Serse

~ Release by George Frideric Handel; Maureen Forrester, Lucia Popp, Thomas Hemsley, Owen Brannigan, Martin Isepp, Vienna Academy Chamber Choir, Vienna Radio Orchestra, Brian Priestman (see all versions of this release, 1 available)

Annotation

Copyright: © 2009 Deutsche Grammophon GmbH, Berlin
℗ 2009 Deutsche Grammophon GmbH, Berlin

Annotation last modified on 2025-01-31 14:43 UTC.

Tracklist

1▶Digital Media
2▶Digital Media
3▼Digital Media
#TitleArtistRatingLength
1Serse: Act 3: Sinfonia
engineer:
Peter Curiel (engineer) (in 1965-06) and Herbert Zeithammer (engineer) (in 1965-06)
producer:
James Grayson (recording producer)
harpsichord:
Martin Isepp (pianist, harpsichordist and conductor) (in 1965-06)
orchestra:
Vienna Radio Orchestra (Vienna Radio Symphony Orchestra, previously ORF-Symphonieorchester) (in 1965-06)
conductor:
Brian Priestman (in 1965-06)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1965)
recorded at:
Konzerthaus: Mozart‐Saal in Landstraße, Wien (Vienna), Austria (in 1965-06)
recording of:
Serse, HWV 40: Atto III, no. 43. Sinfonia (in 1965-06)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Serse, HWV 40: Atto III
George Frideric Handel3:30
2Serse: Act 3: Sono vani e pretesti
engineer:
Peter Curiel (engineer) (in 1965-06) and Herbert Zeithammer (engineer) (in 1965-06)
producer:
James Grayson (recording producer)
harpsichord:
Martin Isepp (pianist, harpsichordist and conductor) (in 1965-06)
mezzo-soprano vocals [Arsamene]:
Maureen Lehane (in 1965-06)
soprano vocals [Romilda]:
Lucia Popp (soprano) (in 1965-06)
orchestra:
Vienna Radio Orchestra (Vienna Radio Symphony Orchestra, previously ORF-Symphonieorchester) (in 1965-06)
conductor:
Brian Priestman (in 1965-06)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1965)
recorded at:
Konzerthaus: Mozart‐Saal in Landstraße, Wien (Vienna), Austria (in 1965-06)
recording of:
Serse, HWV 40: Atto III. Recitativo “Sono vani e pretesti” (Arsamene, Romilda) (in 1965-06)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Serse, HWV 40: Atto III
George Frideric Handel0:19
3Serse: Act 3: Ahi! Scoperto è l'inganno!
engineer:
Peter Curiel (engineer) (in 1965-06) and Herbert Zeithammer (engineer) (in 1965-06)
producer:
James Grayson (recording producer)
harpsichord:
Martin Isepp (pianist, harpsichordist and conductor) (in 1965-06)
bass vocals [Elviro]:
Owen Brannigan (operatic bass) (in 1965-06)
mezzo-soprano vocals [Arsamene]:
Maureen Lehane (in 1965-06)
soprano vocals [Atalanta]:
Marilyn Tyler (soprano) (in 1965-06)
orchestra:
Vienna Radio Orchestra (Vienna Radio Symphony Orchestra, previously ORF-Symphonieorchester) (in 1965-06)
conductor:
Brian Priestman (in 1965-06)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1965)
recorded at:
Konzerthaus: Mozart‐Saal in Landstraße, Wien (Vienna), Austria (in 1965-06)
partial recording of:
Serse, HWV 40: Atto III (in 1965-06)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Serse, HWV 40
George Frideric Handel1:28
4Serse: Act 3: Nò, nò, se tu mi sprezzi
engineer:
Peter Curiel (engineer) (in 1965-06) and Herbert Zeithammer (engineer) (in 1965-06)
producer:
James Grayson (recording producer)
harpsichord:
Martin Isepp (pianist, harpsichordist and conductor) (in 1965-06)
soprano vocals [Atalanta]:
Marilyn Tyler (soprano) (in 1965-06)
orchestra:
Vienna Radio Orchestra (Vienna Radio Symphony Orchestra, previously ORF-Symphonieorchester) (in 1965-06)
conductor:
Brian Priestman (in 1965-06)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1965)
recorded at:
Konzerthaus: Mozart‐Saal in Landstraße, Wien (Vienna), Austria (in 1965-06)
recording of:
Serse, HWV 40: Atto III, no. 44. Arietta “No, no, se tu mi sprezzi” (Atalanta) (in 1965-06)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Serse, HWV 40: Atto III
George Frideric Handel1:03
5Serse: Act 3: Ecco in segno di fè
engineer:
Peter Curiel (engineer) (in 1965-06) and Herbert Zeithammer (engineer) (in 1965-06)
producer:
James Grayson (recording producer)
harpsichord:
Martin Isepp (pianist, harpsichordist and conductor) (in 1965-06)
bass vocals [Elviro]:
Owen Brannigan (operatic bass) (in 1965-06)
contralto vocals [Serse]:
Maureen Forrester (contralto) (in 1965-06)
mezzo-soprano vocals [Arsamene]:
Maureen Lehane (in 1965-06)
soprano vocals [Romilda]:
Lucia Popp (soprano) (in 1965-06)
orchestra:
Vienna Radio Orchestra (Vienna Radio Symphony Orchestra, previously ORF-Symphonieorchester) (in 1965-06)
conductor:
Brian Priestman (in 1965-06)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1965)
recorded at:
Konzerthaus: Mozart‐Saal in Landstraße, Wien (Vienna), Austria (in 1965-06)
recording of:
Serse, HWV 40: Atto III. Recitativo “Ecco in segno di fé” (Romilda, Elviro, Arsamene, Serse) (in 1965-06)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Serse, HWV 40: Atto III
George Frideric Handel1:26
6Serse: Act 3: Per rendermi beato
engineer:
Peter Curiel (engineer) (in 1965-06) and Herbert Zeithammer (engineer) (in 1965-06)
producer:
James Grayson (recording producer)
harpsichord:
Martin Isepp (pianist, harpsichordist and conductor) (in 1965-06)
contralto vocals [Serse]:
Maureen Forrester (contralto) (in 1965-06)
orchestra:
Vienna Radio Orchestra (Vienna Radio Symphony Orchestra, previously ORF-Symphonieorchester) (in 1965-06)
conductor:
Brian Priestman (in 1965-06)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1965)
recorded at:
Konzerthaus: Mozart‐Saal in Landstraße, Wien (Vienna), Austria (in 1965-06)
recording of:
Serse, HWV 40: Atto III, no. 45. Aria “Per rendermi beato” (Serse) (in 1965-06)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Serse, HWV 40: Atto III
George Frideric Handel3:32
7Serse: Act 3: Ubbidirò al mio Rè?
engineer:
Peter Curiel (engineer) (in 1965-06) and Herbert Zeithammer (engineer) (in 1965-06)
producer:
James Grayson (recording producer)
harpsichord:
Martin Isepp (pianist, harpsichordist and conductor) (in 1965-06)
mezzo-soprano vocals [Arsamene]:
Maureen Lehane (in 1965-06)
soprano vocals [Romilda]:
Lucia Popp (soprano) (in 1965-06)
orchestra:
Vienna Radio Orchestra (Vienna Radio Symphony Orchestra, previously ORF-Symphonieorchester) (in 1965-06)
conductor:
Brian Priestman (in 1965-06)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1965)
recorded at:
Konzerthaus: Mozart‐Saal in Landstraße, Wien (Vienna), Austria (in 1965-06)
recording of:
Serse, HWV 40: Atto III. Recitativo “Ubbidiro al mio rè?” (Arsamene, Romilda) (in 1965-06)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Serse, HWV 40: Atto III
George Frideric Handel1:08
8Serse: Act 3: Amor, tiranno Amor
engineer:
Peter Curiel (engineer) (in 1965-06) and Herbert Zeithammer (engineer) (in 1965-06)
producer:
James Grayson (recording producer)
harpsichord:
Martin Isepp (pianist, harpsichordist and conductor) (in 1965-06)
mezzo-soprano vocals [Arsamene]:
Maureen Lehane (in 1965-06)
orchestra:
Vienna Radio Orchestra (Vienna Radio Symphony Orchestra, previously ORF-Symphonieorchester) (in 1965-06)
conductor:
Brian Priestman (in 1965-06)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1965)
recorded at:
Konzerthaus: Mozart‐Saal in Landstraße, Wien (Vienna), Austria (in 1965-06)
recording of:
Serse, HWV 40: Atto III, no. 46. Aria “Amor, tiranno Amor” (Arsamene) (in 1965-06)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Serse, HWV 40: Atto III
George Frideric Handel3:37
9Serse: Act 3: Come già vi accennammo
engineer:
Peter Curiel (engineer) (in 1965-06) and Herbert Zeithammer (engineer) (in 1965-06)
producer:
James Grayson (recording producer)
harpsichord:
Martin Isepp (pianist, harpsichordist and conductor) (in 1965-06)
baritone vocals [Ariodate]:
Thomas Hemsley (baritone) (in 1965-06)
contralto vocals [Serse]:
Maureen Forrester (contralto) (in 1965-06)
orchestra:
Vienna Radio Orchestra (Vienna Radio Symphony Orchestra, previously ORF-Symphonieorchester) (in 1965-06)
conductor:
Brian Priestman (in 1965-06)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1965)
recorded at:
Konzerthaus: Mozart‐Saal in Landstraße, Wien (Vienna), Austria (in 1965-06)
recording of:
Serse, HWV 40: Atto III. Recitativo “Come già vi accennammo” (Serse, Ariodate) (in 1965-06)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Serse, HWV 40: Atto III
George Frideric Handel0:44
10Serse: Act 3: Del Ciel d'amore sorte si bella
engineer:
Peter Curiel (engineer) (in 1965-06) and Herbert Zeithammer (engineer) (in 1965-06)
producer:
James Grayson (recording producer)
harpsichord:
Martin Isepp (pianist, harpsichordist and conductor) (in 1965-06)
baritone vocals [Ariodate]:
Thomas Hemsley (baritone) (in 1965-06)
orchestra:
Vienna Radio Orchestra (Vienna Radio Symphony Orchestra, previously ORF-Symphonieorchester) (in 1965-06)
conductor:
Brian Priestman (in 1965-06)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1965)
recorded at:
Konzerthaus: Mozart‐Saal in Landstraße, Wien (Vienna), Austria (in 1965-06)
recording of:
Serse, HWV 40: Atto III, no. 47. Aria “Del ciel d'amore sorte sì bella” (Ariodate) (in 1965-06)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Serse, HWV 40: Atto III
George Frideric Handel2:29
11Serse: Act 3: Il suo serto rifiuto
engineer:
Peter Curiel (engineer) (in 1965-06) and Herbert Zeithammer (engineer) (in 1965-06)
producer:
James Grayson (recording producer)
harpsichord:
Martin Isepp (pianist, harpsichordist and conductor) (in 1965-06)
soprano vocals [Romilda]:
Lucia Popp (soprano) (in 1965-06)
orchestra:
Vienna Radio Orchestra (Vienna Radio Symphony Orchestra, previously ORF-Symphonieorchester) (in 1965-06)
conductor:
Brian Priestman (in 1965-06)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1965)
recorded at:
Konzerthaus: Mozart‐Saal in Landstraße, Wien (Vienna), Austria (in 1965-06)
partial recording of:
Serse, HWV 40: Atto III. Recitativo “Il suo serto rifuto” (Romilda) / Recitativo “Fermatevi mia sposa e mia regina” (Serse, Romilda) / Recitativo “Prode guerrier” (Romilda, Amastre) (in 1965-06)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Serse, HWV 40: Atto III
George Frideric Handel0:14
12Serse: Act 3: Fermatevi, mia Sposa
engineer:
Peter Curiel (engineer) (in 1965-06) and Herbert Zeithammer (engineer) (in 1965-06)
producer:
James Grayson (recording producer)
harpsichord:
Martin Isepp (pianist, harpsichordist and conductor) (in 1965-06)
contralto vocals [Serse]:
Maureen Forrester (contralto) (in 1965-06)
soprano vocals [Romilda]:
Lucia Popp (soprano) (in 1965-06)
orchestra:
Vienna Radio Orchestra (Vienna Radio Symphony Orchestra, previously ORF-Symphonieorchester) (in 1965-06)
conductor:
Brian Priestman (in 1965-06)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1965)
recorded at:
Konzerthaus: Mozart‐Saal in Landstraße, Wien (Vienna), Austria (in 1965-06)
partial recording of:
Serse, HWV 40: Atto III. Recitativo “Il suo serto rifuto” (Romilda) / Recitativo “Fermatevi mia sposa e mia regina” (Serse, Romilda) / Recitativo “Prode guerrier” (Romilda, Amastre) (in 1965-06)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Serse, HWV 40: Atto III
George Frideric Handel1:39
13Serse: Act 3: Prode guerrier
engineer:
Peter Curiel (engineer) (in 1965-06) and Herbert Zeithammer (engineer) (in 1965-06)
producer:
James Grayson (recording producer)
harpsichord:
Martin Isepp (pianist, harpsichordist and conductor) (in 1965-06)
mezzo-soprano vocals [Amastre]:
Mildred Miller (classical mezzo-soprano) (in 1965-06)
soprano vocals [Romilda]:
Lucia Popp (soprano) (in 1965-06)
orchestra:
Vienna Radio Orchestra (Vienna Radio Symphony Orchestra, previously ORF-Symphonieorchester) (in 1965-06)
conductor:
Brian Priestman (in 1965-06)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1965)
recorded at:
Konzerthaus: Mozart‐Saal in Landstraße, Wien (Vienna), Austria (in 1965-06)
partial recording of:
Serse, HWV 40: Atto III. Recitativo “Il suo serto rifuto” (Romilda) / Recitativo “Fermatevi mia sposa e mia regina” (Serse, Romilda) / Recitativo “Prode guerrier” (Romilda, Amastre) (in 1965-06)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Serse, HWV 40: Atto III
George Frideric Handel0:56
14Serse: Act 3: Cagion son io del mio dolore
engineer:
Peter Curiel (engineer) (in 1965-06) and Herbert Zeithammer (engineer) (in 1965-06)
producer:
James Grayson (recording producer)
harpsichord:
Martin Isepp (pianist, harpsichordist and conductor) (in 1965-06)
mezzo-soprano vocals [Amastre]:
Mildred Miller (classical mezzo-soprano) (in 1965-06)
orchestra:
Vienna Radio Orchestra (Vienna Radio Symphony Orchestra, previously ORF-Symphonieorchester) (in 1965-06)
conductor:
Brian Priestman (in 1965-06)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1965)
recorded at:
Konzerthaus: Mozart‐Saal in Landstraße, Wien (Vienna), Austria (in 1965-06)
recording of:
Serse, HWV 40: Atto III, no. 48. Aria “Cagion son io del mio dolore” (Amastre) (in 1965-06)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Serse, HWV 40: Atto III
George Frideric Handel2:30
15Serse: Act 3: Romilda infida
engineer:
Peter Curiel (engineer) (in 1965-06) and Herbert Zeithammer (engineer) (in 1965-06)
producer:
James Grayson (recording producer)
harpsichord:
Martin Isepp (pianist, harpsichordist and conductor) (in 1965-06)
mezzo-soprano vocals [Arsamene]:
Maureen Lehane (in 1965-06)
soprano vocals [Romilda]:
Lucia Popp (soprano) (in 1965-06)
orchestra:
Vienna Radio Orchestra (Vienna Radio Symphony Orchestra, previously ORF-Symphonieorchester) (in 1965-06)
conductor:
Brian Priestman (in 1965-06)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1965)
recorded at:
Konzerthaus: Mozart‐Saal in Landstraße, Wien (Vienna), Austria (in 1965-06)
recording of:
Serse, HWV 40: Atto III. Recitativo “Romilda infida” (Arsamene, Romilda) (in 1965-06)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Serse, HWV 40: Atto III
George Frideric Handel0:22
16Serse: Act 3: Troppo inganni la mia fede
engineer:
Peter Curiel (engineer) (in 1965-06) and Herbert Zeithammer (engineer) (in 1965-06)
producer:
James Grayson (recording producer)
harpsichord:
Martin Isepp (pianist, harpsichordist and conductor) (in 1965-06)
mezzo-soprano vocals [Arsamene]:
Maureen Lehane (in 1965-06)
soprano vocals [Romilda]:
Lucia Popp (soprano) (in 1965-06)
orchestra:
Vienna Radio Orchestra (Vienna Radio Symphony Orchestra, previously ORF-Symphonieorchester) (in 1965-06)
conductor:
Brian Priestman (in 1965-06)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1965)
recorded at:
Konzerthaus: Mozart‐Saal in Landstraße, Wien (Vienna), Austria (in 1965-06)
recording of:
Serse, HWV 40: Atto III, no. 49. Duetto “Troppo oltraggi la mia fede” / “Troppo inganni la mia fede” (Romilda, Arsamene) (in 1965-06)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Serse, HWV 40: Atto III
George Frideric Handel3:38
17Serse: Act 3: Ciò che Giove destinò
engineer:
Peter Curiel (engineer) (in 1965-06) and Herbert Zeithammer (engineer) (in 1965-06)
producer:
James Grayson (recording producer)
harpsichord:
Martin Isepp (pianist, harpsichordist and conductor) (in 1965-06)
orchestra:
Vienna Radio Orchestra (Vienna Radio Symphony Orchestra, previously ORF-Symphonieorchester) (in 1965-06)
conductor:
Brian Priestman (in 1965-06)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1965)
recorded at:
Konzerthaus: Mozart‐Saal in Landstraße, Wien (Vienna), Austria (in 1965-06)
recording of:
Serse, HWV 40: Atto III, no. 50a. Coro “Ciò che Giove destinò” (in 1965-06)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Serse, HWV 40: Atto III
George Frideric Handel0:48
18Serse: Act 3: Ecco lo sposo!
engineer:
Peter Curiel (engineer) (in 1965-06) and Herbert Zeithammer (engineer) (in 1965-06)
producer:
James Grayson (recording producer)
harpsichord:
Martin Isepp (pianist, harpsichordist and conductor) (in 1965-06)
baritone vocals [Ariodate]:
Thomas Hemsley (baritone) (in 1965-06)
mezzo-soprano vocals [Arsamene]:
Maureen Lehane (in 1965-06)
soprano vocals [Romilda]:
Lucia Popp (soprano) (in 1965-06)
orchestra:
Vienna Radio Orchestra (Vienna Radio Symphony Orchestra, previously ORF-Symphonieorchester) (in 1965-06)
conductor:
Brian Priestman (in 1965-06)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1965)
recorded at:
Konzerthaus: Mozart‐Saal in Landstraße, Wien (Vienna), Austria (in 1965-06)
recording of:
Serse, HWV 40: Atto III. Recitativo “Ecco lo sposo” (Ariodate, Arsamene, Romilda) (in 1965-06)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Serse, HWV 40: Atto III
George Frideric Handel1:25
19Serse: Act 3: Chi infelice si trovò
engineer:
Peter Curiel (engineer) (in 1965-06) and Herbert Zeithammer (engineer) (in 1965-06)
producer:
James Grayson (recording producer)
harpsichord:
Martin Isepp (pianist, harpsichordist and conductor) (in 1965-06)
orchestra:
Vienna Radio Orchestra (Vienna Radio Symphony Orchestra, previously ORF-Symphonieorchester) (in 1965-06)
conductor:
Brian Priestman (in 1965-06)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1965)
recorded at:
Konzerthaus: Mozart‐Saal in Landstraße, Wien (Vienna), Austria (in 1965-06)
recording of:
Serse, HWV 40: Atto III, no. 50b. Coro “Chi infelice si trovò” (in 1965-06)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Serse, HWV 40: Atto III
George Frideric Handel0:47
20Serse: Act 3: Sene viene Ariodate
engineer:
Peter Curiel (engineer) (in 1965-06) and Herbert Zeithammer (engineer) (in 1965-06)
producer:
James Grayson (recording producer)
harpsichord:
Martin Isepp (pianist, harpsichordist and conductor) (in 1965-06)
baritone vocals [Ariodate]:
Thomas Hemsley (baritone) (in 1965-06)
contralto vocals [Serse]:
Maureen Forrester (contralto) (in 1965-06)
orchestra:
Vienna Radio Orchestra (Vienna Radio Symphony Orchestra, previously ORF-Symphonieorchester) (in 1965-06)
conductor:
Brian Priestman (in 1965-06)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1965)
recorded at:
Konzerthaus: Mozart‐Saal in Landstraße, Wien (Vienna), Austria (in 1965-06)
recording of:
Serse, HWV 40: Atto III. Recitativo “Se ne viene Ariodate” (Serse, Ariodate) (in 1965-06)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Serse, HWV 40: Atto III
George Frideric Handel1:46
21Serse: Act 3: Crude furie degl'orridi abissi
engineer:
Peter Curiel (engineer) (in 1965-06) and Herbert Zeithammer (engineer) (in 1965-06)
producer:
James Grayson (recording producer)
harpsichord:
Martin Isepp (pianist, harpsichordist and conductor) (in 1965-06)
contralto vocals [Serse]:
Maureen Forrester (contralto) (in 1965-06)
orchestra:
Vienna Radio Orchestra (Vienna Radio Symphony Orchestra, previously ORF-Symphonieorchester) (in 1965-06)
conductor:
Brian Priestman (in 1965-06)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1965)
recorded at:
Konzerthaus: Mozart‐Saal in Landstraße, Wien (Vienna), Austria (in 1965-06)
recording of:
Serse, HWV 40: Atto III, no. 51. Aria “Crude furie degli orridi abissi” (Serse) (in 1965-06)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Serse, HWV 40: Atto III
George Frideric Handel3:56
22Serse: Act 3: Perfidi! e ancor osate
engineer:
Peter Curiel (engineer) (in 1965-06) and Herbert Zeithammer (engineer) (in 1965-06)
producer:
James Grayson (recording producer)
harpsichord:
Martin Isepp (pianist, harpsichordist and conductor) (in 1965-06)
baritone vocals [Ariodate]:
Thomas Hemsley (baritone) (in 1965-06)
bass vocals [Elviro]:
Owen Brannigan (operatic bass) (in 1965-06)
contralto vocals [Serse]:
Maureen Forrester (contralto) (in 1965-06)
mezzo-soprano vocals [Amastre]:
Mildred Miller (classical mezzo-soprano) (in 1965-06)
mezzo-soprano vocals [Arsamene]:
Maureen Lehane (in 1965-06)
soprano vocals [Atalanta]:
Marilyn Tyler (soprano) (in 1965-06)
soprano vocals [Romilda]:
Lucia Popp (soprano) (in 1965-06)
orchestra:
Vienna Radio Orchestra (Vienna Radio Symphony Orchestra, previously ORF-Symphonieorchester) (in 1965-06)
conductor:
Brian Priestman (in 1965-06)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1965)
recorded at:
Konzerthaus: Mozart‐Saal in Landstraße, Wien (Vienna), Austria (in 1965-06)
recording of:
Serse, HWV 40: Atto III. Recitativo “Perfidi, e ancora osate” (Serse, Ariodate, Arsamene, Romilda, Amastre, Elviro, Atalanta) (in 1965-06)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Serse, HWV 40: Atto III
George Frideric Handel1:58
23Serse: Act 3: Caro voi siete all'alma
engineer:
Peter Curiel (engineer) (in 1965-06) and Herbert Zeithammer (engineer) (in 1965-06)
producer:
James Grayson (recording producer)
harpsichord:
Martin Isepp (pianist, harpsichordist and conductor) (in 1965-06)
soprano vocals [Romilda]:
Lucia Popp (soprano) (in 1965-06)
orchestra:
Vienna Radio Orchestra (Vienna Radio Symphony Orchestra, previously ORF-Symphonieorchester) (in 1965-06)
conductor:
Brian Priestman (in 1965-06)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1965)
recorded at:
Konzerthaus: Mozart‐Saal in Landstraße, Wien (Vienna), Austria (in 1965-06)
recording of:
Serse, HWV 40: Atto III, no. 52. Aria “Caro voi siete all'alma” (Romilda) (in 1965-06)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Serse, HWV 40: Atto III
George Frideric Handel3:09
24Serse: Act 3: Ritorna a noi la calma
engineer:
Peter Curiel (engineer) (in 1965-06) and Herbert Zeithammer (engineer) (in 1965-06)
producer:
James Grayson (recording producer)
harpsichord:
Martin Isepp (pianist, harpsichordist and conductor) (in 1965-06)
orchestra:
Vienna Radio Orchestra (Vienna Radio Symphony Orchestra, previously ORF-Symphonieorchester) (in 1965-06)
conductor:
Brian Priestman (in 1965-06)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1965)
recorded at:
Konzerthaus: Mozart‐Saal in Landstraße, Wien (Vienna), Austria (in 1965-06)
recording of:
Serse, HWV 40: Atto III. Coro “Ritorno a noi la calma” (in 1965-06)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Serse, HWV 40: Atto III
George Frideric Handel1:42

Credits

Release

purchase for download and streaming page:https://music.apple.com/de/album/1452438855 [info]
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