Hip Parade & Playing the Field

~ Release by Mark Murphy (see all versions of this release, 1 available)

Tracklist

1▼CD
#TitleRatingLength
1Put the Blame on Mame
producer:
Tom Morgan (producer)
alto saxophone:
Joe Maini
baritone saxophone:
Jack Nimitz (American saxophonist and clarinet player)
bass:
Joe Mondragon
drums (drum set):
Shelly Manne (US jazz drummer)
guitar:
Al Hendrickson
piano:
Jimmy Rowles
tenor saxophone:
Med Flory and Bill Perkins (jazz saxophonist)
trombone:
Bob Fitzpatrick, Lew McCreary and Frank Rosolino
trumpet:
Conte Candoli, Al Porcino, Ray Triscari and Stu Williamson
vocals:
Mark Murphy (US jazz singer)
arranger:
Bill Holman
recorded at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States (from 1960-07-05 until 1960-07-07)
recording of:
Put the Blame on Mame (Gilda)
composer:
Allan Roberts (songwriter) and Doris Fisher
2:49
2Swinging on a Star
producer:
Tom Morgan (producer)
alto saxophone:
Joe Maini
baritone saxophone:
Jack Nimitz (American saxophonist and clarinet player)
bass:
Joe Mondragon
drums (drum set):
Shelly Manne (US jazz drummer)
guitar:
Al Hendrickson
piano:
Jimmy Rowles
tenor saxophone:
Med Flory and Bill Perkins (jazz saxophonist)
trombone:
Bob Fitzpatrick, Lew McCreary and Frank Rosolino
trumpet:
Conte Candoli, Al Porcino, Ray Triscari and Stu Williamson
vocals:
Mark Murphy (US jazz singer)
arranger:
Bill Holman
recorded at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States (from 1960-07-05 until 1960-07-07)
recording of:
Swinging on a Star
lyricist:
Johnny Burke (American lyricist, 1908–1964) (in 1944)
composer:
Jimmy Van Heusen (in 1944)
publisher:
Bourne Co. (not for release label use, this is a music publisher), Burke & Van Heusen, Inc. and Music Sales Corporation (American copyright holder in both popular and classical music)
part of:
The 17th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 1944 winner)
2:36
3My Gal's Come Back
producer:
Tom Morgan (producer)
alto saxophone:
Joe Maini
baritone saxophone:
Jack Nimitz (American saxophonist and clarinet player)
bass:
Joe Mondragon
drums (drum set):
Shelly Manne (US jazz drummer)
guitar:
Al Hendrickson
piano:
Jimmy Rowles
tenor saxophone:
Med Flory and Bill Perkins (jazz saxophonist)
trombone:
Bob Fitzpatrick, Lew McCreary and Frank Rosolino
trumpet:
Conte Candoli, Al Porcino, Ray Triscari and Stu Williamson
vocals:
Mark Murphy (US jazz singer)
arranger:
Bill Holman
recorded at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States (from 1960-07-05 until 1960-07-07)
recording of:
My Guy’s Come Back
lyricist:
Ray McKinley
composer:
Mel Powell (American composer and jazz pianist)
1:51
4Playing the Field
producer:
Tom Morgan (producer)
alto saxophone:
Joe Maini
baritone saxophone:
Jack Nimitz (American saxophonist and clarinet player)
bass:
Joe Mondragon
drums (drum set):
Shelly Manne (US jazz drummer)
guitar:
Al Hendrickson
piano:
Jimmy Rowles
tenor saxophone:
Med Flory and Bill Perkins (jazz saxophonist)
trombone:
Bob Fitzpatrick, Lew McCreary and Frank Rosolino
trumpet:
Conte Candoli, Al Porcino, Ray Triscari and Stu Williamson
vocals:
Mark Murphy (US jazz singer)
arranger:
Bill Holman
recorded at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States (from 1960-07-05 until 1960-07-07)
recording of:
Playing the Field
lyricist and composer:
Steve Allen (US actor, musician & comedian)
2:46
5Heart and Soul
producer:
Tom Morgan (producer)
alto saxophone:
Joe Maini
baritone saxophone:
Jack Nimitz (American saxophonist and clarinet player)
bass:
Joe Mondragon
drums (drum set):
Shelly Manne (US jazz drummer)
guitar:
Al Hendrickson
piano:
Jimmy Rowles
tenor saxophone:
Med Flory and Bill Perkins (jazz saxophonist)
trombone:
Bob Fitzpatrick, Lew McCreary and Frank Rosolino
trumpet:
Conte Candoli, Al Porcino, Ray Triscari and Stu Williamson
vocals:
Mark Murphy (US jazz singer)
arranger:
Bill Holman
recorded at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States (from 1960-07-05 until 1960-07-07)
recording of:
Heart and Soul
lyricist:
Frank Loesser
composer:
Hoagy Carmichael
publisher:
Famous Music Corp. (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
2:39
6Love Is a Many-Splendored Thing
producer:
Tom Morgan (producer)
alto saxophone:
Joe Maini
baritone saxophone:
Jack Nimitz (American saxophonist and clarinet player)
bass:
Joe Mondragon
drums (drum set):
Shelly Manne (US jazz drummer)
guitar:
Al Hendrickson
piano:
Jimmy Rowles
tenor saxophone:
Med Flory and Bill Perkins (jazz saxophonist)
trombone:
Bob Fitzpatrick, Lew McCreary and Frank Rosolino
trumpet:
Conte Candoli, Al Porcino, Ray Triscari and Stu Williamson
vocals:
Mark Murphy (US jazz singer)
arranger:
Bill Holman
recorded at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States (from 1960-07-05 until 1960-07-07)
recording of:
Love Is a Many‐Splendored Thing
lyricist:
Paul Francis Webster
composer:
Sammy Fain
publisher:
EMI Miller Catalog, Inc., EMI United Partnership Ltd., J. Albert & Son Pty. Ltd., Miller Music (publisher) and WC Music Corp.
sub-publisher:
フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
part of:
The 28th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 1955 winner)
1:53
7Honeysuckle Rose
producer:
Tom Morgan (producer)
bass:
Joe Mondragon
drums (drum set):
Shelly Manne (US jazz drummer)
piano:
Jimmy Rowles
vocals:
Mark Murphy (US jazz singer)
arranger:
Bill Holman
recorded at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States (from 1960-07-05 until 1960-07-07)
recording of:
Honeysuckle Rose
lyricist:
Andy Razaf (in 1928)
composer:
Fats Waller (in 1928)
publisher:
Intersong Music
part of:
New York, New York (1977 musical film soundtrack)
part of:
Thousands Cheer (1943 movie)
3:08
8Isn't It About Time
producer:
Tom Morgan (producer)
bass:
Joe Mondragon
drums (drum set):
Shelly Manne (US jazz drummer)
piano:
Jimmy Rowles
vocals:
Mark Murphy (US jazz singer)
arranger:
Bill Holman
recorded at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States (from 1960-07-05 until 1960-07-07)
recording of:
Isn't It About Time
2:08
9Wishing (Will Make It So)
producer:
Tom Morgan (producer)
bass:
Joe Mondragon
drums (drum set):
Shelly Manne (US jazz drummer)
piano:
Jimmy Rowles
vocals:
Mark Murphy (US jazz singer)
arranger:
Bill Holman
recorded at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States (from 1960-07-05 until 1960-07-07)
recording of:
Wishing (Will Make It So)
lyricist and composer:
Buddy DeSylva
3:17
10As Long as I Live
producer:
Tom Morgan (producer)
bass:
Joe Mondragon
drums (drum set):
Shelly Manne (US jazz drummer)
piano:
Jimmy Rowles
vocals:
Mark Murphy (US jazz singer)
arranger:
Bill Holman
recorded at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States (from 1960-07-05 until 1960-07-07)
recording of:
As Long as I Live
lyricist:
Ted Koehler (in 1934)
composer:
Harold Arlen (in 1934)
publisher:
Arko Music Corp.
1:46
11I Didn't Know About You
producer:
Tom Morgan (producer)
alto saxophone:
Joe Maini
baritone saxophone:
Jack Nimitz (American saxophonist and clarinet player)
bass:
Joe Mondragon
drums (drum set):
Shelly Manne (US jazz drummer)
guitar:
Al Hendrickson
piano:
Jimmy Rowles
tenor saxophone:
Med Flory and Bill Perkins (jazz saxophonist)
trombone:
Bob Fitzpatrick, Lew McCreary and Frank Rosolino
trumpet:
Conte Candoli, Al Porcino, Ray Triscari and Stu Williamson
vocals:
Mark Murphy (US jazz singer)
arranger:
Bill Holman
recorded at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States (from 1960-07-05 until 1960-07-07)
recording of:
I Didn’t Know About You
lyricist:
Bob Russell (US songwriter/lyricist Sidney Keith “Bob” Russell) (in 1944)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1944)
is based on:
Sentimental Lady
3:19
12But Not for Me
producer:
Tom Morgan (producer)
bass:
Joe Mondragon
drums (drum set):
Shelly Manne (US jazz drummer)
piano:
Jimmy Rowles
vocals:
Mark Murphy (US jazz singer)
arranger:
Bill Holman
recorded at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States (from 1960-07-05 until 1960-07-07)
recording of:
But Not for Me
lyricist:
Ira Gershwin (in 1930)
composer:
George Gershwin (composer) (in 1930)
publisher:
WB Music Corp. (1929–2019) (until 2019-05-28), New World Music Co. (in 1930) and WC Music Corp. (from 2019-05-28 to present)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
included in:
An American in Paris (2015 Broadway musical)
part of:
Crazy for You (1992 musical)
part of:
Girl Crazy (1930 Musical)
part of:
When the Boys Meet the Girls (1965 film)
4:27
13Firefly
producer:
Tom Morgan (producer)
bass:
Joe Mondragon
drums (drum set):
Mel Lewis (American jazz drummer)
guitar:
Bob Gibbons
percussion and vibraphone:
Larry Bunker
piano:
Jimmy Rowles
trumpet:
Conte Candoli and Pete Candoli
background vocals:
The Jud Conlon Singers and Gloria Wood
vocals:
Mark Murphy (US jazz singer)
conductor:
Bill Holman
arranger:
Bill Holman
recorded at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States (from 1959-08-24 until 1959-08-28)
recording of:
Firefly
lyricist:
Carolyn Leigh (in 1958)
composer:
Cy Coleman (in 1958)
2:28
14Lonesome Town
producer:
Tom Morgan (producer)
bass:
Joe Mondragon
background vocals:
Gloria Wood
vocals:
Mark Murphy (US jazz singer)
conductor:
Bill Holman
arranger:
Bill Holman
recorded at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States (from 1959-08-24 until 1959-08-28)
recording of:
Lonesome Town
lyricist and composer:
Baker Knight Jr.
publisher:
Imagem London Ltd. and Matragun Music Inc.
2:26
15Kansas City
producer:
Tom Morgan (producer)
bass:
Joe Mondragon
drums (drum set):
Stan Levey
guitar:
Bob Gibbons
piano:
Jimmy Rowles
tenor saxophone:
Bill Holman
trumpet:
Conte Candoli and Pete Candoli
vocals:
Mark Murphy (US jazz singer)
conductor:
Bill Holman
arranger:
Bill Holman
recorded at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States (from 1959-08-24 until 1959-08-28)
recording of:
Kansas City (aka “K.C. Loving”)
lyricist:
Jerry Leiber (in 1952)
composer:
Mike Stoller (in 1952)
publisher:
EMI Music Ltd., Jerry Leiber Music, Mike Stoller Music (ASCAP), Peter Maurice Music Co., Peter Maurice Music Co. Ltd. and Sony/ATV Songs LLC
2:42
16Come to Me
producer:
Tom Morgan (producer)
bass:
Joe Mondragon
drums (drum set):
Mel Lewis (American jazz drummer)
guitar:
Bob Gibbons
percussion:
Larry Bunker, Conte Candoli and Pete Candoli
piano:
Jimmy Rowles
vibraphone:
Larry Bunker
vocals:
Mark Murphy (US jazz singer)
conductor:
Bill Holman
arranger:
Bill Holman
recorded at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States (from 1959-08-24 until 1959-08-28)
cover recording of:
Come to Me
lyricist:
Peter Lind Hayes
composer:
Robert Allen (US songwriter/arranger/pianist)
publisher:
Korwin Music, Inc.
2:18
17Catch a Falling Star
producer:
Tom Morgan (producer)
bass:
Joe Mondragon
drums (drum set):
Mel Lewis (American jazz drummer)
guitar:
Bob Gibbons
percussion and vibraphone:
Larry Bunker
piano:
Jimmy Rowles
trumpet:
Conte Candoli and Pete Candoli
background vocals:
The Jud Conlon Singers and Gloria Wood
vocals:
Mark Murphy (US jazz singer)
conductor:
Bill Holman
arranger:
Bill Holman
recorded at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States (from 1959-08-24 until 1959-08-28)
recording of:
Catch a Falling Star
writer:
Lee Pockriss and Paul Vance (US songwriter and producer)
2:46
18All the Way
producer:
Tom Morgan (producer)
bass:
Joe Mondragon
drums (drum set):
Stan Levey
guitar:
Bob Gibbons
piano:
Jimmy Rowles
trumpet:
Conte Candoli and Pete Candoli
vocals:
Mark Murphy (US jazz singer)
conductor:
Bill Holman
arranger:
Bill Holman
recorded at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States (from 1959-08-24 until 1959-08-28)
recording of:
All the Way (from “The Joker Is Wild”)
lyricist:
Sammy Cahn
composer:
Jimmy Van Heusen
publisher:
Barton Music Corporation OBO Maraville Music Corp, Maraville Music Corp., The International Music Network and Universal Music Corp. OBO Van Heusen Music Corp. (USA, affiliated with ASCAP)
sub-publisher:
フジパシフィックミュージック (Fujipacific Music, Inc.)
part of:
The 30th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 1957 winner)
2:51
19(You've Got) Personality
2:42
20Witchcraft
producer:
Tom Morgan (producer)
baritone saxophone:
Bill Holman
bass:
Joe Mondragon
drums (drum set):
Mel Lewis (American jazz drummer)
guitar:
Bob Gibbons
percussion and vibraphone:
Larry Bunker
piano:
Jimmy Rowles
trumpet:
Conte Candoli and Pete Candoli
background vocals:
The Jud Conlon Singers
vocals:
Mark Murphy (US jazz singer)
conductor:
Bill Holman
arranger:
Bill Holman
recorded at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States (from 1959-08-24 until 1959-08-28)
recording of:
Witchcraft
lyricist:
Carolyn Leigh
composer:
Cy Coleman
publisher:
Morley Music Co. Inc., Notable Music, Sony/ATV Songs LLC and WB Music Corp. (1929–2019)
3:35
21Venus
producer:
Tom Morgan (producer)
bass:
Joe Mondragon
drums (drum set):
Mel Lewis (American jazz drummer)
guitar:
Bob Gibbons
percussion and vibraphone:
Larry Bunker
piano:
Jimmy Rowles
trumpet:
Conte Candoli and Lee Katzman
background vocals:
The Jud Conlon Singers and Gloria Wood
vocals:
Mark Murphy (US jazz singer)
conductor:
Bill Holman
arranger:
Bill Holman
recorded at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States (from 1959-08-24 until 1959-08-28)
recording of:
Venus
lyricist and composer:
Ed Marshall
publisher:
EMI April Music Inc., Kirshner Songs, Inc., Larsdale, Rambed and Sony/ATV Tunes LLC (ASCAP)
sub-publisher:
ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division) and フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department)
3:02
22It's Not for Me to Say
producer:
Tom Morgan (producer)
bass:
Joe Mondragon
drums (drum set):
Stan Levey
guitar:
Bob Gibbons
piano:
Jimmy Rowles
trumpet:
Conte Candoli and Pete Candoli
vocals:
Mark Murphy (US jazz singer)
conductor:
Bill Holman
arranger:
Bill Holman
recorded at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States (from 1959-08-24 until 1959-08-28)
recording of:
It’s Not for Me to Say
lyricist:
Al Stillman
composer:
Robert Allen (US songwriter/arranger/pianist)
publisher:
Campbell Connelly & Co. Ltd., Charlie Deitcher Productions, Inc., Edward Kassner Music Co. Ltd., Kitty Anne Music Co., Inc., Music Sales Corporation (American copyright holder in both popular and classical music) and ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
2:31
23Send for Me
producer:
Tom Morgan (producer)
baritone saxophone:
Bill Holman
bass:
Joe Mondragon
drums (drum set):
Stan Levey
guitar:
Bob Gibbons
piano:
Jimmy Rowles
trumpet:
Conte Candoli and Pete Candoli
vocals:
Mark Murphy (US jazz singer)
conductor:
Bill Holman
arranger:
Bill Holman
recorded at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States (from 1959-08-24 until 1959-08-28)
recording of:
Send for Me
lyricist and composer:
Ollie Jones
3:00
24I Only Have Eyes for You
producer:
Tom Morgan (producer)
bass:
Joe Mondragon
drums (drum set):
Mel Lewis (American jazz drummer)
guitar:
Bob Gibbons
percussion and vibraphone:
Larry Bunker
piano:
Jimmy Rowles
trumpet:
Conte Candoli and Lee Katzman
vocals:
Mark Murphy (US jazz singer)
conductor:
Bill Holman
arranger:
Bill Holman
recorded at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States (from 1959-08-24 until 1959-08-28)
recording of:
I Only Have Eyes for You
lyricist:
Al Dubin
composer:
Harry Warren (US composer and lyricist)
publisher:
B. Feldman & Co. (publisher active since the 1910s), B. Feldman & Co. Ltd. (publisher est. 1946), B. Feldman Ltd., EMI Music Publishing (do not use as a release label!), Remick Music Corp. and Warner Bros. Inc. (not for release label use!)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
part of:
42nd Street (full musical)
part of:
Dames (film)
part of:
Twins (1988)
3:02