Compact Disc Club: Black Velvet

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1▶CD
2▼CD
Nr.TitelKünstlerBewertungLänge
1Back Stabbers
recording engineer:
Joe Tarsia (engineer) (in 1972)
Produzent(in):
Kenneth Gamble (songwriter for Philadelphia International) und Leon Huff (Philly soul producer, of Gamble & Huff)
Interpret(in):
MFSB (Mother Father Sister Brother) (in 1972)
arranger:
Thom Bell (keyboards, songwriter, producer)
phonographisches Urheberrecht (℗) von:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1972)
aufgenommen bei:
Sigma Sound Studios in Philadelphia, Pennsylvania, Vereinigte Staaten (in 1972)
recording of:
Back Stabbers (in 1972)
Verfasser(in):
Leon Huff (Philly soul producer, of Gamble & Huff), Gene McFadden und John Whitehead
publisher:
Mijac Music, Warner Chappell Music Ltd. (no slash; used 1988–1996) und Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
The O’Jays4.73:06
2Could It Be I’m Falling in Love
cover recording of:
Could It Be I’m Falling in Love
Verfasser(in):
Melvin Steals und Mervin Steals
publisher:
Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell North America und Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
David Grant & Jaki Graham4:03
3You Make Me Wanna
vocals:
Usher (American R&B singer‐songwriter)
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 469)
recording of:
You Make Me Wanna...
Verfasser(in):
Jermaine Dupri Mauldin (American rapper, record producer, actor & DJ), Manuel Lonnie Seal, Jr und Usher Raymond IV (American R&B singer‐songwriter)
Usher2.53:38
4Creep
Assistent recording engineer:
Brian Smith (Recorder at Theo's Lab, NYC) und Carl Glover (Recording engineer - Glover Pro Sound)
recording engineer:
Leslie Brathwaite und Alvin Speights
Produzent(in):
Dallas Austin
Mix:
Alvin Speights
Instrumente:
Dallas Austin
turntable [scratching]:
Sol Messiah
Hintergrundgesang:
Debra Killings
vocals:
Chilli (Rozonda Thomas, member of TLC), Lisa “Left Eye” Lopes und T‐Boz
aufgenommen bei und mixed at:
D.A.R.P Studios in Atlanta, Georgia, Vereinigte Staaten
Samples:
Hey Young World von Slick Rick
recording of:
Creep
Texter und Komponist(in):
Dallas Austin
publisher:
Darp Music und EMI April Music Inc.
TLC4.34:26
5Would I Lie to You
Interpret(in):
Charles & Eddie
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1992)
recording of:
Would I Lie to You?
Verfasser(in):
Michael Leeson und Peter Vale (writer/arranger)
publisher:
EMI Virgin Music Publishing Australia P/L und BMG VM Music Ltd. (vom 2013-05-16 bis heute)
Charles & Eddie4.254:35
6Tonight I Celebrate My Love
recording engineer:
Alan R. Hirshberg (in 1983)
Techniker(in):
Howard Wolin und Jeremy Smith (producer/engineer)
Produzent(in):
Michael Masser
Mix:
Dick Bogart (Recording and mixing engineer) und Russ Terrano
Bassgitarre [bass]:
Nathan East (in 1983)
Gitarre:
Paul Jackson (fusion/urban jazz composer, arranger, producer and guitarist) (in 1983)
Klavier:
Randy Kerber (in 1983)
Schlagzeug:
Carlos Vega (in 1983)
vocals:
Peabo Bryson (in 1983) und Roberta Flack (singer and pianist) (in 1983)
arranger:
Michael Masser und Gene Page (conductor, composer, arranger and record producer)
Orchestrator(in):
Gene Page (conductor, composer, arranger and record producer)
phonographisches Urheberrecht (℗) von:
EMI USA (renamed EMI Records USA in the beginning of the 1990s) und Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1983)
aufgenommen bei:
A&M Records Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1983) und Studio Sound in North Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1983)
mixed at:
Motown Hitsville (recording and mastering studios in West Hollywood, CA) in West Hollywood, California (Kalifornien), Vereinigte Staaten
recording of:
Tonight, I Celebrate My Love (in 1983)
Texter:
Gerry Goffin
Komponist(in):
Michael Masser
publisher:
Almo Music Corp. (USA, affiliated with ASCAP), Chelsea Music Publishing Co., Ltd., Lauren Wesley Music (BMI-affiliated), Prince Street Productions, Inc., Rondor Music, Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), Universal Music Corp. (USA, affiliated with ASCAP) und Warner Chappell Music Publishing (Warner/Chappell Music, Inc.)
sub-publisher:
Rondor Music (London) Ltd., Screen Gems–EMI Music Ltd., シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Peabo Bryson & Roberta Flack3.753:27
7You Are My Lady
Freddie Jackson4:17
8That’s the Way of the World
Techniker(in):
George Massenburg
Koproduzent(in):
Charles Stepney (musician, producer, arranger and songwriter)
Produzent(in):
Maurice White (Earth, Wind & Fire)
arranger:
Earth, Wind & Fire und Charles Stepney (musician, producer, arranger and songwriter)
phonographisches Urheberrecht (℗) von:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1975)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 329)
recording of:
That’s the Way of the World
Verfasser(in):
Charles Stepney (musician, producer, arranger and songwriter), Maurice White (Earth, Wind & Fire) und Verdine White
publisher:
Embassy Music Corporation und EMI April Music Inc.
Earth, Wind & Fire3.255:42
9I Say a Little Prayer
Produzent(in):
Andy Marvel
cover recording of:
I Say a Little Prayer
Texter:
Hal David
Komponist(in):
Burt Bacharach
publisher:
Blue Seas Music, Inc., Casa David Music, Jac Music, MCA Music Ltd., Rondor Music (Australia), Universal/MCA Music Ltd. (not for release label use!) und Windswept Pacific Music Ltd.
Teil von:
Baby It’s You! (jukebox musical, book by Floyd Mutrux and Colin Escott)
Diana King3:34
10Miss You Like Crazy
Produzent(in):
Michael Masser
phonographisches Urheberrecht (℗) von:
Elektra Records (not for release label use! please use its imprint “Elektra” instead) (in 1991)
recording of:
Miss You Like Crazy
Verfasser(in):
Preston Glass, Gerry Goffin und Michael Masser
publisher:
Gemia Music, Irving Music, Inc., Lauren Wesley Music (BMI-affiliated) und Prince Street Music (Also known as "Prince St. Music")
Natalie Cole33:51
11Love Don’t Live Here Anymore
recording of:
Love Don’t Live Here Anymore
Texter und Komponist(in):
Miles Gregory
publisher:
Sony/ATV Ballad und Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Rose Royce4.53:52
12Just Don’t Want to Be Lonely
recording of:
Just Don’t Want to Be Lonely
Verfasser(in):
Vinnie Barrett, Bobby Eli und John Freeman (co writer of Just Don't Want To Be Lonely)
publisher:
Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Blue Magic7:09
13Let It Be
recording engineer:
Adrian Barber (producer/engineer) und Jerome Gasper
Produzent(in):
Tom Dowd, Arif Mardin und Jerry Wexler
Mix:
Tom Dowd
Klavier:
Aretha Franklin (in 1969-10)
vocals:
Aretha Franklin (in 1969-10)
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1970) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1970)
aufgenommen bei:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, Vereinigte Staaten (in 1969-10)
cover recording of:
Let It Be (in 1969-10)
Verfasser(in):
John Lennon (The Beatles) und Paul McCartney (The Beatles)
publisher:
EMI Music Publishing (do not use as a release label!), Maclen Music Ltd. (U.S. based publisher for Lennon–McCartney), Music Corporation of America, Inc. (BMI‐affiliated music publisher of MCA Records, Inc.?), Northern Songs, Sony/ATV Music Publishing (Germany) GmbH (1998–2002), Sony/ATV Music Publishing LLC (1995–2020) und Sony/ATV Tunes LLC (ASCAP)
Aretha Franklin3.253:28
14Love Don’t Love Nobody
recording of:
Love Don’t Love Nobody
Verfasser(in):
Joseph Jefferson (70s soul/funk) und Charles Simmons (70s soul/funk)
publisher:
Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) (in 1974)
The Spinners3:28
15Free
Produzent(in):
Charles Stepney (musician, producer, arranger and songwriter) und Maurice White (Earth, Wind & Fire)
recording of:
Free
Verfasser(in):
Susaye Greene, Hank Redd, Nathan Watts und Deniece Williams (US soul/funk vocalist/songwriter)
publisher:
Black Eye Music, Island Music Ltd., Kee‐Drick Music und Warner Chappell Music Ltd. (no slash; used 1988–1996)
Deniece Williams45:56
16So Amazing
recording engineer, Techniker(in) und Mix:
Ray Bardani
leitende(r) Produzent(in):
Larkin Arnold
Produzent(in):
Marcus Miller (jazz musician) und Luther Vandross
Horn arranger und Saiteninstrumente arranger:
Nat Adderley, Jr. und Paul Riser
phonographisches Urheberrecht (℗) von:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1986) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1986)
mixed at:
Westlake Studios (founded as Westlake Audio in the early 1970s) in West Hollywood, California (Kalifornien), Vereinigte Staaten
recording of:
So Amazing
Texter und Komponist(in):
Luther Vandross
publisher:
EMI April Music Inc., SBK Songs (publisher), Uncle Ronnie’s Music, April Music Inc. (in 1986) und Uncle Ronnie's Music Co. Inc. (in 1986)
sub-publisher:
イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (vom 2021-07-01 bis heute)
Luther Vandross3.53:37
17A Thin Line Between Love and Hate
The Persuaders3:24
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Veröffentlichungsgruppe

Teil von:Compact Disc Club (Reihenfolge: 4)