Alle 40 goed: The Hollies

~ Veröffentlichung von The Hollies (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1▼CD
Nr.TitelBewertungLänge
1Just One Look
cover recording of:
Just One Look
Verfasser(in):
Gregory Carroll und Doris Payne
publisher:
Leosong Copyright Service Ltd., T.S. Music Ltd., Universal Music–MGB Songs, シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
2:32
2Bus Stop
Produzent(in):
The Hollies und Ron Richards
Bass:
Bernie Calvert (am 1966-05-18)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1966, in 2003) und Parlophone (Parlophon) (in 1966)
aufgenommen bei:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (am 1966-05-18)
recording of:
Bus Stop (am 1966-05-18)
Texter und Komponist(in):
Graham Gouldman
publisher:
Basement Brazil Editora, Bramsdene Music Corporation, Campbell Connelly (Australia) P/L, Campbell Connelly & Co. Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Edition Wilhelm Hansen, EMI Blackwood Music (Canada) Ltd., Hournew Music Ltd., Man-Ken Music, Limited und Music Sales Corporation (American copyright holder in both popular and classical music)
adaptations:
バス ストップ (Angels' Japanese version)
4.752:55
3Ain’t That Just Like Me
Gitarre:
Tony Hicks
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1997)
aufgenommen bei:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (am 1963-04-04)
cover recording of:
Ain’t That Just Like Me (am 1963-04-04)
Verfasser(in):
Earl Carroll (r&b vocalist) und Billy Guy (r&b vocalist)
2:10
4I’m Alive
cover recording of:
I’m Alive
Texter und Komponist(in):
Clint Ballard, Jr.
2:27
5I Can’t Let Go
Produzent(in):
Ron Richards
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1966, in 2011)
aufgenommen bei:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (am 1966-01-13, am 1966-01-18)
cover recording of:
I Can't Let Go (von 1966-01-13 bis 1966-01-18)
Verfasser(in):
Al Gorgoni (guitarist, composer, arranger, and producer) und Chip Taylor (US singer/songwriter)
publisher:
April Music AB (Swedish subsidiary of April Music), EMI Blackwood Music Inc., M. Carey Songs, Sony Songs Inc., Wallyworld Music und WB Music Corp. (1929–2019)
recording of:
I Can't Let Go
Verfasser(in):
Al Gorgoni (guitarist, composer, arranger, and producer) und Chip Taylor (US singer/songwriter)
publisher:
April Music AB (Swedish subsidiary of April Music), EMI Blackwood Music Inc., M. Carey Songs, Sony Songs Inc., Wallyworld Music und WB Music Corp. (1929–2019)
2.52:27
6Stay
cover recording of:
Stay
Texter und Komponist(in):
Maurice Williams (US singer/songwriter, played with The Zodiacs)
publisher:
Cherio Music Publishers, Inc., J. Albert & Son Pty. Ltd. und Cherio Corp. (in 1960)
2:12
7Carrie Anne
Produzent(in):
Ron Richards
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1967) und The Hollies Ltd. (in 1967)
aufgenommen bei:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (am 1967-05-01)
recording of:
Carrie Anne (am 1967-05-01)
Texter und Komponist(in):
Allan Clarke (of The Hollies), Tony Hicks und Graham Nash
publisher:
PolyGram Music Publishing und Universal Music Publishing (use ONLY if no country‐specific information is available)
3.652:55
8King Midas in Reverse
recording of:
King Midas in Reverse
Verfasser(in):
Allan Clarke (of The Hollies), Tony Hicks und Graham Nash
Komponist(in):
Graham Nash
3:07
9Dear Eloise
Produzent(in):
Ron Richards
phonographisches Urheberrecht (℗) von:
The Hollies Ltd. (in 1999)
aufgenommen bei:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (am 1967-09-26)
recording of:
Dear Eloise (am 1967-09-26)
Verfasser(in):
Allan Clarke (of The Hollies), Tony Hicks und Graham Nash
3:06
10Do the Best You Can
recording of:
Do the Best You Can
Verfasser(in):
Allan Clarke (of The Hollies), Tony Hicks und Graham Nash
2:46
11Listen to Me
recording of:
Listen to Me
Komponist(in):
Tony Hazzard (songwriter)
2:39
12He Ain’t Heavy, He’s My Brother
cover recording of:
He Ain’t Heavy, He’s My Brother
Verfasser(in):
Bob Russell (US songwriter/lyricist Sidney Keith “Bob” Russell) und Bobby Scott (vocals, piano, US musician & producer)
publisher:
Amber Leigh Music Inc., Campbell Connelly & Co. Ltd., Cyril Shane Music, Harrison Music Corp., Heath Levy Music, Jenny Music Inc., Music Sales Corporation (American copyright holder in both popular and classical music), Warner/Chappell Music Ltd. (1996–2019) und ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
4:19
13I Can’t Tell the Bottom From the Top
cover recording of:
I Can't Tell the Bottom From the Top
Komponist(in):
Guy Fletcher (keyboardist) und Doug Flett (songwriter)
3:50
14Hey Willy
Produzent(in):
Ron Richards
aufgenommen bei:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, Vereinigtes Königreich
recording of:
Hey Willy
Verfasser(in):
Allan Clarke (of The Hollies), Roger Cook (US‐based British singer, songwriter and producer) und Roger Greenaway
53:27
15Long Cool Woman (In a Black Dress)
Techniker(in):
John Punter
Produzent(in):
The Hollies und Ron Richards
phonographisches Urheberrecht (℗) von:
The Hollies Ltd. (in 1971) und Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1972)
aufgenommen bei:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, Vereinigtes Königreich (am 1971-07-16, von 1971-07-27 bis 1971-07-30)
recording of:
Long Cool Woman in a Black Dress (von 1971-07-16 bis 1971-07-30)
Verfasser(in):
Allan Clarke (of The Hollies), Roger Cook (US‐based British singer, songwriter and producer) und Roger Greenaway
4.153:17
16Long Dark Road
recording of:
Long Dark Road
Verfasser(in):
Tony Hicks und Kenny Lynch (English singer, songwriter, entertainer & actor)
4:16
17The Day That Curly Billy Shot Down Crazy Sam McGee
recording of:
The Day That Curly Billy Shot Down Crazy Sam McGee
Texter und Komponist(in):
Allan Clarke (of The Hollies)
4:24
18Son of a Rotten Gambler
recording of:
Son of a Rotten Gambler
Texter und Komponist(in):
Chip Taylor (US singer/songwriter)
publisher:
Back Road Music Inc. und EMI Blackwood Music Inc.
4:05
19Falling Calling
Techniker(in):
Mike Jarratt (recording, mixing and lacquer cutting engineer) und Alan Parsons (of The Alan Parsons Project)
Produzent(in):
The Hollies und Ron Richards
Bass:
Bernie Calvert
Perkussion:
Bobby Elliott
Hintergrundgesang:
Tony Hicks und Terry Sylvester (singer and guitarist)
Sologesang:
Allan Clarke (of The Hollies)
aufgenommen bei:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich
recording of:
Falling Calling
Verfasser(in):
Allan Clarke (of The Hollies) und Terry Sylvester (singer and guitarist)
13:13
20Daddy Don’t Mind
Keyboard:
Peter Arnesen
Posaune:
Wally Smith
aufgenommen bei:
Basing Street Studios (fka Island Studios till 1975, became Sarm West Studios in 1982) in Notting Hill, Kensington and Chelsea, London (Greater London), England, Vereinigtes Königreich
recording of:
Daddy Don’t Mind
Verfasser(in):
Allan Clarke (of The Hollies), Tony Hicks und Terry Sylvester (singer and guitarist)
3:37
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Teil von:Alle 40 goed (Reihenfolge: 91)