Fido’s Summer Fun, Volume 2

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

1▶CD
2▼CD
#TitleArtistRatingLength
1Joyride
programming:
Anders Herrlin (in 1990-07) and Clarence Öfwerman (in 1990-07)
engineer:
Anders Herrlin and Alar Suurna
producer:
Clarence Öfwerman
mixer:
Per Gessle (Swedish singer and guitarist), Clarence Öfwerman and Alar Suurna
bass guitar:
Anders Herrlin (in 1990-07)
electric guitar and guitar:
Jonas Isacsson (in 1990-07)
keyboard:
Clarence Öfwerman (in 1990-07)
whistle:
Per Gessle (Swedish singer and guitarist) (in 1990-07)
vocals:
Marie Fredriksson (in 1990-07) and Per Gessle (Swedish singer and guitarist) (in 1990-07)
remixer:
Brian Malouf
phonographic copyright (℗) by:
Roxette Recordings and EMI Svenska AB (not for release label use!) (in 1991)
recorded at:
EMI Studios in Stockholm, Stockholms län (Stockholm county), Sweden (in 1990-07)
mixed at:
EMI Studios in Stockholm, Stockholms län (Stockholm county), Sweden
recording of:
Joyride (in 1990-07)
lyricist and composer:
Per Gessle (Swedish singer and guitarist)
publisher:
Jimmy Fun Music
Roxette3.353:59
2Lovely Day
producer:
Clarence McDonald and Bill Withers
bass guitar:
Jerry Knight (in 1977)
drums (drum set) and shakers:
Russell Kunkel (session drummer) (in 1977)
guitar:
Ray Parker (in 1977)
keyboard:
Clarence McDonald (in 1977)
percussion:
Ralph MacDonald (in 1977)
lead vocals:
Bill Withers (in 1977)
arranger:
Clarence McDonald
concertmaster:
Charles Veal (violinist, conductor and arranger) (in 1977)
phonographic copyright (℗) by:
CBS Records Ltd. (UK record company, subsidiary of CBS United Kingdom Ltd.) (in 1977), CBS, Inc. (US broadcasting company; file no releases here!) (in 1977) and Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding) (in 1977)
part of:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 402)
recording of:
Lovely Day (in 1977)
writer:
Skip Scarborough and Bill Withers
publisher:
Chappell Music Ltd., Chelsea Music Publishing Co., Ltd., Golden Withers Music, Plaid Flowers Music, Sweet Cookie Music, Unichappell Music, Inc., Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), フジパシフィックミュージック (Fujipacific Music, Inc.), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Bill Withers4.54:08
3Demasiado Corazón (Too Much Heart)
recording of:
Demasiado Corazón
lyricist and composer:
Willy DeVille
Mink DeVille3:36
4The Way to Your Heart
recording of:
The Way to Your Heart
writer:
Jan Leyers (Belgian singer & songwriter) and Paul Michiels (Belgian singer & songwriter, cfr Soulsister)
publisher:
EMI Music Publishing Belgium and Siren Music (Belgian publisher)
Soulsister3:46
5Get Outta My Dreams, Get Into My Car
phonographic copyright (℗) by:
Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (in 1988) and Zomba Records Limited (not strictly a label - avoid adding releases here) (in 1988)
edit of:
Get Outta My Dreams, Get Into My Car by Billy Ocean
recording of:
Get Outta My Dreams, Get Into My Car (in 1987)
writer:
Robert John “Mutt” Lange (Robert John Lange) and Billy Ocean
publisher:
Aqua Music (Billy Ocean's recording & publishing label), Universal Music Publishers MGB Australia Pty Ltd and Zomba Music Publishing Ltd.
Billy Ocean2.354:43
6You Bring on the Sun
Londonbeat3:33
7Freeze-Frame
engineer:
Dave Thoener
producer:
Seth Justman
brass [horns]:
Alan Rubin, Randy Brecker, Ronnie Cuber, Lou Marini, Tom Melone (US trombonist) and George Young (saxophonist)
arranger:
Seth Justman
phonographic copyright (℗) by:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1981) and EMI Catalog (in 2006)
recorded at:
Long View Farm in North Brookfield, Massachusetts, United States
mixed at:
Mix Room, Record Plant (NYC) in New York, New York, United States
recording of:
Freeze-Frame
writer:
Seth Justman and Peter Wolf (US rock vocalist, member of J. Geils Band)
publisher:
Almo Music Corp. (USA, affiliated with ASCAP) and Kobalt Songs Music Publishing (USA, ASCAP affiliated)
The J. Geils Band4.23:57
8Escape (The Pina Colada Song)
engineer and mixer:
Jim Boyer (producer/engineer)
producer:
Jim Boyer (producer/engineer) and Rupert Holmes
bass [electric bass]:
Frank Gravis
drums (drum set):
Leo Adamian
phonographic copyright (℗) by:
Geffen Records, Infinity Records Inc. and MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1979)
recorded at:
Plaza Sound Studios in New York, New York, United States
mixed at:
A&R Recording Studio (third studio, 322 West 48th Street, closed in 1989) in New York, New York, United States
recording of:
Escape (The Piña Colada Song)
lyricist and composer:
Rupert Holmes
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), The Holmes Line of Music, Inc., WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Rupert Holmes3.554:34
9Could It Be Magic
cover recording of:
Could It Be Magic
lyricist:
Adrienne Anderson
additional composer:
Fryderyk Chopin (Frédéric Chopin, composer)
composer:
Barry Manilow
publisher:
Angeldust Music (ended), Kamikazee Music (ended), EMI Longitude Music and Universal Music Careers
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division), イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (from 2021-07-01 to present)
is based on:
Prélude no. 20 in C minor, op. 28: Largo
version of:
Could It Be Magic (original Featherbed single version)
recording of:
Could It Be Magic
lyricist:
Adrienne Anderson
additional composer:
Fryderyk Chopin (Frédéric Chopin, composer)
composer:
Barry Manilow
publisher:
Angeldust Music (ended), Kamikazee Music (ended), EMI Longitude Music and Universal Music Careers
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division), イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (from 2021-07-01 to present)
is based on:
Prélude no. 20 in C minor, op. 28: Largo
version of:
Could It Be Magic (original Featherbed single version)
Take That3:31
10I Won’t Let the Sun Go Down on Me
recording engineer:
Julian Mendelsohn (Australian record producer and engineer) (in 1983)
assistant engineer:
Roger Howorth
producer:
Peter Collins (producer)
mixer:
Julian Mendelsohn (Australian record producer and engineer)
additional bass:
Paul Westwood (bassist) (in 1983)
lead vocals:
Nik Kershaw (in 1983)
arranger:
Nik Kershaw
phonographic copyright (℗) by:
MCA Records Ltd. (do not use as an imprint; UK subsidiary of MCA Records) (in 1983) and MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1983)
mixed at:
Sarm East Studios (1973–2013, fka Sarm Studios from 1973–1982) in Aldgate, Tower Hamlets, London (Greater London), England, United Kingdom
recording of:
I Won’t Let the Sun Go Down on Me (in 1983)
lyricist and composer:
Nik Kershaw
publisher:
Arctic King, Imagem Music UK, Imagem Songs Ltd., Mamal and Rondor Music (London) Ltd.
Nik Kershaw3.53:22
11Get Out of Your Lazy Bed
engineer:
John Buckley (British production music composer)
producer:
Peter Collins (producer)
mixer:
Phil Harding (engineer, producer and remixer)
baritone saxophone:
Ronnie Ross
drums (drum set) and percussion:
Peter Ross
keyboard:
Danny White (keyboardist)
vocals:
Basia and Mark Reilly (guitarist, vocalist, producer, songwriter)
vocals arranger:
Basia
phonographic copyright (℗) by:
WEA Records Ltd. (holding company based in the UK) (in 1984)
recording of:
Get Out of Your Lazy Bed
writer:
Mark Reilly (guitarist, vocalist, producer, songwriter) and Danny White (keyboardist)
publisher:
Warner Chappell Music Ltd. (no slash; used 1988–1996)
sub-publisher:
Warner Chappell Music France
Matt Bianco2.653:24
12Que será mi vida
Gibson Brothers3:54
13Iko
Unique II3:21
14Good Times
bass:
Bernard Edwards (American bassist and record producer) (in 1979)
drums (drum set):
Tony Thompson (drummer, best known for his work in CHIC) (in 1979)
electric piano:
Raymond Jones (in 1979)
guitar:
Nile Rodgers (in 1979)
piano:
Rob Sabino (in 1979)
lead vocals:
Alfa Anderson (in 1979) and Luci Martin (in 1979)
performer:
Chic (US disco group) (in 1979)
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1979)
part of:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 68) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 224)
recording of:
Good Times (in 1979)
writer:
Bernard Edwards (American bassist and record producer) and Nile Rodgers
publisher:
Bernard’s Other Music, Sony Songs and Tommy Jymi Inc.
Chic53:43
15Working for the Weekend
assistant engineer:
Mike Fraser (Canadian record producer, engineer and mixer) and Rob Porter
engineer:
Bob Rock and Keith Stein
producer:
Paul Dean (Canadian guitarist) and Bruce Fairbairn
bass guitar:
Scott Smith (Canadian bassist for Loverboy)
drums (drum set):
Matt Frenette
guitar and background vocals:
Paul Dean (Canadian guitarist)
keyboard:
Doug Johnson (Canadian keyboardist for Loverboy)
lead vocals:
Mike Reno
phonographic copyright (℗) by:
Sony Music Entertainment Canada Inc. (not for release label use! post-2008 subsidiary of Sony Music Entertainment)
recorded at:
Mushroom Studios in Vancouver, British Columbia, Canada
mixed at:
Little Mountain Sound in Vancouver, British Columbia, Canada
part of:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (number: 100)
recording of:
Working for the Weekend
writer:
Paul Dean (Canadian guitarist), Matt Frenette and Mike Reno
Loverboy4.23:42
16Don’t Let the Sun Go Down on Me
engineer:
Chris Porter (engineer and producer)
producer:
George Michael
arranger:
George Michael
phonographic copyright (℗) by:
Sony BMG Music Entertainment (UK) Ltd. (not for release label use! UK subsidiary of Sony BMG Music Entertainment) (in 1991) and Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (in 1991)
recorded at:
OVO Arena Wembley in Wembley, Brent (London Borough of Brent), London (Greater London), England, United Kingdom (on 1991-03-23)
live recording of:
Don’t Let the Sun Go Down on Me (on 1991-03-23)
lyricist:
Bernie Taupin
composer:
Elton John (English singer, songwriter, pianist, and composer)
publisher:
Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group) and Big Pig Music Ltd. (publisher) (in 1991)
George Michael feat. Elton John2.55:45