Carmen Jones (1943 original Broadway cast)

~ Release by Georges Bizet, Oscar Hammerstein II (see all versions of this release, 2 available)

Tracklist

1▼CD
#TitleRatingLength
1Carmen Jones: Act I. Prelude
conductor:
Joseph Littau
recording of:
Carmen Jones: Overture
orchestrator:
Robert Russell Bennett (American composer and arranger)
composer:
Georges Bizet (French composer)
librettist:
Oscar Hammerstein II (of Rodgers & Hammerstein)
part of:
Carmen Jones (Bizet/Hammerstein musical)
1:59
2Carmen Jones: Act I. Lift ’em Up and Put ’em Down
conductor:
Joseph Littau
chorus master:
Robert Shaw (conductor)
recording of:
Carmen Jones, Act I. Lift 'em Up and Put 'em Down (from 1944-01-17 until 1944-01-20)
orchestrator:
Robert Russell Bennett (American composer and arranger)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein)
composer:
Georges Bizet (French composer)
version of:
Carmen : Acte I. No. 3 Marche et chœur des gamins : « Avec la garde montante » (Chœur des gamins, Zuniga)
part of:
Carmen Jones: Act I
2:32
3Carmen Jones: Act I. Dat’s Love
vocals:
Muriel Smith (from 1944-01-17 until 1944-01-20)
conductor:
Joseph Littau (from 1944-01-17 until 1944-01-20)
chorus master:
Robert Shaw (conductor) (from 1944-01-17 until 1944-01-20)
recording of:
Carmen Jones: Act I. Dat’s Love (Habañera) (from 1944-01-17 until 1944-01-20)
orchestrator:
Robert Russell Bennett (American composer and arranger)
composer:
Georges Bizet (French composer)
librettist:
Oscar Hammerstein II (of Rodgers & Hammerstein)
version of:
Carmen : Acte I. No. 5 Habanera « L’amour est un oiseau rebelle » (Carmen, chœur)
part of:
Carmen Jones: Act I
3:44
4Carmen Jones: Act I. You Talk Just Like My Maw
vocals:
Carlotta Franzell and Luther Saxon
conductor:
Joseph Littau (from 1944-01-17 until 1944-01-20)
recording of:
Carmen Jones, Act I. You Talk Just Like My Maw (from 1944-01-17 until 1944-01-20)
orchestrator:
Robert Russell Bennett (American composer and arranger)
composer:
Georges Bizet (French composer)
librettist:
Oscar Hammerstein II (of Rodgers & Hammerstein)
version of:
Carmen : Acte I. No. 7 Duo « Parle-moi de ma mère ! » (Don José, Micaëla)
part of:
Carmen Jones: Act I
4:20
5Carmen Jones: Act I. Dere’s a Café on de Corner
vocals:
Luther Saxon and Muriel Smith
conductor:
Joseph Littau (from 1944-01-17 until 1944-01-20)
recording of:
Carmen Jones, Act I. Dere's a Café on de Corner (from 1944-01-17 until 1944-01-20)
orchestrator:
Robert Russell Bennett (American composer and arranger)
composer:
Georges Bizet (French composer)
librettist:
Oscar Hammerstein II (of Rodgers & Hammerstein)
version of:
Carmen : Acte I. No. 10 Séguedille « Près des remparts de Séville » (Carmen, Don José)
part of:
Carmen Jones: Act I
4:27
6Carmen Jones: Act II. Beat Out Dat Rhythm on a Drum
conductor:
Joseph Littau (from 1944-01-17 until 1944-01-20)
chorus master:
Robert Shaw (conductor) (from 1944-01-17 until 1944-01-20)
recording of:
Carmen Jones, Act II. Beat Out Dat Rhythm on a Drum (from 1944-01-17 until 1944-01-20)
orchestrator:
Robert Russell Bennett (American composer and arranger)
composer:
Georges Bizet (French composer)
librettist:
Oscar Hammerstein II (of Rodgers & Hammerstein)
version of:
Carmen : Acte II. No. 12 Chanson bohème « Les tringles des sistres tintaient » (Frasquita, Mercédès, Carmen)
part of:
Carmen Jones: Act II
4:10
7Carmen Jones: Act II. Stan’ Up and Fight
conductor:
Joseph Littau
chorus master:
Robert Shaw (conductor)
recording of:
Carmen Jones, Act II. Stan’ Up and Fight
orchestrator:
Robert Russell Bennett (American composer and arranger)
composer:
Georges Bizet (French composer)
librettist:
Oscar Hammerstein II (of Rodgers & Hammerstein)
version of:
Carmen : Acte II. No. 14 Couplets « Votre toast, je peux vous le rendre » … « Toréador, en garde ! » (Escamillo, Mercédès, Frasquita, Carmen, Moralès, Zuniga, Lillas Pastia, chœur d’hommes) (“Chanson du toréador”)
part of:
Carmen Jones: Act II
4:02
8Carmen Jones: Act II. Whizzin’ Away Along de Track
conductor:
Joseph Littau (from 1944-01-17 until 1944-01-20)
recording of:
Carmen Jones, Act II. Whizzin' Away Along de Track (from 1944-01-17 until 1944-01-20)
orchestrator:
Robert Russell Bennett (American composer and arranger)
lyricist and librettist:
Oscar Hammerstein II (of Rodgers & Hammerstein)
composer:
Georges Bizet (French composer)
translated version of:
Carmen : Acte II. No. 15 Quintette « Nous avons en tête une affaire ! » (Le Dancaïre, Le Remendado, Carmen, Frasquita, Mercédès)
part of:
Carmen Jones: Act II
4:22
9Carmen Jones: Act II. Dis Flower
vocals:
Luther Saxon
conductor:
Joseph Littau (from 1944-01-17 until 1944-01-20)
recording of:
Carmen Jones, Act II. Dis Flower (from 1944-01-17 until 1944-01-20)
orchestrator:
Robert Russell Bennett (American composer and arranger)
composer:
Georges Bizet (French composer)
librettist:
Oscar Hammerstein II (of Rodgers & Hammerstein)
version of:
Carmen : Acte II. No. 17 Duo : « La Fleur que tu m’avais jetée » (Carmen, Don José) (Flower Song)
part of:
Carmen Jones: Act II
4:07
10Carmen Jones: Act III. De Cards Don’t Lie
vocals:
Luther Saxon and Muriel Smith
conductor:
Joseph Littau (from 1944-01-17 until 1944-01-20)
recording of:
Carmen Jones, Act III. De Cards Don't Lie (from 1944-01-17 until 1944-01-20)
orchestrator:
Robert Russell Bennett (American composer and arranger)
lyricist and librettist:
Oscar Hammerstein II (of Rodgers & Hammerstein)
composer:
Georges Bizet (French composer)
version of:
Carmen : Acte III, No. 20. Trio des cartes « Mêlons ! Coupons ! » (Frasquita, Mercédès)
part of:
Carmen Jones: Act III
4:26
11Carmen Jones: Act III. My Joe
vocals:
Carlotta Franzell
conductor:
Joseph Littau (from 1944-01-17 until 1944-01-20)
recording of:
Carmen Jones, Act III. My Joe (from 1944-01-17 until 1944-01-20)
orchestrator:
Robert Russell Bennett (American composer and arranger)
composer:
Georges Bizet (French composer)
librettist:
Oscar Hammerstein II (of Rodgers & Hammerstein)
version of:
Carmen : Acte III. No. 22. Air « Je dis que rien ne m’épouvante » (Micaëla)
part of:
Carmen Jones: Act III
4:27
12Carmen Jones: Act IV. Dat’s Our Man
conductor:
Joseph Littau
chorus master:
Robert Shaw (conductor)
recording of:
Carmen Jones, Act II. Dat's Our Man!
orchestrator:
Robert Russell Bennett (American composer and arranger)
composer:
Georges Bizet (French composer)
librettist:
Oscar Hammerstein II (of Rodgers & Hammerstein)
version of:
Carmen : Acte IV. No. 26 « Les voici ! Voici la quadrille ! » (Chœur, les gamins, Escamillo, Carmen, Frasquita, Mercédès)
part of:
Carmen Jones: Act IV
3:35
13Carmen Jones: Act IV. Finale
vocals:
Luther Saxon (from 1944-01-17 until 1944-01-20) and Muriel Smith (from 1944-01-17 until 1944-01-20)
conductor:
Joseph Littau (from 1944-01-17 until 1944-01-20)
chorus master:
Robert Shaw (conductor) (from 1944-01-17 until 1944-01-20)
recording of:
Carmen Jones: Act IV. Finale (from 1944-01-17 until 1944-01-20)
orchestrator:
Robert Russell Bennett (American composer and arranger)
composer:
Georges Bizet (French composer)
librettist:
Oscar Hammerstein II (of Rodgers & Hammerstein)
part of:
Carmen Jones: Act IV
3:56
14Carmen Jones: Act II. Beat Out Dat Rhythm on a Drum
mezzo-soprano vocals:
Kitty Carlisle
orchestra:
Russ Morgan and His Orchestra
recording of:
Carmen Jones, Act II. Beat Out Dat Rhythm on a Drum (in 1945)
orchestrator:
Robert Russell Bennett (American composer and arranger)
composer:
Georges Bizet (French composer)
librettist:
Oscar Hammerstein II (of Rodgers & Hammerstein)
version of:
Carmen : Acte II. No. 12 Chanson bohème « Les tringles des sistres tintaient » (Frasquita, Mercédès, Carmen)
part of:
Carmen Jones: Act II
3:08