Mozart Complete Edition

~ Release by Wolfgang Amadeus Mozart (see all versions of this release, 15 available)

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1Die Entführung aus dem Serail, K. 384, Pt. 1: I. Overture
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (from 1961-10 until 1961-11)
conductor:
Otmar Suitner (conductor) (from 1961-10 until 1961-11)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (from 1961-10 until 1961-11)
recording of:
Die Entführung aus dem Serail, K. 384: Ouvertüre (Die Entführung aus dem Serail, K. 384: Overture) (from 1961-10 until 1961-11)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1782)
part of:
Die Entführung aus dem Serail, K. 384
4:22
2Die Entführung aus dem Serail, K. 384, Pt. 1: II. Aria. Hier soll ich dich denn sehen (Belmonte)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (from 1961-10 until 1961-11)
conductor:
Otmar Suitner (conductor) (from 1961-10 until 1961-11)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (from 1961-10 until 1961-11)
recording of:
Die Entführung aus dem Serail, K. 384: Akt I, Szene I. No. 1 Arie "Hier soll ich dich denn sehen" (Belmonte) (from 1961-10 until 1961-11)
composer:
Wolfgang Amadeus Mozart (classical composer)
additional librettist:
Johann Gottlieb Stephanie ('The Younger')
librettist:
Christoph Friedrich Bretzner
part of:
Die Entführung aus dem Serail, K. 384: Akt I
3:01
3Die Entführung aus dem Serail, K. 384, Pt. 1: III. Song a Duet. Wer ein Liebchen hat gefunden (Osmin, Belmonte)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (from 1961-10 until 1961-11)
conductor:
Otmar Suitner (conductor) (from 1961-10 until 1961-11)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (from 1961-10 until 1961-11)
recording of:
Die Entführung aus dem Serail, K. 384: Akt I, Szene II. No. 2 Lied und Duett "Wer ein Liebchen hat gefunden" (Osmin) / "Verwünscht seist du samt deinem Liede!" (Osmin, Belmonte) (from 1961-10 until 1961-11)
composer:
Wolfgang Amadeus Mozart (classical composer)
additional librettist:
Johann Gottlieb Stephanie ('The Younger')
librettist:
Christoph Friedrich Bretzner
part of:
Die Entführung aus dem Serail, K. 384: Akt I
6:49
4Die Entführung aus dem Serail, K. 384, Pt. 1: IV. Nun, wie steht’s, Osmin? (Pedrillo, Osmin)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (from 1961-10 until 1961-11)
conductor:
Otmar Suitner (conductor) (from 1961-10 until 1961-11)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (from 1961-10 until 1961-11)
partial recording of:
Die Entführung aus dem Serail, K. 384: Akt I (from 1961-10 until 1961-11)
composer:
Wolfgang Amadeus Mozart (classical composer)
additional librettist:
Johann Gottlieb Stephanie ('The Younger')
librettist:
Christoph Friedrich Bretzner
part of:
Die Entführung aus dem Serail, K. 384
0:27
5Die Entführung aus dem Serail, K. 384, Pt. 1: V. Aria. Solche hergelauf ’ne Laffen (Osmin)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (from 1961-10 until 1961-11)
conductor:
Otmar Suitner (conductor) (from 1961-10 until 1961-11)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (from 1961-10 until 1961-11)
partial recording of:
Die Entführung aus dem Serail, K. 384: Akt I, Szene III. No. 3 Arie "Solche hergelauf'ne Laffen" (Osmin) / Akt I, Szene III. Dialog "Was bist du nur für ein Mensch!" (Pedrillo) / Akt I, Szene III. "Erst geköpft, dann gehangen" (Osmin) (from 1961-10 until 1961-11)
composer:
Wolfgang Amadeus Mozart (classical composer)
additional librettist:
Johann Gottlieb Stephanie ('The Younger')
librettist:
Christoph Friedrich Bretzner
part of:
Die Entführung aus dem Serail, K. 384: Akt I
4:33
6Die Entführung aus dem Serail, K. 384, Pt. 1: VI. Was bist du für ein G Majorrausamer, K. erl (Pedrillo, Osmin)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (from 1961-10 until 1961-11)
conductor:
Otmar Suitner (conductor) (from 1961-10 until 1961-11)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (from 1961-10 until 1961-11)
partial recording of:
Die Entführung aus dem Serail, K. 384: Akt I, Szene III. No. 3 Arie "Solche hergelauf'ne Laffen" (Osmin) / Akt I, Szene III. Dialog "Was bist du nur für ein Mensch!" (Pedrillo) / Akt I, Szene III. "Erst geköpft, dann gehangen" (Osmin) (from 1961-10 until 1961-11)
composer:
Wolfgang Amadeus Mozart (classical composer)
additional librettist:
Johann Gottlieb Stephanie ('The Younger')
librettist:
Christoph Friedrich Bretzner
part of:
Die Entführung aus dem Serail, K. 384: Akt I
0:37
7Die Entführung aus dem Serail, K. 384, Pt. 1: VII. Geh nur, verwunschter Aufpasser (Pedrillo, Belmonte)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (from 1961-10 until 1961-11)
conductor:
Otmar Suitner (conductor) (from 1961-10 until 1961-11)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (from 1961-10 until 1961-11)
recording of:
Die Entführung aus dem Serail, K. 384: Akt I, Szene IV. Dialog "Geh nur, verwünschter Aufpasser!" (Pedrillo, Belmonte) (from 1961-10 until 1961-11)
composer:
Wolfgang Amadeus Mozart (classical composer)
additional librettist:
Johann Gottlieb Stephanie ('The Younger')
librettist:
Christoph Friedrich Bretzner
part of:
Die Entführung aus dem Serail, K. 384: Akt I
1:20
8Die Entführung aus dem Serail, K. 384, Pt. 1: VIII. Recitative and Aria:, K. onstanze! dich wiederzusehen, dich! (Belmonte)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (from 1961-10 until 1961-11)
conductor:
Otmar Suitner (conductor) (from 1961-10 until 1961-11)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (from 1961-10 until 1961-11)
recording of:
Die Entführung aus dem Serail, K. 384: Akt I, Szene I. No. 1 Arie "Hier soll ich dich denn sehen" (Belmonte) (from 1961-10 until 1961-11)
composer:
Wolfgang Amadeus Mozart (classical composer)
additional librettist:
Johann Gottlieb Stephanie ('The Younger')
librettist:
Christoph Friedrich Bretzner
part of:
Die Entführung aus dem Serail, K. 384: Akt I
5:36
9Die Entführung aus dem Serail, K. 384, Pt. 1: IX. Chorus. Singt dem Großen Bassa Lieder
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (from 1961-10 until 1961-11)
conductor:
Otmar Suitner (conductor) (from 1961-10 until 1961-11)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (from 1961-10 until 1961-11)
recording of:
Die Entführung aus dem Serail, K. 384: Akt I, Szene VI. No. 5b Chor de Janitscharen "Singt dem grossen Bassa Lieder" (Chor und Solisten der Janitscharen) (from 1961-10 until 1961-11)
composer:
Wolfgang Amadeus Mozart (classical composer)
additional librettist:
Johann Gottlieb Stephanie ('The Younger')
librettist:
Christoph Friedrich Bretzner
part of:
Die Entführung aus dem Serail, K. 384: Akt I
1:40
10Die Entführung aus dem Serail, K. 384, Pt. 1: X. Immer noch traurig, geliebte, K. onstanze? (Selim, Konstanze)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (from 1961-10 until 1961-11)
conductor:
Otmar Suitner (conductor) (from 1961-10 until 1961-11)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (from 1961-10 until 1961-11)
recording of:
Die Entführung aus dem Serail, K. 384: Akt I, Szene VII. Dialog "Immer noch traurig, geliebte Konstanze?" (Selim, Konstanze) (from 1961-10 until 1961-11)
composer:
Wolfgang Amadeus Mozart (classical composer)
additional librettist:
Johann Gottlieb Stephanie ('The Younger')
librettist:
Christoph Friedrich Bretzner
part of:
Die Entführung aus dem Serail, K. 384: Akt I
0:49
11Die Entführung aus dem Serail, K. 384, Pt. 1: XI. Aria. Ach ich liebte, war so glücklich (Konstanze)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (from 1961-10 until 1961-11)
conductor:
Otmar Suitner (conductor) (from 1961-10 until 1961-11)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (from 1961-10 until 1961-11)
recording of:
Die Entführung aus dem Serail, K. 384: Akt I, Szene VII. No. 6 Arie "Ach ich liebte, war so glücklich" (Konstanze) (from 1961-10 until 1961-11)
composer:
Wolfgang Amadeus Mozart (classical composer)
additional librettist:
Johann Gottlieb Stephanie ('The Younger')
librettist:
Christoph Friedrich Bretzner
part of:
Die Entführung aus dem Serail, K. 384: Akt I
5:23
12Die Entführung aus dem Serail, K. 384, Pt. 1: XII. Ihr Schmerz, ihre Tränen (Selim, Pedrillo, Belmonte, Osmin)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (from 1961-10 until 1961-11)
conductor:
Otmar Suitner (conductor) (from 1961-10 until 1961-11)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (from 1961-10 until 1961-11)
recording of:
Die Entführung aus dem Serail, K. 384: Akt I, Szene VIII. Dialog "Undankbare! Ihr Schmerz, ihre Tränen" (Selim, Pedrillo, Belmonte, Osmin) (from 1961-10 until 1961-11)
composer:
Wolfgang Amadeus Mozart (classical composer)
additional librettist:
Johann Gottlieb Stephanie ('The Younger')
librettist:
Christoph Friedrich Bretzner
part of:
Die Entführung aus dem Serail, K. 384: Akt I
1:27
13Die Entführung aus dem Serail, K. 384, Pt. 1: XIII. Trio. Marsch! Marsch! Marsch! trollt euch fort! (Osmin, Belmonte, Pedrillo)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (from 1961-10 until 1961-11)
conductor:
Otmar Suitner (conductor) (from 1961-10 until 1961-11)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (from 1961-10 until 1961-11)
recording of:
Die Entführung aus dem Serail, K. 384: Akt I, Szene X. No. 7 Terzett "Marsch, marsch, marsch! Trollt euch fort" (Osmin, Belmonte, Pedrillo) (from 1961-10 until 1961-11)
composer:
Wolfgang Amadeus Mozart (classical composer)
additional librettist:
Johann Gottlieb Stephanie ('The Younger')
librettist:
Christoph Friedrich Bretzner
part of:
Die Entführung aus dem Serail, K. 384: Akt I
2:15
14Die Entführung aus dem Serail, K. 384, Pt. 2: I. Gift und Dolch (Osmin, Blonde)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (from 1961-10 until 1961-11)
conductor:
Otmar Suitner (conductor) (from 1961-10 until 1961-11)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (from 1961-10 until 1961-11)
partial recording of:
Die Entführung aus dem Serail, K. 384: Akt II (from 1961-10 until 1961-11)
composer:
Wolfgang Amadeus Mozart (classical composer)
additional librettist:
Johann Gottlieb Stephanie ('The Younger')
librettist:
Christoph Friedrich Bretzner
part of:
Die Entführung aus dem Serail, K. 384
0:30
15Die Entführung aus dem Serail, K. 384, Pt. 2: II. Aria. Durch Zartlichkeit und Schmeicheln (Blonde)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (from 1961-10 until 1961-11)
conductor:
Otmar Suitner (conductor) (from 1961-10 until 1961-11)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (from 1961-10 until 1961-11)
recording of:
Die Entführung aus dem Serail, K. 384: Akt II, Szene I. No. 8 Arie "Durch Zärtlichkeit und Schmeicheln" (Blonde) (from 1961-10 until 1961-11)
composer:
Wolfgang Amadeus Mozart (classical composer)
additional librettist:
Johann Gottlieb Stephanie ('The Younger')
librettist:
Christoph Friedrich Bretzner
part of:
Die Entführung aus dem Serail, K. 384: Akt II
3:31
16Die Entführung aus dem Serail, K. 384, Pt. 2: III. Zartlichkeit? Schmeicheln? (Osmin, Blonde)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (from 1961-10 until 1961-11)
conductor:
Otmar Suitner (conductor) (from 1961-10 until 1961-11)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (from 1961-10 until 1961-11)
recording of:
Die Entführung aus dem Serail, K. 384: Akt II, Szene I. No. 8 Arie "Durch Zärtlichkeit und Schmeicheln" (Blonde) (from 1961-10 until 1961-11)
composer:
Wolfgang Amadeus Mozart (classical composer)
additional librettist:
Johann Gottlieb Stephanie ('The Younger')
librettist:
Christoph Friedrich Bretzner
part of:
Die Entführung aus dem Serail, K. 384: Akt II
1:05
17Die Entführung aus dem Serail, K. 384, Pt. 2: IV. Duet. Ich gehe, doch rate ich dir (Osmin, Blonde)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (from 1961-10 until 1961-11)
conductor:
Otmar Suitner (conductor) (from 1961-10 until 1961-11)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (from 1961-10 until 1961-11)
recording of:
Die Entführung aus dem Serail, K. 384: Akt II, Szene I. No. 9 Duett "Ich gehe, doch rate ich dir" (Osmin, Blonde) (from 1961-10 until 1961-11)
composer:
Wolfgang Amadeus Mozart (classical composer)
additional librettist:
Johann Gottlieb Stephanie ('The Younger')
librettist:
Christoph Friedrich Bretzner
part of:
Die Entführung aus dem Serail, K. 384: Akt II
3:54
18Die Entführung aus dem Serail, K. 384, Pt. 2: V. Recitative and Aria. Welcher, K. ummer herrscht in meiner Seele (Konstanze)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (from 1961-10 until 1961-11)
conductor:
Otmar Suitner (conductor) (from 1961-10 until 1961-11)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (from 1961-10 until 1961-11)
recording of:
Die Entführung aus dem Serail, K. 384: Akt II, Szene II. No. 10a Rezitativ "Welcher Kummer herrscht in meiner Seele" (Konstanze) (from 1961-10 until 1961-11)
composer:
Wolfgang Amadeus Mozart (classical composer)
additional librettist:
Johann Gottlieb Stephanie ('The Younger')
librettist:
Christoph Friedrich Bretzner
part of:
Die Entführung aus dem Serail, K. 384: Akt II
8:29
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