NOW That’s What I Call Music! 73 (USA)

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 3 disponibili)

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1Memories
assistente tecnico di registrazione:
Bo Bodnar
programmazione:
The Monsters & Strangerz
tecnico:
Noah “Mailbox” Passovoy
produttore:
Adam Levine (Maroon 5’s lead vocalist) e The Monsters & Strangerz
produttore aggiunto:
Noah “Mailbox” Passovoy e Gian Stone
tecnico di missaggio:
Serban Ghenea
basso :
Mickey Madden
batteria e percussione :
Matthew “Matt” Flynn (Maroon 5 drummer)
chitarra :
Jesse Carmichael e James Valentine (Maroon 5)
tastiera :
Jesse Carmichael, Sam Farrar, PJ Morton e Michael Pollack (songwriter)
voce di accompagnamento:
Michael Pollack (songwriter)
diritti fonografici (℗) detenuti da:
Interscope Records (222 Records) (not an imprint, use only for holding) (nel 2019)
parte di:
Billboard Year-End Hot 100 singles of 2020 (numero: 8)
registrazione di:
Memories
autore:
Vincent Ford, Jacob Kasher Hindlin (American songwriter, producer), Jordan Johnson (member of The Monsters and the Strangerz), Stefan Johnson (songwriter and producer), Jonathan Bellion, Adam Levine (Maroon 5’s lead vocalist) e Michael Pollack (songwriter)
editore:
1916 Publishing, Art in the Fodder Music, Blackwell Fuller Music Publishing LLC, BMG Bumblebee (a BMI‐affiliated publishing entity of BMG Rights Management), BMG Platinum Songs US, Fifty Six Hope Road Music Limited, Kobalt Music Copyrights SARL, Prescription Songs, R8D Music Publishing, Rap Kingpin Music, Songs of a Beautiful Mind, Songs of BBMG Publishing, Songs of Universal, Inc. (BMI), Songs With a Pure Tone, Sudgee 2 Music, Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) e What Key Do You Want It in Music
si basa su:
Canon and Gigue in D major, P. 37, T. 337: I. Canon
Maroon 53.23:05
2Lover (remix)
diritti fonografici (℗) detenuti da:
Taylor Swift (nel 2019)
registrazione di:
Lover (remix) (feat. Shawn Mendes)
paroliere:
Scott Harris (Shawn Mendes collaborator), Shawn Mendes e Taylor Swift
compositore:
Taylor Swift
versione di:
Lover
Taylor Swift feat. Shawn Mendes3.43:39
3Graveyard
programmazione:
Louis Bell (American producer, engineer, and songwriter), Jon Bellion, Mark Williams e The Monsters & Strangerz
tecnico:
Louis Bell (American producer, engineer, and songwriter) e The Monsters & Strangerz
produttore:
Louis Bell (American producer, engineer, and songwriter), Jon Bellion, Ojivolta e The Monsters & Strangerz
assistente tecnico di missaggio:
John Hanes (audio engineer, mixer)
tecnico di missaggio:
Serban Ghenea
chitarra :
Amy Allen (US indie-pop songwriter) e Mark Williams
tastiera :
Louis Bell (American producer, engineer, and songwriter), Jon Bellion, Mark Williams e The Monsters & Strangerz
voce di accompagnamento:
Amy Allen (US indie-pop songwriter)
voce principale:
Halsey (US singer/songwriter Ashley Frangipane)
registrazione di:
Graveyard
autore:
Amy Allen (US indie-pop songwriter), Ashley Frangipane (US singer/songwriter Ashley Frangipane), Louis Bell (American producer, engineer, and songwriter), Stefan Johnson (songwriter and producer), Jonathan Bellion, Jordan K. Johnson (member of The Monsters and the Strangerz) e Mark “Oji” Williams
Halsey2.953:01
4Trampoline
produttore:
Grant Eadie, Alex Mendoza e SHAED
diritti fonografici (℗) detenuti da:
Photo Finish Records (nel 2019)
remix di:
Trampoline di SHAED
registrazione di:
Trampoline
autore:
Spencer Ernst, Chelsea Lee (SHAED), Maxwell Ernst (SHAED), Alex Mendoza e ZAYN (British singer)
SHAED & ZAYN3.93:02
5Lose You to Love Me
tecnico di registrazione e editor:
Mattais Bylund (archi)
programmazione:
FINNEAS e Mattman & Robin (Swedish songwriting and production duo)
assistente tecnico:
Ryan Dulude e Gavin Finn
tecnico:
Mattman & Robin (Swedish songwriting and production duo) e Bart Schoudel
produttore:
Mattman & Robin (Swedish songwriting and production duo), Mattman & Robin (Swedish songwriting and production duo) (voce principale [vocal]) e Bart Schoudel (voce principale [vocal])
produttore aggiunto:
FINNEAS
tecnico di missaggio:
Serban Ghenea
tecnico di missaggio aggiunto:
John Hanes (audio engineer, mixer)
archi , basso , percussione e sintetizzatore [synth] :
FINNEAS e Mattman & Robin (Swedish songwriting and production duo)
drum machine [808] , organo e pianoforte :
Mattman & Robin (Swedish songwriting and production duo)
sintetizzatore [string synthesizer] :
Mattais Bylund
violino :
Mattais Johansson
violoncello :
David Bukovinszky
cori e voce di accompagnamento:
Mattman & Robin (Swedish songwriting and production duo), Julia Michaels e Justin Tranter (singer and songwriter)
voce principale:
Selena Gomez
arrangiatore archi :
Mattais Bylund
è stato produttore per:
Wolf Cousins Productions
registrata presso:
Chalice Recording Studios in Hollywood, Los Angeles, California, Stati Uniti, Costa Mesa Recording Studios, House Mouse Studios in Stockholm, Stockholms län (Stockholm county), Svezia, Interscope Studios in Santa Monica, California, Stati Uniti, MXM Studios in Los Angeles, California, Stati Uniti, The Calm Studio in Höganäs Municipality (Höganäs municipality), Skåne (Skåne county), Svezia (archi) e Westlake Recording Studios (founded as Westlake Audio in the early 1970s) in West Hollywood, California, Stati Uniti
mixata presso:
MixStar Studios in Virginia Beach, Virginia, Stati Uniti
editing effettuato presso:
The Calm Studio in Höganäs Municipality (Höganäs municipality), Skåne (Skåne county), Svezia (archi)
parte di:
Spotify: Top Hits of 2019 (numero: 6) e Billboard Year-End Hot 100 singles of 2020 (numero: 30)
registrazione di:
Lose You to Love Me
autore:
Robin Fredriksson (of Mattman & Robin), Selena Gomez, Mattias Larsson (of Mattman & Robin), Julia Michaels e Justin Tranter (singer and songwriter)
editore:
I’ve Got Issues Music, Justin’s School for Girls, SMG Tunes, Songs of Wolf Cousins, Universal Music Corp. (USA, affiliated with ASCAP) e Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Selena Gomez3.33:25
6Love Me Anyway
produttore:
P!nk (American singer/songwriter)
produttore aggiunto:
Simon Gooding e Sal Oliveri (US musician, songwriter, and producer.)
tecnico di missaggio:
Simon Gooding
archi :
Stevie Blacke (British‐American producer and multi‐instrumentalist)
basso e pianoforte :
Sal Oliveri (US musician, songwriter, and producer.)
voce principale:
P!nk (American singer/songwriter)
voce principale ospite:
Chris Stapleton (American singer‐songwriter)
registrazione di:
Love Me Anyway (nel 2019)
autore:
Alecia Moore (American singer/songwriter), Tom Douglas e James Shamblin
P!nk feat. Chris Stapleton3.53:03
7Circles
tecnico di registrazione:
Louis Bell (American producer, engineer, and songwriter)
programmazione:
Austin Post, Louis Bell (American producer, engineer, and songwriter) e Frank Dukes (Canadian record producer, songwriter, musician)
produttore:
Louis Bell (American producer, engineer, and songwriter), Frank Dukes (Canadian record producer, songwriter, musician) e Post Malone
assistente tecnico di missaggio:
Scott Desmarais, Robin Florent, Chris Galland e Jeremie Inhaber
tecnico di missaggio:
Manny Marroquin
chitarra :
Austin Post e Kaan Gunesberk
voce:
Post Malone
diritti fonografici (℗) detenuti da:
Republic Records (from 1994–2006 and since 2012, a division of UMG Recordings, Inc.) (nel 2019)
registrata presso:
Electric Feel Studios in Hollywood, Los Angeles, California, Stati Uniti
mixata presso:
Larrabee Studios (present day location in North Hollywood, since 1991) in North Hollywood, Los Angeles, California, Stati Uniti
parte di:
MTV Video Music Award for Song of the Year nominees (numero: 2020), Billboard Year-End Hot 100 singles of 2020 (numero: 2), Grammy Award: Record of the Year nominees (numero: 2021), Billboard: Greatest of All Time Hot 100 Songs (numero: 19), Spotify: Top Hits of 2019 (numero: 39), Billboard Year-End Hot 100 singles of 2019 (numero: 62) e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 197)
registrazione di:
Circles
editore:
Billy Walsh (American songwriter)
autore:
Adam Feeney (Canadian record producer, songwriter, musician), Austin Post, Louis Bell (American producer, engineer, and songwriter), Kaan Gunesberk e Billy Walsh (American songwriter)
editore:
Kaan Gunesberk Publishing, Posty Co LLC, Sony/ATV, UMPG e WMMW Publishing (ASCAP affiliated)
parte di:
Grammy Award: Song of the Year nominees (numero: 2021)
Post Malone4.153:32
8Highest in the Room
Travis Scott3.62:56
9Time
produttore:
NF e Tommee Profitt (American songwriter and producer)
tecnico di missaggio:
Tommee Profitt (American songwriter and producer)
registrazione di:
Time
autore:
Nate Feuerstein e Tommee Profitt (American songwriter and producer)
NF3.93:56
1010,000 Hours
parte di:
Billboard Year-End Hot 100 singles of 2020 (numero: 23)
registrazione di:
10,000 Hours
autore:
Justin Bieber, Jessie Jo Dillon, Jason Boyd (US producer, singer & songwriter; Jason Boyd), Shay Mooney, Jordan Reynolds (US country music songwriter) e Dan Smyers (American country music singer and songwriter, born 1987)
Dan + Shay & Justin Bieber3.252:45
11Liar
tecnico di registrazione:
Paul LaMalfa
tecnico:
John Hanes (audio engineer, mixer)
tecnico aggiunto:
Nathaniel Alford (voce principale [vocals])
produttore:
The Monsters & Strangerz e Andrew Watt (producer, guitarist, singer, Earthlings, California Breed)
produttore aggiunto:
Jon Bellion
tecnico di missaggio:
Serban Ghenea
chitarra :
Andrew Watt (producer, guitarist, singer, Earthlings, California Breed)
tastiera [keyboards] :
The Monsters & Strangerz e Andrew Watt (producer, guitarist, singer, Earthlings, California Breed)
voce:
Camila Cabello
diritti fonografici (℗) detenuti da:
Simco Ltd. (not for release label use, for copyright/licensor use only) (nel 2019)
registrata presso:
Gold Tooth Music in Beverly Hills, California, Stati Uniti e Sarm Studios (1973–2013, fka Sarm Studios from 1973–1982) in Aldgate, Tower Hamlets, London (Greater London), England, Regno Unito
mixata presso:
MixStar Studios in Virginia Beach, Virginia, Stati Uniti
parte di:
Spotify: Top Hits of 2019 (numero: 20)
registrazione di:
Liar
autore:
Andrew Wotman (producer, guitarist, singer, Earthlings, California Breed), Jenny Berggren, Jonas Berggren, Malin Berggren, Camila Cabello, Ulf Ekberg, Stefan Johnson (songwriter and producer), Jonathan Bellion, Jordan K. Johnson (member of The Monsters and the Strangerz), Lionel Richie e Ali Tamposi (American songwriter and backing vocalist)
editore:
1916 Publishing, Ali Tamposi, Andrew Watt Music, Art in the Fodder Music, BMG Bumblebee (a BMI‐affiliated publishing entity of BMG Rights Management), BMG Platinum Songs US, BMG Rights Management (US) LLC (file releases under its imprint “BMG (2008–present)” if the release has an imprint), Brenda Richie Publishing, Brockman Music, Hipgnosis Side B, Kobalt Music Copyrights SARL, Kobalt Songs Music Publishing (USA, ASCAP affiliated), Maidmetal Limited, Megasong Publishing, Milamoon Songs, R8D Music, Reservoir 416, Reservoir Media Management, Inc., Songs of a Beautiful Mind, Songs of BBMG, Songs of BMG Publishing, Songs of Kobalt Music Publishing, Songs of Universal, Inc. (BMI), Sony/ATV Music Publishing (UK) Ltd., Sony/ATV Songs LLC e Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
si basa su:
All Night Long (All Night)
si basa su:
All That She Wants
Camila Cabello3.853:26
12Don’t Start Now
programmazione:
Ian Kirkpatrick (producer/songwriter)
tecnico:
Drew Jurecka (archi) e Ian Kirkpatrick (producer/songwriter)
produttore:
Ian Kirkpatrick (producer/songwriter) e Ian Kirkpatrick (producer/songwriter) (incarico: vocal)
produttore aggiunto:
Caroline Ailin (voce principale [vocal])
assistente tecnico di missaggio:
Elijah Marrett-Hitch
tecnico di missaggio:
Josh Gudwin
viola , violino e violino [baritone violin] :
Drew Jurecka
voce:
Dua Lipa
voce di accompagnamento:
Emily Warren
arrangiatore archi :
Drew Jurecka
diritti fonografici (℗) detenuti da:
Dua Lipa Limited (nel 2019)
registrata presso:
TaP Studio in London (Greater London), England, Regno Unito (voce principale [vocals]) e Zenseven Studios in Woodland, California, Stati Uniti
mixata presso:
Henson Studios (former A&M Studios) in Hollywood, Los Angeles, California, Stati Uniti
parte di:
Billboard Year-End Hot 100 singles of 2020 (numero: 4), Grammy Award: Record of the Year nominees (numero: 2021), Pitchfork: The 100 Best Songs of the 2020s So Far (numero: 53) e BILLIONS CLUB
registrazione di:
Don’t Start Now
autore:
Caroline Ailin, Ian Kirkpatrick (producer/songwriter), Dua Lipa e Emily Warren
editore:
BMG (not for release label use! use it’s imprint “BMG (2008–present)”) (dal 2019 a oggi), Buckley Tenenbaum Publishing (dal 2019 a oggi), Havenwood House (dal 2019 a oggi), Prescription Songs (dal 2019 a oggi), TaP Music Publishing Limited (dal 2019 a oggi), Under Warrenty Publishing (dal 2019 a oggi), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) (dal 2019 a oggi), Waterfall Music (dal 2019 a oggi) e Where da Kasz At (dal 2019 a oggi)
parte di:
Grammy Award: Song of the Year nominees (numero: 2021)
Dua Lipa4.13:01
13all the good girls go to hell
produttore:
FINNEAS
tecnico di missaggio:
Rob Kinelski
diritti fonografici (℗) detenuti da:
Darkroom (nel 2019, nel 2022) e Interscope Records (part of UMG Recordings, Inc.) (nel 2019, nel 2022)
registrata presso:
FINNEAS’ bedroom studio (until October 2019) in Highland Park, Los Angeles, California, Stati Uniti
video musicali:
all the good girls go to hell (music video) di Billie Eilish
registrazione di:
all the good girls go to hell
autore:
Billie Eilish O’Connell e Finneas O’Connell
editore:
Drup, Last Frontier e Universal Music Corp. (USA, affiliated with ASCAP)
Billie Eilish3.42:43
14Lonely
registrazione di:
Lonely
autore:
Henry Agincourt Allen, Joe Jonas (of the Jonas Brothers), Nick Jonas, Philip Meckseper (alias for Philip Meckseper), Ryan Tedder (American singer, songwriter, and producer) e Thomas Wesley Pentz (aka Diplo)
Diplo & Jonas Brothers2.92:20
15Nice to Meet Ya
assistente tecnico di missaggio:
Michael Freeman (US engineer, works with Mark Stent)
assistente tecnico di missaggio aggiunto:
Matt Wolach
tecnico di missaggio:
Mark “Spike” Stent (producer, engineer)
diritti fonografici (℗) detenuti da:
Neon Haze Music Ltd. (nel 2019)
mixata presso:
The Mixsuite in Los Angeles, California, Stati Uniti
registrazione di:
Nice to Meet Ya
autore:
Julian Bunetta, Niall Horan, Tobias Jesso Jr. e Ruth-Anne Cunningham (Irish singer-songwriter)
editore:
Downtown DMP Songs (dal 2019 a oggi), Dragon Bunny Music (BMI) (dal 2019 a oggi), Family Affair Songbook (dal 2019 a oggi), Music of Big Family (dal 2019 a oggi), Songs of Universal, Inc. (BMI) (dal 2019 a oggi) e These Are Songs of Pulse (ASCAP) (dal 2019 a oggi)
Niall Horan2.852:38
16Even Though I’m Leaving
programmazione e produttore:
Scott Moffatt
assistente tecnico:
Dan Davis (engineer), Joey Stanca (engineer), Kam Luchterhand, Seth Morton (engineer), Jason Mott e Preston White (Engineer)
tecnico:
Alex Gilson (engineer)
tecnico di missaggio:
Jim Cooley (engineer)
editor:
Mike Gillies
banjo :
Jon Conley, Carl Miner e Scott Moffatt
basso :
Ben Jordan (bassist), Jimmie Lee Sloas e Tim Marks (US bassist)
batteria :
Doug Frasure (drummer) e Jerry Roe (drummer)
battimani , glockenspiel e voce di accompagnamento [harmony vocals]:
Scott Moffatt
chitarra acustica :
Jon Conley, Carl Miner, Scott Moffatt e Ilya Toshinsky (Russian guitar and banjo player)
chitarra elettrica :
Jon Conley, Scott Moffatt e Sol Philcox-Littlefield
chitarra lap steel e chitarra pedal steel :
Gary Morse
chitarra slide :
Sol Philcox-Littlefield
mandolino :
Carl Miner e Ilya Toshinsky (Russian guitar and banjo player)
organo e pianoforte :
Dave Cohen (Nashville-based keyboard player) e Wil Houchens
percussione :
Doug Frasure (drummer), Scott Moffatt e Jerry Roe (drummer)
piano elettrico Wurlitzer :
Wil Houchens
sassofono :
Buddy Leach
sintetizzatore :
Dave Cohen (Nashville-based keyboard player), Wil Houchens e Scott Moffatt
violino folk :
Aubrey Haynie
voce principale:
Luke Combs (country music singer)
mixata presso:
Black River Studios in Nashville, Tennessee, Stati Uniti
lavorazione tecnica effettuata presso:
Blackbird Studio in Nashville, Tennessee, Stati Uniti, Sound Stage Studios (Nashville, TN studio) in Nashville, Tennessee, Stati Uniti e Southern Ground in Nashville, Tennessee, Stati Uniti
parte di:
Billboard Year-End Hot Country Songs of 2019 (numero: 38) e Billboard Year-End Hot 100 singles of 2020 (numero: 85)
registrazione di:
Even Though I’m Leaving
autore:
Luke Combs (country music singer), Wyatt Durrette e Ray Fulcher
editore:
50 Egg Music (nel 2019), Big Machine Music, LLC (nel 2019), Big Music Machine (nel 2019), Island South (nel 2019), Larkin Hill Publishing (nel 2019), Rosest Music (nel 2019), Straight Dimes Publishing (nel 2019), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) (nel 2019) e Works of RHA (nel 2019)
Luke Combs3.63:45
17All My Friends Are Fake (NOW What’s Next!)
produttore:
Noise Club (production duo)
registrazione di:
all my friends are fake
paroliere:
Tate McRae e Asia Whiteacre (Canadian singer)
compositore:
Christopher Petrosino e Rob McCurdy
Tate McRae3.63:05
18Pilgrims (NOW What’s Next!)
New Dialogue33:27
19Collide (NOW What’s Next!)
parte di:
Spotify CLASSICS: The 100 Greatest R&B Songs of the Streaming Era (numero: 91)
Tiana Major9 & EARTHGANG33:23
20Gone Girl (NOW What’s Next!)
iann dior feat. Trippie Redd32:13
21Lalala (NOW What’s Next!)
registrazione di:
Lalala
Y2K & bbno$32:37
22See You Later (NOW What’s Next!)
Alexander 233.52:42

Accreditamenti

Pubblicazione

diritti fonografici (℗) detenuti da:Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (nel 2020)
UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (nel 2020)
scaricare a pagamento:https://itunes.apple.com/us/album/id1491393508 [info]
pagina di streaming:https://music.apple.com/us/album/1491393508 [info]