The Very Best of Chicago: Only the Beginning (BMG club edition)

~ Veröffentlichung von Chicago (alle Versionen dieser Veröffentlichung ansehen, 5 vorhanden)

Titelliste

1▶CD
2▼CD
Nr.TitelKünstlerBewertungLänge
1Old Days
Techniker(in):
Jeff Guercio, Mark Guercio (Engineer) und Wayne Tarnowski
Produzent(in):
James William Guercio
Mix:
Phil Ramone (in 1974-09)
Sologesang:
Peter Cetera (in 1975)
Orchestrator(in):
Patrick Williams (composer, arranger)
phonographisches Urheberrecht (℗) von:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1975), Warner Strategic Marketing (in 1975) und Rhino Entertainment Company (not for release label use!) (in 2002)
aufgenommen bei und mixed at:
Caribou Ranch Recording Studio in Nederland, Colorado, Vereinigte Staaten (in 1974-09)
recording of:
Old Days (in 1974-09)
Verfasser(in):
James Pankow (in 1975)
publisher:
Big Elk Music und Make Me Smile Music
Chicago3.53:31
2Baby What a Big Surprise
Assistent recording engineer und recording engineer:
Armin Steiner (Saiteninstrumente)
assistierende(r) Techniker(in):
Tom Likes
Techniker(in):
Wayne Tarnowski
Produzent(in):
James William Guercio
Akustikgitarre und Bass:
James William Guercio (in 1977)
zusätzlich Hintergrundgesang:
Tim Cetera (in 1977) und Carl Wilson (Beach Boys) (in 1977)
Orchestrator(in):
Peter Cetera, Dominic Frontiere und James William Guercio
phonographisches Urheberrecht (℗) von:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1977, in 1978), Chicago Records Inc. (in 1977) und Rhino Entertainment Company (not for release label use!) (in 2002, in 2007)
aufgenommen bei:
Caribou Ranch Recording Studio in Nederland, Colorado, Vereinigte Staaten und Sound Labs, Inc. in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (Saiteninstrumente)
mixed at:
Caribou Ranch Recording Studio in Nederland, Colorado, Vereinigte Staaten
recording of:
Baby, What a Big Surprise (in 1977)
Orchestrator(in):
Dominic Frontiere
Texter und Komponist(in):
Peter Cetera (in 1977)
publisher:
BMG Music Publishing Ltd., BMG Songs, Inc., Island Music Ltd. und Universal Music Publishing MGB Ltd.
Chicago33:05
3Take Me Back to Chicago (single version)
recording engineer:
Armin Steiner (Saiteninstrumente)
Techniker(in):
Wayne Tarnowski
Produzent(in):
James William Guercio
Synthesizer:
David Wolinski
Hintergrundgesang:
Chaka Khan
phonographisches Urheberrecht (℗) von:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1977)
aufgenommen bei:
Caribou Ranch Recording Studio in Nederland, Colorado, Vereinigte Staaten und Sound Labs, Inc. in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (Saiteninstrumente)
mixed at:
Caribou Ranch Recording Studio in Nederland, Colorado, Vereinigte Staaten
recording of:
Take Me Back to Chicago
Texter:
Danny Seraphine und David “Hawk” Wolinski
Komponist(in):
Danny Seraphine (in 1977) und David “Hawk” Wolinski (in 1977)
publisher:
Balloon Head Music, Big Elk Music und Island Music Ltd.
Chicago42:58
4Alive Again
Techniker(in):
Jim Boyer (producer/engineer), Lee DeCarlo und Don Gehman
Produzent(in):
Chicago (American pop rock/jazz fusion band) und Phil Ramone
Mix:
Jim Boyer (producer/engineer) und Phil Ramone
Solo-Gitarre und Sologesang:
Donnie Dacus (von 1978-05 bis 1978-06)
Hintergrundgesang:
Donnie Dacus (von 1978-05 bis 1978-06) und Robert Lamm (von 1978-05 bis 1978-06)
Hintergrundgesang und Sologesang:
Peter Cetera (von 1978-05 bis 1978-06)
phonographisches Urheberrecht (℗) von:
Rhino Entertainment Company (not for release label use!) (in 2002)
mixed at:
A&R Recording Studio (third studio, 322 West 48th Street, closed in 1989) in New York, New York, Vereinigte Staaten
recording of:
Alive Again (von 1978-05 bis 1978-06)
Verfasser(in):
James Pankow (in 1978)
publisher:
Make Me Smile Music (in 1978)
Chicago4:06
5No Tell Lover
Techniker(in):
Jim Boyer (producer/engineer), Lee DeCarlo und Don Gehman
Produzent(in):
Chicago (American pop rock/jazz fusion band) und Phil Ramone
Mix:
Jim Boyer (producer/engineer) und Phil Ramone
Synthesizer:
Blue Weaver (von 1978-05 bis 1978-06)
Synthesizer [synthesizer strings]:
Blue Weaver (in 1978)
Hintergrundgesang:
Peter Cetera (in 1978), Donnie Dacus (in 1978), Robert Lamm (in 1978) und Lee Loughnane (in 1978)
Sologesang:
Peter Cetera (in 1978, von 1978-05 bis 1978-06)
phonographisches Urheberrecht (℗) von:
Rhino Entertainment Company (not for release label use!) (in 2002)
mixed at:
A&R Recording Studio (third studio, 322 West 48th Street, closed in 1989) in New York, New York, Vereinigte Staaten
recording of:
No Tell Lover (von 1978-05 bis 1978-06)
Verfasser(in):
Peter Cetera (in 1978), Lee Loughnane (in 1978) und Danny Seraphine (in 1978)
publisher:
BMG Songs, Inc., COM Music (in 1978), Polish Prince Music (in 1978) und Street Sense Music (in 1978)
recording of:
No Tell Lover (in 1978)
Verfasser(in):
Peter Cetera (in 1978), Lee Loughnane (in 1978) und Danny Seraphine (in 1978)
publisher:
BMG Songs, Inc., COM Music (in 1978), Polish Prince Music (in 1978) und Street Sense Music (in 1978)
Chicago4:14
6Love Me Tomorrow (single version)
Techniker(in):
Humberto Gatica
Produzent(in):
David Foster (Canadian music producer, arranger and composer)
Saiteninstrumente arranger:
Jeremy Lubbock
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1982)
recording of:
Love Me Tomorrow
Verfasser(in):
Peter Cetera (in 1982) und David Foster (Canadian music producer, arranger and composer) (in 1982)
publisher:
BMG Music Publishing Ltd., BMG Songs, Inc., Double Virgo Music, Foster Frees Music Inc., Irving Music, Inc. und Rondor Music (London) Ltd.
Chicago3:59
7Hard to Say I'm Sorry / Get Away
Techniker(in):
Humberto Gatica
Produzent(in):
David Foster (Canadian music producer, arranger and composer)
assistierende(r) Mix:
Jack Goudie, Lee Loughnane und Walter Parazaider
Mix:
Bill Schnee
Saiteninstrumente arranger:
Peter Cetera, David Foster (Canadian music producer, arranger and composer) und Jeremy Lubbock
arranger:
Peter Cetera, David Foster (Canadian music producer, arranger and composer) und Danny Seraphine
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1982, in 2010)
mixed at:
Studio 55 in Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
Get Away
Verfasser(in):
Peter Cetera, David Foster (Canadian music producer, arranger and composer) und Robert Lamm
publisher:
Double Virgo Music, Foster Frees Music Inc., Little Sacha Songs, Peermusic III, Ltd. (BMI), Primary Wave Lamm, Universal Music–MGB Songs, シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ピアーミュージック (Peer Music Japan, Japan, subsidiary of Nichion), フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
recording of:
Hard to Say I’m Sorry (Chicago song)
Verfasser(in):
Peter Cetera (in 1982) und David Foster (Canadian music producer, arranger and composer) (in 1982)
publisher:
Peermusic III, Ltd. (BMI), Universal Music Publishing MGB Ltd., Universal Music–MGB Songs, Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), Double Virgo Music (in 1982) und Foster Frees Music Inc. (in 1982)
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ピアーミュージック (Peer Music Japan, Japan, subsidiary of Nichion) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
recording of:
Hard to Say I’m Sorry / Get Away
publisher:
BMG Music Publishing Ltd., Chappell Music Ltd., Double Virgo Music, Foster Frees Music Inc. und Little Sacha Songs
Medley von:
Hard to Say I’m Sorry (Chicago song)
Medley von:
Get Away
Chicago55:06
8Stay the Night
Techniker(in) und Mix:
Humberto Gatica
Produzent(in):
David Foster (Canadian music producer, arranger and composer)
assistierende(r) Mix:
Larry Fergusson
arranger:
Peter Cetera und David Foster (Canadian music producer, arranger and composer)
phonographisches Urheberrecht (℗) von:
Warner Bros. Records (1958–2019; “WB” logo, with or without “records” beneath or on banner across), Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1984, in 2010) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1984)
aufgenommen bei:
Sunset Sound in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1984), The Lighthouse (studio located in N. Hollywood, California) in North Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1984) und The Record Plant (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1984)
mixed at:
Lion Share Recording Studios in Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
Stay the Night (in 1984)
Verfasser(in):
Peter Cetera (in 1984) und David Foster (Canadian music producer, arranger and composer) (in 1984)
publisher:
BMG Songs, Inc., Double Virgo Music (in 1984) und Foster Frees Music Inc. (in 1984)
Chicago43:50
9Hard Habit to Break
Techniker(in) und Mix:
Humberto Gatica
Produzent(in):
David Foster (Canadian music producer, arranger and composer)
assistierende(r) Mix:
Larry Fergusson
Sologesang:
Peter Cetera (in 1984) und Bill Champlin (in 1984)
instruments arranger:
Jeremy Lubbock
arranger:
David Foster (Canadian music producer, arranger and composer)
phonographisches Urheberrecht (℗) von:
Warner Bros. Records (1958–2019; “WB” logo, with or without “records” beneath or on banner across), WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1983, in 1984) und Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1984, in 2010)
aufgenommen bei:
Sunset Sound in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1984), The Lighthouse (studio located in N. Hollywood, California) in North Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1984) und The Record Plant (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1984)
mixed at:
Lion Share Recording Studios in Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
Hard Habit to Break (in 1984)
Verfasser(in):
Steve Kipner (in 1984) und John Lewis Parker (in 1984)
publisher:
Bocu Music Ltd., EMI April Music Inc., EMI Music Publishing Australia Pty Ltd (not for release label use!), EMI Songs Ltd., MCA Music Ltd., Music Corporation of America, Inc. (BMI‐affiliated music publisher of MCA Records, Inc.?), Songs of Universal, Inc. (BMI), Universal/MCA Music Ltd. (not for release label use!), Universal/MCA Music Publishing Pty Ltd, シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division), イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (bis 2021-06-30), April Music Inc. (in 1984), Parker Songs (in 1984), Stephen A. Kipner Music (in 1984) und ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (vom 2021-07-01 bis heute)
Chicago44:45
10You're the Inspiration
Techniker(in) und Mix:
Humberto Gatica
Produzent(in):
David Foster (Canadian music producer, arranger and composer)
assistierende(r) Mix:
Larry Fergusson
instruments arranger:
Jeremy Lubbock
arranger:
Peter Cetera und David Foster (Canadian music producer, arranger and composer)
phonographisches Urheberrecht (℗) von:
Warner Bros. Records (1958–2019; “WB” logo, with or without “records” beneath or on banner across), Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1984, in 2010) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1984)
aufgenommen bei:
Sunset Sound in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1984), The Lighthouse (studio located in N. Hollywood, California) in North Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1984) und The Record Plant (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1984)
mixed at:
Lion Share Recording Studios in Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
You’re the Inspiration (in 1984)
Verfasser(in):
Peter Cetera (in 1984) und David Foster (Canadian music producer, arranger and composer) (in 1984)
publisher:
BMG Music Publishing Ltd., Universal Music Publishing MGB Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), Double Virgo Music (in 1984) und Foster Frees Music Inc. (in 1984)
Chicago53:51
11Along Comes a Woman (single version)
Techniker(in):
Humberto Gatica
Produzent(in):
David Foster (Canadian music producer, arranger and composer)
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1984, in 1985)
recording of:
Along Comes a Woman
Verfasser(in):
Peter Cetera (in 1984) und Mark Goldenberg (in 1984)
publisher:
BMG Music Publishing Ltd., MCA Music Ltd., Double Virgo Music (in 1984), Fleedleedle Music (in 1984) und Music Corporation of America, Inc. (BMI‐affiliated music publisher of MCA Records, Inc.?) (in 1984)
Chicago3:49
12Will You Still Love Me? (single version)
Techniker(in) und Mix:
Humberto Gatica
Produzent(in):
David Foster (Canadian music producer, arranger and composer)
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1986)
recording of:
Will You Still Love Me? (Chicago song) (in 1986)
Verfasser(in):
Richard Baskin (film composer and producer) (in 1986), David Foster (Canadian music producer, arranger and composer) (in 1986) und Tom Keane (keyboards, of The Keane Brothers) (in 1986)
publisher:
Masonmack Music, MCA Music Ltd., Peermusic III, Ltd. (BMI), Songs of Universal, Inc. (BMI), Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), Warner Chappell Music Ltd. (no slash; used 1988–1996), ピアーミュージック (Peer Music Japan, Japan, subsidiary of Nichion), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division), Air Bear Music (in 1986), Music Corporation of America, Inc. (BMI‐affiliated music publisher of MCA Records, Inc.?) (in 1986), Warm Springs Music (in 1986) und Young Millionaires Club Music (in 1986)
Chicago44:14
13If She Would Have Been Faithful...
Techniker(in) und Mix:
Humberto Gatica
Produzent(in):
David Foster (Canadian music producer, arranger and composer)
assistierende(r) Mix:
Laura Livingston
Sologesang:
Jason Scheff (in 1986)
arranger:
David Foster (Canadian music producer, arranger and composer) und Steve Kipner
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1986, in 2010)
mixed at:
Lion Share Recording Studios in Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
If She Would Have Been Faithful... (in 1986)
Verfasser(in):
Randy Goodrum (in 1986) und Steve Kipner (in 1986)
publisher:
Bocu Music Ltd., CBS Songs Ltd., MCA Music Ltd., April Music Inc. (in 1985), California Phase Music (in 1985) und Stephen A. Kipner Music (in 1985)
Chicago3:52
14Look Away (single version)
assistierende(r) Techniker(in):
Nick Basich, Michael Hutchinson (engineer), Stan Katayama, Jeff Poe und Bob Vogt
Techniker(in):
Daren Chadwick, Ron Nevison und Chas Sandford
Produzent(in):
Ron Nevison
Mix:
James Guthrie, Chas Sandford und Greg Walsh (producer and engineer)
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1988, in 2010)
recording of:
Look Away (in 1988)
Texter und Komponist(in):
Diane Warren (US songwriter) (in 1988)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), Realsongs, Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Chicago54:02
15What Kind of Man Would I Be? (single version)
Techniker(in):
Ron Nevison und Chas Sandford
Produzent(in):
Chas Sandford
remixer:
Humberto Gatica
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1988, in 1989, in 2010)
recording of:
What Kind of Man Would I Be? (in 1988)
Verfasser(in):
Bobby Caldwell (US singer, songwriter and multi-instrumentalist) (in 1988), Chas Sandford (in 1988) und Jason Scheff (in 1988)
publisher:
Bobby Caldwell Music, EMI Blackwood Music Inc., EMI Songs Ltd., Fallwater Music, Jason Scheff Music, MCA Music Ltd., Music Corporation of America, Inc. (BMI‐affiliated music publisher of MCA Records, Inc.?), SBK Blackwood Music Inc. (1987-12-30–1989-07-14), Sin-Drome Music, Texascity Music, The Music Force, Warner Chappell Music Ltd. (no slash; used 1988–1996), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), 渡辺音楽出版 CM事業部 (Watanabe Music Publishing CM division), WB Music Corp. (1929–2019) (bis 2019-05-28) und WC Music Corp. (vom 2019-05-28 bis heute)
Chicago4:14
16I Don't Wanna Live Without Your Love
assistierende(r) Techniker(in):
Nick Basich, Michael Hutchinson (engineer), Stan Katayama, Jeff Poe und Bob Vogt
Techniker(in):
Daren Chadwick, Ron Nevison und Chas Sandford
Produzent(in):
Ron Nevison
Mix:
James Guthrie, Chas Sandford und Greg Walsh (producer and engineer)
Sologesang:
Bill Champlin (in 1988)
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1988, in 2010)
recording of:
I Don't Wanna Live Without Your Love (in 1988)
Verfasser(in):
Albert Hammond (in 1988) und Diane Warren (US songwriter) (in 1988)
publisher:
Albert Hammond Music, Realsongs und WB Music Corp. (1929–2019)
Chicago3:57
17We Can Last Forever (single version)
Produzent(in):
Ron Nevison
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 2010)
recording of:
We Can Last Forever
Verfasser(in):
John Dexter (Songwriter, Producer and A&R executive) und Jason Scheff
publisher:
Irving Music, Inc., Jason Scheff Music und Texascity Music
Chicago3:45
18You're Not Alone (single version)
assistierende(r) Techniker(in):
Nick Basich, Michael Hutchinson (engineer), Stan Katayama, Jeff Poe und Bob Vogt
Techniker(in):
Daren Chadwick, Ron Nevison und Chas Sandford
Produzent(in):
Ron Nevison
Mix:
James Guthrie, Chas Sandford und Greg Walsh (producer and engineer)
Sologesang:
Bill Champlin (in 1988)
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1988, in 1989, in 2010)
recording of:
You’re Not Alone (in 1988)
Verfasser(in):
Jimmy Scott (British born songwriter) (in 1988)
publisher:
EMI Virgin Music, Inc.
Chicago4:01
19Chasin' the Wind
assistierende(r) Techniker(in):
Jim Mitchell (engineer) und Jeff Poe
Techniker(in) und Produzent(in):
Ron Nevison
zusätzliche(r) Techniker(in):
Alex Rodriguez (engineer)
Mix:
Humberto Gatica
Sologesang:
Bill Champlin (in 1991)
Blechblasinstrumente arranger:
Lee Loughnane und James Pankow
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1991, in 2010)
recording of:
Chasin' the Wind (in 1991)
Verfasser(in):
Diane Warren (US songwriter) (in 1991)
publisher:
Realsongs (in 1990)
Chicago4:19
20Sing, Sing, Sing
assistierende(r) Techniker(in):
Delwyn Brooks und Robbes Steiglitz (engineer)
Techniker(in):
Erwin Musper und Mike Plotnikoff
Produzent(in):
Bruce Fairbairn
Mix:
Erwin Musper
Flamenco-Gitarre:
Gipsy Kings (von 1994-12 bis 1995-01)
Gitarre:
Tonino Baliardo (von 1994-12 bis 1995-01)
vocals:
Bill Champlin (von 1994-12 bis 1995-01), Robert Lamm (von 1994-12 bis 1995-01), Nicholas Reyes (von 1994-12 bis 1995-01), Patchaï Reyes (von 1994-12 bis 1995-01) und Jason Scheff (von 1994-12 bis 1995-01)
Interpret(in):
Gipsy Kings
Blechblasinstrumente arranger:
Lee Loughnane
arranger:
Lee Loughnane
vocals arranger:
Gipsy Kings und Lee Loughnane
phonographisches Urheberrecht (℗) von:
Giant Records ("a division of Warner Music Sweden AB", not for release label use! use “Giant”) (in 1995)
cover recording of:
Sing, Sing, Sing (With a Swing) (von 1994-12 bis 1995-01)
Texter und Komponist(in):
Louis Prima
publisher:
Robbins Music (publishing company owned by EMI Music Publishing Ltd.) (beendet) und EMI Robbins Catalog Inc. (ASCAP)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), フジパシフィック音楽出版 SBK事業部 (Fujipacific Music Inc. SBK Division) (bis 2014-12-31) und フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) (vom 2015-01-01 bis heute)
Chicago feat. Gipsy Kings3:20