Now 100 Hits: The Legends

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 2 disponibili)

Elenco tracce

1CD
2CD
3CD
4CD
5CD
#TitoloArtistaValutazioneDurata
1Goldfinger
tecnico:
John Richards (engineer)
produttore:
John Barry (English score composer) e George Martin (producer, arranger, composer, conductor, audio engineer, and musician)
voce:
Shirley Bassey (Welsh singer) (nel 1964-07)
direttore d'orchestra:
John Barry (English score composer) (nel 1964-07)
arrangiatore:
John Barry (English score composer)
diritti fonografici (℗) detenuti da:
Columbia Pictures Industries, Inc. (nel 1964), Danjaq, LLC (copyright and trademark owners to the characters, elements, and other material related to James Bond on screen) (nel 1964), EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1964) e United Artists Corporation (nel 1964)
registrata presso:
CTS Studios in Wembley, Brent (Borgo londinese di Brent), London (Greater London), England, Regno Unito (nel 1964-07)
registrazione di:
Goldfinger (nel 1964-07)
paroliere:
Leslie Bricusse e Anthony Newley (English actor, singer, songwriter, and filmmaker)
compositore:
John Barry (English score composer)
editore:
EMI United Partnership Ltd. e Sony/ATV Songs LLC
parte di:
James Bond themes
parte di:
Goldfinger
Shirley Bassey4.252:50
2Piece of My HeartJanis Joplin4:27
3Papa Was a Rollin’ Stone
produttore:
Norman Whitfield
voce principale:
Dennis Edwards (US soul & R’n’B singer) (nel 1972), Damon Harris (nel 1972) e Richard Street (nel 1972)
direttore d'orchestra:
Paul Riser (nel 1972)
arrangiatore:
Paul Riser
diritti fonografici (℗) detenuti da:
Motown Record Company, L.P. (company credits only; do NOT use as release label) (nel 1972) e Motown Record Corporation (company credits only; do NOT use as release label) (nel 1972)
parte di:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 168) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 333)
registrazione cover di:
Papa Was a Rollin’ Stone (nel 1972)
paroliere e compositore:
Barrett Strong e Norman Whitfield
editore:
Jobete Music (appears also as: Jobete Msc.), Jobete Music (UK) Ltd., Stone Diamond Music Corporation, イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (fino al 2021-06-30) e ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (dal 2021-07-01 a oggi)
The Temptations3.46:57
4Uptight (Everything’s Alright)
produttore:
Henry Cosby e William Stevenson (Motown songwriter)
voce principale:
Stevie Wonder (nel 1965)
diritti fonografici (℗) detenuti da:
Motown Record Company (company credits only; do NOT use as release label) (nel 1965)
registrazione di:
Uptight (Everything’s Alright) (nel 1965)
paroliere e compositore:
Henry Cosby, Sylvia Moy e Stevie Wonder
editore:
EMI April Music Inc., Jobete Music (appears also as: Jobete Msc.), Jobete Music Co., Inc., Sawandi Music e Stone Agate Music
Stevie Wonder4.72:54
5Dancing in the Street
produttore:
William Stevenson (Motown songwriter)
altri strumenti [tire iron] :
Ivy Jo Hunter (il 1964-06-29)
batteria :
Marvin Gaye (il 1964-06-29)
chitarra :
Joe Messina (il 1964-06-29), Robert White (US funk/soul guitarist) (il 1964-06-29) e Eddie Willis (il 1964-06-29)
chitarra basso :
James Jamerson (il 1964-06-29)
percussione , tamburello e vibrafono [vibes] :
Jack Ashford (American Label owner, producer, singer-songwriter, multi-instrumentalist, and arranger) (il 1964-06-29)
sassofono baritono :
Thomas Bowles (il 1964-06-29)
sassofono tenore :
Henry Cosby (il 1964-06-29)
tromba :
Russell Conway (trumpet player) (il 1964-06-29) e Herbert Williams (trumpet player) (il 1964-06-29)
trombone :
George Bohanon (il 1964-06-29) e Paul Riser (il 1964-06-29)
voce di accompagnamento:
Rosalind Ashford (il 1964-06-29), Ivy Jo Hunter (il 1964-06-29), Betty Kelly (il 1964-06-29) e William Stevenson (Motown songwriter) (il 1964-06-29)
voce principale:
Martha Reeves (il 1964-06-29)
editore:
EMI Music Publishing (do not use as a release label!)
diritti fonografici (℗) detenuti da:
Motown Record Corporation (company credits only; do NOT use as release label) (nel 1964) e UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (nel 1964)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1964 (recordings) (numero: 7), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 40), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 130) e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 403)
registrazione di:
Dancing in the Street (il 1964-06-29)
autore:
I. Hunter, M. Gaye e W. Stevenson (Motown songwriter)
editore:
EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing (do not use as a release label!), FCG Music, Jobete Music (appears also as: Jobete Msc.), Jobete Music (UK) Ltd., Jobete Music Co., Inc., MG III Music, NMG Music, Stone Agate Music, Stone Agate Music Division, イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (fino al 2021-06-30) e ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (dal 2021-07-01 a oggi)
Martha Reeves & the Vandellas3.552:38
6Music to Watch Girls By
produttore:
Nick de Caro
diritti fonografici (℗) detenuti da:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1967)
registrazione cover di:
Music to Watch Girls By (il 1967-02-21)
autore:
Sid Ramin e Tony Velona
editore:
Sidray Enterprises Ltd. e Sony Music Publishing (worldwide except Japan, ended 1995)
Andy Williams4.652:34
7Peggy Sue
produttore:
Norman Petty
basso :
Joe B. Mauldin (double bassist, songwriter, and recording engineer) (il 1957-07-01)
batteria :
Jerry Allison (il 1957-07-01)
chitarra :
Buddy Holly (1950s rock & roll singer‐songwriter) (il 1957-07-01) e Niki Sullivan (il 1957-07-01)
voce:
Buddy Holly (1950s rock & roll singer‐songwriter) (il 1957-07-01)
diritti fonografici (℗) detenuti da:
Geffen Records (nel 1957) e MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (nel 1957)
registrata presso:
Norman Petty Studios in Clovis, New Mexico, Stati Uniti (il 1957-07-01)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1957 (numero: 5), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 194) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 370)
registrazione di:
Peggy Sue (dal 1957-06-29 al 1957-07-01)
autore:
Jerry Allison, Buddy Holly (1950s rock & roll singer‐songwriter) e Norman Petty
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), McCartney Music, Melody Lane Publications Inc., MPL Communications Inc. (Paul McCartney‐related, NYC‐based company), MPL Musik Verlags GmbH (do not use as a release label! this is a music publisher), Peermusic (UK) Limited, Southern Music (publisher) e Wren Music Co.
Buddy Holly4.52:30
8Oh, Pretty Woman
registrata a:
Nashville, Tennessee, Stati Uniti (il 1964-08-01)
produttore:
Fred Foster
armonica (a bocca) :
Charlie McCoy (white blues harmonica player, 1960s-present) (il 1964-08-01)
batteria :
Buddy Harman (Session drummer and songwriter) (il 1964-08-01)
chitarra :
Jerry Kennedy (il 1964-08-01), Wayne Moss (il 1964-08-01) e Billy Sanford (guitar) (il 1964-08-01)
chitarra a 12 corde [12 string guitar Epiphone] e voce principale:
Roy Orbison (il 1964-08-01)
contrabbasso [upright bass] :
Bob Moore (U.S. bassist and bandleader) (il 1964-08-01)
percussione :
Paul Garrison (il 1964-08-01)
pianoforte :
Floyd Cramer (il 1964-08-01)
sassofono :
Boots Randolph (il 1964-08-01)
voce:
Roy Orbison
diritti fonografici (℗) detenuti da:
Orbison Records, Orbison Records, Inc. e Monument Record Corp. (not for release label use!) (nel 1964)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1964 (recordings) (numero: 20), Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 59), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 222)
registrazione di:
Oh, Pretty Woman (Roy Orbison song) (il 1964-08-01)
paroliere e compositore:
Bill Dees (songwriter, singer, guitarist) e Roy Orbison
editore:
Acuff-Rose Music Limited (UK), Barbara Orbison Music Company, Roy Orbison Music Company, Universal/MCA Music Ltd. (not for release label use!), Acuff-Rose Publications, Inc. (BMI) (il 1964-08-26) e Acuff-Rose (BMI) (nel 1972)
Roy Orbison4.32:57
9Wichita Lineman
produttore:
Al De Lory
voce principale:
Glen Campbell (US country singer, guitarist & actor)
diritti fonografici (℗) detenuti da:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1968) e Capitol Records Nashville (nel 2016)
registrata in aggiunta presso:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, Stati Uniti (il 1968-08-14)
registrata presso:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, Stati Uniti (il 1968-05-27)
parte di:
Rolling Stone: The 200 Greatest Country Songs of All Time (numero: 12), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 192) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 206)
registrazione di:
Wichita Lineman (il 1968-05-27)
paroliere:
Jimmy Webb (US songwriter, composer, producer, pianist & singer)
compositore:
Jimmy Webb (US songwriter, composer, producer, pianist & singer) (nel 1968)
Glen Campbell3.653:02
10The Sound of Silence
registrazione di:
The Sound of Silence
paroliere:
Paul Simon (of Simon & Garfunkel) (dal 1963-11 al 1964-02-19)
compositore:
Paul Simon (of Simon & Garfunkel) (dal 1963-11 al 1964-02-09)
editore:
Essex Music of Australia Pty. Ltd., J. Michel KG (publisher), MDW (publisher), Mother Culture Publishing, Pattern Music Ltd (publisher), Universal/MCA Music Ltd. (not for release label use!), WB Music Corp. (1929–2019), Paul Simon Music (nel 1964, nel 1992) e Magic Arts Publishing (nel 2000)
Simon & Garfunkel3:05
11Mandy
co-produttore:
Clive Davis (record producer, A&R executive and music industry chief executive)
produttore:
Ron Dante e Barry Manilow
voce principale:
Barry Manilow (nel 1978)
arrangiatore archi :
Joe Renzetti (US film composer, session musician)
diritti fonografici (℗) detenuti da:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (nel 1974) e Bell Records (50s-70s US/UK pop, later became Arista) (nel 1974)
registrazione cover di:
Brandy (more popularly known as Mandy) (nel 1978)
paroliere:
Scott English
compositore:
Richard Kerr
editore:
Chappell Morris (publisher), Chappell/Morris Ltd., EMI Music Publishing Ltd. (PRS‐affiliated), Morris Music Inc, Screen Gems–EMI Music Ltd., Screen Gems–EMI Music, Inc. (USA, affiliated with BMI) e Warner Chappell Music Ltd. (no slash; used 1988–1996)
sub-editore:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (fino al 2021-06-30) e ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (dal 2021-07-01 a oggi)
Barry Manilow43:17
12Delilah
registrazione di:
Delilah (Tom Jones song) (nel 1968)
paroliere:
Barry Mason (English songwriter)
compositore:
Les Reed
editore:
Donna Music Ltd. (publisher)
Tom Jones43:22
13Quando quando quando
registrazione di:
Quando, quando, quando
paroliere:
Alberto Testa
compositore:
Tony Renis
Engelbert Humperdinck53:18
14I’m Not in Love
basso e chitarra :
Graham Gouldman (nel 1975)
effetti [musical effects] :
Eric (nel 1975)
moog :
Kevin Godley (nel 1975)
pianoforte :
Lol Creme (nel 1975)
pianoforte elettrico e voce principale:
Eric Stewart (nel 1975)
synclavier [control desk] :
Eric (nel 1975), Graham (nel 1975), Kevin (nel 1975) e Lol (nel 1975)
voce di accompagnamento:
Lol Creme (nel 1975), Kevin Godley (nel 1975) e Graham Gouldman (nel 1975)
diritti fonografici (℗) detenuti da:
Mercury Records Ltd. (not for release label use!)
edit di:
I’m Not in Love (album version) di 10cc
registrazione di:
I’m Not in Love (nel 1975)
autore:
Graham Gouldman e Eric Stewart
editore:
EMI Blackwood Music Inc., EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), Man-Ken Music Ltd. (, nel 1975), Schubert Music Publishing, St. Anne's Music e St. Anne’s Music Ltd.
sub-editore:
イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (fino al 2021-06-30) e ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (dal 2021-07-01 a oggi)
10cc4.23:42
15Let’s Get It On
tecnico:
William McMeekin e Art Stewart
produttore:
Marvin Gaye e Ed Townsend
tecnico di missaggio:
Cal Harris
batteria :
Paul Humphrey (jazz, r&b drummer) (il 1973-03-22)
bonghi e congas :
Eddie “Bongo” Brown (il 1973-03-22) e Bobbye Hall (il 1973-03-22)
chitarra basso :
Wilton Felder (il 1973-03-22)
famiglia delle chitarre :
Don Peake (il 1973-03-22), Louie Shelton (il 1973-03-22), David T. Walker (il 1973-03-22) e Melvin “Wah Wah” Watson (il 1973-03-22)
percussione :
Emil Richards (il 1973-03-22)
pianoforte :
Marvin Gaye (il 1973-03-22), Marvin Jenkins (il 1973-03-22) e Joe Sample (il 1973-03-22)
sassofono :
Plas Johnson (il 1973-03-22) e Ernie Watts (Ernest James Watts, jazz and blues saxophonist) (il 1973-03-22)
vibrafono :
Victor Feldman (jazz musician) (il 1973-03-22) e Emil Richards (il 1973-03-22)
voce di accompagnamento e voce principale:
Marvin Gaye (il 1973-03-22)
direttore d'orchestra:
René Hall (il 1973-03-22)
registrata presso:
Motown Studios - Hitsville West (recording and mastering studios in West Hollywood, CA) in West Hollywood, California, Stati Uniti (il 1973-03-22)
parte di:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 167) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 264)
registrazione di:
Let’s Get It On (il 1973-03-22)
autore:
Marvin Gaye e Ed Townsend
editore:
Cherritown Music Co., Inc., Jobete Music (UK) Ltd., Jobete Music Co., Inc., Jobete Music Ltd e Stone Diamond Music Corporation
Marvin Gaye4.054:50
16Help Me Make It Through the Night
produttore:
Johnny Bristol
diritti fonografici (℗) detenuti da:
Motown Record Company, L.P. (Los Angeles) (company credits only; do NOT use as release label) (nel 1971)
registrazione cover di:
Help Me Make It Through the Night
paroliere e compositore:
Kris Kristofferson
editore:
BMG Songs Ltd., Combine Music Corp., EMI Songs Australia Pty. Ltd., EMI Songs Ltd., Keith Prowse Music Publishing Co. Ltd. e KPM (music publisher)
sub-editore:
Air Music Scandinavia AB
Gladys Knight & the Pips34:20
17At Last
produttore:
Leonard Chess, Phil Chess e Leonard and Phil Chess (legendary US production duo)
voce principale:
Etta James
orchestra:
Riley Hampton Orchestra
direttore d'orchestra:
Riley Hampton
arrangiatore:
Riley Hampton
diritti fonografici (℗) detenuti da:
Windswept Pacific Music Ltd.
parte di:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 115) e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 356)
registrazione cover di:
At Last (nel 1960-10)
autore:
Mack Gordon e Harry Warren (US composer and lyricist)
editore:
Twentieth Century Fox Music Corp., WB Music Corp. (1929–2019) (fino al 2019-05-28) e WC Music Corp. (dal 2019-05-28 a oggi)
Etta James4.52:59
18Feeling Good
registrata a:
New York, New York, Stati Uniti (il 1965-01-15)
produttore:
Hal Mooney
chitarra :
Rudy Stevenson (il 1965-01-15)
pianoforte :
Nina Simone (il 1965-01-15)
voce:
Nina Simone (il 1965-01-15)
direttore d'orchestra:
Hal Mooney (il 1965-01-15)
arrangiatore:
Hal Mooney
diritti fonografici (℗) detenuti da:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) (nel 1965)
registrazione cover di:
Feeling Good (il 1965-01-15)
autore:
Leslie Bricusse e Anthony Newley (English actor, singer, songwriter, and filmmaker)
editore:
Concord Music Ltd e Musical Comedy Prods.
parte di:
The Roar of the Greasepaint – The Smell of the Crowd
Nina Simone4.12:54
19Crazy
produttore:
Owen Bradley
voce:
Patsy Cline
diritti fonografici (℗) detenuti da:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (nel 1961)
parte di:
Rolling Stone: The 200 Greatest Country Songs of All Time (numero: 3), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 85) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 195)
registrazione di:
Crazy (Willie Nelson song) (il 1961-08-21)
paroliere e compositore:
Willie Nelson
editore:
Acuff-Rose Music Limited (UK), Sony/ATV Music Publishing (UK) Ltd., Sony/ATV Music Publishing LLC (1995–2020) e Sony/ATV Tree Publishing
Patsy Cline4.152:43
20Hallelujah
tecnico, produttore e tecnico di missaggio:
Andy Wallace (engineer)
chitarra e voce principale:
Jeff Buckley (American singer, guitarist and songwriter)
parte di:
AUX: 10 Cover Songs Better Than The Orignials, New York Post: 100 Greatest Covers (2007) (numero: 40), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 259) e Indie 88: Top 500 Indie Rock Songs (numero: 380)
registrazione cover di:
Hallelujah
paroliere e compositore:
Leonard Cohen (Canadian singer‐songwriter and poet)
editore:
Bad Monk Publishing, Leonard Cohen Stranger Music Inc., SM Publishing Argentina S.R.L., Sony/ATV Music LLC, Sony/ATV Music Publishing (UK) Ltd., Sony/ATV Music Publishing LLC (1995–2020), Sony/ATV Songs (SOCAN), Sony/ATV Songs LLC, Universal Music Publishing (use ONLY if no country‐specific information is available) e ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
sub-editore:
Sony/ATV Music Publishing (Hong Kong)
Jeff Buckley3.856:53

Accreditamenti

Gruppo di pubblicazioni

parte di:Now 100 Hits ("Now That's What I Call Music!" series spin-off, UK) (ordine: 22)