Songbooks Etcetera

~ Pubblicazione di Oscar Peterson (visualizza tutte le versioni di questa pubblicazione: 1 disponibile)

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1▼CD: Plays Cole Porter & Duke Ellington
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1What Is This Thing Called Love
registrata a:
Los Angeles, California, Stati Uniti (nel 1952-12)
basso :
Ray Brown (jazz bassist) (nel 1952-12)
chitarra :
Barney Kessel (nel 1952-12)
pianoforte :
Oscar Peterson (Canadian jazz pianist and composer) (nel 1952-12)
registrazione strumentale di:
What Is This Thing Called Love? (Wake Up and Dream musical revue) (nel 1952-12)
paroliere e compositore:
Cole Porter (composer) (nel 1929)
editore:
Harms, Inc., Warner Bros., Inc. (not for release label use!) e Warner/Chappell (Warner/Chappell Music, Inc.)
parte di:
Wake Up and Dream (1929 revue)
3:15
2Begin the Beguine
registrata a:
Los Angeles, California, Stati Uniti (nel 1952-12)
basso :
Ray Brown (jazz bassist) (nel 1952-12)
chitarra :
Barney Kessel (nel 1952-12)
pianoforte :
Oscar Peterson (Canadian jazz pianist and composer) (nel 1952-12)
registrazione strumentale di:
Begin the Beguine (nel 1952-12)
paroliere e compositore:
Cole Porter (composer) (nel 1935)
editore:
Chappell Music Ltd., Warner Bros., Inc. (not for release label use!), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell Music, Inc., ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
parte di:
Jubilee
3:17
3I’ve Got You Under My Skin
registrata a:
Los Angeles, California, Stati Uniti (dal 1952-11 al 1952-12, nel 1952-12)
basso :
Ray Brown (jazz bassist) (nel 1952-12)
chitarra :
Barney Kessel (nel 1952, nel 1952-12)
contrabbasso [bass] :
Ray Brown (jazz bassist) (nel 1952)
pianoforte :
Oscar Peterson (Canadian jazz pianist and composer) (nel 1952, nel 1952-12)
registrazione strumentale di:
I’ve Got You Under My Skin (nel 1952-12)
paroliere e compositore:
Cole Porter (composer) (nel 1936)
editore:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music (UK), Victoria Music Ltd. e Warner Chappell Music Ltd. (no slash; used 1988–1996)
parte di:
The 9th Academy Award for Best Original Song (numero: 2) e Academy Award for Best Original Song (numero: 1936 nominee)
parte di:
Born to Dance
registrazione strumentale di:
I’ve Got You Under My Skin (nel 1952)
paroliere e compositore:
Cole Porter (composer) (nel 1936)
editore:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music (UK), Victoria Music Ltd. e Warner Chappell Music Ltd. (no slash; used 1988–1996)
parte di:
The 9th Academy Award for Best Original Song (numero: 2) e Academy Award for Best Original Song (numero: 1936 nominee)
parte di:
Born to Dance
registrazione di:
I’ve Got You Under My Skin
paroliere e compositore:
Cole Porter (composer) (nel 1936)
editore:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music (UK), Victoria Music Ltd. e Warner Chappell Music Ltd. (no slash; used 1988–1996)
parte di:
The 9th Academy Award for Best Original Song (numero: 2) e Academy Award for Best Original Song (numero: 1936 nominee)
parte di:
Born to Dance
2:34
4Love for Sale
registrata a:
Los Angeles, California, Stati Uniti (il 1951-11-25)
basso :
Ray Brown (jazz bassist) (il 1951-11-25)
chitarra :
Barney Kessel (il 1951-11-25)
pianoforte :
Oscar Peterson (Canadian jazz pianist and composer) (il 1951-11-25)
registrazione strumentale di:
Love for Sale (nel 1952-12)
paroliere e compositore:
Cole Porter (composer) (nel 1930)
editore:
Chappell & Co., Chappell Music Ltd., Harms, Inc. e Warner Bros., Inc. (not for release label use!)
3:17
5Let’s Do It (Let’s Fall in Love)
registrata a:
Los Angeles, California, Stati Uniti (nel 1952-12)
basso :
Ray Brown (jazz bassist) (nel 1952-12)
chitarra :
Barney Kessel (nel 1952-12)
pianoforte :
Oscar Peterson (Canadian jazz pianist and composer) (nel 1952-12)
registrazione strumentale di:
Let’s Do It (Let’s Fall in Love) (Paris musical) (nel 1952-12)
paroliere e compositore:
Cole Porter (composer) (nel 1928)
parte di:
Can‐Can (1960 musical film)
parte di:
Paris (1928 musical)
3:00
6I Love You
registrata a:
Los Angeles, California, Stati Uniti (dal 1952-11 al 1952-12, nel 1952-12)
basso :
Ray Brown (jazz bassist) (nel 1952-12)
chitarra :
Barney Kessel (nel 1952, nel 1952-12)
contrabbasso [bass] :
Ray Brown (jazz bassist) (nel 1952)
pianoforte :
Oscar Peterson (Canadian jazz pianist and composer) (nel 1952, nel 1952-12)
registrazione strumentale di:
I Love You (Mexican Hayride musical) (nel 1952-12)
paroliere e compositore:
Cole Porter (composer) (nel 1944)
editore:
Chappell & Co., Inc. (USA), Chappell Music (UK), EMI Feist Catalog Inc. e Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
registrazione strumentale di:
I Love You (Mexican Hayride musical) (nel 1952)
paroliere e compositore:
Cole Porter (composer) (nel 1944)
editore:
Chappell & Co., Inc. (USA), Chappell Music (UK), EMI Feist Catalog Inc. e Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
registrazione di:
I Love You (Mexican Hayride musical)
paroliere e compositore:
Cole Porter (composer) (nel 1944)
editore:
Chappell & Co., Inc. (USA), Chappell Music (UK), EMI Feist Catalog Inc. e Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
3:10
7So Near and Yet So Far
registrata a:
Los Angeles, California, Stati Uniti (nel 1952-12)
basso :
Ray Brown (jazz bassist) (nel 1952-12)
chitarra :
Barney Kessel (nel 1952-12)
pianoforte :
Oscar Peterson (Canadian jazz pianist and composer) (nel 1952-12)
registrazione strumentale di:
So Near and Yet So Far (from “You’ll Never Get Rich”) (nel 1952-12)
paroliere e compositore:
Cole Porter (composer) (nel 1941)
3:25
8Just One of Those Things
registrata a:
Los Angeles, California, Stati Uniti (il 1952-02-26)
batteria :
Alvin Stoller (il 1952-02-26)
chitarra :
Barney Kessel (il 1952-02-26)
contrabbasso [bass] :
Ray Brown (jazz bassist) (il 1952-02-26)
pianoforte :
Oscar Peterson (Canadian jazz pianist and composer) (il 1952-02-26)
registrazione strumentale di:
Just One of Those Things (il 1952-02-26)
paroliere e compositore:
Cole Porter (composer) (nel 1935)
editore:
Chappell Music Ltd., Warner/Chappell (Warner/Chappell Music, Inc.) e Warner Bros., Inc. (not for release label use!) (nel 1929)
parte di:
Can‐Can (1960 musical film)
parte di:
High Society (stage musical)
parte di:
Jubilee
parte di:
Panama Hattie (1942 film)
3:07
9In the Still of the Night
registrata a:
Los Angeles, California, Stati Uniti (nel 1952-12)
basso :
Ray Brown (jazz bassist) (nel 1952-12)
chitarra :
Barney Kessel (nel 1952-12)
pianoforte :
Oscar Peterson (Canadian jazz pianist and composer) (nel 1952-12)
registrazione strumentale di:
In the Still of the Night (Cole Porter song) (nel 1952-12)
paroliere e compositore:
Cole Porter (composer) (nel 1937)
editore:
Chappell (library/production music) e Chappell & Co., Inc. (USA)
3:05
10Night and Day
registrata a:
Los Angeles, California, Stati Uniti (nel 1952-12)
basso :
Ray Brown (jazz bassist) (nel 1952-12)
chitarra :
Barney Kessel (nel 1952-12)
pianoforte :
Oscar Peterson (Canadian jazz pianist and composer) (nel 1952-12)
registrazione strumentale di:
Night and Day (Cole Porter; from “The Gay Divorce”) (nel 1952-12)
paroliere e compositore:
Cole Porter (composer) (nel 1932)
editore:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Warner Bros. (holding: file NO releases), Warner Bros. Music (publisher; do NOT use as release label), Warner Bros., Inc. (not for release label use!), Warner Bros., Inc. (Warner Bros. Music Division), Warner/Chappell (Warner/Chappell Music, Inc.), WB Music Corp. (1929–2019) (fino al 2019-05-28) e Harms, Inc. (il 1932-11-18)
parte di:
Gay Divorce
3:46
11Ev’ry Time We Say Goodbye
registrata a:
Los Angeles, California, Stati Uniti (nel 1952-12)
basso :
Ray Brown (jazz bassist) (nel 1952-12)
chitarra :
Barney Kessel (nel 1952-12)
pianoforte :
Oscar Peterson (Canadian jazz pianist and composer) (nel 1952-12)
registrazione strumentale di:
Ev’ry Time We Say Goodbye (Seven Lively Arts musical revue) (nel 1952-12)
paroliere e compositore:
Cole Porter (composer) (nel 1944)
editore:
Chappell & Co Ltd., Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music Co. Inc. e Warner Chappell Music Ltd. (no slash; used 1988–1996)
sub-editore:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
3:31
12Anything Goes
registrata a:
Los Angeles, California, Stati Uniti (nel 1952-12)
basso :
Ray Brown (jazz bassist) (nel 1952-12)
chitarra :
Barney Kessel (nel 1952-12)
pianoforte :
Oscar Peterson (Canadian jazz pianist and composer) (nel 1952-12)
registrazione strumentale di:
Anything Goes (nel 1952-12)
paroliere e compositore:
Cole Porter (composer) (nel 1934)
editore:
Chappell Music (UK), Chappell Music Ltd. e Warner Bros., Inc. (not for release label use!)
3:02
13John Hardy’s Wife
registrazione di:
John Hardy's Wife
compositore:
Mercer Ellington
3:27
14Sophisticated Lady
registrazione strumentale di:
Sophisticated Lady
paroliere:
Mitchell Parish e Irving Mills (nel 1932)
compositore:
Duke Ellington (US composer, pianist & jazz bandleader) (nel 1932)
editore:
Duke Ellington Music (conclusa), Mills Music, Inc. (conclusa), EMI Mills Music Inc. (ASCAP-affiliated), Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody) (fino al 2007-05) e Sony/ATV Harmony (dal 2007-05 a oggi)
parte di:
Sophisticated Ladies (1981 musical)
parte di:
The Real Book (compilation of jazz standards, volume I)
3:04
15Things Ain’t What They Used to Be
registrazione strumentale di:
Things Ain’t What They Used to Be
paroliere:
Ted Persons
compositore:
Mercer Ellington (nel 1942)
editore:
Tempo Music, Inc. (Duke Ellington’s music publishing company)
3:18
16Just A‐Sittin’ and A‐Rockin’
registrazione strumentale di:
Just A‐Sittin’ and A‐Rockin’
paroliere:
Lee Gaines (nel 1941)
compositore:
Duke Ellington (US composer, pianist & jazz bandleader) (nel 1941) e Billy Strayhorn (nel 1941)
3:47
17In a Mellow Tone
registrazione strumentale di:
In a Mellow Tone
paroliere:
Milt Gabler (nel 1939)
compositore:
Duke Ellington (US composer, pianist & jazz bandleader) (nel 1939)
editore:
EMI Robbins e Robbins Music (publishing company owned by EMI Music Publishing Ltd.)
3:12
18I Got It Bad and That Ain’t Good
registrazione strumentale di:
I Got It Bad (and That Ain’t Good)
paroliere:
Paul Francis Webster (nel 1941)
compositore:
Duke Ellington (US composer, pianist & jazz bandleader) (nel 1941)
editore:
EMI Robbins Catalog Inc. (ASCAP), Robbins Music Corp., Sony/ATV Harmony e Webster Music Co.
parte di:
The Real Book (compilation of jazz standards, volume I)
3:17
19Prelude to a Kiss
registrazione strumentale di:
Prelude to a Kiss
paroliere:
Irving Gordon (US songwriter) (nel 1938) e Irving Mills (nel 1938)
compositore:
Duke Ellington (US composer, pianist & jazz bandleader) (nel 1938)
editore:
J. R. Lafleur & Son Ltd. e Lafleur Music Ltd.
3:23
20Cotton Tail
registrazione strumentale di:
Cotton Tail
paroliere e compositore:
Duke Ellington (US composer, pianist & jazz bandleader)
3:57
21Don’t Get Around Much Anymore
registrazione strumentale di:
Don’t Get Around Much Anymore
paroliere:
Bob Russell (US songwriter/lyricist Sidney Keith “Bob” Russell) (nel 1942)
compositore:
Duke Ellington (US composer, pianist & jazz bandleader) (nel 1940)
editore:
EMI Music (do not use as release label! this is a music publisher), EMI Robbins Catalog Inc. (ASCAP), Harrison Music Corp. e Sony/ATV Harmony
sub-editore:
フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) e ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
versione di:
Never No Lament
4:04
22Take the ‘A’ Train
registrazione strumentale di:
Take the “A” Train (version with lyrics by Sherrill)
paroliere:
Joya Sherrill (nel 1944)
compositore:
Billy Strayhorn (nel 1939)
editore:
Music Sales Corporation (American copyright holder in both popular and classical music)
versione di:
Take the “A” Train (original instrumental version)
3:22
23Rockin’ in Rhythm
registrazione strumentale di:
Rockin’ in Rhythm
compositore:
Harry Carney, Duke Ellington (US composer, pianist & jazz bandleader) e Irving Mills
si basa su:
Kinda Dukish
2:59
24Do Nothin’ Till You Hear From Me
registrazione strumentale di:
Do Nothin’ Till You Hear From Me
paroliere:
Bob Russell (US songwriter/lyricist Sidney Keith “Bob” Russell) (nel 1943)
compositore:
Duke Ellington (US composer, pianist & jazz bandleader) (nel 1943)
editore:
Music Sales Corporation (American copyright holder in both popular and classical music) e Sony/ATV Harmony
versione di:
Concerto for Cootie
2:54
2▶CD: Plays Irving Berlin & George Gershwin
3▶CD: Plays Jerome Kern & Richard Rogers
4▶CD: Plays Vincent Youmans & Harold Arlen
5▶CD: Plays Harry Warren & Jimmy McHugh
6▶CD: Sessions With Billie Holiday
7▶CD: Sessions With Flip Phillips & Ben Webster Plus Billie Holiday & Harold Arlen (conclusions)
8▶CD: Sessions With Diz & Getz and Lester
9▶CD: With Norman Granz’ Jazz at the Philharmonic (Carnegie Hall 1953), Part One
10▶CD: With Norman Granz’ Jazz at the Philharmonic (Carnegie Hall 1953), Part Two

Accreditamenti

Pubblicazione

ASIN:US: B000A3MHNA [info]