Zigeunerweisen – Zauber der Violine

~ Release by Various Artists (see all versions of this release, 2 available)

Tracklist

1▼CD
#TitleArtistRatingLength
1Zigeunerweisen, op. 20
engineer:
Alan Reeve (from 1959-09-28 until 1959-09-29: task: stereo) and James Timms (engineer) (from 1959-09-28 until 1959-09-29: task: mono)
producer:
James Walker (ballet/opera conductor, classical recordings producer for Decca) (task: stereo)
violin:
Ruggiero Ricci (violinist) (from 1959-09-28 until 1959-09-29)
orchestra:
London Symphony Orchestra (from 1959-09-28 until 1959-09-29)
conductor:
Pierino Gamba (conductor and pianist) (from 1959-09-28 until 1959-09-29)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1959-09-28 until 1959-09-29)
recording of:
Zigeunerweisen, op. 20 (Gypsy Airs, op. 20, for violin and orchestra) (from 1959-09-28 until 1959-09-29)
composer:
Pablo de Sarasate (violinist and composer) (in 1878)
part of:
Works of Pablo de Sarasate by opus number (number: op. 20)
arrangement of:
Zigeunerweisen, op. 20 (for violin and piano)
Pablo de Sarasate8:17
2Havanaise, op. 83
producer:
James Mallinson (producer) and Christopher Raeburn (producer)
violin:
Kyung-Wha Chung (violinist) (in 1977-04)
orchestra:
Royal Philharmonic Orchestra (in 1977-04)
conductor:
Charles Dutoit (conductor) (in 1977-04)
balance engineer:
Kenneth Wilkinson (engineer) (in 1977-04)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1977-04)
recording of:
Havanaise in E major, op. 83 (for violin and orchestra) (in 1977-04)
composer:
Camille Saint‐Saëns (composer) (in 1887)
part of:
Works of Camille Saint-Saëns by opus number (number: op. 83)
Camille Saint‐Saëns8:58
3Scherzo-Tarantella, op. 16
producer:
Christopher Raeburn (producer)
piano:
Phillip Moll (pianist) (in 1985-10)
violin:
Kyung Wha Chung (Kyung-Wha Chung, violinist) (in 1985-10)
balance engineer:
Simon Eadon (classical music engineer) (in 1985-10)
recorded at:
Forde Abbey in Dorset, England, United Kingdom (in 1985-10)
recording of:
Scherzo-tarantelle, op. 16 (in 1985-10)
composer:
Henryk Wieniawski (Polish composer and violinist) (in 1855)
part of:
Works of Henryk Wieniawski by opus number (number: op. 16)
Henryk Wieniawski4:42
4Sérénade espagnole
producer:
Christopher Raeburn (producer)
piano:
Phillip Moll (pianist) (in 1985-10)
violin:
Kyung Wha Chung (Kyung-Wha Chung, violinist) (in 1985-10)
balance engineer:
Simon Eadon (classical music engineer) (in 1985-10)
recorded at:
Forde Abbey in Dorset, England, United Kingdom (in 1985-10)
recording of:
Sérénade espagnole, op. 150 (for violin and piano, arr. Kreisler) (in 1985-10)
composer:
Cécile Chaminade (French composer and pianist)
piano and violin arranger:
Fritz Kreisler (Austrian‐American violinist and composer)
arrangement of:
Chanson espagnole (for voice and piano)
Cécile Louise Chaminade2:35
5Symphonie espagnole: Scherzando: Allegro molto
recording engineer:
James Lock (James Locke, engineer)
producer:
Ray Minshull (record producer)
violin:
Joshua Bell (violinist) (in 1988-09)
orchestra:
Orchestre symphonique de Montréal (Montreal Symphony Orchestra) (in 1988-09)
conductor:
Charles Dutoit (conductor) (in 1988-09)
recorded at:
Église de Saint-Eustache in Saint-Eustache, Québec (Quebec), Canada (in 1988-09)
recording of:
Symphonie espagnole in D minor, op. 21: II. Scherzando. Allegro molto (in 1988-09)
composer:
Édouard Lalo (French composer) (in 1874)
part of:
Symphonie espagnole in D minor, op. 21
Édouard Lalo4:28
6Introduction et Rondo capriccioso, op. 28
producer:
James Mallinson (producer)
violin:
Kyung-Wha Chung (violinist) (in 1977-04)
orchestra:
Royal Philharmonic Orchestra (in 1977-04)
conductor:
Charles Dutoit (conductor) (in 1977-04)
balance engineer:
Colin Moorfoot (engineer) (in 1977-04) and Kenneth Wilkinson (engineer) (in 1977-04)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1977-04)
recording of:
Introduction et Rondo capriccioso en la mineur pour violon et orchestre, op. 28 (Introduction and Rondo capriccioso in A minor for Violin and Orchestra) (in 1977-04)
composer:
Camille Saint‐Saëns (composer) (in 1863)
part of:
Works of Camille Saint-Saëns by opus number (number: op. 28)
Camille Saint‐Saëns9:10
7Tzigane
producer:
James Mallinson (producer)
violin:
Kyung-Wha Chung (violinist) (in 1977-04)
orchestra:
Royal Philharmonic Orchestra (in 1977-04)
conductor:
Charles Dutoit (conductor) (in 1977-04)
balance engineer:
Kenneth Wilkinson (engineer) (in 1977-04)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1977-04)
recording of:
Tzigane (for violin and orchestra) (in 1977-04)
orchestrator:
Maurice Ravel (French composer) (in 1924)
composer:
Maurice Ravel (French composer) (from 1922 until 1924)
orchestration of:
Tzigane (for violin and piano)
Maurice Ravel10:12
8Ungarischer Tanz Nr. 1
producer:
Christopher Raeburn (producer)
piano:
Phillip Moll (pianist) (in 1985-10)
violin:
Kyung Wha Chung (Kyung-Wha Chung, violinist) (in 1985-10)
balance engineer:
Simon Eadon (classical music engineer) (in 1985-10)
recorded at:
Forde Abbey in Dorset, England, United Kingdom (in 1985-10)
recording of:
Hungarian Dances: no. 1 in G minor (for violin and piano, Joachim) (in 1985-10)
composer:
Johannes Brahms (German composer)
arranger:
Joseph Joachim (Hungarian violinist and composer)
arrangement of:
Hungarian Dances for piano, 4 hands, WoO 1, Book 1, no. 1 in G minor: Allegro molto
part of:
Hungarian Dances (for violin and piano, Joachim)
Johannes Brahms3:13
9Danzas españolas: Romanza andaluza
producer:
Peter Wadland (producer)
piano:
Daphne Ibbott (British pianist) (in 1976-11)
violin:
Alfredo Campoli (violinist and conductor) (in 1976-11)
recorded at:
Rosslyn Hill Unitarian Chapel in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (in 1976-11)
recording of:
Spanish Dances, op. 22, no. 1: Romanza andaluza (for violin (or mandolin) and piano) (in 1976-11)
composer:
Pablo de Sarasate (violinist and composer)
part of:
Spanish Dances, op. 22 (for violin (or mandolin) and piano)
Pablo de Sarasate5:41
10Zapateado, op. 23 Nr. 2
producer:
Peter Wadland (producer)
piano:
Daphne Ibbott (British pianist) (in 1976-11)
violin:
Alfredo Campoli (violinist and conductor) (in 1976-11)
recorded at:
Rosslyn Hill Unitarian Chapel in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (in 1976-11)
recording of:
Spanish Dances, op. 23: No. 2. Zapateado (catch-all for arrangements) (in 1976-11)
composer:
Pablo de Sarasate (violinist and composer)
arrangement of:
Spanish Dances, op. 23, no. 2: Zapateado
Pablo de Sarasate4:07
11Carmen-Fantasie, op. 25
engineer:
Alan Reeve (from 1959-09-28 until 1959-09-29: task: stereo) and James Timms (engineer) (from 1959-09-28 until 1959-09-29: task: mono)
producer:
Ray Minshull (record producer) (task: mono) and James Walker (ballet/opera conductor, classical recordings producer for Decca) (task: stereo)
violin:
Ruggiero Ricci (violinist) (from 1959-09-28 until 1959-09-29)
orchestra:
London Symphony Orchestra (from 1959-09-28 until 1959-09-29)
conductor:
Pierino Gamba (conductor and pianist) (from 1959-09-28 until 1959-09-29)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1959-09-28 until 1959-09-29)
engineered at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1959-09)
recording of:
Carmen Fantasy, op. 25 (for violin and orchestra) (from 1959-09-28 until 1959-09-29)
composer:
Pablo de Sarasate (violinist and composer) (in 1883)
part of:
Works of Pablo de Sarasate by opus number (number: op. 25)
is based on:
Carmen, WD 31 (opera by Georges Bizet)
Pablo de Sarasate12:49