Los Angeles, California, United States
recording of:
On the Wing
writer:
John Carter (US disco songwriter), Leslie Smith (funk/soul singer) and Ray White
?:??
10Kalalee
analog synthesizer [ARP 2600] programming:
Jay Graydon
engineer:
John Guess and Tom Perry (engineer)
producer:
Michael Omartian
mixer:
Tom Perry (engineer)
bass guitar:
Rick “Cheese” Chudacoff
drums (drum set):
Peter Bunetta
flute and solo saxophone:
Ernie Watts (Ernest James Watts, jazz and blues saxophonist)
guitar:
Bob Bordy and Brian Ray
harp:
Gayle Levant (American studio musician, harpist)
keyboard:
George T. Clinton (member of Crackin’) and Michael Omartian
percussion:
Peter Bunetta, Arno Lucas, Michael Omartian and Leslie Smith (funk/soul singer)
synthesizer:
George T. Clinton (member of Crackin’)
background vocals:
Michael Omartian
vocals:
Arno Lucas and Leslie Smith (funk/soul singer)
arranger:
Crackin’ and Michael Omartian
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1978) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1978)
recorded at:
Hollywood Sound Recorders in Los Angeles, California, United States
recording of:
Kalalee
writer:
Rick Chudacoff and Arno Lucas
publisher:
Big Ears Music, Inc. and Crackin’ Music Co.
?:??

Credits

Release

art direction:John Cabalka
graphic design:Frans Evenhuis
design:Rod Dyer
manufactured by:Rhino Entertainment Company (not for release label use!)
copyrighted (©) by:Wounded Bird Records (in 2010)
licensed from:Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint)
Discogs:https://www.discogs.com/release/9194821 [info]
ASIN:US: B0037FFANM [info]