USA Garage Greats 1965-1967: Vol. 30: We're Gonna Love This Way

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

1▼Digital Media
#TitleArtistRatingLength
1Good 'n' Bad
The Venturie "5"2:30
2Someday You'll Cry
The Standells2:31
3Zebra in the Kitchen
The Standells2:20
4Linda's Gone
West Coast Branch2:25
5Spoonful
West Coast Branch2:48
6Time Has Come Today
edit of:
Time Has Come Today (original unedited studio mix) by The Chambers Brothers
recording of:
Time Has Come Today (on 1966-08-01)
writer:
Joseph Chambers (The Chambers Brothers) and Willie Chambers
The Chambers Brothers2:42
7Sand Surfin'
The Four Dimensions2:02
8You Turned My Head Around
recording of:
You Turned My Head Around
lyricist and composer:
Lee Hazlewood
Ann‐Margret3:21
9Sick & Tired
The Bad Seeds2:35
10It's a Nice World to Visit
recording of:
It’s a Nice World to Visit (But Not to Live In)
writer:
Larry Collins, Edith Kimbrough and Charlie Williams (Country songwriter)
Ann‐Margret2:30
11I'm Not Talkin'
The Ferraris2:30
12Can't Explain
The Ferraris2:00
13She Just Satisfies
drums (drum set):
Bobby Graham (UK pop/rock session drummer and producer, 1940–2009)
performer:
Jimmy Page
recording of:
She Just Satisfies (She Just Satisfies)
composer:
Barry Mason (English songwriter) and Jimmy Page
Jimmy Page2:03
14Zoot Suit
producer:
Peter Meaden and Chris Parmeinter
phonographic copyright (℗) by:
Mercury Records Ltd. (not for release label use!) (in 1964) and Phonogram Ltd. (London) (company name, NOT a label!) (in 1964)
recorded at:
Studio Fontana in London (Greater London), England, United Kingdom (in 1964)
cover recording of:
Zoot Suit (in 1964)
lyricist and composer:
Peter Meaden
publisher:
Bosworth Music GmbH, Campbell Connelly & Co. Ltd., Campbell Connelly France, Campbell Connelly Inc. (ASCAP affiliated) and Ivy Music Ltd.
The High Numbers2:02
15I'm the Face
producer:
Peter Meaden and Chris Parmeinter
phonographic copyright (℗) by:
Mercury Records Ltd. (not for release label use!) (in 1964), Phonogram Ltd. (London) (company name, NOT a label!) (in 1964) and Polydor Ltd. (UK) (not for release label use; fka Polydor Records Ltd.) (in 1964)
recorded at:
Studio Fontana in London (Greater London), England, United Kingdom (in 1964, in 1964-06)
cover recording of:
I’m the Face (in 1964-06)
lyricist:
Peter Meaden
composer:
Slim Harpo
publisher:
Campbell Connelly & Co. Ltd.
is based on:
Got Love If You Want It
The High Numbers2:32
16Control Your Love
The Smoke3:29
17Baby Get Lost
The Barracudas1:48
18Twelth Night
The Grim Reaper1:55
19I Don't Believe You
The Grim Reaper3:01
20We're Gonna Love This Way
The Cicadelics2:46
21What Can I Do?
The Cicadelics2:34
22It Can Happen!
Little Peppy and the Bare Existence2:38
23Waiting for You
The Baytovens2:02
24Optical Sound
The Human Expression2:37
25Calm Me Down
The Human Expression2:27
26Don't Take Yourself Too Seriously
The Sunrays1:54
27Moon Relay
The Vistas2:23
28No Return
The Vistas2:33
29It's Not Like That
The Scurvy Knaves2:27
30Don't Ease Me In
engineer and producer:
Gene Estribou
recorded at:
Buena Vista Studio in San Francisco, California, United States (in 1966-06) and Western Recorders (@ 6000 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California, United States (in 1966-06)
recording of:
Don’t Ease Me In (in 1966-06)
lyricist and composer:
[traditional] (special purpose artist)
Grateful Dead2:00
31Stealin'
engineer and producer:
Gene Estribou
recorded at:
Buena Vista Studio in San Francisco, California, United States (in 1966-06) and Western Recorders (@ 6000 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California, United States (in 1966-06)
cover recording of:
Stealin’, Stealin’ (in 1966-06)
writer:
[traditional] (special purpose artist)
arranger:
Memphis Jug Band
Grateful Dead2:33
32All Night Long
The Bad Seeds2:21