Verve//Unmixed

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

1▼CD
#TitleArtistRatingLength
1Spanish Grease
Willie Bobo2:48
2How Long Has This Been Going On?
recorded in:
New York, New York, United States (from 1958-12-01 until 1958-12-02)
double bass:
Joe Benjamin (US jazz bassist) (from 1958-12-01 until 1958-12-02)
membranophone:
Charlie Smith (US jazz drummer) (from 1958-12-01 until 1958-12-02)
piano:
Don Abney (US jazz pianist) (from 1958-12-01 until 1958-12-02)
vocals:
Carmen McRae (from 1958-12-01 until 1958-12-02)
conductor:
Frank Hunter (Arranger/composer during the 50s/60s) (from 1958-12-01 until 1958-12-02)
arranger:
Frank Hunter (Arranger/composer during the 50s/60s)
recording of:
How Long Has This Been Going On? (Funny Face, 1957 film) (from 1958-12-01 until 1958-12-02)
lyricist:
Ira Gershwin (in 1928)
composer:
George Gershwin (composer) (in 1928)
publisher:
New World Music Co. (in 1927)
part of:
My One and Only (1983 Broadway musical)
part of:
Rosalie
Carmen McRae4:07
3Who Needs Forever?
orchestra:
Quincy Jones and orchestra (in 1966-12)
conductor:
Quincy Jones (in 1966-12)
arranger:
Quincy Jones
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, United States (in 1966-12)
Astrud Gilberto3:09
4Is You Is or Is You Ain’t My Baby?
cover recording of:
Is You Is or Is You Ain’t My Baby?
writer:
Bill Austin (in 1944) and Louis Jordan (US jazz, blues and r&b musician and songwriter) (in 1944)
publisher:
Universal‐MCA Music Publishing (US)
part of:
The Real Book (compilation of jazz standards, volume I)
Dinah Washington2:59
5Feeling Good
recorded in:
New York, New York, United States (on 1965-01-15)
producer:
Hal Mooney
guitar:
Rudy Stevenson (on 1965-01-15)
piano:
Nina Simone (on 1965-01-15)
vocals:
Nina Simone (on 1965-01-15)
conductor:
Hal Mooney (on 1965-01-15)
arranger:
Hal Mooney
phonographic copyright (℗) by:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1965)
cover recording of:
Feeling Good (on 1965-01-15)
writer:
Leslie Bricusse and Anthony Newley (English actor, singer, songwriter, and filmmaker)
publisher:
Concord Music Ltd and Musical Comedy Prods.
part of:
The Roar of the Greasepaint – The Smell of the Crowd
Nina Simone4.12:57
6Return to Paradise
recording engineer:
David Baker (American engineer and producer - jazz, funk, ...) and Al Schmitt
producer:
Johnny Mandel (American composer and arranger)
mixer:
Al Schmitt
bass:
Charles Ables and Chuck Domanico (American bassist)
membranophone:
Steve Williams (US jazz drummer)
percussion:
Luis Conte (percussionist)
piano:
Shirley Horn
solo flute:
Steve Kujala and James Walker (plays flute on Shirley Horn's album “Here’s to Live”)
vocals:
Shirley Horn
arranger:
Johnny Mandel (American composer and arranger)
recorded at:
Clinton Recording Studios (NYC 10th Ave till 2010) in New York, New York, United States and Group IV Studios in Hollywood, Los Angeles, California, United States
mixed at:
Lion Share Recording Studios in Los Angeles, California, United States
cover recording of:
Return to Paradise
lyricist:
Ned Washington
composer:
Dimitri Tiomkin
Shirley Horn5:12
7Wait Till You See Her
engineer:
Val Valentin
producer:
Norman Granz
guitar:
Barney Kessel (in 1956)
lead vocals:
Ella Fitzgerald (American jazz singer) (on 1956-08-29)
recorded at:
Capitol Studios, Studio B in Hollywood, Los Angeles, California, United States (on 1956-08-29)
cover recording of:
Wait Till You See Her (in 1956)
lyricist:
Lorenz Hart (in 1942)
writer:
Lorenz Hart and Richard Rodgers (composer)
composer:
Richard Rodgers (composer) (in 1942)
Ella Fitzgerald1:33
8Don’t Explain
recording of:
Don’t Explain
writer:
Arthur Herzog, Jr. and Billie Holiday
publisher:
Duchess Music Corporation (BMI-affiliated) and Universal Music Publishing (use ONLY if no country‐specific information is available)
Billie Holiday42:56
9See‐Line Woman
recorded in:
New York, New York, United States (in 1964)
producer:
Hal Mooney
piano:
Nina Simone (in 1964)
vocals and conductor:
Nina Simone (in 1964)
arranger:
Nina Simone
recorded at:
Carnegie Hall in Midtown Manhattan, New York, New York, United States (on 1964-03-21)
cover recording of:
See‐Line Woman (on 1964-03-21)
writer:
George Bass and Nina Simone
is based on:
Sea Lion Woman
Nina Simone2.752:39
10Summertime
vocals:
Sarah Vaughan
cover recording of:
Summertime (American songbook standard from 1935 opera Porgy and Bess)
lyricist:
Ira Gershwin (in 1934), Dorothy Heyward (playwright) (in 1934) and DuBose Heyward (in 1934)
composer:
George Gershwin (composer) (in 1934)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music Ltd., Dubose and Dorothy Heyward Memorial Fund Publishing, George Gershwin Music, New Dawn Music, Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell (Warner/Chappell Music, Inc.), Warner/Chappell Music Holland BV, Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), Ira Gershwin Music (in 1935), WB Music Corp. (1929–2019) (from 1935 until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
version of:
Porgy and Bess: Act I, Scene I. “Summertime” (Clara)
Sarah Vaughan2:54
11Strange Fruit
producer:
Milt Gabler
alto saxophone and saxophone:
Tab Smith (on 1939-04-20)
double bass:
John Williams (jazz bassist) (on 1939-04-20)
drums (drum set):
Eddie Dougherty (jazz drummer) (on 1939-04-20)
guitar:
Jimmy McLin (on 1939-04-20)
piano:
Sonny White (on 1939-04-20)
tenor saxophone:
Kenneth Hollon (on 1939-04-20) and Stan Payne (on 1939-04-20)
trumpet:
Frankie Newton (on 1939-04-20)
vocals:
Billie Holiday (on 1939-04-20)
recorded at:
Brunswick World Broadcasting Studio in New York, New York, United States (on 1939-04-20)
part of:
Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (number: 1), CBC Music: 10 Songs That Have Changed the World, National Recording Registry (a list of sound recordings that are “culturally, historically, or aesthetically significant, and/or inform or reflect life in the United States”) (number: 1939, inducted: 2002) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 21)
recording of:
Strange Fruit (on 1939-04-20)
lyricist and composer:
Lewis Allan
publisher:
Basart Editions, Carlin Music Corporation, Edward B. Marks Music Co. (founded originally as J. Stern & Co. in 1894, renamed in 1919) and Music Sales Corporation (American copyright holder in both popular and classical music)
version of:
Bitter Fruit
Billie Holiday33:05
12Hare Krishna – Hail Krishna
Tony Scott6:15

Credits

Release group

part of:Verve//Remixed (order: 2)